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List Of Operas By Mozart
Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses. From a very young age Mozart had, according to opera analyst David Cairns, "an extraordinary capacity ... for seizing on and assimilating whatever in a newly encountered style (was) most useful to him". In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". He used this gift to break new ground, becoming simultaneously "assimilator, perfector and innovator". Thus, his early works follow the traditional forms of the Italian opera seria and opera buffa as well as the Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Varesco
Father Giambattista Varesco (Trento, 26 November 1735 – Salzburg, 25 August 1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. His given name variously appears as Giambattista, Gianbattista, Giovanni Battista and Girolamo Giovanni Battista. He is sometimes referred to with the Italian title ''Abate'' or the French '' Abbé'', both used for priests: he was chaplain at the Salzburg court chapel from 1766. Varesco's only familiar work with Mozart is the libretto to ''Idomeneo''; the abortive ''L'oca del Cairo'' is little-known. Varesco also edited Metastasio's libretto for ''Il re pastore'', one of Mozart's lesser operas. Mozart's commission for ''Idomeneo'' came in 1780 from Karl Theodor, Elector of Bavaria; his court in Munich paid Varesco 90 gulden. Leopold Mozart acted as a local intermediary for his son, and their correspondence left many details on the collaboration, and showed the composer's dissatisfaction, primarily with the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Finta Semplice
''La finta semplice'' (''The Fake Innocent''), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera. Leopold chose an Italian libretto by the Vienna court poet Marco Coltellini, which was based on an early work by Carlo Goldoni. During rehearsals, the opera was the victim of intrigues from competing composers claiming that the work was not from the 12-year-old boy, but from his father. Threatened with a sabotaged first night by the impresario Giuseppe Affligio, Leopold prudently decided to withdraw. The opera was never staged in Vienna. It was probably performed the following year in Salzburg at the request of the Prince-Archbishop. Mozart produced a full sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Joseph Dent
Edward Joseph Dent (16 July 1876 – 22 August 1957), generally known as Edward J. Dent, was an English musicologist, teacher, translator and critic. A leading figure of musicology and music criticism, Dent was Professor of Music at the University of Cambridge between 1926 and 1941. Life Dent was born in Ribston, Yorkshire, the son of the landowner and politician John Dent. He was educated at Bilston Grange, and Eton where he was a music student of Charles Harford Lloyd. He matriculated at King's College, Cambridge in 1895, graduating B.A. in 1898 in the Classical Tripos, Mus.B. 1899 having studied under Charles Wood and Charles Villiers Stanford, and M.A. 1902. He was elected a Fellow of his college in March 1902 having distinguished himself in music both as researcher and a composer. Dent was Professor of Music at Cambridge University from 1926 to 1941, where his students included Arthur Bliss, Arnold Cooke and Cecil Armstrong Gibbs. He was President of the I.S.C.M. fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Et Hyacinthus
''Apollo et Hyacinthus'', K. 38, is an opera written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. It is Mozart's first true opera (when one considers that ''Die Schuldigkeit des ersten Gebots'' is simply a sacred drama). It is in three acts. As is suggested by the name, the opera is based upon the Greek myth of Hyacinth and Apollo as told by Roman poet Ovid in his ''Metamorphoses''. Interpreting this work, Rufinus Widl wrote the libretto in Latin. History After notable success in other areas of Europe, Mozart was commissioned to compose a piece for the Benedictine University in his hometown of Salzburg. Mozart's father, Leopold, was a notable name at the university, as many of his pupils were enrolled in the university high school, where theater played a large role in the curriculum. Mozart's first encounter with the university was at the age of five on September 1 and 3, 1761, when he appeared as an extra in Jakob Anton Wimmer and Johann Ernst Eberl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schuldigkeit Des Ersten Gebots
' (complete title in historical spelling: '; The Obligation of the First and Foremost Commandment), K. 35, is a sacred musical play (''geistliches Singspiel'') composed by Wolfgang Amadeus Mozart in 1767 when he was 11 years old. It is Mozart's first opera or, more specifically, ''sacred drama'', as is suggested by the name. The libretto is now attributed to , although Johann Adam Wieland or Jakob Anton Marianus Wimmer had been suggested earlier. (The title page of the libretto ascribes it only to "J.A.W.".)OperaGlass summary at stanford.edu accessed on October 6, 2007 Only the first part of the opera was composed by Mozart; the second and third parts were contributed by Michael Haydn and |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Rosen
Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music. He is remembered for his career as a concert pianist, for his recordings, and for his many writings, notable among them the book ''The Classical Style''. Life and career Youth and education Charles Rosen was born in New York City on May 5, 1927, to a Russian-Jewish immigrant couple, Irwin Rosen, an architect, and Anita Rosen ( Gerber), a semiprofessional actress and amateur pianist. Charles began his musical studies at age 4 and at age 6 enrolled in the Juilliard School. At age 11 he left Juilliard to study piano with Moriz Rosenthal, and with Rosenthal's wife, Hedwig Kanner. Rosenthal, born in 1862, had been a student of Franz Liszt. Rosenthal's memories of the 19th century in classical music were communicated to his pupil and appear frequently in Rosen's later writings. (For instance, in ''Critical Entertainments'', Rosen offers a memory from Rosenthal concerning how Brahms per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Donne Rivali
''Le donne rivali'' is an intermezzo in two acts by composer Domenico Cimarosa with an Italian libretto by a now unknown poet. It is speculated that Giuseppe Petrosellini may have been the author of the libretto. The opera premiered at the Teatro Valle in Rome during Carnival in 1780.Rossi (1999) p. 83 The original choreography was created by Alberto Cavos, the original costumes by Antonio Dian, and the original scenery by Domenico Fossati. In accordance with Papal law on theatre in Rome, the premiere cast was all-male. The opera was later produced in Venice and Florence, and in 1789, in French, in St. Petersburg. In recent years, ''Le donne rivali'' has been occasionally revived and recorded. In 1991, the Juilliard Opera Center intertwined the work with Mozart's unfinished opera ''Lo sposo deluso'', which shares the same libretto, to make one large work. Roles Recordings *''Le donne rivali'' with conductor Alberto Zedda Alberto Zedda (2 January 19286 March 2017) was an Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine II of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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