Martian Dance Invasion

Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. It became the most popular celestial object in fiction in the late 1800s as the Moon was evidently lifeless. At the time, the predominant genre depicting Mars was utopian fiction. Contemporaneously, the mistaken belief that there are canals on Mars emerged and made its way into fiction. '' The War of the Worlds'', H. G. Wells' story of an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a large influence on the science fiction genre. Life on Mars appeared frequently in fiction throughout the first half of the 1900s. Apart from enlightened as in the utopian works from the turn of the century, or evil as in the works inspired by Wells, intelligent and human-like Martians also began to be depicted as decadent, a portrayal that was popularized by Edgar Rice Burroughs in the ''Barsoom'' series and adopted by Leigh Brackett among others. Besides these, more exotic lifeforms appeared in stories like Stanley G. Weinbaum's " A Martian Odyssey". The theme of colonizing Mars replaced stories about native inhabitants of the planet in the second half of the 1900s following emerging evidence of the planet being inhospitable to life, eventually confirmed by data from Mars exploration probes. A significant minority of works nevertheless persisted in portraying Mars in a way that was by then scientifically outdated, including Ray Bradbury's '' The Martian Chronicles''. Terraforming Mars to enable human habitation has been another major theme, especially in the final quarter of the century, with the most prominent example being Kim Stanley Robinson's ''Mars'' trilogy. Stories of the first human mission to Mars appeared throughout the 1990s in response to the Space Exploration Initiative. The moons of Mars— Phobos and Deimos—have made only sporadic appearances in fiction.

Early depictions

Before the 1800s, Mars did not get much attention in fiction writing as a primary setting, though it did appear in some stories visiting multiple locations in the Solar System. The first fictional tour of the planets, the 1656 work '' Itinerarium exstaticum'' by Athanasius Kircher, portrays Mars as a volcanic wasteland. It also appears briefly in the 1686 work '' Conversations on the Plurality of Worlds'' by Bernard Le Bovier de Fontenelle, but is largely dismissed as uninteresting due to its presumed similarity to Earth. Mars is home to spirits in both the 1758 work '' De Telluribus in Mundo Nostro Solari'' (English title: '' Concerning the Earths in Our Solar System'') by Emanuel Swedenborg and the 1765 novel '' Voyage de Milord Céton dans les Sept Planètes'' by Marie-Anne de Roumier-Robert. It later appeared alongside the other planets in the anonymously published 1839 novel ''A Fantastical Excursion into the Planets'' where it is divided between the Roman gods Mars and Vulcan, the anonymously published 1873 novel ''A Narrative of the Travels and Adventures of Paul Aermont among the Planets''—where, unlike the other planets, it is culturally rather similar to Earth—and the 1883 novel '' Aleriel, or A Voyage to Other Worlds'' by W. S. Lach-Szyrma where a visitor from Venus relates the details of Martian society to Earthlings.

Mars became the most popular extraterrestrial location in fiction in the late 1800s as it became clear that the Moon was devoid of life. A recurring theme in this time period was that of reincarnation on Mars, reflecting an upswing in interest in the paranormal in general and in relation to Mars in particular. Humans are reborn on Mars in the 1889 novel '' Uranie'' by Camille Flammarion as a form of afterlife, the 1896 novel '' Daybreak: The Story of an Old World'' by James Cowan depicts Jesus reincarnated there, and the protagonist of the 1903 novel ''The Certainty of a Future Life in Mars'' by Louis Pope Gratacap receives a message in Morse code from his deceased father on Mars. Another trope introduced during this time is Mars having a different local name such as Glintan in the 1889 novel ''Mr. Stranger's Sealed Packet'' by Hugh MacColl, Oron in the 1892 novel ''Messages from Mars, By Aid of the Telescope Plant'' by Robert D. Braine, and Barsoom in the 1912 novel '' A Princess of Mars'' by Edgar Rice Burroughs. This would carry on to later works such as the 1938 novel ''Out of the Silent Planet'' by C. S. Lewis which refers to the planet as Malacandra. Several stories also depict Martians speaking Earth languages and provide explanations of varying levels of preposterousness: in the 1899 novel '' Pharaoh's Broker'' by Ellsworth Douglass they speak Hebrew as Mars goes through the same historical phases as Earth with a delay of a few thousand years and currently corresponds to the captivity of the Israelites in Biblical Egypt, in the 1901 novel ''A Honeymoon in Space'' by George Griffith they speak English because they acknowledge it as the "most convenient" language of all, and in the 1920 novel ''A Trip to Mars'' by Marcianus Rossi they speak Latin as a result of having been taught the language by a Roman who was flung into space by the eruption of Mount Vesuvius in the year 79. Martians were often portrayed as existing within a racial hierarchy: the 1895 novel ''Journey to Mars'' by Gustavus W. Pope features Martians with different skin colours (red, blue, and yellow) subject to strict anti-miscegenation laws, Rossi's ''A Trip to Mars'' sees one portion of the Martian population described as "our inferior race, the same as your terrestrian negroes", and Burroughs' ''Barsoom'' series has red, green, yellow, and black Martians, with a white race that was responsible for the previous advanced civilization on Mars now extinct.

Means of travel

The issue of how humans would get to Mars was addressed in various ways: when not travelling there via spaceship as in the 1911 novel '' To Mars via the Moon: An Astronomical Story'' by Mark Wicks, they might use a flying carpet as in the 1905 novel '' Lieut. Gullivar Jones: His Vacation'' by Edwin Lester Arnold, visit in a dream as in the 1899 play '' A Message from Mars'' by Richard Ganthony, teleport via astral projection as in the 1912 novel ''A Princess of Mars'' by Edgar Rice Burroughs, or use a long-range communication device while staying on Earth as in the 1892 novel ''Messages from Mars, By Aid of the Telescope Plant'' by Robert D. Braine. Anti-gravity is employed in the 1880 novel '' Across the Zodiac'' by Percy Greg and the 1890 novel ''A Plunge into Space'' by Robert Cromie. Occasionally, the method of transport is not addressed at all. Some stories take the opposite approach of having Martians come to Earth; examples include 1891 novel '' The Man from Mars: His Morals, Politics and Religion'' by Thomas Blot (pseudonym of William Simpson) and the 1893 novel ''A Cityless and Countryless World'' by Henry Olerich.

Canals

During the 1877 opposition of Mars, Italian astronomer Giovanni Schiaparelli announced the discovery of linear structures he dubbed ''canali'' (literally "channels", but widely translated as "canals") on the Martian surface. These were generally interpreted—by those who accepted their existence—as waterways, and they made their earliest appearance in fiction in the anonymously published 1883 novel ''Politics and Life in Mars'', where the Martians live in the water. Schiaparelli's observations inspired Percival Lowell to speculate that these were artificial constructs and write a series of non-fiction books—''Mars'' in 1895, ''Mars and Its Canals'' in 1906, and ''Mars as the Abode of Life'' in 1908—popularizing the idea. Canals became a feature of romantic portrayals of Mars such as the 1912 novel ''A Princess of Mars'' by Edgar Rice Burroughs. Works that did not depict any waterways on Mars typically explained the appearance of straight lines on the surface in some other way, such as simooms or large tracts of vegetation. While they quickly fell out of favour as a serious scientific theory, largely as a result of higher-quality telescopic observations by astronomers such as E. M. Antoniadi failing to detect them, canals continued to make sporadic appearances in fiction in works such as the 1938 novel ''Out of the Silent Planet'' by C. S. Lewis and the 1949 novel '' Red Planet'' by Robert A. Heinlein until the flyby of Mars by Mariner 4 in 1965 conclusively determined that they were mere optical illusions.

Utopias

Because early versions of the nebular hypothesis of Solar System formation held that the planets were formed sequentially starting at the outermost planets, some authors envisioned Mars as an older and more mature world than the Earth, and it became the setting for a large number of utopian works of fiction. This genre made up the majority of stories about Mars in the late 1800s and continued to be represented through the early 1900s. The earliest of these works—as well as the first work of science fiction set primarily on Mars—was the 1880 novel ''Across the Zodiac'' by Percy Greg. The 1887 novel '' Bellona's Husband: A Romance'' by William James Roe portrays a Martian society where everyone ages backwards. The 1890 novel ''A Plunge into Space'' by Robert Cromie depicts a society that is so advanced that life there has become dull, and as a result the humans who visit succumb to boredom and leave ahead of schedule—to the approval of the Martians, who have come to view them as a corrupting influence. The 1892 novel ''Messages from Mars, By Aid of the Telescope Plant'' by Robert D. Braine is unusual in portraying a completely rural Martian utopia without any cities. An early work of feminist science fiction, the 1893 novel ''Unveiling a Parallel: A Romance'' by Alice Ilgenfritz Jones and Ella Robinson Merchant (writing jointly as "Two Women of the West"), depicts a man from Earth visiting two egalitarian societies on Mars: one where women have adopted male vices and one where equality has brought out everyone's best qualities. The 1897 novel ''Auf zwei Planeten'' by Kurd Lasswitz contrasts a utopian society on Mars with that society's colonialist actions on Earth. The book was translated into several languages and was highly influential in Continental Europe, including inspiring rocket scientist Wernher von Braun, but did not receive a translation into English until the 1970s which limited its impact in the Anglosphere. The 1910 novel ''The Man from Mars, Or Service for Service's Sake'' by Henry Wallace Dowding portrays a civilization on Mars based on a variation on Christianity where woman was created first.

In Russian science fiction, Mars became the setting for socialist utopias and revolutions. The 1908 novel ''Red Star'' by Alexander Bogdanov is the primary example of this, and inspired numerous others. ''Red Star'' portrays a socialist society on Mars from the perspective of a Russian Bolshevik invited there, where the struggle between classes has been replaced with a common struggle against the harshness of nature. The 1913 prequel ''Engineer Menni'', also by Bogdanov, is set several centuries earlier and serves as an origin story for the Martian society by detailing the events of the revolution that brought it about. Another prominent example is the 1922 novel '' Aelita'' by Aleksey Nikolayevich Tolstoy—along with its 1924 film adaptation, the earliest Soviet science fiction film—which adapts the story of the 1905 Russian Revolution to the Martian surface. ''Red Star'' and ''Aelita'' are in some ways opposites. ''Red Star'', written between the unsuccessful 1905 Russian Revolution and the successful 1917 Russian Revolution, sees Mars as a socialist utopia that Earth can learn from, whereas in ''Aelita'' the socialist revolution is instead exported from the early Soviet Russia to Mars. ''Red Star'' depicts a utopia on Mars, in contrast to the dystopia initially found on Mars in ''Aelita''—though both are technocracies. ''Red Star'' is a sincere and idealistic work of traditional utopian fiction, whereas ''Aelita'' is a parody.

''The War of the Worlds''

The 1897 novel ''The War of the Worlds'' by H. G. Wells, which depicts an alien invasion of Earth by Mars in search of resources, represented a turning point in Martian fiction. Rather than being portrayed as essentially human, the Martians have a completely inhuman appearance and cannot be communicated with. Rather than being noble creatures to emulate, the Martians dispassionately kill and exploit the Earthlings like livestock—a critique of contemporary British colonialism in general and its devastating effects on the Aboriginal Tasmanians in particular. The novel set the tone for the majority of the science-fictional depictions of Mars in the decades that followed in portraying the Martians as malevolent and Mars as a dying world. Beyond Martian fiction, the novel had a large influence on the broader science fiction genre, and inspired rocket scientist Robert H. Goddard. Says Bud Webster, "It's impossible to overstate the importance of ''The War of the Worlds'' and the influence it's had over the years."

An unauthorized sequel—'' Edison's Conquest of Mars'' by Garrett P. Serviss—was released in 1898. Wells' story gained further notoriety in 1938 when a radio adaptation by Orson Welles in the style of a news broadcast was mistaken for the real thing by some listeners in the US, leading to panic; less famously, a 1949 broadcast in Quito, Ecuador similarly resulted in a riot. Several additional sequels by other authors have been written since, including the 1975 novel '' Sherlock Holmes's War of the Worlds'' by Manly Wade Wellman and Wade Wellman, the 1976 novel ''The Second War of the Worlds'' by George H. Smith, the 1976 novel '' The Space Machine'' by Christopher Priest, the 2002 short story " Ulla, Ulla" by Eric Brown, and the 2017 novel '' The Massacre of Mankind'' by Stephen Baxter.

Life on Mars

The term ''Martians'' typically refers to inhabitants of Mars that are similar to humans in terms of having such things as language and civilization, though it is also occasionally used to refer to extraterrestrials in general. These inhabitants of Mars have variously been depicted as enlightened, evil, and decadent.

Martians have also been equated with humans in different ways. They are the descendants of humans from Earth in some works such as the 1889 novel ''Mr. Stranger's Sealed Packet'' by Hugh MacColl, where a close approach between Mars and Earth in the past allowed some humans to get to Mars, and the 1922 novel '' Aelita'' by Aleksey Nikolayevich Tolstoy where they are descended from inhabitants of the lost civilization of Atlantis. Conversely, humans are revealed to be the descendants of Martians in the 1954 short story "Survey Team" by Philip K. Dick. Human settlers take on the new identity of Martians in the 1946 short story "The Million Year Picnic" by Ray Bradbury (later included in the 1950 fix-up novel '' The Martian Chronicles''), and this theme of "becoming Martians" came to be a recurring motif in Martian fiction toward the end of the century.

Enlightened

The portrayal of Martians as superior to Earthlings appeared throughout the utopian fiction of the late 1800s. In-depth treatment of the nuances of the concept was pioneered by Kurd Lasswitz with the 1897 novel ''Auf zwei Planeten'', wherein the Martians visit Earth to share their more advanced knowledge with humans and gradually end up acting as an occupying colonial power. Martians sharing wisdom or knowledge with humans is a recurring element in these stories, and some works such as the 1952 novel '' David Starr, Space Ranger'' by Isaac Asimov depict Martians sharing their advanced technology with the inhabitants of Earth. Several depictions of enlightened Martians have a religious dimension: in the 1938 novel ''Out of the Silent Planet'' by C. S. Lewis, Martians are depicted as Christian beings free from original sin, the Martian Klaatu who visits Earth in the 1951 film '' The Day the Earth Stood Still'' is a Christ figure, and the 1961 novel '' Stranger in a Strange Land'' by Robert A. Heinlein revolves around a human raised by Martians who brings their religion to Earth as a prophet. In comics, the superhero Martian Manhunter first appeared in 1955. In the 1956 novel ''No Man Friday'' by Rex Gordon, an astronaut stranded on Mars encounters pacifist Martians and feels compelled to omit the human history of warfare lest they think of humans as savage creatures akin to cannibals.

Evil

The seminal depiction of Martians as evil creatures was the 1897 novel '' The War of the Worlds'' by H. G. Wells, wherein the Martians attack Earth. This characterization dominated the pulp era of science fiction, appearing in works such as the 1928 short story "The Menace of Mars" by Clare Winger Harris, the 1931 short story "Monsters of Mars" by Edmond Hamilton, and the 1935 short story "Mars Colonizes" by Miles J. Breuer. It quickly became regarded as a cliché and inspired a kind of countermovement that portrayed Martians as meek in works like the 1933 short story "The Forgotten Man of Space" by P. Schuyler Miller and the 1934 short story " Old Faithful" by Raymond Z. Gallun. Outside of the pulps, the alien invasion theme pioneered by Wells appeared in Olaf Stapledon's 1930 novel '' Last and First Men''—with the twist that the invading Martians are cloud-borne and microscopic, and neither aliens nor humans recognize the other as a sentient species. In film, this theme gained popularity in 1953 with the releases of '' The War of the Worlds'' and '' Invaders from Mars''; later films about Martian invasions of Earth include the 1954 film '' Devil Girl from Mars'', the 1962 film ''The Day Mars Invaded Earth'', a 1986 remake of ''Invaders from Mars'' and three different adaptations of ''The War of the Worlds'' in 2005. Martians attacking humans who come to Mars appear in the 1948 short story " Mars Is Heaven!" by Ray Bradbury (later revised and included in ''The Martian Chronicles'' as "The Third Expedition"), where they use telepathic abilities to impersonate the humans' deceased loved ones before killing them. Comical portrayals of evil Martians appear in the 1954 novel '' Martians, Go Home'' by Fredric Brown, where they are little green men who wreak havoc by exposing secrets and lies; in the form of the cartoon character Marvin the Martian introduced in the 1948 short "Haredevil Hare", who seeks to destroy Earth to get a better view of Venus; and in the 1996 film '' Mars Attacks!'', a pastiche of 1950s alien invasion films.

Decadent

Martians characterized by decadence were first portrayed in the 1905 novel '' Lieut. Gullivar Jones: His Vacation'' by Edwin Lester Arnold, one of the earliest examples of the planetary romance subgenre. The idea was developed further and popularized by Edgar Rice Burroughs in the 1912–1943 ''Barsoom'' series starting with '' A Princess of Mars''. Burroughs presents a Mars in need of human intervention to regain its vitality, a place where violence has replaced sexual desire. This version of Mars functions as a kind of stand-in for the bygone American frontier, where protagonist John Carter—a Confederate veteran of the American Civil War who is made superhumanly strong by the lower gravity of Mars—encounters indigenous Martians representing Native Americans. Burroughs' vision of Mars would go on to have an influence approaching but not quite reaching Wells', inspiring among others C. L. Moore's stories about Northwest Smith starting with the 1933 short story " Shambleau". Another author who followed Burroughs' lead in the decadent portrayal of Mars and its inhabitants—while updating the politics to reflect shifting attitudes toward colonialism and imperialism in the intervening years—was Leigh Brackett in works such as the 1940 short story "Martian Quest" and the 1944 novel '' Shadow Over Mars'', as well as the stories about Eric John Stark including the 1949 short story "Queen of the Martian Catacombs" and the 1951 short story "Black Amazon of Mars" (later expanded into the 1964 novels '' The Secret of Sinharat'' and ''People of the Talisman'', respectively). In the 1950 film '' Rocketship X-M'', Martians are depicted as disfigured cavepeople inhabiting a barren wasteland, descendants of the few survivors of a nuclear holocaust, while in the 1963 novel '' The Man Who Fell to Earth'' by Walter Tevis a survivor of nuclear holocaust on Mars comes to Earth for refuge but finds it to be similarly corrupt and degenerate. Inverting the premise of Heinlein's ''Stranger in a Strange Land'', the 1963 short story " A Rose for Ecclesiastes" by Roger Zelazny sees decadent Martians visited by a preacher from Earth.

Past and non-humanoid life

In some stories where Mars is not inhabited by humanoid lifeforms, it used to be in the past or is inhabited by other types of lifeforms. The ruins of extinct Martian civilizations are depicted in the 1943 short story " Lost Art" by George O. Smith where their perpetual motion machine is recreated and the 1957 short story "Omnilingual" by H. Beam Piper where their fifty-thousand-year-old language is deciphered, while the 1933 novel ''The Outlaws of Mars'' by Otis Adelbert Kline and the 1949 novel ''The Sword of Rhiannon'' by Leigh Brackett employ time travel to set stories in the past when Mars was still alive.

The 1934 short story " A Martian Odyssey" by Stanley G. Weinbaum broke new ground in portraying an entire Martian ecosystem wholly unlike that of Earth—inhabited by various species that are alien in anatomy and inscrutable in behaviour—and in depicting extraterrestrial life that is non-human and intelligent without being hostile. One Martian creature called Tweel is found to be intelligent, but have thought processes so inhuman that it is impossible for the alien and the human it encounters to learn each other's languages, and they can only communicate rudimentarily through the universal language of mathematics. Isaac Asimov would later say that this story met the challenge John W. Campbell made to science fiction writers in the 1940s: to write a creature who thinks at least as well as humans, yet not ''like'' humans.

Three different species of intelligent lifeforms appear on Mars in C. S. Lewis' 1938 novel ''Out of the Silent Planet'', only one of which is humanoid. In the 1943 short story " The Cave" by P. Schuyler Miller, various lifeforms endure on Mars long after the civilization that used to exist there has driven itself to extinction through ecological collapse. The 1951 novel '' The Sands of Mars'' by Arthur C. Clarke features some indigenous life in the form of oxygen-producing plants and Martian creatures resembling Earth marsupials, but otherwise depicts a mostly desolate environment—reflecting then-emerging data about the scarcity of life-sustaining resources on Mars. Other novels of the 1950s likewise limited themselves to rudimentary lifeforms such as lichen

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