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BWV 1060R
The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. History While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century.Work at Bach Digital website The precise date for this earlier concerto is unknown, but it is believed to have been in existence from the early 1720s. The version for two harpsichords likely originated in or around 1736. A broader estimate for the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantabile
In music, ''cantabile'' , an Italian word, means literally "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human voice. For 18th-century composers, ''cantabile'' is often synonymous with "cantando" (singing) and indicates a measured tempo and flexible, legato playing. For later composers, particularly in piano music, ''cantabile'' is the drawing out of one particular musical line against the accompaniment (compare counterpoint). Felix Mendelssohn's six books of '' Songs Without Words'' are short lyrical piano pieces with song-like melodies written between 1829 and 1845. A modern example is an instrumental by Harry James & His Orchestra, called "Trumpet Blues and Cantabile". A cantabile movement, or simply a "cantabile", is the first half of a double aria, followed by a cabaletta. The cantabile movement would be slower and more free-form to contrast with the structured and generally faster cabaletta. Louis Spohr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Christoph Breitkopf
Bernhard Christoph Breitkopf (2 March 1695 in Clausthal, now Clausthal-Zellerfeld – 26 March 1777 in Leipzig) was a German printer and publisher, and founder of the publisher that became Breitkopf & Härtel. In 1714 he moved to Leipzig and worked for one year in a print shop. After working for several months in Jena, and three years in Halle, Saxony-Anhalt, he returned to Leipzig in 1718, married Sophia Maria Müller and inherited an existing print shop, established in 1664, which he rescued from the brink of economic ruin. He began publishing with the 1723 printing of a manual of the Hebrew Bible. After the death of his wife, Breitkopf remarried in 1739 to Sophia Theodore Kayser. He passed on the printing business to his son Johann Gottlob Immanuel Breitkopf Johann Gottlob Immanuel Breitkopf (Leipzig, 23 November 1719 – 28 January 1794, Leipzig) was a German music publisher and typographer. Biography Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woldemar Voigt
Woldemar Voigt (; 2 September 1850 – 13 December 1919) was a German physicist, who taught at the Georg August University of Göttingen. Voigt eventually went on to head the Mathematical Physics Department at Göttingen and was succeeded in 1914 by Peter Debye, who took charge of the theoretical department of the Physical Institute. In 1921, Debye was succeeded by Max Born. Biography Voigt was born in Leipzig, and died in Göttingen. He was a student of Franz Ernst Neumann. He worked on crystal physics, thermodynamics and electro-optics. His main work was the ''Lehrbuch der Kristallphysik'' (textbook on crystal physics), first published in 1910. He discovered the Voigt effect in 1898. The word tensor in its current meaning was introduced by him in 1898. Voigt profile and Voigt notation are named after him. He was also an amateur musician and became known as a Bach expert (see External links). In 1887 Voigt formulated a form of the Lorentz transformation between a rest frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Rust
Wilhelm Rust (August 15, 1822 – May 2, 1892) was a German musicologist and composer. He is most noted today for his substantial contributions to the Bach Gesellschaft edition of the works of Johann Sebastian Bach. Born in Dessau, Rust studied piano and organ with his uncle Wilhelm Karl Rust, and later under Friedrich Schneider (1843–1846). From 1845 to 1848 he was music teacher in a Hungarian nobleman's family. He went to Berlin in 1849, where he taught and joined the Singakademie in 1850. He joined the Leipzig Bach-Verein in 1850, and played in numerous concerts. He became organist of St. Luke's in 1861, conductor of the Berlin Bach-Verein from 1862 to 1874, and Royal Music Director in 1864. He received an honorary D.Phil. from the University of Marburg in 1868. In 1870, he became teacher of theory and composition at the Stern Conservatory. In 1878 he moved to Leipzig, where he became a teacher at the Leipzig Conservatory and organist at the Thomaskirche. In 1880 he succeed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Gesellschaft
The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausgabe. On completion of the project, the Society dissolved itself. The nineteenth-century society should be distinguished from its successor, the Neue Bachgesellschaft (New Bach Society), founded in 1900. Origins of the Bach-Gesellschaft The founders of the society were Moritz Hauptmann, cantor of the St. Thomas Church, Leipzig, (and thus a successor of Bach); Otto Jahn, author of a noted biography of Mozart; Carl Ferdinand Becker, teacher at the Leipzig Conservatory; and the composer Robert Schumann. Publication history The Bach-Gesellschaft began publishing Bach's works in 1851 with a volume that started with BWV 1, the cantata ''Wie schön leuchtet der Morgenstern, BWV 1''. (Worklist for J.S. Bach). It completed publication in 1900 wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Konrad Griepenkerl
Friedrich Konrad Griepenkerl (10 December 1782 – 6 April 1849) was a German Germanist, pedagogue, musicologist and conductor. Life Griepenkerl was born in Peine the son of a preacher, he first attended the school in Peine and changed in 1796 to the . From 1805 to 1808 he studied theology at the Georg-August-Universität Göttingen, where he also studied philosophy and pedagogy with Johann Friedrich Herbart and philology with Christian Gottlob Heyne. In addition he studied music theory, piano and organ with Johann Sebastian Bach's devotee Johann Nikolaus Forkel († 1818). In 1808, on Herbart's advice, he went to Hofwil in Switzerland, where he became a teacher of the German language and literature at the newly founded Philipp Emanuel von Fellenberg Institute. He also directed the musical life of this school and the community. University lecturer in Braunschweig In 1816 he moved back to Braunschweig where he taught at the Katharineum. After receiving his doctorate in 182 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nikolaus Forkel
Johann Nikolaus Forkel (22 February 1749 – 20 March 1818) was a German musicologist and music theory, music theorist, generally regarded as among the founders of modern musicology. His publications include ''Johann Sebastian Bach: His Life, Art, and Work'', the first substantial survey on the life and works of Johann Sebastian Bach. Biography He was born at Meeder in Coburg. He was the son of a cobbler, and received early musical training, especially in keyboard playing, from Johann Heinrich Schulthesius, who was the local Kantor. In other aspects of his music education he was self-taught, especially in regards to theory. As a teenager he served as a singer in Lüneburg, and studied law for two years at the University of Göttingen; he remained associated with the University for more than fifty years, where he held varied positions, including instructor of music theory, organist, keyboard teacher, and eventually director of all music at the university. In 1787 he received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biographies Of Johann Sebastian Bach
The first major biographies of Johann Sebastian Bach, including those by Johann Nikolaus Forkel and Philipp Spitta, were published in the 19th century. Many more were published in the 20th century by, among others, Albert Schweitzer, Charles Sanford Terry, Christoph Wolff and Klaus Eidam. 18th century Little was published about Bach's life in the 18th century, his "Nekrolog" (obituary) being the most extended biographical note about the composer's life. Contemporary biographical sources No writings by Johann Sebastian Bach were published during his lifetime. He declined Johann Mattheson's invitation to write an autobiographical sketch for inclusion in the ''Ehrenpforte''. There is little biographical material to be found in the compositions published during his lifetime: the glimpse perceived from the dedication of ''The Musical Offering'' to Frederick the Great being a small exception. There are however some letters by the composer in which he gives autobiographical detail, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forkel Bach 1802 Seite 70 (*1979), a German soccer defender
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Forkel can refer to: * Johann Nikolaus Forkel (1749–1818), a German musician and music theorist * Friedrich Forkel (1822-1890), a German jurist * Karen Forkel (*1970), a German track and field athlete * Martin Forkel Martin Forkel (born 22 July 1979) is a German football manager and former defender. Career Youth career Forkel was born in Coburg. He played as a youth for two clubs in his hometown, Viktoria DJK Coburg and VfB Coburg, before joining TSV Veste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an aria during the Baroque per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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