Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
's
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
s comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses.
From a very young age Mozart had, according to opera analyst
David Cairns, "an extraordinary capacity ... for seizing on and assimilating whatever in a newly encountered style (was) most useful to him". In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". He used this gift to break new ground, becoming simultaneously "assimilator, perfector and innovator". Thus, his early works follow the traditional forms of the Italian
opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
and
opera buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...
as well as the German
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like ...
. In his maturity, according to music writer
Nicholas Kenyon, he "enhanced all of these forms with the richness of his innovation", and, in ''
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...
'', he achieved a synthesis of the two Italian styles, including a ''seria'' character in Donna Anna, ''buffa'' characters in Leporello and Zerlina, and a mixed ''seria-buffa'' character in Donna Elvira. Unique among composers, Mozart ended all his mature operas, starting with ''
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French ...
'', in the
key
Key or The Key may refer to:
Common meanings
* Key (cryptography), a piece of information that controls the operation of a cryptography algorithm
* Key (lock), device used to control access to places or facilities restricted by a lock
* Key (map ...
of the
overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overt ...
.
Ideas and characterisations introduced in the early works were subsequently developed and refined. For example, Mozart's later operas feature a series of memorable, strongly drawn female characters, in particular the so-called "Viennese soubrettes" who, in opera writer
Charles Osborne's phrase, "contrive to combine charm with managerial instinct". Music writer and analyst Gottfried Kraus has remarked that all these women were present, as prototypes, in the earlier operas; Bastienne (1768), and Sandrina (''
La finta giardiniera
' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is deb ...
'', 1774) are precedents for the later Constanze and Pamina, while Sandrina's foil Serpetta is the forerunner of Blonde, Susanna, Zerlina and Despina.
Mozart's texts came from a variety of sources, and the early operas were often adaptations of existing works. The first
librettist
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
chosen by Mozart himself appears to have been
Giambattista Varesco Father Giambattista Varesco (Trento, 26 November 1735 – Salzburg, 25 August 1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. His given name variously appears as Giambattista, Gianbattista, Giovanni B ...
, for ''Idomeneo'' in 1781. Five years later, he began his most enduring collaboration, with
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
, his "true phoenix".
[From a letter to his father, circa 1774, quoted in ] The once widely held theory that Da Ponte was the librettist for the discarded ''
Lo sposo deluso
' (''The Deluded Bridegroom, or The Rivalry of Three Women for One Lover'') is a two-act opera buffa, K. 430, composed by Wolfgang Amadeus Mozart between 1783 and 1784. However, the opera was never completed and only a 20-minute fragment from ...
'' of 1783/84 has now been generally rejected. Mozart felt that, as the composer, he should have considerable input into the content of the libretto, so that it would best serve the music. Musicologist
Charles Rosen
Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music. He is remembered for his career as a concert pianist, for his recordings, and for his many writings, notable among them the book ''The Classical Sty ...
writes, "it is possible that Da Ponte understood the dramatic necessities of Mozart's style without prompting; but before his association with da Ponte, Mozart had already bullied several librettists into giving him the dramatically shaped ensembles he loved."
Compiling the list
Basis for inclusion
The list includes all the theatrical works generally accepted as composed by Wolfgang Amadeus Mozart. In this context "theatrical" means performed on a stage, by vocalists singing in character, in accordance with stage directions. Some sources have adopted more specific criteria, leading them to exclude the early "Sacred Singspiel" ''
Die Schuldigkeit des ersten Gebots
' (complete title in historical spelling: '; The Obligation of the First and Foremost Commandment), K. 35, is a sacred musical play (''geistliches Singspiel'') composed by Wolfgang Amadeus Mozart in 1767 when he was 11 years old. It is Mozart's f ...
'', which they classify as an
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
. However, as Osborne makes clear, the libretto contains stage directions which suggest that the work was acted, not merely sung, and it is formally described as a "geistliches Singspiel" (sacred play with music), not as an oratorio. The Singspiel ''Der Stein der Weisen'' was written in collaboration with four other composers, so it is only partially credited to Mozart.
Sequence
In general, the list follows the sequence in which the operas were written. There is uncertainty about whether ''
La finta semplice
''La finta semplice'' (''The Fake Innocent''), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in ...
'' was written before or after ''
Bastien und Bastienne
' (''Bastien and Bastienne''), K. 50 (revised in 1964 to K. 46b) is a one-act singspiel, a comic opera, by Wolfgang Amadeus Mozart.
' was one of Mozart's earliest operas, written in 1768 when he was only twelve years old. It was allegedly commi ...
'', and in some listings the former is given priority.
''Thamos'' was written in two segments, the earlier in 1774, but is listed in accordance with its completion in 1779–80. ''
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that includ ...
'' and ''
La clemenza di Tito
' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of ...
'' were written concurrently. ''Die Zauberflote'' was started earlier and put aside for the ''Tito'' commission, which was completed and performed first and is usually listed as the earlier work despite having a higher
Köchel catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The n ...
number.
List of operas
Key: Incomplete opera Collaborative work
Notes
References
Citations
Cited sources
*
*
*
*
*
*
*
Further reading
*
*
*
*
*
*
*
*
*
External links
*
Opera libretti critical edition
Textual criticism is a branch of textual scholarship, philology, and of literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts or of printed books. Such texts may range in da ...
s,
diplomatic edition
Diplomatics (in American English, and in most anglophone countries), or diplomatic (in British English), is a scholarly discipline centred on the critical analysis of documents: especially, historical documents. It focuses on the conventions, p ...
s, source evaluation (German only), links to online DME recordings; Digital Mozart Edition
{{featured list
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretti ...
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...