Shiji
The earliest record of Li Shaojun was contemporaneously written during the reign of his patron Emperor Wu (141-87 BCE):It was at this time also that Li Shaojun appeared before the emperor to expound the worship of the god of the fireplace and explain his theories on how to achieve immortality through dietary restrictions 灶穀道卻老方見 The emperor treated him with great respect. Li Shaojun had formerly been a retainer of the marquis ofCompare alternate translations of "art of making offerings to the (spirit of the) Furnace (i.e. carrying on alchemical practices), and knew how to live without (eating) cereals and without growing old" (Needham 1976: 29), and "method of worshipping the furnace and abstaining from cereals to prevent old age" (tr. Despeux 2008:233).Shenze Shenze County () is a county of Hebei Province, North China, it is under the administration of the prefecture-level city of Shijiazhuang, the provincial capital. Administrative divisions Towns: * Shenze Town (), Tiegan () Townships: * Baizhuan ...and specialized in magical arts 方 He kept his real age and place of birth a secret, always telling people that he was seventy years old. Claiming that he could make the spirits serve him and prevent old age 使物卻老 he travelled about to the courts of the various feudal lords, expounding his magic. He had no wife or children. When people heard of his power to command the spirits and drive away death 物及不死they showered him with a constant stream of presents, so that he always had more than enough food and clothing and money. Impressed that he seemed to enjoy such affluence without engaging in any business, and also not knowing where he was from, people put even greater faith in his claims and vied with each other in waiting on him. He relied wholly on his ability to work magic and was clever at making pronouncements that were later found to have been curiously apt 好方善為巧發奇中 (tr. Watson 1961: 25)
Once when he was staying with Tian Fen, the marquis of Wu'an, and was drinking with the marquis and his friends, he told one of the guests, an old man of over ninety, that he had gone with the man's grandfather to such and such a place to practise archery. The old man had in fact, when he was a child, accompanied his grandfather, and remembered visiting the place that Li Shaojun mentioned. With this the whole party was struck with amazement. (tr. Watson 1961: 25)The latter story narrates how Li recognized a ritual bronze that belonged to
When Li Shaojun appeared before the emperor, the latter questioned him about an ancient bronze vessel which the emperor had in his possession. "This vessel," replied Li Shaojun, "was presented at the Cypress Chamber in the tenth year of the reign of Duke Huan of Qi (676 BC)." When the inscription on the vessel was deciphered, it was found that it had in fact belonged to Duke Huan of Qi. Everyone in the place was filled with astonishment and decided that Li Shaojun must be a spirit who had lived hundreds of years. (Watson 1961: 25-26)Emperor Wu was convinced that Li Shaojun could prevent the onset of old age and achieve deathlessness, Next, the ''Shiji'' relates the emperor undertaking Li's convoluted, long-term alchemical project for achieving immortality through the same method as the Yellow Emperor (Pregadio 2006: 29-30). The alchemical process began with ''cizao'' (sacrificing to the furnace) in order to summon ''wu'' (物, thing; matter; phenomenon), interpreted again as ''guiwu'' (鬼物, ghosts; spirits; divine beings), who would transmute
Li Shaojun then advised the emperor, "If you sacrifice to the fireplace you can call the spirits to you, and if the spirits come you can transform cinnabar into gold 灶則致物致物而丹沙可化為黃金 Using this gold, you may make drinking and eating vessels, which will prolong the years of your life. With prolonged life you may visit the immortals who live on the island of Penglai in the middle of the sea. If you visit them and perform the Feng and Shan sacrifices, you will never die. This is what the Yellow Emperor did. Once I wandered by the sea and visited Master Anqi, and he fed me jujubes as big as melons. Master Anqi is an immortal who roams about Penglai. If he takes a liking to someone he will come to meet him, but if not he will hide." As a result, the emperor for the first time began to sacrifice in person to the fireplace. He dispatched magicians to set out on the sea in search of Master Anqi and the immortals of Penglai and attempted to make gold out of cinnabar sand and various kinds of medicinal ingredients. (tr. Watson 1961: 26)The statement that Master Anqi will sometimes hide, "accomplishes four things at once: it confirms Li's own exalted status—for the clear implication is that Li has been deemed worthy of approach by An Qi; it portrays as restricted access to the sources of such methods as Li prescribes; it establishes a precedent for the contemporary adept's withholding of esoterica from the unworthy; and it acts as a failsafe lest the emperor practice the method unsuccessfully." (Campany 2006: 325) Li Shaojun's method shows that rituals were associated with Chinese alchemy since its earliest recorded beginnings. The Daoist Taiqing (太清, Great Clarity) tradition likewise summoned gods and other supernatural beings while making elixirs (Pregadio 2006: 32). However, in contrast to later practices of ''
After some time, Li Shaojun fell ill and died 死 The emperor, however, believed that he was not really dead but had transformed himself into a spirit 去不死 and he ordered Kuan Shu 舒 a clerk from Huangchui 錘 to carry on the magical arts which Li Shaojun had taught. None of the group sent out to search for Master Anqi in the island of Penglai succeeded in finding anything. After this, any number of strange and dubious magicians 迂之方士from the seacoast of Yan and Qi appeared at court to speak to the emperor about supernatural affairs. (tr. Watson 1961: 26)This ''Shiji'' passage about Emperor Wu and Li Shaojun, the earliest historically reliable document, is "surprisingly dense, relating as it does waidan to mythology, hagiography, ritual, and even state ceremonies." It is unclear whether Li's elaborate method represented a long but undocumented tradition before him or simply reflects his attempt at picking as many features as possible that would capture the emperor's interest and combining them into a secret "alchemical recipe" (Pregadio 2006: 31).
Lunheng
The skeptical philosopher and authorAt the time of Han Wu Ti there lived a certain Li Shao Chün, who pretended that by sacrificing to the "Hearth" and abstaining from eating grain he could ward off old age 祠竈辟穀卻老方見上 He saw the emperor, who conferred high honours upon him. Li Shao Chün kept his age and the place where he was born and had grown up secret, always saying that he was seventy old, and could effect that things did not grow old. On his journeys he visited all the princes around and was not married. On hearing that he could manage that things did not age, people presented him with much richer gifts than they would otherwise have done. He had always money, gold, dresses, and food in abundance. As people believed that he did not do any business, and was yet richly provided with everything, and as nobody knew, what sort of a man he really was, there was a general competition in offering him services. (tr. Forke 1907: 343-344)The ''Lunheng'' makes some minor changes in the two stories indicating that Li Shaojun was hundreds of years old. First, when Li meets the nonagenarian at the Marquis of Wu'an's party, instead of "The old man had in fact, when he was a child, accompanied his grandfather, and remembered visiting the place that Li Shaojun mentioned." (''Shiji'', tr. Watson 1961: 25), it says, "Li Shao Chün indicated to him the places which his grandfather frequented, when shooting. The old man knew them, having visited them as a child with his father." (tr. Forke 1907: 344). Second, when Li recognizes the ancient bronze vessel, the ''Lunheng'' dates it from "the 15th year" (671 BCE) instead of "the tenth year" (676) of the reign of
Those who now-a-days are credited with the possession of ''Tao'' are men like Li Shao Chün. He died amongst men. His body was seen, and one knew, therefore, that his nature bad been longevous. Had he dwelt in mountain-forests or gone into deserts, leaving no trace behind him, he would have died a solitary death of sickness amidst high rocks. His corpse would have been food for tigers, wolves, and foxes, but the world would again have believed him to have disappeared as a real immortal. The ordinary students of ''Tao'' have not Li Shao Chün's age. Before reaching a hundred years they die like all the others. Yet uncultured and ignorant people still hold that they are separated from their bodies, and vanish, and that, as a matter of fact, they do not die. (tr. Forke 1907: 344)Lastly, Wang Chong gives three reasons to doubt the ''Shiji'' narrative about Li Shaojun.
The Grand AnnalistSima Qian Sima Qian (; ; ) was a Chinese historian of the early Han dynasty (206AD220). He is considered the father of Chinese historiography for his ''Records of the Grand Historian'', a general history of China covering more than two thousand years b ...was a contemporary of Li Shao Chün. Although he was not amongst those who came near to Li Shao Chün's body, when he had expired, he was in a position to learn the truth. If he really did not die, but only parted with his body .e., ''shijie'' the Grand Annalist ought to have put it on record and would not have given the place of his death. The reference to the youth of the nonagenarian in the court would prove Li Shao Chün's age. Perhaps be was fourteen or fifteen years old, when the old man accompanied his grandfather as a boy. Why should Li Shao Chün not know this, if he lived 200 years? Wu Ti's time is very far from Duke Huan, when the bronze vase was cast, and Li Shao Chün cannot have seen it. Perhaps be heard once that in the palace there was an old vessel, or he examined the inscription beforehand to speak upon it, so that he was well-informed, when he saw it again. When our amateurs of to-day see an old sword or an antique crooked blade, they generally know where to place it. Does that imply that they saw, how it was wrought? ... Li Shao Chün taught ''Tao'' and a method to keep off old age by means of sacrificing to the "Hearth." He determined the period of a tripod cast under Duke Huan of Ch'i, and knew the places frequented, when hunting, by the grandfather of a nonagenarian, and yet he did not really attain to ''Tao''. He was only a long-lived man, who died late. (tr. Forke 1907: 345-346)
Baopuzi
The Daoist scholarAccording to Dong Zhongshu's ''Family ineage?Records of Li Shaojun'' (李少君家錄), "Li Shaojun possessed an esoteric method for deathlessness, but since his family was poor he lacked the means to buy the ingredients. He therefore presented himself at the Han ourtin order to acquire funds. When his way was complete, he departed." Also, according to the ''Annotated Record of Activities at the Han Court'' (漢禁中起居註), '"When Li Shaojun was about to depart, Emperor Wu dreamed that he was climbing Mount Songgao with him. Halfway up, a messenger riding a dragon and holding a tally descended from the clouds and announced that Taiyi had invited Li Shaojun. Then the emperor awoke, and told his retainers, 'If what I dreamed is true, Li Shaojun is about to abandon us and depart.' Several days later, Li announced that he was ill, and he died. Later, the emperor had someone open Li's coffin. There was no corpse inside, only his clothing and cap." Now, according to the ''Scripture on Transcendence'' (仙經), superior practitioners who rise up in their bodies and ascend into the void (''juxing shengxu'' 舉形昇虛) are termed celestial transcendents (''tianxian'' 天仙). Middle-level practitioners who wander among noted mountains are termed earthbound transcendents (''dixian'' 地仙). Lesser practitioners who first die and then slough off are termed "escape-by-means-of-a-simulated-corpse transcendents" (''shijiexian'' 屍解仙). Li's must clearly be a case of escape by means of a simulated corpse, then. (2, tr. Campany 2002: 227, cf. Ware 1966: 47 "Corpse-freed Genii")Li Shaojun's contemporary
Shenxian zhuan
Besides the ''Baopuzi'', Ge Hong also compiled the original c. 318 '' Shenxian Zhuan'' (Biographies of Divine Transcendents) that gives a highly detailed hagiography of Li Shaojun, which Campany classifies in "Group A", the earliest-attested content from before 500 CE. The ''Biographies of Divine Transcendents'' narrative begins with Li meeting Emperor Wu, adding information about hisLi Shaojun, styled Yunyi 雲翼, was a native of Qi. At the time when Han Emperor Wu had issued his call for masters of esoterica, Li had received from Master An Qi 安期 an esoteric method for making an elixir over a furnace fire. Because his family was poor, he could not obtain the necessary medicinal ingredients. He said to his disciples, "I'm about to become an old man. My capital is insufficient. Although I have worked hard behind the plow, it isn't enough to procure all the ingredients. But now the Son of Heaven loves the Dao. I would like to go and have an audience with him and ask him for the resources with which to synthesize the drug. Then I can do as I like." So he presented a method to the emperor, saying, "From natural cinnabar may be produced yellow gold; and when the gold is completed and ingested, one ascends and becomes a transcendent. I have often traveled across the seas, I have met Master An Qi, and I have eaten jujubes as big as melons." The Son of Heaven greatly venerated and honored him and bestowed untold wealth on him. (tr. Campany 2002: 222)The ''Shenxian zhuan'' narrative summarizes the two stories about Li remembering historical events, and also describes his youthful appearance.
Li Shaojun was once drinking and dining with the Marquis of Wu'an. In the group was an elderly man over ninety. Li asked his name. He then commented that he had once traveled with the old man's grandfather, that he had one night seen a little boy following after the grandfather, and that the two of them were consequently former acquaintances. All present at the time were astonished. Also, during Li's audience with Emperor Wu, he noticed an ancient bronze vessel nearby. Recognizing it, he remarked, "Duke Huan of Qi. displayed this vessel in his chamber of repose." The emperor checked his words against the inscription carved into the bronze, and it did indeed turn out to be an ancient Qi vessel. From this he realized that Li was several hundred years old. But he looked to be around fifty. His facial complexion was excellent, his flesh smooth and radiant, and his mouth and teeth were like those of a youth. When the princes, officials, and nobles t courtheard that he could cause people not to die, they all esteemed him highly and gave him mountains of money. (tr. Campany 2002: 222)Ge Hong adds the element of deception into the narrative. Having obtained imperial patronage to purchase the expensive alchemical ingredients, Li prepared the immortality elixir for himself, feigned illness, and performed ''shijie'' to escape from not only from death but also from his demanding patron (Campany 2002: 226).
And so Li Shaojun secretly made the divine elixir. When it was completed, he said to the emperor: "His majesty is incapable of distancing himself from luxury or of removing himself from music and sex. He cannot call a halt to killings and executions, nor can he overcome joy and anger. He cannot change the fact that for ten thousand ''li'' around there are homeless cloud-souls and in the cities and courts there are bloody punishments. Under such circumstances, the great way of the divine elixir cannot be completed." But he nevertheless gave a minor medicinal formula to the emperor. Li Shaojun then announced that he was ill. That same night efore the news had reached himthe emperor dreamed that he was climbingThis ''Shenxian zhuan'' hagiography gives a long account, possibly invented by Ge Hong (Campany 2002: 226), about Li Shaojun preparing a ''waidan'' alchemical elixir for his seriously ill friend Dong Zhongshu, who "often scoffed at people of the world for ingesting drugs and practicing the Dao". Li combined ''Mount Song Mount Song (, "lofty mountain") is an isolated mountain range in north central China's Henan Province, along the southern bank of the Yellow River. It is known in literary and folk tradition as the central mountain of the Five Great Mountains of ...with Li. When they were halfway up, a elestialmessenger riding a dragon and holding a seal of office came through the clouds and said that the Grand Monad had invited Li o ascend into the heavens Then the emperor awakened. At once he sent someone to inquire what Li was up to, and he said to his close advisers, "Last night I dreamed that Li abandoned us." When it turned out that Li was ill, the emperor went to call on him, and he also designated someone to receive Li's esoteric methods. But before this matter was concluded, Li expired. The emperor said, "Li hasn't died; he has intentionally departed by transformation, that's all." Meanwhile, the body was being shrouded when suddenly it disappeared. None of the inner and outer garments were unfastened; they were like a cicada shell. The emperor regretted that he had not sought ormulasfrom Li more diligently. (tr. Campany 2002: 223)
When I was still young, I obtained Li Shaojun's esoteric medicine. At first I didn't believe in it; after I used it, I regained strength, but then I was never able to grasp he method for makingit. I will carry this regret with me to the Yellow Springs here the dead went You must go and search among people for a master of esoteric arts, someone who can explain the meaning of this method. If you persist in taking this medicine, you will certainly transcend the world." (tr. Campany 2002: 224)Campany notes the absence of independent evidence that Dong Zhongshu ever became a believer in Daoist transcendence techniques, although Ge Hong's ''Baopuzi'' cites a text titled ''Fami [or lineage?Records of Li Shaojun'' and identifies Dong Zhongshu as its author (2002: 226). Although unattested before the Tang dynasty">r_lineage?.html" ;"title=" [or lineage?"> [or lineage?Records of Li Shaojun'' and identifies Dong Zhongshu as its author (2002: 226). Although unattested before the Tang dynasty, later ''Shenxian zhuan'' editions of Li Xiaojun's hagiography add a narrative about his disciple, Li Shaoweng (李少翁, Li the Youthful Old Man), who also escapes through ''shijie'' by replacing his body with a bamboo tube simulacrum. Both of them stage their deaths in time to avoid being compelled to reveal fully their esoteric skills (Campany 2002: 226). Li Shaojun and Li Shaoweng are commonly confused or conflated. The ''Shiji'', which does not mention Li Shaoweng being a student of Li Xiaojun, says Emperor Wu granted the title ''Wencheng jiangjun'' to the necromancer Li Shaoweng who performed the '' zhaohun'' (招魂, summon the ''hun''-soul) ritual for Emperor Wu's beloved Consort Li (李氏, d. 150 BCE). Over time, Li Shaoweng's magical arts grew less and less effective, and he attempted to deceive the emperor by making an ox eat a message written on a piece of silk, and then announcing, "There appears to be some strange object in this ox's belly!" The ox was killed and cut open, revealing "exceedingly strange" words written on the silk, however, the emperor recognized Li's handwriting and had him secretly executed in 119 BCE (tr. Watson 1961: 28).
At this time there was the General of Civil Accomplishment (Wencheng jiangjun), who also obtained some of Li Shaojun's arts and served under Emperor Wu. Later, the emperor sent an envoy to have him killed. The general told the envoy: "Please apologize on my behalf to the emperor. I cannot bear to lessen my days here and ruin my work on the Great Task. hat is, the work of synthesizing an elixirIf the emperor loves rts ofcaring for oneself, tell him to look for me thirty years hence on Mount Cheng. We can work on the esoteric method together, and thus he need not resent me." e was then executed.When the envoy returned, he relayed the message to the emperor, who ordered he general'scoffin opened and inspected. There was nothing inside it but a bamboo tube. The emperor suspected that his disciples had stolen and hidden his body, so he had them rounded up and questioned. He was then very remorseful. After his execution of the general, he once again issued a call to all masters of esoterica, and he performed another sacrifice to the Grand Monad at Sweetwater Springs, where he set up another altar and presented offerings to the general. The emperor was in personal attendance at the ceremonies. (tr. Campany 2002: 225)
Later texts
Numerous Daoist texts repeated and expanded the early narratives about Li Shaojun, but his image in the later tradition is not always positive. For instance, the 7th-century commentary to the Taiqing school classic ''Jiudan jing'' (九丹經, "Scripture of the Nine Elixirs") refers to Li's method, saying that the gold of vessels used for eating and drinking "affords longevity as it slowly saturates one's stomach, permeating the system of transmutation of food into nutritional essences". However, the commentary also blames Li Shaojun because his performance gave more importance to ''cizao'' offerings to the deity of the furnace, described as ''zuǒdào'' (左道, lit. "Ways of the left"; heterodox doctrine; a term often applied to magic), but did not address the "correct" ''waidan'' methods of highest Taiqing deities such as Taiyi Great One and the Yellow Emperor (Pregadio 2006: 32, Pregadio 2008: 643-644).References
*Barrett, T. H. (2005), "Li Shaojun", in Jones, Lindsay ed., ''The Encyclopedia of Religion'', Macmillan, 8: 5465-5466. *Campany, Robert F. (2002), ''To Live as Long as Heaven and Earth: A Translation and Study of Ge Hong's Traditions of Divine Transcendents'', University of California Press. *Campany, Robert F. (2006), "Secrecy and Display in the Quest for Transcendence in China", ''History of Religions'' 45.4: 291-336. *Campany, Robert Ford (2009), ''Making Transcendents: Ascetics and Social Memory in Early Medieval China'', University of Hawaii Press. *Forke, Alfred, tr. (1907),