Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of

impressionist Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...

painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to '' plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the

Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ...

. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mother, but she died in January 1857 when he was sixteen years old, and he was sent to live with his childless, widowed but wealthy aunt, Marie-Jeanne Lecadre. He went on to study at the Académie Suisse, and under the academic history painter Charles Gleyre, where he was a classmate of

Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that " ...

. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was Eugène Boudin who introduced him to the concept of ''plein air'' painting. From 1883, Monet lived in Giverny, also in northern France, where he purchased a house and property and began a vast landscaping project, including a water-lily pond. Monet's ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and the passing of the seasons. Among the best-known examples are his series of haystacks (1890–91), paintings of the Rouen Cathedral (1894), and the paintings of water lilies in his garden in Giverny that occupied him continuously for the last 20 years of his life. Frequently exhibited and successful during his lifetime, Monet's fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for burgeoning groups of artists.

Biography

Birth and childhood

Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris.P. Tucker ''Claude Monet: Life and Art'', p. 5 He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet, both of them second-generation Parisians. On 20 May 1841, he was baptised in the local paris church,

Notre-Dame-de-Lorette Notre Dame de Lorette (), also known as Ablain St.-Nazaire French Military Cemetery, is the world's largest French military cemetery. Despite being baptised Catholic, Monet later became an atheist. In 1845, his family moved to Le Havre in Normandy. His father, a wholesale

merchant A merchant is a person who trades in commodities produced by other people, especially one who trades with foreign countries. Historically, a merchant is anyone who is involved in business or trade. Merchants have operated for as long as indust ...

, wanted him to go into the family's ship-chandling and grocery business, but Monet wanted to become an artist. His mother was a singer, and supported Monet's desire for a career in art. On 1 April 1851, he entered Le Havre secondary school of the arts. He was an apathetic student who, after showing skill in art from young age, began drawing caricatures and portraits of acquaintances at age 15 for money. He began his first drawing lessons from

Jacques-François Ochard Jacques-François Ochard (1800–1870) was a French artist, remembered as the first art teacher of Claude Monet at his high school.Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in ...

.Fourny-Dargère, Sophie, and Claude Monet (1992). ''Monet''. New York: Konecky and Konecky. p. 30. . In around 1858, he met fellow artist Eugène Boudin, who would encourage Monet to develop his techniques, teach him the " en plein air" (outdoor) techniques for painting and take Monet on painting excursions. Monet thought of Boudin as his master, whom "he owed everything to" for his later success. In 1857, his mother died. He lived with his father and aunt, Marie-Jeanne Lecadre; Lecadre would be a source of support for Monet in his early art career. Claude Monet - Camille

Paris and Algeria

From 1858 to 1860, Monet continued his studies in Paris, where he enrolled in Académie Suisse and met

Camille Pissarro Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of Saint Thomas, U.S. Virgin Islands, St Thomas (now in the US Virgin Islands, but t ...

in 1859. He was called for military service and served under the Chasseurs d'Afrique (African Hunters), in Algeria, from 1861 to 1862. His time in Algeria had a powerful effect on Monet, who later said that the light and vivid colours of North Africa "contained the gem of my future researches". Illness forced his return to Le Havre, where he bought out his remaining service and met Johan Barthold Jongkind, who together with Boudin was an important mentor to Monet. Monet dejeunersurlherbe

Upon his return to Paris, with the permission of his father, he divided his time between his childhood home and the countryside and enrolled in Charles Gleyre's studio, where he met

Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...

and

Frédéric Bazille Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. ...

. Bazille eventually became his closest friend. In search of motifs, they traveled to

Honfleur Honfleur () is a commune in the Calvados department in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. The people that inhabit Honf ...

where Monet painted several "studies" of the harbor and the mouth of the Seine. Monet often painted alongside Renoir and Alfred Sisley, both of whom shared his desire to articulate new standards of beauty in conventional subjects. During this time he painted ''Women in Garden'', his first successful large-scale painting, and '' Le déjeuner sur l'herbe'', the "most important painting of Monet's early period". Having debuted at the Salon in 1865 with ''La Pointe de la Hève at Low Tide'' and ''Mouth of the Seine at Honfleur'' to large praise, he hoped ''Le déjeuner sur l'herbe'' would help him breakthrough into the Salon of 1866. He could not finish it in a timely manner and instead submitted ''The Woman in the Green Dress'' and ''Pavé de Chailly'' to acceptance. Thereafter, he submitted works to the Salon annually until 1870, but they were accepted by the juries only twice, in 1866 and 1868. He sent no more works to the Salon until his single, final attempt in 1880. His work was considered radical, "discouraged at all official levels". In 1867, his then-mistress,

Camille Doncieux Camille-Léonie Doncieux (; 15 January 1847 – 5 September 1879) was the first wife of French painter Claude Monet, with whom she had two sons. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édoua ...

—who he had met two years prior as a model for his paintings—gave birth to their first child, Jean. Monet had a strong relationship with Jean, claiming that Camille was his lawful wife so Jean would be considered legitimate. Monet's father stopped financially supporting him as a result of the relationship. Earlier in the year, Monet had been forced to move to his aunt's house in Sainte-Adresse. There he immersed himself in his work, although a temporary problem with his eyesight, probably related to stress, prevented him from working in sunlight. With help from the art collector Louis-Joachim Gaudibert, he reunited with Camille and moved to Étretat the following year. Around this time, he was trying to establish himself as a figure painter who depicted the "explicitly contemporary, bourgeois", an intention that continued into the 1870s. He did evolve his painting technique and integrate stylistic experimentation in his plein-air style—as evidenced by ''The Beach at Sainte-Adresse'' and ''On the Bank of the Seine'' respectively, the former being his "first sustained campaign of painting that involved tourism". Several of his paintings had been purchased by Gaudibert, who commissioned a painting of his wife, alongside other projects; the Gaudiberts were for two years "the most supportive of Monet's hometown patrons". Monet would later be financially supported by the artist and art collector Gustave Caillebotte, Bazille and perhaps Gustave Courbet, although creditors still pursued him.

Exile and Argenteuil

Carolus-Duran - Portrait de Claude Monet - Musée Marmottan Monet

He married Camille on 28 June 1870, just before the outbreak of the Franco-Prussian War.Charles Stuckey "Monet, a Retrospective", Hugh Lauter Levin Associates, 195 During the war, he and his family lived in London and the Netherlands to avoid

conscription Conscription (also called the draft in the United States) is the state-mandated enlistment of people in a national service, mainly a military service. Conscription dates back to antiquity and it continues in some countries to the present day un ...

. Monet and Charles-François Daubigny lived in self-imposed

exile Exile is primarily penal expulsion from one's native country, and secondarily expatriation or prolonged absence from one's homeland under either the compulsion of circumstance or the rigors of some high purpose. Usually persons and peoples suf ...

. While living in London, Monet met his old friend Pissarro, the American painter James Abbott McNeill Whistler, and befriended his first and primary art dealer Paul Durand-Ruel; an encounter that would be decisive for his career. There he saw and admired the works of

John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedha ...

and

J. M. W. Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulen ...

and was impressed by Turner's treatment of light, especially in the works depicting the fog on the Thames.Dominique Lobstein, ''Monet'', Éditions Jean-Paul Gisserot, 2002, pp. 38, 106-107 He repeatedly painted the Thames, Hyde Park and Green Park. In the spring of 1871, his works were refused authorisation for inclusion in the Royal Academy exhibition and police suspected him of revolutionary activities. That same year he learned of his father's death. The family moved to Argenteuil in 1871, where he, influenced by his time with Dutch painters, mostly painted the

Seine ) , mouth_location = Le Havre/Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributarie ...

's surrounding area. He acquired a sail boat to paint on the river. In 1874, he signed a six-and-a-half year lease and moved into a newly built "rose-colored house with green shutters" in Argenteuil, where he painted fifteen paintings of his garden from a panoramic perspective. Paintings such as ''Gladioli'' marked what was likely the first time Monet had cultivated a garden for the purpose of his art. The house and garden became the "single most important" motif of his final years in Argenteuil. For the next four years, he painted mostly in Argenteuil and took an interest in the colour theories of chemist

Michel Eugène Chevreul Michel Eugène Chevreul (31 August 1786 – 9 April 1889) was a French chemist and centenarian whose work influenced several areas in science, medicine, and art. His early work with animal fats revolutionized soap and candle manufacturing and led ...

. For three years of the decade, he rented a large villa in Saint-Denis for a thousand francs per year. ''Camille Monet on a Garden Bench'' displays the garden of the villa, and what some have argued to be Camille's grief upon learning of her father's death. Monet and Camille were often in financial straits during this period—they were unable to pay their hotel bill during the summer of 1870 and likely lived on the outskirts of London as a result of insufficient funds. An inheritance from his father, together with sales of his paintings, did, however, enable them to hire two servants and a gardener by 1872. Following the successful exhibition of some maritime paintings and the winning of a silver medal at Le Havre, Monet's paintings were seized by creditors, from whom they were bought back by a shipping merchant, Gaudibert, who was also a patron of Boudin.Charles F. Stuckey, pp. 11–16

Impressionism

When Durand-Ruel's previous support of Monet and his peers began to decline, Monet, Renoir, Pissarro, Sisley,

Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...

Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...

, and

Berthe Morisot Berthe Marie Pauline Morisot (; January 14, 1841 – March 2, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. In 1864, Morisot exhibited for the first time in the highly es ...

exhibited their work independently; they did so under the name the Anonymous Society of Painters, Sculptors and Engravers for which Monet was a leading figure in its formation. He was inspired by the style and subject matter of his slightly older contemporaries, Pissarro and Édouard Manet. The group, whose title was chosen to avoid association with any style or movement, were unified in their independence from the Salon and rejection of the prevailing academicism. Monet gained a reputation as the foremost landscape painter of the group. At the first exhibition, in 1874, Monet displayed, among others, '' Impression, Sunrise'', ''The Luncheon'' and ''

Boulevard des Capucines The Boulevard des Capucines is a boulevard in Paris. It is one of the 'Grands Boulevards' in Paris, a chain of boulevards built through the former course of the Wall of Charles V and the Louis XIII Wall, which were destroyed on the orders of L ...

''. The art critic Louis Leroy wrote a hostile review. Taking particular notice of ''Impression, Sunrise'' (1872), a hazy depiction of Le Havre port and stylistic detour, he coined the term " Impressionism". Conservative critics and the public derided the group, with the term initially being ironic and denoting the painting as unfinished. More progressive critics praised the depiction of modern life—Louis Edmond Duranty called their style a "revolution in painting". He later regretted inspiring the name, as he believed that they were a group "whose majority had nothing impressionist". The total attendance is estimated at 3500. Monet priced ''Impression: Sunrise'' at 1000 francs but failed to sell it.Bernard Denvir, ''The Chronicle of Impressionism: A Timeline History of Impressionist Art'', Bulfinch Press Book, 1993Bernard Denvir, ''The chronicle of impressionism: an intimate diary of the lives and world of the great artists''
Thames & Hudson, Limited, 1993 The exhibition was open to anyone prepared to pay 60 francs and gave artists the opportunity to show their work without the interference of a jury. Another exhibition was held in 1876, again in opposition to the Salon. Monet displayed 18 paintings, including ''The Beach at Sainte-Adresse'' which showcased multiple Impressionist characteristics. For the third exhibition, on 5 April 1877, he selected seven paintings from the dozen he had made of

Gare Saint-Lazare The Gare Saint-Lazare (English: St Lazarus station), officially Paris-Saint-Lazare, is one of the six large mainline railway station termini in Paris, France. It serves train services toward Normandy, northwest of Paris, along the Paris–Le Hav ...

in the past three months, the first time he had "synced as many paintings of the same site, carefully coordinating their scenes and temporalities". The paintings were well received by critics, who especially praised the way he captured the arrival and departures of the trains. By the fourth exhibition his involvement was by means of negotiation on Caillebotte's part. His last time exhibiting with the Impressionists was in 1882—four years before the final Impressionist exhibition. Monet, Renoir, Pissarro, Morisot, Cézanne and Sisley proceeded to experiment with new methods of depicting reality. They rejected the dark, contrasting lighting of

romantic Romantic may refer to: Genres and eras * The Romantic era, an artistic, literary, musical and intellectual movement of the 18th and 19th centuries ** Romantic music, of that era ** Romantic poetry, of that era ** Romanticism in science, of that e ...

and realist paintings, in favour of the pale tones of their peers' paintings such as those by

Jean-Baptiste-Camille Corot Jean-Baptiste-Camille Corot ( , , ; July 16, 1796 – February 22, 1875), or simply Camille Corot, is a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast ...

and Boudin. After developing methods for painting transient effects, Monet would go on to seek more demanding subjects, new patrons and collectors; his paintings produced in the early 1870s left a lasting impact on the movement and his peers—many of whom moved to Argenteuil as a result of admiring his depiction. File:Monet, Claude - View At Rouelles, Le Havre (1858).jpg, ''View at Rouelles, Le Havre'' 1858, private collection; an early work showing the influence of Corotà Sainte-Adress and Courbet File:Claude Monet - Mouth of the Seine.jpg, ''Mouth of the Seine at Honfleur'', 1865, Norton Simon Foundation, Pasadena, California; indicates the influence of Dutch maritime painting. File:Claude Monet - La Vague Verte.jpg, ''The Green Wave'', 1866, Metropolitan Museum of Art File:Claude Monet 024.jpg, '' Women in the Garden'', 1866–1867,

Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art ...

, Paris File:Claude Monet 022.jpg, ''

Woman in the Garden ''Woman in the Garden'' (French: ''Femme au jardin'') (or ''Jeanne-Marguerite Lecadre in the Garden'') is a painting begun in 1866 by Claude Monet when he was a young man of 26. The work was executed '' en plein air'' in oil on canvas with a rel ...

'', 1867, Hermitage, St. Petersburg; a study in the effect of sunlight and shadow on colour. File:Claude Monet - Jardin à Sainte-Adresse.jpg, ''

Garden at Sainte-Adresse The ''Garden at Sainte-Adresse'' is a painting by the French impressionist painter Claude Monet. (Oil on canvas, ). The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the Frenc ...

'' ("Jardin à Sainte-Adresse"), 1867, Metropolitan Museum of Art, New York File:Claude Monet - The Luncheon - Google Art Project.jpg, ''The Luncheon'', 1868,

Städel The Städel, officially the ''Städelsches Kunstinstitut und Städtische Galerie'', is an art museum in Frankfurt, with one of the most important collections in Germany. The Städel Museum owns 3,100 paintings, 660 sculptures, more than 4,600 ...

, which features Camille Doncieux and Jean Monet, was rejected by the Paris Salon of 1870 but included in the first Impressionists' exhibition in 1874. File:Claude Monet La Grenouillére.jpg, '' La Grenouillére'' 1869, Metropolitan Museum of Art, New York; a small plein-air painting created with broad strokes of intense colour. File:Claude Monet - On the Bank of the Seine, Bennecourt - 1922.427 - Art Institute of Chicago.jpg, ''

On the Bank of the Seine, Bennecourt ''On the Bank of the Seine, Bennecourt'' (''Au bord de l’eau; Bennecourt'') or ''River Scene at Bennecourt'' is an 1868 oil on canvas painting by Claude Monet, now in the collection of the Art Institute of Chicago, to which it was given by the ...

'', 1868,

Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...

File:Claude Monet - The Magpie - Google Art Project.jpg, '' The Magpie'', 1868–1869. Musée d'Orsay, Paris; one of Monet's early attempts at capturing the effect of snow on the landscape. See also ''

Snow at Argenteuil ''Snow at Argenteuil'' (french: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet. It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil wh ...

'' File:Claude Monet, 1870, Le port de Trouville (Breakwater at Trouville, Low Tide), oil on canvas, 54 x 65.7 cm, Museum of Fine Arts, Budapest.jpg, ''Le port de Trouville (Breakwater at Trouville, Low Tide)'', 1870, Museum of Fine Arts, Budapest File:Claude Monet 002.jpg, ''La plage de Trouville'', 1870, National Gallery, London. The left figure may be Camille, on the right possibly the wife of Eugène Boudin, whose beach scenes influenced Monet. File:Houses on the Achterzaan MET DT719.jpg, ''

Houses on the Achterzaan ''Houses on the Achterzaan'' is an 1871 painting by French artist Claude Monet. Done in oil on canvas, the work depicts riverside garden houses on the west shore of the Achterzaan river in Zaandam, the Netherlands. He painted it from the dam in ...

'', 1871, Metropolitan Museum of Art, New York File:Claude Monet - Jean Monet on his Hobby Horse.jpg, ''Jean Monet On His Hobby Horse'', 1872. Metropolitan Museum of Art, New York File:Claude Monet - Springtime - Google Art Project.jpg, ''Springtime'' 1872, Walters Art Museum File:Ships Riding on the Seine at Rouen by Claude Monet, 1872.jpg, ''Ships Riding on the Seine at Rouen'', 1872,

National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of char ...

, Washington DC

Death of Camille and Vétheuil

Claude Monet, 1879, Camille sur son lit de mort, oil on canvas, 90 x 68 cm, Musée d'Orsay, Paris

In 1875, he returned to figure painting with ''

Woman with a Parasol - Madame Monet and Her Son A woman is an adult female human. Prior to adulthood, a female human is referred to as a girl (a female child or adolescent). The plural ''women'' is sometimes used in certain phrases such as "women's rights" to denote female humans regardl ...

,'' after effectively abandoning it with ''The Luncheon''. His interest in the figure continued for the next four years—reaching its crest in 1877 and concluding altogether in 1890. In an "unusually revealing" letter to

Théodore Duret Théodore Duret (20 January 1838, Saintes – 16 January 1927, Paris) was a French journalist, author and art critic. He was one of the first advocates of Courbet, Manet, and the Impressionists. One of his best known works is ''Critique d'Avan ...

, Monet discussed his revitalised interest: "I am working like never before on a new endeavor figures in plein air, as I understand them. This is an old dream, one that has always obsessed me and that I would like to master once and for all. But it is all so difficult! I am working very hard, almost to the point of making myself ill". In 1876, Camille Monet became seriously ill.Milner, Frank (1991) ''Monet''. New York: Mallard Press. p. 16. . Their second son, Michel, was born in 1878, after which Camille's health deteriorated further. In the autumn of that year, they moved to the village of Vétheuil where they shared a house with the family of

Ernest Hoschedé Ernest Hoschedé (18 December 1837 – 19 March 1891) was a department store magnate in Paris. In 1878, Camille was diagnosed with uterine cancer. She died the next year. Her death, alongside financial difficulties—once having to leave his house to avoid creditors—afflicted Monet's career; Hoschedé had recently purchased several paintings but soon went bankrupt, leaving for Paris in hopes of regaining his fortune, as interest in the Impressionists dwindled. Pierre-Auguste Renoir, 1875, Claude Monet, oil on canvas, 84 x 60

Pierre-Auguste Renoir, 1875, Claude Monet, oil on canvas, 84 x 60

Monet made a study in oils of his late wife. Many years later, he confessed to his friend Georges Clemenceau that his need to analyse colours was both a joy and a torment to him. He explained: "I one day found myself looking at my beloved wife's dead face and just systematically noting the colours according to an automatic reflex". John Berger describes the work as "a blizzard of white, grey, purplish paint ... a terrible blizzard of loss which will forever efface her features. In fact there can be very few death-bed paintings which have been so intensely felt or subjectively expressive." Monet's study of the Seine continued. He submitted two paintings to the Salon in 1880, one of which was accepted. He began to abandon Impressionist techniques as his paintings utilised darker tones and displayed environments, such as the Seine river, in harsh weather. For the rest of the decade, he focused on the elemental aspect of nature. His personal life influenced his distancing from the Impressionists. He returned to Étretat and expressed in letters to Alice Hoschedé—who he would marry in 1892, following her husband's death the preceding year—a desire to die. In 1881, he moved with Alice and her children to Poissy and again sold his paintings to Durand-Ruel. Alice's third daughter, Suzanne, would become Monet's "preferred model", after Camille. In April 1883, looking out the window of the train between Vernon and Gasny, he discovered Giverny in Normandy. That same year his first major retrospective show was held. Monet's struggles with creditors ended following prosperous trips; he went to Bordighera in 1884, and brought back 50 landscapes. He travelled to the Netherlands in 1886 to paint the tulips. He soon met and became friends with Gustave Geffroy, who published an article on Monet. Despite his qualms, Monet's paintings were sold in America and contributed towards his financial security. In contrast to the last two decades of his career, Monet favoured working alone—and felt that he was always better when he did, having regularly "long dfor solitude, away from crowded tourist resorts and sophisticated urban settings". Such a desire was recurrent in his letters to Alice. File:Claude Monet, 1873, Camille Monet on a Bench, oil on canvas, 60.6 x 80.3 cm, The Metropolitan Museum of Art, New York.jpg, ''Camille Monet on a Garden Bench'', 1873, Metropolitan Museum of Art, New York File:Claude Monet - The Seine at Argenteuil 1873.jpg, ''The Seine at Argenteuil'', 1873 File:Claude Monet - The Artist's House at Argenteuil.jpg, ''The Artist's House at Argenteuil'', 1873,

File:Claude Monet 037.jpg, ''Coquelicots, La promenade (Poppies)'', 1873,

, Paris File:Pont Argenteuil Monet 1.jpg, ''Argenteuil'', 1874,

, Washington D.C. File:Claude Monet The Studio Boat.jpg, ''The Studio Boat'', 1874, Kröller-Müller Museum, Otterlo, Netherlands File:Claude Monet Camille au métier.jpg, ''Camille au métier'', 1875,

Barnes collection The Barnes Foundation is an art collection and educational institution promoting the appreciation of art and horticulture. Originally in Merion, the art collection moved in 2012 to a new building on Benjamin Franklin Parkway in Philadelphia, Penn ...

File:An image of the painting from an obituary in Le Figaro (1926)..png, An image of the 1875 painting

Bords de la Seine à Argenteuil ' (''Banks of the Seine at Argenteuil'') is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel. In 2011 ''Bords de la Seine à Argenteuil'' ...

from Monet's obituary in '' Le Figaro'' (1926) File:Claude Monet - Woman with a Parasol - Madame Monet and Her Son - Google Art Project.jpg, ''

'', 1875, National Gallery of Art, Washington D.C. File:Claude Monet-Madame Monet en costume japonais.jpg, '' Madame Monet in a Japanese Kimono'', 1876, Museum of Fine Arts, Boston File:Claude Monet Le bateau atelier.jpg, '' Le Bateau-atelier'', 1876,

File:Claude Monet - Flowered Riverbank, Argenteuil.jpg, ''Flowers on the Riverbank at Argenteuil'', 1877,

Pola Museum of Art is located in Hakone, Kanagawa Prefecture, Japan. It opened in September 2002 within Fuji-Hakone-Izu National Park. It houses the collection of over 9,500 works acquired by the former head of the Pola cosmetics group, including many works of Fre ...

, Japan File:Monet - Vetheuil im Nebel.jpg, ''Vétheuil in the Fog'', 1879, Musée Marmottan Monet, Paris File:Claude Monet 023.jpg, ''Study of a Figure Outdoors: Woman with a Parasol, Facing Left'', 1886,

Giverny

In 1883, Monet and his family rented a house and gardens in Giverny, which provided him domestic stability he had not yet enjoyed. The house was situated near the main road between the towns of Vernon and Gasny at Giverny. There was a barn that doubled as a painting studio, orchards and a small garden. The house was close enough to the local schools for the children to attend, and the surrounding landscape provided numerous natural areas for Monet to paint. The family worked and built up the gardens, and Monet's fortunes began to change for the better as Durand-Ruel had increasing success in selling his paintings. The gardens were Monet's greatest source of inspiration for 40 years. In 1890, Monet purchased the house. During the 1890s, Monet built a greenhouse and a second studio, a spacious building well lit with skylights. Monet wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners. Monet purchased additional land with a water meadow. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age.Art Gallery of Victoria
Monet's Garden
, (retrieved 16 December 2013) In 1902, he increased the size of his water garden by nearly 4000 square metres; the pond was enlarged in 1901 and 1910 with easels installed all around to allow different perspectives to be captured. Dissatisfied with the limitations of Impressionism, Monet began to work on series of paintings displaying single subjects—haystacks,

poplars ''Populus'' is a genus of 25–30 species of deciduous flowering plants in the family Salicaceae, native to most of the Northern Hemisphere. English names variously applied to different species include poplar (), aspen, and cottonwood. The we ...

and the Rouen Cathedral—to resolve his frustration. These series of paintings provided widespread critical and financial success; in 1898, 61 paintings were exhibited at the Petit gallery. He also begun a series of ''Mornings on the Seine,'' which portrayed the dawn hours of the river.'''' In 1887 and 1889 he displayed a series of paintings of Belle Île to rave reviews by critics. Monet chose the location in the hope of finding a "new aesthetic language that bypassed learned formulas, one that would be both true to nature and unique to him as an individual, not like anyone else." Claude monet in his third studio

In 1899, he began painting the water lilies that would occupy him continuously for the next 20 years of his life, being his last and "most ambitious" sequence of paintings. He had exhibited this first group of pictures of the garden, devoted primarily to his Japanese bridge, in 1900. He returned to London—now residing at the prestigious Savoy Hotel—in 1899 to produce a series that included 41 paintings of Waterloo bridge, 34 of Charing Cross bridge and 19 of the

House of Parliament A legislative chamber or house is a deliberative assembly within a legislature which generally meets and votes separately from the legislature's other chambers. Legislatures are usually unicameral, consisting of only one chamber, or bicame ...

. Monet's final journey would be to Venice, with Alice in 1908. Depictions of the water lilies, with alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost abstract art". Claude Roger-Marx noted in a review of Monet's successful 1909 exhibition of the first '' Water Lilies'' series that he had "reached the ultimate degree of abstraction and imagination joined to the real". This exhibition, entitled ''Waterlilies, a Series of Waterscape,'' consisted of 42 canvases, his "largest and most unified series to date"''.'' He would ultimately make over 250 paintings of the ''Waterlilies''. At his house, Monet met with artists, writers, intellectuals and politicians from France, England, Japan and the United States. In the summer of 1887 he met

John Singer Sargent John Singer Sargent (; January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more ...

whose experimentation with figure painting out of doors intrigued him; the pair went on to frequently influence each other. File:Monet - Im Garten - 1895.jpeg, ''In the Garden'', 1895, Collection E. G. Buehrle, Zürich File:1914-26 Claude Monet Agapanthus MOMA NY anagoria.JPG, ''Agapanthus'', between 1914 and 1926, Museum of Modern Art, New York File:Claude Monet - Flowering Arches, Giverny.JPG, ''Flowering Arches, Giverny'', 1913, Phoenix Art Museum File:Water-Lilies-and-Japanese-Bridge-(1897-1899)-Monet.jpg, ''Water Lilies and the Japanese Bridge'', 1897–1899, Princeton University Art Museum File:Monet - Seerosen 1906.jpg, ''Water Lilies'', 1906,

File:Monet - Seerosen6.jpg, ''Water Lilies'', Musée Marmottan Monet File:Nympheas 71293 3.jpg, ''Water Lilies'', 1915,

Neue Pinakothek The Neue Pinakothek (, ''New Pinacotheca'') is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world. Together with th ...

, Munich File:Monet - Seerosen5.jpg, ''Water Lilies'', c. 1915, Musée Marmottan Monet

Failing sight

Monet's second wife, Alice, died in 1911, and his oldest son Jean, who had married Alice's daughter Blanche, Monet's particular favourite, died in 1914.Biography for Claude Monet
Guggenheim Collection. Retrieved 6 January 2007. Their deaths left Monet depressed, as Blanche cared for him. It was during this time that Monet began to develop the first signs of cataracts.Forge, Andrew, and Gordon, Robert, ''Monet'', page 224. Harry N. Abrams, 1989. In 1913, Monet travelled to London to consult the German ophthalmologist

Richard Liebreich Richard Liebreich (30 June 1830 – 19 January 1917) was a German ophthalmologist and physiologist who was a native of Königsberg. He was of Jewish ancestry. In 1853 he earned his doctorate at Halle, and from 1854 until 1862 was an assistant to ...

. He was prescribed new glasses and rejected cataract surgery for the right eye. The next year, Monet, encouraged by Clemenceau, made plans to construct a new, large studio that he could use to create a "decorative cycle of paintings devoted to the water garden". In the following years, his perception of colour suffered; his broad strokes were broader and his paintings were increasingly darker. To achieve his desired outcome, he began to label his tubes of paint, kept a strict order on his palette and wore a straw hat to negate

glare Glare (derived from GLAss REinforced laminate ) is a fiber metal laminate (FML) composed of several very thin layers of metal (usually aluminum) interspersed with layers of S-2 glass-fiber ''pre-preg'', bonded together with a matrix such as epo ...

. He approached painting by formulating the ideas and features in his mind, taking the "motif in large masses" and transcribing them through memory and imagination. This was due to him being "insensitive" to the "finer shades of tonalities and colors seen close up". Monet's output decreased as he became withdrawn, although he did produce several panel paintings for the French Government, from 1914 to 1918 to great financial success and he would later create works for the state. His work on the "cycle of paintings" mostly occurred around 1916 to 1921. Cataract surgery was once again recommended, this time by Clemenceau. Monet—who was apprehensive, following Honoré Daumier and Mary Cassatt's botched surgeries—stated that he would rather have poor sight and perhaps abandon painting than forego "a little of these things that I love". In 1919, Monet began a series of landscape paintings, "in full force" although he was not pleased with the outcome. By October the weather caused Monet to cease plein air painting and the next month he sold four of the eleven ''Water Lilies'' paintings, despite his then-reluctance to relinquish his work. The series inspired praise from his peers; his later works were well received by dealers and collectors, and he received 200,000 francs from one collector. In 1922, a prescription of mydriatics provided short-lived relief. He eventually underwent cataract surgery in 1923. Persistent cyanopsia and aphakic spectacles proved to be a struggle. Now "able to see the real colours", he began to destroy canvases from his pre-operative period. Upon receiving tinted

Zeiss Zeiss or Zeiß may refer to: People *Carl Zeiss (1816–1888), German optician and entrepreneur *Emil Zeiß (1833–1910), German Protestant minister and painter Companies *Carl Zeiss AG, German manufacturer of optics, industrial measurem ...

lenses, Monet was laudatory, although his left eye soon had to be entirely covered by a black lens. By 1925, his visual impairment was improved and he began to retouch some of his pre-operative works, with bluer water lilies than before. During World War I, in which his younger son Michel served, Monet painted a '' Weeping Willow'' series as homage to the French fallen soldiers. He became deeply dedicated to the decorations of his garden during the war. File:Nymphéas reflets de saule 1916-19.jpg, '' Water Lilies and Reflections of a Willow'' (1916–1919), Musée Marmottan Monet File:Claude Monet, Water-Lily Pond and Weeping Willow.JPG, ''Water-Lily Pond and Weeping Willow'', 1916–1919, Sale Christie's New York, 1998 File:Claude Monet, Weeping Willow.JPG, '' Weeping Willow'', 1918, Columbus Museum of Art File:Claude Monet Weeping Willow.jpg, ''Weeping Willow'', 1918–19, Kimball Art Museum,

Fort Worth Fort Worth is the fifth-largest city in the U.S. state of Texas and the 13th-largest city in the United States. It is the county seat of Tarrant County, covering nearly into four other counties: Denton, Johnson, Parker, and Wise. According ...

, Monet's ''Weeping Willow'' paintings were an homage to the fallen French soldiers of World War I File:Monet - Das Haus in den Rosen.jpeg, ''House Among the Roses'', between 1917 and 1919, Albertina, Vienna File:Monet- Der Rosenweg in Giverny.jpeg, ''The Rose Walk, Giverny'', 1920–1922, Musée Marmottan Monet File:1920-22 Claude Monet The Japanese Footbridge MOMA NY anagoria.JPG, ''The Japanese Footbridge'', 1920–1922, Museum of Modern Art File:Claude Monet - Wisteria - Google Art Project.jpg, ''Wisteria'', 1920–1925, Kunstmuseum Den Haag

Method

Monet has been described as "the driving force behind Impressionism". Crucial to the art of the Impressionist painters was the understanding of the effects of light on the local colour of objects, and the effects of the juxtaposition of colours with each other. His free flowing style and use of colour have been described as "almost etheral" and the " pitomeof impressionist style"; ''Impression, Sunrise'' is an example of the "fundamental" Impressionist principle of depicting only that which is purely visible. Monet was fascinated with the effects of light, and painting en plein air—he believed that his only "merit lies in having painted directly in front of nature, seeking to render my impressions of the most fleeting effects" Wanting to "paint the air", he often combined modern life subjects in outdoor light. Sargent MonetPainting

Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. He wished to demonstrate how light altered colour and perception of reality. His interest in light and reflection began in the late 1860s and lasted throughout his career. During his first time in London, he developed an admiration for the relationship between the artist and motifs—for what he deemed the "envelope". He utilised pencil drawings to quickly note subjects and motifs for future reference. Monet's portrayal of landscapes emphasised industrial elements such as railways and factories; his early seascapes featured brooding nature depicited with muted colours and local residents. Critic, and friend of Monet,

noted, in 1874, that he was "little attracted by rustic scenes...He

elt ELT may refer to: Education * English language teaching * Expanded learning time, an American education strategy * Kolb's experiential learning theory Mathematics and science * Ending lamination theorem * Extremely large telescope, a type ...

particularly drawn towards nature when it is embellished and towards urban scenes and for preference he paint dflowery gardens, parks and groves." When depicting figures and landscapes in tandem, Monet wished for the landscape to not be a mere backdrop and the figures not to be dominate the composition. His dedication to such a portrayal of landscapes resulted in Monet reprimanding Renoir for defying it. He often depicted the suburban and rural leisure activities of Paris and as a young artist experimented with

still life A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...

s. From the 1870s onwards, he gradually moved away from suburban and urban landscapes—when they were depicted it was to further his study of light. Contemporary critics—and later academics—felt that with his choice of showcasing Belle Île, he had indicated a desire to move away from the modern culture of Impressionist paintings and instead towards

primitive Primitive may refer to: Mathematics * Primitive element (field theory) * Primitive element (finite field) * Primitive cell (crystallography) * Primitive notion, axiomatic systems * Primitive polynomial (disambiguation), one of two concepts * Pr ...

nature. After meeting Boudin, Monet dedicated himself to searching for new and improved methods of painterly expression. To this end, as a young man, he visited the Salon and familiarised himself with the works of older painters, and made friends with other young artists. The five years that he spent at Argenteuil, spending much time on the River Seine in a little floating studio, were formative in his study of the effects of light and reflections. He began to think in terms of colours and shapes rather than scenes and objects. He used bright colours in dabs and dashes and squiggles of paint. Having rejected the academic teachings of Gleyre's studio, he freed himself from theory, saying "I like to paint as a bird sings." Boudin, Daubigny, Jongkind, Courbet, and Corot were among Monet's influences and he would often work in accordance with developments in avant-garde art. In 1877 a series of paintings at St-Lazare Station had Monet looking at smoke and steam and the way that they affected colour and visibility, being sometimes opaque and sometimes translucent. He was to further use this study in the painting of the effects of mist and rain on the landscape. The study of the effects of atmosphere was to evolve into a number of series of paintings in which Monet repeatedly painted the same subject (such as his water lilies series) in different lights, at different hours of the day, and through the changes of weather and season. This process began in the 1880s and continued until the end of his life in 1926. In his later career, Monet "transcended" the Impressionist style and begun to push the boundaries of art. Monet in his studio

Monet refined his palette in the 1870s, consciously minimising the use of darker tones and favouring pastel colours. This coincided with his softer approach, using smaller and more varied brush strokes. His palette would again undergo change in the 1880s, with more emphasise than before on harmony between warm and cold hues. Following his optical operation in 1923, Monet returned to his style from before a decade ago. He forwent garish colours or "coarse application" for emphasised colour schemes of blue and green. Whilst suffering from cataracts, his paintings were more broad and abstract—from the late 1880s onwards, he had simplified his compositions and sought subjects which could offer broad colour and tone. He increasingly used red and yellow tones, a trend that first started following his trip to Venice. Monet often travelled alone at this time—from France to Normanday to London; to the Rivera and

Rouen Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of ...

—in search of new and more challenging subjects. The stylistic change was likely a by-product of the disorder and not an intentional choice. Monet would often work on large canvases due to the deterioration of his eyesight and by 1920 he admitted that he had grown too accustomed to broad painting to return to small canvases. The influence of his cataracts on his output has been a topic of discussion among academics; Lane et al. (1997) argues the occurrence of a deterioration from the late 1860s onwards led to a diminishing of sharp lines. Gardens were a focus throughout his art, becoming prominent in his later work, especially during the last decade of his life. Daniel Wildenstein noted a "seamless" continuity in his paintings that was "enriched by innovation". Monet dans son atelier

From the 1880s onwards—and particularly in the 1890s—Monet's series of paintings of specific subjects sought to document the different conditions of light and weather. As light and weather changed throughout the day, he switched between canvases—sometimes working on as many as eight at one time—usually spending an hour on each. In 1895, he exhibited 20 paintings of '' Rouen Cathedral,'' showcasing the façade in different conditions of light, weather and atmosphere. The paintings do not focus on the grand Medieval building, but on the play of light and shade across its surface, transforming the solid masonry. For this series, he experimented with creating his own frames. His first series exhibited was of

haystacks Hay is grass, legumes, or other herbaceous plants that have been cut and dried to be stored for use as animal fodder, either for large grazing animals raised as livestock, such as cattle, horses, goats, and sheep, or for smaller domesticated ...

, painted from different points of view and at different times of the day. Fifteen of the paintings were exhibited at the

Galerie Durand-Ruel Paul Durand-Ruel (31 October 1831, Paris – 5 February 1922, Paris) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste ...

in 1891. In 1892 he produced twenty-six views of '' Rouen Cathedral''. Between 1883 and 1908, Monet travelled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, including a series of paintings in

Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...

. In London he painted four series: ''the Houses of Parliament, London'', '' Charing Cross Bridge'', ''Waterloo Bridge'', and ''Views of Westminster Bridge''. Helen Gardner writes: File:La Gare Saint-Lazare - Claude Monet.jpg, ''La Gare Saint-Lazare'', 1877,

File:Claude Monet - Arrival of the Normandy Train, Gare Saint-Lazare - Google Art Project.jpg, '' Arrival of the Normandy Train, Gare Saint-Lazare'', 1877, The Art Institute of Chicago, a part of Monet's ''

'' series. File:Claude Monet The Cliffs at Etretat.jpg, ''The Cliffs at Etretat'', 1885, Clark Institute, Williamstown File:Monet - Segelboote hinter der Nadel bei Eretat 1885.jpg, ''Sailboats behind the needle at Etretat'', 1885 File:Claude Monet, Grainstacks in the Sunlight, Morning Effect, 1890, oil on canvas 65 x 100 cm.jpg, Two paintings from a series of grainstacks, 1890–91: ''Grainstacks in the Sunlight, Morning Effect'' File:1270 Wheatstacks, 1890-91, 65.8 x 101 cm, 25 7-8 x 39 3-4 in, The Art Institute of Chicago.jpg, ''Grainstacks, end of day, Autumn'', 1890–1891,

File:Claude Monet - Les Peupliers.jpg, '' Poplars (Autumn)'', 1891,

Philadelphia Museum of Art The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Fr ...

File:Monet Poplars on the River Epte.jpg, '' Poplars at the River Epte'', 1891 Tate, London File:Claude Monet - Rouen Cathedral, Facade (Sunset).JPG, ''Rouen Cathedral at sunset'', 1893, Musée Marmottan Monet File:Getty monet rouen cathedral.jpg, Rouen Cathedral, ''Morning Light'', 1894, J. Paul Getty Museum File:Claude Monet - Branch of the Seine near Giverny.JPG, ''The Seine Near Giverny'', 1897,

Museum of Fine Arts, Boston The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works ...

File:Claude Monet - Morning on the Seine - Google Art Project.jpg, ''Morning on the Seine'', 1898, National Museum of Western Art, Tokyo File:Charing Cross Bridge, Monet.jpg, ''Charing Cross Bridge'', 1899, Thyssen-Bornemisza Museum, Madrid File:Claude Monet - Charing Cross Bridge (Saint Louis).jpg, ''Charing Cross Bridge, London'', 1899–1901, Saint Louis Art Museum File:Claude Monet, Houses of Parliament, London, 1900-1903, 1933.1164, Art Institute of Chicago.jpg, Two paintings from a series of '' The Houses of Parliament, London'', 1900–01,

File:London, the Houses of Parliament, Sunlight Opening in Fog, by Claude Monet.jpg, ''London, Houses of Parliament. The Sun Shining through the Fog'', 1904,

File:Claude Monet, Le Grand Canal.jpg, ''Grand Canal, Venice'', 1908, Museum of Fine Arts, Boston File:Monet Grand Canal Legion of Honor.jpg, ''Grand Canal, Venice'', 1908, Fine Arts Museums of San Francisco File:Claude Monet, Saint-Georges majeur au crépuscule.jpg, '' San Giorgio Maggiore at Dusk'', 1908, National Museum Cardiff, Wales File:Monet, Claude - The Church of San Giorgio Maggiore, Venice - Google Art Project.jpg, '' San Giorgio Maggiore'', 1908, Indianapolis Museum of Art

Water lilies

Following his return from London, Monet painted mostly from nature, in his own garden; its water lilies, its pond and its bridge. From 22 November to 15 December 1900, another exhibition dedicated to him was held at the Durand-Ruel gallery, with around ten versions of the ''Water Lilies'' exhibited. This same exhibition was organized in February 1901 in New York City, where it was met with great success. In 1901, Monet enlarged the pond of his home by buying a meadow located on the other side of the Ru, the local watercourse. He then divided his time between work on nature and work in his studio. The canvases dedicated to the water lilies evolved with the changes made to his garden. In addition, around 1905, Monet gradually modified his aesthetics by abandoning the perimeter of the body of water and therefore modifying perspective. He also changed the shape and size of his canvases by moving from rectangular stretchers to square and then circular stretchers. These canvases were created with great difficulty: Monet spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them. He continually postponed the Durand-Ruel exhibition until he was satisfied with the works. After several postponements dating back to 1906, the exhibition titled ''Les Nymphéas'' ended up opening on 6 May 1909. Comprising forty-eight paintings dating from 1903 to 1908, representing a series of landscapes and water lily scenes, this exhibition was once again a success. File:Le bassin aux nymphéas - Claude Monet.jpg, '' Le Bassin Aux Nymphéas'', 1919. Monet's late series of water lily paintings are among his best-known works. File:WLA metmuseum Water Lilies by Claude Monet.jpg, ''Water Lilies'', 1919, Metropolitan Museum of Art, New York File:Claude Monet - Water Lilies, 1917-1919.JPG, '' Water Lilies'', 1917–1919, Honolulu Museum of Art File:Claude Monet 044.jpg, ''Water Lilies'', 1920, National Gallery, London File:Claude Monet, Water Lilies, ca. 1915-1926.jpg, ''Water Lilies'', c. 1915–1926, Nelson-Atkins Museum of Art, Kansas City, Missouri File:Claude Monet - Reflections of Clouds on the Water-Lily Pond.jpg, ''Reflections of Clouds on the Water-Lily Pond'', c.1920, Museum of Modern Art, New York

Death

Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus, only about fifty people attended the ceremony. At his funeral, Clemenceau removed the black cloth draped over the coffin, stating: "No black for Monet!" and replaced it with a flower-patterned cloth. At the time of his death, ''Waterlilies'' was "technically unfinished". Monet's home, garden, and water lily pond were bequeathed by Michel to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the

Fondation Claude Monet The Fondation Claude Monet is a nonprofit organisation that runs and preserves the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transformi ...

, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints. The house and garden, along with the Museum of Impressionism, are major attractions in Giverny, which hosts tourists from all over the world.

Legacy

Speaking of Monet's body of work, Wildenstein said that it is "so extensive that its very ambition and diversity challenges our understanding of its importance". His paintings produced at Giverny and under the influence of cataracts have been said to create a link between Impressionism and twentieth-century art and modern

abstract art Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th ...

, respectively. His later works were a "major" inspiration to Objective abstraction. Ellsworth Kelly, following a formative experience at Giverny, paid homage to Monet's works created there with ''Tableau Vert'' (1952). Monet has been called an "intermediary" between tradition and modernism—his work has been examined in relation to

postmodernism Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticis ...

—and was an influence to Bazille, Sisley, Renoir and Pissarro. Monet is now the most famous of the Impressionists; as a result of his contributions to the movement, he "exerted a huge influence on late 19th-century art". Musée de L'Orangerie Water Lilies Room

In May 1927, 27 panel paintings were displayed in the Musée de l'Orangerie, following lengthy negotiations with the French government. Due to his later works being ignored by artists, art historians, critics and the public few attended the showing. In the 1950s, Monet's later works were "rediscovered" by the Abstract Expressionists, and those adjacent like Clement Greenberg, who used a similar canvases and held a disinterest in the blunt and ideological art of the war. A 1952 essay by André Masson helped change the perception of the paintings and inspire appreciation that begin to take shape in 1956–1957. The next year, a fire in the Museum of Modern Art would see the ''Water Lilies'' paintings acquired by them burn. The large scale nature of Monet's later paintings proved to be difficult for some museums, which resulted in them altering the framing. In 1978,

Monet's garden The Fondation Claude Monet is a nonprofit organisation that runs and preserves the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming ...

in Giverny—which had grown decrepit over fifty years—was restored and opened to the public. In 2004, '' London, the Parliament, Effects of Sun in the Fog'' (''Londres, le Parlement, trouée de soleil dans le brouillard''; 1904), sold for US$20.1 million. In 2006, the journal '' Proceedings of the Royal Society'' published a paper providing evidence that these were painted in situ at

St Thomas' Hospital St Thomas' Hospital is a large NHS teaching hospital in Central London, England. It is one of the institutions that compose the King's Health Partners, an academic health science centre. Administratively part of the Guy's and St Thomas' NHS Foun ...

over the river Thames. In 1981, Ronald Pickvance noted that Monet's works after 1880 were increasingly receiving scholarly attention. ''Falaises près de Dieppe'' (''Cliffs Near Dieppe'') has been stolen on two occasions: once in 1998 (in which the museum's curator was convicted of the theft and jailed for five years and two months along with two accomplices) and most recently in August 2007. It was recovered in June 2008. Monet's ''Le Pont du chemin de fer à Argenteuil'', an 1873 painting of a railway bridge spanning the

near Paris, was bought by an anonymous telephone bidder for a record $41.4 million at

Christie's Christie's is a British auction house founded in 1766 by James Christie (auctioneer), James Christie. Its main premises are on King Street, St James's in London, at Rockefeller Center in New York City and at Alexandra House in Hong Kong. It is ...

auction in New York on 6 May 2008. The previous record for his painting stood at $36.5 million. A few weeks later, '' Le bassin aux nymphéas'' (from the water lilies series) sold at Christie's 24 June 2008 auction in London for £40,921,250 ($80,451,178), nearly doubling the record for the artist. This purchase represented one of the top 20 highest prices paid for a painting at the time. In October 2013, Monet's paintings, ''L'Eglise de Vétheuil'' and ''Le Bassin aux Nympheas'', became subjects of a legal case in New York against NY-based Vilma Bautista, one-time aide to Imelda Marcos, wife of dictator

Ferdinand Marcos Ferdinand Emmanuel Edralin Marcos Sr. ( , , ; September 11, 1917 – September 28, 1989) was a Filipino politician, lawyer, dictator, and kleptocrat who was the 10th president of the Philippines from 1965 to 1986. He ruled under martial ...

,Ex-Imelda Marcos aide on trial in NYC for selling Monet work
. Associated Press. 17 October 2013. Retrieved 17 October 2013. after she sold ''Le Bassin aux Nympheas'' for $32 million to a Swiss buyer. The said Monet paintings, along with two others, were acquired by Imelda during her husband's presidency and allegedly bought using the nation's funds. Bautista's lawyer claimed that the aide sold the painting for Imelda but did not have a chance to give her the money. The Philippine government seeks the return of the painting. ''Le Bassin aux Nympheas'', also known as ''Japanese Footbridge over the Water-Lily Pond at Giverny'', is part of Monet's famed Water Lilies series.

Nazi looting

Under the Nazi regime, both in Germany from 1933 and in German-occupied countries until 1945, Jewish art collectors of Monet were looted by Nazis and their agents. Several of the stolen artworks have been restituted to their former owners, while others have been the object of court battles. In 2014, during the spectacular discovery of a hidden trove of art in Munich, a Monet that had belonged to a Jewish retail magnate was found in the suitcase of Cornelius Gurlitt, the son of one of Hitler's official art dealers of looted art, Hildebrand Gurlitt. Examples of Nazi-looted Monet works include: * ''La Seine à Asnières/Les Péniches sur la Seine'', formerly owned by Mrs. Fernand Halphen, taken by agents of the German Embassy in Paris on 10 July 1940. * ''Le Repos Dans Le Jardin Argenteuil'', previously owned by Henry and Maria Newman, stolen from a Berlin bank vault, settlement with the Metropolitan Museum of Art. * ''Nymphéas'', stolen by Nazis in 1940 from Paul Rosenberg. * ''Au Parc Monceau'', previously owned by Ludwig Kainer, whose vast collection was looted by the Nazis. *''Haystacks at Giverny'' belonged to René Gimpel, a French Jewish art dealer killed in a Nazi concentration camp.

Footnotes

References

Sources

* * * Berger, John (1985). ''The White Bird''. London: Chatto & Windus. * * * * * * * * *

External links

*
Claude Monet, Ministère de la culture et de la communication

Claude Monet, Joconde, Portail des collections des musées de France

Union List of Artist Names, Getty Vocabularies

Claude Monet at The Guggenheim

Monet at Norton Simon Museum

''Impressionism: a centenary exhibition''
an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Monet (p. 131–167)
''Monet: The Late Years'' exhibition at Kimbell Art Museum
{{DEFAULTSORT:Monet, Claude 1840 births 1926 deaths 19th-century French painters 20th-century French painters 20th-century male artists École des Beaux-Arts alumni Artists from Paris Burials in Normandy Deaths from lung cancer in France French atheists French Impressionist painters French male painters Légion d'honneur refusals Artists from Le Havre People from Eure