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History Of Science Fiction Films
The history of science fiction films parallels that of the motion picture industry as a whole, although it took several decades before the genre was taken seriously. Since the 1960s, major science fiction films have succeeded in pulling in large audience shares, and films of this genre have become a regular staple of the film industry. Science fiction films have led the way in special effects technology, and have also been used as a vehicle for social commentary. Silent film Science fiction films appeared very early in the silent film era. The initial attempts were short films of typically 1 to 2 minutes in duration, shot in black and white, but sometimes with colour tinting. These usually had a technological theme, and were often intended to be humorous. '' A Trip to the Moon'', created by Georges Méliès in 1902 is often considered to be the first science fiction film. It drew upon Jules Verne and H. G. Wells in its depiction of a spacecraft being launched to the moon in ...
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Le Voyage Dans La Lune
''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon'' and its 1870 sequel ''Around the Moon'', the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Its ensemble cast of French theatrical performers is led by Méliès himself as the main character Professor Barbenfouillis. The film features the overtly theatrical style for which Méliès became famous. Scholars have commented upon the film's extensive use of pataphysical and anti-imperialist satire, as well as on its wide influence on later filmmakers and its artistic significance within the French theatrical ''féerie'' tradition. Though the film disappeared into obscurity ...
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Frankenstein (1910 Film)
''Frankenstein'' is a 1910 American short silent horror film produced by Edison Studios. It was directed by J. Searle Dawley, who also wrote the one-reeler's screenplay, broadly basing his "scenario" on Mary Shelley's 1818 novel ''Frankenstein; or, The Modern Prometheus''. This short motion picture is generally recognized by film historians as the first screen adaptation of Shelley's work. The small cast, who are not credited in the surviving 1910 print of the film, includes Augustus Phillips as Dr. Frankenstein, Charles Ogle as Frankenstein's monster, and Mary Fuller as the doctor's fiancée. Plot Described as "a liberal adaptation of Mrs. Shelley's famous story", the film shows young Frankenstein (his first name in the book, Victor, is never mentioned) discovering the "mystery of life" after two years at university. He gives life to a creature built by mixing different chemicals, and the monster follows Frankenstein back to his parents' house. The conclusion, completely d ...
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Metropolis (1927 Film)
''Metropolis'' is a 1927 German expressionist science-fiction drama film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name. Intentionally written as a treatment, it stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about € million. Made in Germany during the Weimar period, ''Metropolis'' is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, th ...
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Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock.
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German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Intro ...
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Aelita
''Aelita'' (russian: Аэли́та, ), also known as ''Aelita: Queen of Mars'', is a 1924 Soviet silent film, silent science fiction film directed by Yakov Protazanov and produced at the Gorky Film Studio, Mezhrabpom-Rus film studio. It was based on Aleksey Nikolayevich Tolstoy, Alexei Tolstoy's 1923 Aelita (novel), novel of the same name. Nikolai Tseretelli and Valentina Kuindzhi were cast in leading roles. Though the main focus of the story are the daily lives of a small group of people during the post-war Soviet Union, the film's enduring importance comes from its early sci-fi elements. It primarily tells of an engineer Mstislav Sergeyevich Los (russian: Лось) traveling to Mars in a rocket ship, where he leads a popular uprising against the ruling group of Elders, with the support of Queen Aelita who has fallen in love with him after watching him through a telescope. In its performances in the cinemas in Saint Petersburg, Leningrad, Dmitri Shostakovich played on the pia ...
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Soviet Russia
The Russian Soviet Federative Socialist Republic, Russian SFSR or RSFSR ( rus, Российская Советская Федеративная Социалистическая Республика, Rossíyskaya Sovétskaya Federatívnaya Socialistíčeskaya Respúblika, rɐˈsʲijskəjə sɐˈvʲetskəjə fʲɪdʲɪrɐˈtʲivnəjə sətsɨəlʲɪˈsʲtʲitɕɪskəjə rʲɪˈspublʲɪkə, Ru-Российская Советская Федеративная Социалистическая Республика.ogg), previously known as the Russian Soviet Republic and the Russian Socialist Federative Soviet Republic as well as being unofficially known as Soviet Russia,Declaration of Rights of the laboring and exploited people, article I. the Russian Federation or simply Russia, was an independent federal socialist state from 1917 to 1922, and afterwards the largest and most populous of the Soviet socialist republics of the Soviet Union (USSR) from 1922 to 1991, until becoming a so ...
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1920s In Film
The decade of the 1920s in film involved many significant films. Events The 1920s saw a vast expansion of Hollywood film making and worldwide film attendance. Throughout the decade, film production increasingly focused on the feature film rather than the "short" or "two-reeler." This is a change that had begun with works like the long D. W. Griffith epics of the mid-1910s and became the primary style by the 1920s. In Hollywood, numerous small studios were taken over and made a part of larger studios, creating the studio system that would run the American, Spanish, and Polish pool, open to the public film making until the 1960s. Metro-Goldwyn-Mayer (founded in the middle of the decade) and Paramount Pictures were the highest-grossing studios during the period, with 20th Century Fox, Universal Pictures, United Artists, and Warner Brothers making up a large part of the remaining market. The 1920s was also the decade of the "Picture Palaces": large urban theaters that could seat ...
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Arthur Conan Doyle
Sir Arthur Ignatius Conan Doyle (22 May 1859 – 7 July 1930) was a British writer and physician. He created the character Sherlock Holmes in 1887 for ''A Study in Scarlet'', the first of four novels and fifty-six short stories about Holmes and Dr. Watson. The Sherlock Holmes stories are milestones in the field of crime fiction. Doyle was a prolific writer; other than Holmes stories, his works include fantasy and science fiction stories about Professor Challenger and humorous stories about the Napoleonic soldier Brigadier Gerard, as well as plays, romances, poetry, non-fiction, and historical novels. One of Doyle's early short stories, " J. Habakuk Jephson's Statement" (1884), helped to popularise the mystery of the ''Mary Celeste''. Name Doyle is often referred to as "Sir Arthur Conan Doyle" or "Conan Doyle", implying that "Conan" is part of a compound surname rather than a middle name. His baptism entry in the register of St Mary's Cathedral, Edinburgh, gives "Arth ...
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The Lost World (1925 Film)
''The Lost World'' is a 1925 American silent fantasy giant monster adventure film adapted from Arthur Conan Doyle's 1912 novel of the same name. The film was produced and distributed by First National Pictures, a major Hollywood studio at the time, and stars Wallace Beery as Professor Challenger. It was directed by Harry O. Hoyt and featured pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on the original ''King Kong''. Doyle appears in a frontispiece to the film, absent from some extant prints. In 1998, ''The Lost World'' was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. Because of its age the film has come into the public domain, so that anyone may freely copy it for a commercial purpose. Plot From a lost expedition to a plateau in the borders of Peru, Brazil and Colombia, Paula White brings the journal of her father, exp ...
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Horror Films
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produc ...
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The Strange Case Of Dr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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