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BWV 207
(united discord of quivering strings), BWV 207.1 (formerly BWV 207), is a secular cantata composed by Johann Sebastian Bach and first performed on 11 December 1726 in Leipzig. History and text Bach wrote several works for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. He composed this congratulatory cantata to celebrate the appointment of Gottlieb Kortte as professor of Roman Law. The librettist of the work is unknown: it may have been Picander, who had been providing libretti for Bach from at least the previous year when they collaborated on another academic cantata, . Bach incorporated music from his first Brandenburg Concerto, which was composed years earlier, for the opening chorus. The concerto's third movement is used, with trumpets replacing the concerto's horns, and some of the instrumental music is given to the choir. Bach led the first performance on 11 December 1726. The cantata became the basis for a sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) editio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Law
Roman law is the legal system of ancient Rome, including the legal developments spanning over a thousand years of jurisprudence, from the Twelve Tables (c. 449 BC), to the '' Corpus Juris Civilis'' (AD 529) ordered by Eastern Roman emperor Justinian I. Roman law forms the basic framework for civil law, the most widely used legal system today, and the terms are sometimes used synonymously. The historical importance of Roman law is reflected by the continued use of Latin legal terminology in many legal systems influenced by it, including common law. After the dissolution of the Western Roman Empire, the Roman law remained in effect in the Eastern Roman Empire. From the 7th century onward, the legal language in the East was Greek. ''Roman law'' also denoted the legal system applied in most of Western Europe until the end of the 18th century. In Germany, Roman law practice remained in place longer under the Holy Roman Empire (963–1806). Roman law thus served as a basis fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammerorchester Berlin
The Kammerorchester Berlin has been in existence since 1945 and its first director was the conductor Helmut Koch. Already in the 1950s, the orchestra succeeded in making a name for itself. Among other awards it received the ''Japanese Record Prize'' and the Grand Prix du Disque für Vivaldi's '' Juditha triumphans'', '' L’Orfeo'' by Claudio Monteverdi and Mozart's ''Betulia liberata'' as well as the . In the 1970s, 1980s and early 1990s, the Berlin Chamber Orchestra was associated with the tenor and conductor Peter Schreier, with whom it toured extensively; several CD and television productions were made. Among other things, all of Johann Sebastian Bach's secular cantatas have been produced for German television. During this time, the orchestra worked with the trumpeter Ludwig Güttler, with Vittorio Negri and the conductors Kurt Masur, Heinz Schunk and Jeffrey Tate. From 1995 to the present day, the Berlin Chamber Orchestra has worked primarily with the artistic directors M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Beethoven's ''Eroica'' Symphony, in the Marches Militaires of Franz Schubert, in the Marche funèbre in Chopin's Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in Handel's ''Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , ('' alla breve'' , although this may refer to 2 time of Johannes Brahms, or ''cut time''), or . However, some modern marches are being written in or time. The modern march tempo is typically around 120 beats per minute. Many f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auf, Schmetternde Töne Der Muntern Trompeten, BWV 207a
' (Arise, blaring tones of high-spirited trumpets), BWV 207.2 (previously BWV 207a), is a secular cantata composed by Johann Sebastian Bach and likely premiered in 1735. It utilizes the music from the third movement of the Brandenburg Concerto No. 1 in F major. Composition This cantata was composed for the name day of the Elector of Saxony, King Augustus III of Poland which was celebrated on 3 August. The work was likely premiered in Leipzig in 1735. It is largely based on an earlier secular cantata ''Vereinigte Zwietracht der wechselnden Saiten'', BWV 207.1, which was first performed in 1726. It is counted among the works Bach wrote for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. Scoring and structure The cantata is scored for soprano, alto, tenor, and bass soloists, four-part choir, three trumpets, timpani, two flauto traverso, two oboes d'amore, tenor oboe (taille), bassoon, two violins, viola, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch "wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brandenburg Concertos
The ''Brandenburg Concertos'' by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, MacDonogh, Giles. ''Frederick the Great: A Life in Deed and Letters''. St. Martin's Griffin. New York. 2001. in 1721 (though probably composed earlier). The original French title is ''Six Concerts à plusieurs instruments,'' meaning "Six Concertos for several instruments". Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the Baroque era. History In 1721, Johann Sebastian Bach compiled a collection of six concertos and presented it to Christian Ludwig, Margrave of Brandenburg-Schwedt, titled ''Six Concerts à plusieurs instruments'' (Six Concertos for several instruments).Johann Sebastian Bach's Werke, vol. 19: Kammermusik, dritter band, Bach-Gesellschaft, Leipzig; ed. Wilhelm Rust, 1871 Bach wrote out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
