Orchestral works by
Johann Sebastian Bach refers to the compositions in the
eleventh chapter of the
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(BWV, catalogue of Bach's compositions), or, in the
New Bach Edition, the compositions in Series VII.
Concertos
The
orchestra of the
concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The ty ...
s for one or more accompanied
soloists (
BWV
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
1041–1044, 1049–1050 and 1052–1065) consists in most cases of
strings (two parts for
violins and one
viola
; german: Bratsche
, alt=Viola shown from the front and the side
, image=Bratsche.jpg
, caption=
, background=string
, hornbostel_sachs=321.322-71
, hornbostel_sachs_desc=Composite chordophone sounded by a bow
, range=
, related=
*Violin family ...
part) and
continuo (for example performed on
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
and
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
). Such orchestra of the
Baroque era
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including th ...
can be indicated as
string orchestra
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first ...
or
chamber orchestra
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...
. In the 19th-century, the
Bach-Gesellschaft
The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausg ...
published Bach's concertos BWV 1041–1044 and 1046–1065 as
chamber music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...
– the designation as orchestral music becoming more common in the second half of the 20th century. Apart from the concertos for more than one performer listed in the sections below, Bach also wrote concertos for a single unaccompanied
harpsichordist or
organist
An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational ...
:
*
Weimar concerto transcriptions, BWV 592–596 and 972–987
* ''
Italian Concerto
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 ...
'', BWV 971
Violin concertos (BWV 1041–1043)
*
BWV 1041 – Violin Concerto in
A minor
*
BWV 1042 – Violin Concerto in
E major
*
BWV 1043 –
Double Concerto in
D minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.
The D natural minor scale is:
Changes needed for t ...
for two violins
Triple concerto (BWV 1044)
*
BWV 1044 –
Triple Concerto in A minor for
traverso
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in Ameri ...
, violin and harpsichord
Opening movement for a cantata, for violin and orchestra (BWV 1045)
*
BWV 1045 – Fragment of a
sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (so ...
in
D major for violin and orchestra, from an unknown
cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
The meaning of th ...
Brandenburg concertos (BWV 1046–1051)
*
BWV 1046.1, formerly
BWV 1046a, originally
BWV 1071 – Sinfonia in
F major (early version of ''Brandenburg Concerto'' No. 1)
*
BWV 1046.2, formerly
BWV 1046 – ''Brandenburg Concerto'' No. 1 in F major for
violino piccolo
The violino piccolo (also called the ''Diskantgeige'', ''Terzgeige'', ''Quartgeige'' or ''Violino alla francese'' and sometimes in English as the Piccolo Violin) is a small stringed instrument of the baroque period. Most examples are similar to ...
, three
oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range.
...
s,
bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuos ...
, two
corni da caccia, strings and continuo
*
BWV 1047 – ''Brandenburg Concerto'' No. 2 in F major for
trumpet, oboe,
recorder
Recorder or The Recorder may refer to:
Newspapers
* ''Indianapolis Recorder'', a weekly newspaper
* ''The Recorder'' (Massachusetts newspaper), a daily newspaper published in Greenfield, Massachusetts, US
* ''The Recorder'' (Port Pirie), a news ...
, violin, strings and continuo
*
BWV 1048 – ''Brandenburg Concerto'' No. 3 in
G major for three violins, three violas, three cellos and continuo
*
BWV 1049 – ''Brandenburg Concerto'' No. 4 in G major for violin, two fiauti d'echo (recorders), strings and continuo
*
BWV 1050.1, formerly
BWV 1050a – Concerto in D major for harpsichord, violin, traverso and strings (early version of ''Brandenburg Concerto'' No. 5)
*
BWV 1050.2, formerly
BWV 1050 – ''Brandenburg Concerto'' No. 5 in D major for harpsichord, violin, traverso and strings
*
BWV 1051 – ''Brandenburg Concerto'' No. 6 in
B-flat major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor.
The B-flat major scale is:
:
Many transposing inst ...
for two violas, two
violas da gamba
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch ...
, cello and continuo
Keyboard concertos (BWV 1052–1065)
*
BWV 1052.1, formerly
BWV 1052a – Concerto for harpsichord and strings in D minor
*
BWV 1052.2, formerly
BWV 1052 – Concerto for harpsichord and strings in D minor (revised version)
*
BWV 1053 – Concerto for harpsichord and strings in E major
*
BWV 1054 – Concerto for harpsichord and strings in D major (after BWV 1042, Violin Concerto in E major)
*
BWV 1055 – Concerto for harpsichord and strings in
A major
*
BWV 1056 – Concerto for harpsichord and strings in
F minor
*
BWV 1057 – Concerto for harpsichord, two recorders and strings in F major (after BWV 1049, ''Brandenburg Concerto'' No. 4 in G major)
*
BWV 1058 – Concerto for harpsichord and strings in
G minor (after BWV 1041, Violin Concerto in A minor)
*
BWV 1059
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichord ...
– Fragment of a concerto for harpsichord in D minor
*
BWV 1060 – Concerto for two harpsichords and strings in
C minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major.
The C natural minor scale is:
:
Chang ...
*
BWV 1061.1, formerly
BWV 1061a
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichord ...
– Concerto for two harpsichords in
C major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...
(without orchestral accompaniment)
*
BWV 1061.2, formerly
BWV 1061
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichor ...
– Concerto for two harpsichords and strings in C major
*
BWV 1062 – Concerto for two harpsichords and strings in C minor (after BWV 1043, Double Violin Concerto in D minor)
*
BWV 1063 – Concerto for three harpsichords and strings in D minor
*
BWV 1064 – Concerto for three harpsichords and strings in C major
*
BWV 1065 – Concerto for four harpsichords and strings in A minor (after
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread ...
's concerto for four violins in
B minor,
RV 580, ''
L'estro Armonico'',
Op. 3 No. 10)
Reconstructed concertos
In Series VII of the New Bach Edition:
*
BWV 1052R – Violin concerto in D minor
*
BWV 1055R –
Oboe d'amore
The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the me ...
concerto in A major
*
BWV 1056R – Violin concerto in G minor
*
BWV 1060R – Concerto for oboe and violin in C minor
*
BWV 1064R – Concerto for three violins in D major
Suites (BWV 1066–1070)
*
BWV 1066 – Orchestral Suite No. 1 in C major (for
woodwinds, strings and continuo); Movements:
uverture(no description, two sections), Courante, Gavotte I & II, Forlane, Menuet I & II, Bourrée I & II, Passepied I & II
*
BWV 1067 – Orchestral Suite No. 2 in B minor (for traverso, strings and continuo); Movements:
uverture(no description, two sections), Rondeau, Sarabande, Bourrée I & II, Polonaise & Double, Menuet, Badinerie
*
BWV 1068 – Orchestral Suite No. 3 in D major (for oboes, trumpets, timpani, strings and continuo); Movements:
uverture(no description, two sections), Air, Gavotte I & II, Bourrée, Gigue
*
BWV 1069 – Orchestral Suite No. 4 in D major (for oboes, bassoon, trumpets, timpani, strings and continuo); Movements:
uverture(no description, two sections), Bourrée I & II, Gavotte, Menuet I & II, Rejouissance
*
BWV 1070 – Orchestral Suite in G minor by an unknown composer
Sinfonia (BWV 1071)
* BWV 1071, renumbered as
BWV 1046a
The ''Brandenburg Concertos'' by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, MacDonogh, Giles. ''Frederick the Great: A Life in De ...
: early version of the first Brandenburg Concerto.
Orchestral works in the 11th chapter of the ''Bach-Werke-Verzeichnis'' (1998)
, - style="background: #E3F6CE;"
, data-sort-value="1041.000" , 1041
, data-sort-value="424.002" , 11.
, data-sort-value="1730-07-01" , 1730
, Concerto for violin and orchestra No. 1
, A min.
, Vl Str Bc
, data-sort-value="000.21 1: 003" , 211: 3
451: 233
, data-sort-value="VII/03: 003" , VII/3: 3
, → BWV 1058
,
, -
, data-sort-value="1042.000" , 1042
, data-sort-value="424.003" , 11.
,
, Concerto for violin and orchestra No. 2
, E maj.
, Vl Str Bc
, data-sort-value="000.21 1: 021" , 211: 21
, data-sort-value="VII/03: 035" , VII/3: 35
, → BWV 1054
,
, - style="background: #E3F6CE;"
, data-sort-value="1043.000" , 1043
, data-sort-value="425.001" , 11.
, data-sort-value="1730-12-31" , 1730–1731 or earlier
, data-sort-value="Concerto for violinx2 and orchestra" , Concerto for 2 violins and orchestra – ''Double Concerto''
, D min.
, data-sort-value="Vlx2 Str Bc" , 2Vl Str Bc
, data-sort-value="000.21 1: 041" , 211: 41
, data-sort-value="VII/03: 071" , VII/3: 71
, → BWV 1062
,
, -
, data-sort-value="1044.000" , 1044
, data-sort-value="425.002" , 11.
, data-sort-value="1727-07-01" , 1727
or later
, Concerto for flute, violin, harpsichord and orchestra – ''Triple Concerto''
, A min.
, Fl Vl Hc Str Bc
, data-sort-value="000.17: 223" , 17: 223
, data-sort-value="VII/03: 105" , VII/3: 105
, data-sort-value="after BWV 0894/1" , after BWV 894/1, 527
__NOTOC__
Year 527 ( DXXVII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Mavortius without colleague (or, less frequently, year ...
/2, 894/2
,
, - style="background: #E3F6CE;"
, data-sort-value="1045.000" , 1045
, data-sort-value="426.002" , 11.
, data-sort-value="1744-12-31" , 1743–1746
, Cantata opening: "Concerto" (''Symphonic movement for violin and orchestra'')
, D maj.
, data-sort-value="Vl Trx3 Tmp Obx2 Str Bc" , Vl 3Tr Tmp 2Ob Str Bc
, data-sort-value="000.21 1: 065" , 211: 65
, I/34: 305
, after unknown model by other composer?BWV 1045
at
,
, - style="background: #E3F6CE;"
, data-sort-value="1046.200" , 1046.2
, data-sort-value="426.004" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 1
, F maj.
, data-sort-value="Nhox2 Obx2 Bas Vlp Str Bc" , 2Nho 3Ob Bas Vlp Str Bc
, data-sort-value="000.19: 031" , 19: 3
, data-sort-value="VII/02: 031" , VII/2: 3
, after BWV 1046.1; /3, /7 → BWV 207(a)/1, /5a
,
, - style="background: #E3F6CE;"
, data-sort-value="1046.100" , 1046.1
, data-sort-value="427.002" , 11.
, data-sort-value="1712-12-31" , 1712-
1713?
, Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (so ...
(opening of BWV 208?)
, F maj.
, data-sort-value="Nhox2 Obx2 Str Bas Bc" , 2Nho 3Ob Str Bas Bc
, data-sort-value="000.31 1: 069" , 311: 69
, data-sort-value="VII/02: 225" , VII/2: 225
, → BWV 1046.2; /1 → BWV 52/1; was BWV 1046a, 1071
,
, - style="background: #E3F6CE;"
, data-sort-value="1047.000" , 1047
, data-sort-value="427.003" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 2
, F maj.
, Tr Fl Ob Vl Str Vne Bc
, data-sort-value="000.19: 032" , 19: 3
, data-sort-value="VII/02: 043" , VII/2: 43
,
,
, - style="background: #E3F6CE;"
, data-sort-value="1048.000" , 1048
, data-sort-value="427.004" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 3
, G maj.
, data-sort-value="Vlx3 Vlax3 Vcx3 Vne Hc" , 3Vl 3Vla 3Vc Vne Hc
, data-sort-value="000.19: 033" , 19: 3
, data-sort-value="VII/02: 073" , VII/2: 73
, data-sort-value="→ BWV 0174" , → BWV 174/1
,
, - style="background: #E3F6CE;"
, data-sort-value="1049.000" , 1049
, data-sort-value="427.005" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 4
, G maj.
, data-sort-value="Vl Flx2 Str Vc Vne Bc" , Vl 2Fl Str Vc Vne Bc
, data-sort-value="000.19: 034" , 19: 3
, data-sort-value="VII/02: 099" , VII/2: 99
, → BWV 1057
,
, - style="background: #E3F6CE;"
, data-sort-value="1050.200" , 1050.2
, data-sort-value="427.006" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 5 (early version)
, D maj.
, Fl Vl Hc Vl Va Vc Vne
, data-sort-value="000.19: 035" , 19: 3
, data-sort-value="VII/02: 145" , VII/2: 145
, after BWV 1050.1
,
, -
, data-sort-value="1050.100" , 1050.1
, data-sort-value="427.007" , 11.
, data-sort-value="1720-12-31" , 1720–1721
, ''Brandenburg Concerto'' No. 5 (revised version)
, D maj.
, Fl Vl Hc Vl Va Vne
, data-sort-value="000.19: 038" , 19: 3
, data-sort-value="VII/02: 145" , VII/2: 145
, → BWV 1050.2
,
, - style="background: #E3F6CE;"
, data-sort-value="1051.000" , 1051
, data-sort-value="428.001" , 11.
, 1721-03-24
, ''Brandenburg Concerto'' No. 6
, B♭ maj.
, data-sort-value="Vlax2 Gamx2 Vc Vne Hc" , 2Vla 2Gam Vc Vne Hc
, data-sort-value="000.19: 036" , 19: 3
, data-sort-value="VII/02: 197" , VII/2: 197
,
,
, - style="background: #E3F6CE;"
, data-sort-value="1052.200" , 1052.2
, data-sort-value="429.002" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 1" , Concerto for harpsichord and orchestra No. 1 (revised version)
, D min.
, Hc Str Bc
, data-sort-value="000.17: 031" , 17: 3
, data-sort-value="VII/04: 003" , VII/4: 3
, data-sort-value="after BWV 0146/1" , after BWV 1052.1, BWV 146/1, /2 and 188
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomi ...
/1
,
, - style="background: #F5F6CE;"
, data-sort-value="1052.100" , 1052.1
, data-sort-value="429.003" , 11.
, data-sort-value="1712-07-01" , before 1726
, data-sort-value="Concerto for harpsichord and orchestra No. 1" , Concerto for harpsichord and orchestra No. 1 (early version)
, D min.
, Hc Str Bc
, data-sort-value="000.17: 031" , 17: 3
, data-sort-value="VII/04: 317" , VII/4: 317
, by Bach, C. P. E.?; → BWV 1052.2, BWV 146/1, /2 and 188
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomi ...
/1
,
, - style="background: #E3F6CE;"
, data-sort-value="1053.000" , 1053
, data-sort-value="429.004" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 2" , Concerto for harpsichord and orchestra No. 2
, E maj.
, Hc Str Bc
, data-sort-value="000.17: 032" , 17: 3
, data-sort-value="VII/04: 079" , VII/4: 79
, data-sort-value="after BWV 0169/1" , after BWV 169/1, /5 and 49/1
,
, - style="background: #E3F6CE;"
, data-sort-value="1054.000" , 1054
, data-sort-value="429.005" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 3" , Concerto for harpsichord and orchestra No. 3
, D maj.
, Hc Str Bc
, data-sort-value="000.17: 033" , 17: 3
, data-sort-value="VII/04: 127" , VII/4: 127
, after BWV 1042
The Violin Concerto in E major, BWV 1042, by Johann Sebastian Bach is a concerto based on the three-movement Venetian concerto model, albeit with a few unusual features as each movement has "un-Italian characteristics". It is written for violin, ...
,
, - style="background: #E3F6CE;"
, data-sort-value="1055.000" , 1055
, data-sort-value="429.006" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 4" , Concerto for harpsichord and orchestra No. 4
, A maj.
, Hc Str Bc
, data-sort-value="000.17: 034" , 17: 3
, data-sort-value="VII/04: 161" , VII/4: 161
, after BWV 1055R?
,
, - style="background: #E3F6CE;"
, data-sort-value="1056.000" , 1056
, data-sort-value="430.002" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 5" , Concerto for harpsichord and orchestra No. 5
, F min.
, Hc Str Bc
, data-sort-value="000.17: 035" , 17: 3
, data-sort-value="VII/04: 197" , VII/4: 197
, after BWV 1056R?; /2 after BWV 156
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
/1
,
, - style="background: #E3F6CE;"
, data-sort-value="1057.000" , 1057
, data-sort-value="430.003" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 6" , Concerto for harpsichord and orchestra No. 6
, F maj.
, data-sort-value="Hc Flx2 Str Bc" , Hc 2Fl Str Bc
, data-sort-value="000.17: 036" , 17: 3
, data-sort-value="VII/04: 221" , VII/4: 221
, after BWV 1049
,
, - style="background: #E3F6CE;"
, data-sort-value="1058.000" , 1058
, data-sort-value="430.004" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 7" , Concerto for harpsichord and orchestra No. 7
, G min.
, Hc Str Bc
, data-sort-value="000.17: 037" , 17: 3
, data-sort-value="VII/04: 283" , VII/4: 283
, after BWV 1041
,
, - style="background: #E3F6CE;"
, data-sort-value="1059.000" , 1059
, data-sort-value="430.005" , 11.
, data-sort-value="1738-07-01" , 1738
, data-sort-value="Concerto for harpsichord and orchestra No. 8" , Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)
, D min.
, Hc Ob Str Bc
, data-sort-value="000.17: 038" , 17: 3
, data-sort-value="VII/04: 313" , VII/4: 313
, data-sort-value="after BWV 0035/1" , after BWV 35
(Spirit and soul become confused), 35, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto voice in Leipzig for the twelfth Sunday after Trinity and first performed it on 8 September 1726.
Bach composed the cant ...
/1 and earlier model (for oboe?); completions/
reconstructions usually based on BWV 35/1, /2 and /5
,
, - style="background: #E3F6CE;"
, data-sort-value="1060.000" , 1060
, data-sort-value="431.001" , 11.
, data-sort-value="1736-07-01" , 1736
, data-sort-value="Concerto for harpsichordx2 and orchestra No. 1" , Concerto for 2 harpsichords and orchestra No. 1
, C min.
, data-sort-value="Hcx2 Str Bc" , 2Hc Str Bc
, data-sort-value="000.21 2: 003" , 212: 3
, data-sort-value="VII/05: 003" , VII/5: 3
, after BWV 1060R?
,
, -
, data-sort-value="1061.200" , 1061.2
, data-sort-value="431.002" , 11.
, data-sort-value="1742-12-31" , after 1732–1733
, data-sort-value="Concerto for harpsichordx2 and orchestra No. 2" , Concerto for 2 harpsichords and orchestra No. 2
, C maj.
, data-sort-value="Hcx2 Str Bc" , 2Hc Str Bc
, data-sort-value="000.21 2: 039" , 212: 39
, data-sort-value="VII/05: 109" , VII/5: 109
, after BWV 1061.1
,
, - style="background: #E3F6CE;"
, data-sort-value="1061.100" , 1061.1
, data-sort-value="431.003" , 11.
, data-sort-value="1732-01-01" , 1732–1733 or earlier
, data-sort-value="Concerto for harpsichordx2 No. 2" , Concerto for 2 harpsichords (No. 2)
, C maj.
, data-sort-value="Hcx2" , 2Hc
, data-sort-value="000.21 2: 039" , 212: 39
, data-sort-value="VII/05: 083" , VII/5: 83
, → BWV 1061.2
,
, - style="background: #E3F6CE;"
, data-sort-value="1062.000" , 1062
, data-sort-value="431.004" , 11.
, data-sort-value="1736-07-01" , 1736
, data-sort-value="Concerto for harpsichordx2 and orchestra No. 3" , Concerto for 2 harpsichords and orchestra No. 3
, C min.
, data-sort-value="Hcx2 Str Bc" , 2Hc Str Bc
, data-sort-value="000.21 2: 083" , 212: 83
, data-sort-value="VII/05: 043" , VII/5: 43
, after BWV 1043
,
, - style="background: #F5F6CE;"
, data-sort-value="1063.000" , 1063
, data-sort-value="432.002" , 11.
, data-sort-value="1730-07-01" , 1730
, data-sort-value="Concerto for harpsichordx3 and orchestra No. 1" , Concerto for 3 harpsichords and orchestra No. 1
, D min.
, data-sort-value="Hcx3 Str Bc" , 3Hc Str Bc
, data-sort-value="000.31 3: 003" , 313: 3
, data-sort-value="VII/06: 003" , VII/6: 3
, after unknown model?
,
, - style="background: #F5F6CE;"
, data-sort-value="1064.000" , 1064
, data-sort-value="432.003" , 11.
, data-sort-value="1730-07-01" , 1730
, data-sort-value="Concerto for harpsichordx3 and orchestra No. 2" , Concerto for 3 harpsichords and orchestra No. 2
, C maj.
, data-sort-value="Hcx3 Str Bc" , 3Hc Str Bc
, data-sort-value="000.31 3: 053" , 313: 53
, data-sort-value="VII/06: 055" , VII/6: 55
, after BWV 1064R?
,
, - style="background: #E3F6CE;"
, data-sort-value="1065.000" , 1065
, data-sort-value="433.002" , 11.
, data-sort-value="1730-07-01" , 1730
, data-sort-value="Concerto for harpsichordx4 and orchestra" , Concerto for 4 harpsichords and orchestra
, A min.
, data-sort-value="Hcx4 Str Bc" , 4Hc Str Bc
, data-sort-value="000.43 1: 071" , 431: 71
, data-sort-value="VII/06: 117" , VII/6: 117
, after Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 3 No. 10
,
, - style="background: #E3F6CE;"
, data-sort-value="1066.000" , 1066
, data-sort-value="433.003" , 11.
, data-sort-value="1724-02-28" , May 1724–End 1725
, Orchestral Suite No. 1
, C maj.
, data-sort-value="Obx2 Bas Str Bc" , 2Ob Bas Str Bc
, data-sort-value="000.31 1: 003" , 311: 3
, data-sort-value="VII/01: 003" , VII/1: 3
, Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied
,
, - style="background: #E3F6CE;"
, data-sort-value="1067.000" , 1067
, data-sort-value="434.002" , 11.
, data-sort-value="1738-12-31" , 1738–1739
, Orchestral Suite No. 2
, B min.
, Fl Str Bc
, data-sort-value="000.31 1: 024" , 311: 24
, data-sort-value="VII/01: 027" , VII/1: 27
, Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie
,
, - style="background: #E3F6CE;"
, data-sort-value="1068.000" , 1068
, data-sort-value="435.002" , 11.
, data-sort-value="1730-07-01" , 1730
, Orchestral Suite No. 3
, D maj.
, data-sort-value="Trx3 Tmp Obx2 Str Bc" , 3Tr Tmp 2Ob (Vl) Str Bc
, data-sort-value="000.31 1: 040" , 311: 40
, data-sort-value="VII/01: 049" , VII/1: 49,
119
, Ouverture Air
The atmosphere of Earth is the layer of gases, known collectively as air, retained by Earth's gravity that surrounds the planet and forms its planetary atmosphere. The atmosphere of Earth protects life on Earth by creating pressure allowing for ...
2Gavotte Bourrée Gigue
,
, -
, data-sort-value="1069.000" , 1069
, data-sort-value="436.001" , 11.
, data-sort-value="1727-07-01" , before late 1727
, Orchestral Suite No. 4
, D maj.
, data-sort-value="Trx3 Tmp Obx2 Bas Str Bc" , 3Tr Tmp 2Ob Bas Str Bc
, data-sort-value="000.31 1: 066" , 311: 66
, data-sort-value="VII/01: 079" , VII/1: 79
, Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1
,
, -
, data-sort-value="1071.000" , 1071
, data-sort-value="436.003" ,
----
,
----
, data-sort-value="Sinfonia" ,
----
, data-sort-value="F maj." ,
----
,
----
,
----
,
----
, see BWV 1046.1
,
References
Sources
*
{{Johann Sebastian Bach
Orchestral works by Johann Sebastian Bach, List of
Bach, Johann Sebastian, List of orchestral works by