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Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metropolitan Opera debut in 1974. Fassbaender ...
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Pour Le Mérite
The ' (; , ) is an order of merit (german: Verdienstorden) established in 1740 by Frederick the Great, King Frederick II of Prussia. The was awarded as both a military and civil honour and ranked, along with the Order of the Black Eagle, the Order of the Red Eagle and the House Order of Hohenzollern, among the highest orders of merit in the Kingdom of Prussia. The order of merit was the highest royal Prussian order of bravery for officers of all ranks. After 1871, when the various German monarchy, kingdoms, grand duchy, grand duchies, duchy, duchies, principality, principalities and Hanseatic League, Hanseatic city states had come together under Prussian leadership to form the federally structured German Empire, the Prussian honours gradually assumed, at least in public perception, the status of orders, decorations, and medals of Imperial Germany, honours of Imperial Germany, even though many honours of the various German states continued to be awarded. The ' was an honour confe ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Opera Director
Crossbreed is an American industrial metal band from Clearwater, Florida, United States, formed in 1996. They were signed with Artemis Records before being dropped from the label in 2003. The band released two EPs and three full-length albums before disbanding in 2010. History Early years Crossbreed was formed in 1996 as a four-man band consisting of James Rietz, Chris Nemzek, Charlie Parker & Travis Simpkins. A year later they added keyboardist Jason Troph who left in 1998 to front the Orlando-based band Irrational. He was replaced by Phil "Flip" Marquardt. Their self-produced album ''.01'' was released in 1998 with only 1,000 copies made; the album featured a cover version of "Wicked Game" by Chris Isaak. In 1999, Dan "DJ" Izzo (then under the moniker "D.J. Balistick") joined the band as their Turntablist/2nd Keyboardist. It was at this time that he began developing their stage show using black lights and glow paint, which helped bring the band to the attention of the musi ...
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Merchant Of Venice
''The Merchant of Venice'' is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan provided by a Jewish moneylender, Shylock. Although classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is most remembered for its dramatic scenes, and it is best known for the character Shylock and his famous demand for a " pound of flesh" in retribution. The play contains two famous speeches, that of Shylock, "Hath not a Jew eyes?" on the subject of humanity, and that of Portia on " the quality of mercy". Debate exists on whether the play is anti-Semitic, with Shylock's insistence on his legal right to the pound of flesh being in opposition to Shylock's seemingly universal plea for the rights of all people suffering discrimination. Characters * Antonio – a prominent merchant of Venice in a melancholic mood. * Bassanio – Anto ...
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Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna Hall, Susanna, and twins Hamnet Shakespeare, Hamnet and Judith Quiney, Judith. Sometime between 1585 and 1592, ...
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Carlos Kleiber
Carlos Luis Bonifacio Kleiber (3 July 1930 – 13 July 2004) was an Austrian conductor who is widely regarded as among the greatest conductors of all time. Early life Kleiber was born as Karl Ludwig Bonifacius Kleiber in Berlin in 1930, the son of the eminent Austrian conductor Erich Kleiber and American Ruth Goodrich, from Waterloo, Iowa. In 1935, the Kleiber family emigrated to Buenos Aires and Karl was renamed Carlos. As a youth, he had an English governess and grew up in English boarding schools. He also composed, sang, and played piano and timpani. While his father noticed his son's musical talents, he nevertheless dissuaded Carlos from pursuing a musical career: "What a pity the boy is musically talented", wrote Erich to a friend. Carlos first studied chemistry at ETH Zurich but soon decided to dedicate himself to music. He was répétiteur at the Gärtnerplatz Theatre in Munich in 1952 and made his conducting debut with the operetta ''Gasparone'' at Potsdam theatre in ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Schwanengesang
''Schwanengesang (Swan Song)'', 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously: # Liebesbotschaft (text: Ludwig Rellstab) # Kriegers Ahnung (Rellstab) # Frühlingssehnsucht (Rellstab) # Ständchen (Rellstab) # Aufenthalt (Rellstab) # In der Ferne (Rellstab) # Abschied (Rellstab) # Der Atlas (Heinrich Heine) # Ihr Bild (Heine) # Das Fischermädchen (Heine) # Die Stadt (Heine) # Am Meer (Heine) # Der Doppelgänger (Heine) # Die Taubenpost (alternative: D 965a) (Johann Gabriel Seidl) Background Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, ''Schwanengesang'' differs from the earlier ''Die schöne Müllerin'' and ''Winterreise'' song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804–1875) ...
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Winterreise
''Winterreise'' (, ''Winter Journey'') is a song cycle for voice and piano by Franz Schubert ( D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being ''Die schöne Müllerin'' (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle ''An die ferne Geliebte'' (''To the Distant Beloved'') was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. Authorship and composition ''Winterreise'' was composed in two parts, each with twelve songs, the first part in February 1827 and the second in October 1827. The two parts were also published separately by Tobias Haslinger, the ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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