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Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Origine Du Monde
("The Origin of the World") is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread. History Identity of the model Art historians had speculated for years that Courbet's model for was his favourite model, Joanna Hiffernan, also known as Jo. Her lover at the time was the American painter James Whistler, a friend of Courbet. Hiffernan was the subject of a series of four portraits by Courbet titled ''Jo, la belle Irlandaise'' (''Jo, the beautiful Irishwoman'') painted in 1865–66. The possibility that she was the model for or that she was having an affair with Courbet might explain Courbet's and Whistler's brutal separation a short while later.Dorothy M. Kosinski (1988)"Gustave Courbet's ''The Sleepers'' The Lesbian Image in Nineteenth Century French Art and Literature" ''Artibus et Historiae'', Vol. 9, No. 18 , p.187 In spite of Hiffernan's red hair c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Painter's Studio
''The Painter's Studio: A real allegory summing up seven years of my artistic and moral life'' (''L'Atelier du peintre'') is an 1855 oil on canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France. Courbet painted ''The Painter's Studio'' in Ornans, France in 1855. "The world comes to be painted at my studio," said Courbet of the Realist work. The figures in the painting are allegorical representations of various influences on Courbet's artistic life. On the left are human figures from all levels of society. In the center, Courbet works on a landscape, while turned away from a nude model who is a symbol of Academic art. On the right are friends and associates of Courbet, mainly elite Parisian society figures, including Charles Baudelaire, Champfleury, Pierre-Joseph Proudhon, and Courbet's most prominent patron, Alfred Bruyas. The 1855 Paris World Fair's jury accepted eleven of Courbet's works for the Exposition Universelle, but ''The Painter's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (art Movement)
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction, speculative and fantasy literature, supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Commune
The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the Third Republic in September 1870 (under French chief executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on March 18. They killed two French army generals and refused to accept the authority of the Third Republic, instead attempting to establish an independent government. The Commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of social democracy, including the separation of church and state, self-policing, the remission of rent, the abolition of child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stone Breakers
''The Stone Breakers'' (french: Les Casseurs de pierres) was an 1849 painting by the French painter Gustave Courbet. It was a work of realism, depicting two peasants, a young man and an old man, breaking rocks. ''The Stone Breakers'' was first exhibited at the Paris Salon of 1850. As a work of realism the subject matter addressed a scene of everyday life. This painting was intended to show the hard labor that poor citizens experienced. Courbet did not show the figure's faces, they represent the "every man" and are not meant to be specific individuals. At the same time the clothing of the figures implies some degree of individuality, the younger man's pants are too short and the older man's vest is striped. The painting was destroyed during World War II, along with 154 other pictures, when a transport vehicle moving the pictures to the castle of Königstein, near Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornans
Ornans () is a commune in the Doubs department in the Bourgogne-Franche-Comté region in eastern France. On January 1, 2016, the former commune Bonnevaux-le-Prieuré was merged into Ornans.Arrêté préfectoral 6 November 2015 Personalities Ornans is the birthplace of the French realist painter, (1819 - 1877). One of Courbet's most famous paintings is '' Burial at Ornans'', which records the burial of his great uncle in September 1848. Courbet's painting depicted actual people who had attended the funeral and were used as models for the painti ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunting
Hunting is the human practice of seeking, pursuing, capturing, or killing wildlife or feral animals. The most common reasons for humans to hunt are to harvest food (i.e. meat) and useful animal products ( fur/ hide, bone/ tusks, horn/ antler, etc.), for recreation/ taxidermy (see trophy hunting), to remove predators dangerous to humans or domestic animals (e.g. wolf hunting), to eliminate pests and nuisance animals that damage crops/ livestock/ poultry or spread diseases (see varminting), for trade/tourism (see safari), or for ecological conservation against overpopulation and invasive species. Recreationally hunted species are generally referred to as the '' game'', and are usually mammals and birds. A person participating in a hunt is a hunter or (less commonly) huntsman; a natural area used for hunting is called a game reserve; an experienced hunter who helps organize a hunt and/or manage the game reserve is known as a gamekeeper. Many non-human anima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bruyas
Alfred Bruyas (15 August 1821 – 1 January 1877) was an art collector and a personal friend of many important artists of his time, among them Gustave Courbet. He donated his collection to the Musée Fabre, in Montpellier. Born Jacques Louis Bruyas, he was the son of a wealthy banker in Montpellier. His interest in art was clear even at school. In 1840 he studied at the studio of Charles Matet, however he soon recognized the limits of his own talents and shifted his focus to the promotion and collection of contemporary art. From 1849 to 1854 he spent most of his time in Paris. There he collected work by Louis Hector Allemand, Camille Corot, Thomas Couture, Eugène Delacroix, Narcisse Diaz de Peña, Adrien Guignet, Adolphe Hervier, Prosper Marilhat, Edouard-Antoine Marsal, Jean-François Millet, Théodore Rousseau, Philippe-Joseph Tassaert, Marcel Verdier and Constant Troyon, but above all the work of Gustave Courbet Jean Désiré Gustave Courbet ( , , ; 10 June ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Movement
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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