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La Finta Giardiniera
' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is debate over the authorship of the libretto, written for Anfossi's opera the year before. It is often ascribed to Calzabigi, but some musicologists now attribute it to Giuseppe Petrosellini, though again it is questioned whether it is in the latter's style. In 1780 Mozart converted the opera into a German Singspiel called ''Die Gärtnerin aus Liebe'' (also ''Die verstellte Gärtnerin''), which involved rewriting some of the music. Until a copy of the complete Italian version was found in the 1970s, the German translation was the only known complete score. Roles Synopsis :Time: 18th century :Place: Podestà's estate in Lagonero, near Milan Summary: The story follows Count Belfiore and the Marchioness Violante Onesti, who were lovers befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Podestà
Podestà (, English: Potestate, Podesta) was the name given to the holder of the highest civil office in the government of the cities of Central and Northern Italy during the Late Middle Ages. Sometimes, it meant the chief magistrate of a city state, the counterpart to similar positions in other cities that went by other names, e.g. ''rettori'' ("rectors"). In the following centuries up to 1918, the term was used to designate the head of the municipal administration, particularly in the Italian-speaking territories of the Austrian Empire. The title was taken up again during the Fascist regime with the same meaning. The podestà's office, its duration and the residence and the local jurisdiction were called ''podesteria'', especially during the Middle Ages, and in later centuries, more rarely during the fascist regime. Currently, ''podestà'' is the title of mayors in Italian-speaking municipalities of Graubünden in Switzerland, but is not the case for the rest of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawn Upshaw
Dawn Upshaw (born July 17, 1960) is an American soprano. She is the recipient of several Grammy Awards and has released a number of Edison Award-winning discs; she performs both opera and art song, and her repertoire spans Baroque to contemporary. Many composers, including Henri Dutilleux, Osvaldo Golijov, John Harbison, Esa-Pekka Salonen, John Adams, and Kaija Saariaho, have written for her. In 2007, she was awarded a MacArthur Fellowship. Early life Dawn Upshaw was born in Nashville, Tennessee. She began singing while attending Rich East High School in Park Forest, Illinois and was the only female ever promoted to the top choir (the Singing Rockets) as a sophomore, according to choir director Douglas Ulreich. She received a B.A. in 1982 from Illinois Wesleyan University, where she studied voice with Dr. David Nott. She went on to study voice with Ellen Faull at the Manhattan School of Music in New York City, earning her M.M. in 1984. She also attended courses given by Jan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Scharinger
Anton Scharinger (born 5 March 1961 in Straning-Grafenberg Lower Austria) is an Austrian operatic bass-baritone and academic teacher at the University of Music and Performing Arts Vienna. Life Scharinger first studied with Margarita Heppe in Vienna and graduated from the Musik und Kunst Privatuniversität der Stadt Wien in 1984. As a student, he already distinguished himself as a concert singer. In 1981, he joined the Salzburger Landestheater, where he made his operatic debut as Guglielmo in ''Così fan tutte''. His international career began with further Mozart roles, Papageno, Figaro (conductor: Nikolaus Harnoncourt) and Leporello in ''Don Giovanni''. He also expanded his repertoire with roles in unknown works, such as the Captain in Manfred Gurlitt's ''Wozzeck'' and Count Robinson in ''Il matrimonio segreto''. As a concert soloist, he has performed among others under Riccardo Chailly, William Christie, Christoph von Dohnányi, Antal Doráti, Bernard Haitink, Harnoncourt, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Margiono
Charlotte Margiono (born March 24, 1955) is a Dutch operatic soprano. Life and career Margiono (real name Charlotte Marie-Louise Heijdemann) was born in Amsterdam and studied at the Arnhem conservatoire with Aafje Heynis. She was originally a Mozart specialist, but gradually added a handful of heavier operas by Beethoven, Carl Maria von Weber, Verdi, Smetana, Puccini and Richard Strauss to her repertoire. She has appeared in opera houses all over the world. After her international successes, she sang three lyric Wagner roles at the Netherlands Opera: Eva in ''Die Meistersinger von Nürnberg'' (2000), Elsa in ''Lohengrin'' (2002), and Sieglinde in ''Die Walküre'' (2004). She returned to Mozart for the controversial 2006-07 Netherlands Opera Da Ponte trilogy by Jossi Wieler and Sergio Morabito as Marcellina (''Le nozze di Figaro''), and Donna Elvira (''Don Giovanni''). In 2008, she unexpectedly gave up opera, to better concentrate on Lieder, and on her concert work. Margiono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edita Gruberová
Edita Gruberová (; 23 December 1946 – 18 October 2021) was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's ''Il barbiere di Siviglia'', and successfully auditioned at the Vienna State Opera the following year, which became her base. She received international recognition for roles such as Mozart's Queen of the Night in ''Die Zauberflöte'' and Zerbinetta in ''Ariadne auf Naxos'' by Richard Strauss. In her later career, she explored heavier roles in the Italian bel canto repertoire, such as the title role in Donizetti's ''Lucia di Lammermoor'', and Elvira in Bellini's ''I puritani''. In 2019, she portrayed Elisabetta in Donizetti's ''Roberto Devereux'', who leaves her throne, concluding a stage career performing leading roles over 51 years. She is remembered as the "" (Slovak Nightingale), and as prima donna assoluta. Early life and education Edita Gruberová was born on 23 December 1946 in Rača, Bratislava, to a German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concentus Musicus Wien
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953, along with several musicians from the Vienna Symphony Orchestra. The CMW did research and rehearsal for 4 years before their first official concert; although the ensemble made its 'unofficial' debut at the Konzerthaus, Vienna in 1954 with a production of Claudio Monteverdi's ''Orfeo'', the CMW's first public concert was in May 1957 at the Schwarzenberg Palace in Vienna. The CMW gave a regular concert series at the Schwarzenberg Palace from 1958 to 1962. The CMW made its formal debut in the ''Mozart-Saal'' of the Vienna ''Konzerthaus'' in February 1962, and performed concerts regularly there until 1971. The CMW staged its first opera at the 1971 Wiener Festwochen with Monteverdi's ''Il ritorno d'Ulisse in patria''. The CMW's first concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilian Sukis
Lilian Sukis (born 29 June 1939, Kaunas Kaunas (; ; also see other names) is the second-largest city in Lithuania after Vilnius and an important centre of Lithuanian economic, academic, and cultural life. Kaunas was the largest city and the centre of a county in the Duchy of Trakai ...) is a Canadian operatic soprano of Lithuanian birth. Her family moved first to Germany during World War II, and then to Canada in 1950. She earned a BA from McMaster University and a diploma from the University of Toronto, and made her professional opera debut in 1964 as Kate Pinkerton in Giacomo Puccini's ''Madama Butterfly'' with the Canadian Opera Company. In 1965 she sang the role of Countess Almaviva in Wolfgang Amadeus Mozart's ''The Marriage of Figaro'' at the Stratford Festival. That same year she became a pupil at the Metropolitan Opera Studio and School. She made her debut at the Met in 1967 as Helen Niles in the world premiere of Marvin David Levy's ''Mourning Becomes Electra (opera) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Moser
Thomas Moser (born 27 May 1945) is an American-Austrian operatic tenor. Life Born in Richmond, Virginia, Moser first studied singing at Curtis Institute of Music in Philadelphia and with Martial Singher at the Music Academy of the West, attended master classes with Lotte Lehmann and Gérard Souzay - before moving to Europe in 1975. There he made his debut in Graz, first as lyric tenor and Mozart interpreter. Only two years later, Moser sang for the first time at the Vienna State Opera, as Iopas in Berlioz' opera '' Les Troyens''). on Bach Cantatas Website In the 1990s, Moser increasingly turned to roles and first appeared as |
Barry McDaniel
Barry McDaniel (October 18, 1930 – June 18, 2018) was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and festivals, and created roles in several new operas, including Henze's ''Der junge Lord'', Nabokov's ''Love's Labour's Lost'', and Reimann's ''Melusine''. He was also a celebrated concert singer and recitalist, focused on German ''Lied'' and French ''mélodie''. He was the first singer of Wilhelm Killmayer's song cycle '' Tre Canti di Leopardi''. He recorded both operatic and concert repertory. Career McDaniel was born in Lyndon, Kansas, to musical parents who soon became aware of his talent. From the age of nine he took systematic lessons in singing, piano and percussion and enjoyed considerable local popularity as a boy soprano soloist in churches and private concerts. When his voice changed from soprano to baritone, he studied voice first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metropolitan Opera debut in 1974. Fassbaender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
