Igor Stravinksy

Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.

Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: '' The Firebird'' (1910), '' Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and '' Les noces'', was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms ( concerto grosso, fugue, and symphony) and drew from earlier styles, especially those of the 18th century. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form and instrumentation.

Biography

Early life, 1882–1901

Stravinsky was born on 17 June 1882 in the town of Oranienbaum on the southern coast of the Gulf of Finland, west of Saint Petersburg. His father, Fyodor Ignatievich Stravinsky (1843–1902), was an established bass opera singer in the Kiev Opera and the Mariinsky Theatre in Saint Petersburg and his mother, Anna Kirillovna Stravinskaya (''née'' Kholodovskaya; 1854–1939), a native of Kiev, was one of four daughters of a high-ranking official in the Kiev Ministry of Estates. Igor was the third of their four sons; his brothers were Roman, Yury, and Gury. The Stravinsky family was of Polish and Russian heritage, descended "from a long line of Polish grandees, senators and landowners". It is traceable to the 17th and 18th centuries to the bearers of the Sulima and Strawiński coat of arms. The original family surname was Sulima-Strawiński; the name "Stravinsky" originated from the word "Strava", one of the variants of the Streva River in Lithuania.

On 10 August 1882, Stravinsky was baptised at Nikolsky Cathedral in Saint Petersburg. Until 1914, he spent most of his summers in the town of Ustilug, now in Ukraine, where his father-in-law owned an estate. Stravinsky's first school was The Second Saint Petersburg Gymnasium, where he stayed until his mid-teens. Then he moved to Gourevitch Gymnasium, a private school, where he studied history, mathematics, and languages (Latin, Greek, and Slavonic; and French, German, and his native Russian). Stravinsky expressed his general distaste for schooling and recalled being a lonely pupil: "I never came across anyone who had any real attraction for me."

Stravinsky took to music at an early age and began regular piano lessons at age nine, followed by tuition in music theory and composition. At around eight years old, he attended a performance of Tchaikovsky's ballet '' The Sleeping Beauty'' at the Mariinsky Theatre, which began a lifelong interest in ballets and the composer himself. By age fifteen, Stravinsky had mastered Mendelssohn's Piano Concerto No. 1 and finished a piano reduction of a string quartet by Alexander Glazunov, who reportedly considered Stravinsky unmusical and thought little of his skills.

Education and first compositions, 1901–1909

Despite Stravinsky's enthusiasm and ability in music, his parents expected him to study law, and he at first took to the subject. In 1901, he enrolled at the University of Saint Petersburg, studying criminal law and legal philosophy, but attendance at lectures was optional and he estimated that he turned up to fewer than fifty classes in his four years of study. In 1902, Stravinsky met Vladimir, a fellow student at the University of Saint Petersburg and the youngest son of Nikolai Rimsky-Korsakov. Rimsky-Korsakov at that time was arguably the leading Russian composer, and he was a professor at Saint Petersburg Conservatory of Music. Stravinsky wished to meet Vladimir's father to discuss his musical aspirations. He spent the summer of 1902 with Rimsky-Korsakov and his family in Heidelberg, Germany. Rimsky-Korsakov suggested to Stravinsky that he should not enter the Saint Petersburg Conservatory but continue private lessons in theory.

By the time of his father's death from cancer in 1902, Stravinsky was spending more time studying music than law. His decision to pursue music full time was helped when the university was closed for two months in 1905 in the aftermath of Bloody Sunday, which prevented him from taking his final law exams. In April 1906, Stravinsky received a half-course diploma and concentrated on music thereafter. In 1905, he began studying with Rimsky-Korsakov twice a week and came to regard him as a second father. These lessons continued until Rimsky-Korsakov's death in 1908. Stravinsky completed his first composition during this time, the Symphony in E-flat, catalogued as Opus 1. In the wake of Rimsky-Korsakov's death, Stravinsky composed '' Funeral Song'', Op. 5 which was performed once and then considered lost until its re-discovery in 2015.

In August 1905, Stravinsky became engaged to his first cousin, Katherina Gavrylovna Nosenko. In spite of the Orthodox Church's opposition to marriage between first cousins, the couple married on 23 January 1906. They lived in the family's residence at 6 Kryukov Canal in Saint Petersburg before they moved into a new home in Ustilug, which Stravinsky designed and built, and which he later called his "heavenly place". He wrote many of his first compositions there. It is now a museum with documents, letters, and photographs on display, and an annual Stravinsky Festival takes place in the nearby town of Lutsk. Stravinsky and Nosenko's first two children, Fyodor (Theodore) and Ludmila, were born in 1907 and 1908, respectively.

Ballets for Diaghilev and international fame, 1909–1920

By 1909, Stravinsky had composed two more pieces, '' Scherzo fantastique'', Op. 3, and '' Feu d'artifice'' ("Fireworks"), Op. 4. In February of that year, both were performed in Saint Petersburg at a concert that marked a turning point in Stravinsky's career. In the audience was Sergei Diaghilev, a Russian impresario and owner of the Ballets Russes who was struck with Stravinsky's compositions. He wished to stage a mix of Russian opera and ballet for the 1910 season in Paris, among them a new ballet from fresh talent that was based on the Russian fairytale of the Firebird. After Anatoly Lyadov was given the task of composing the score, he informed Diaghilev that he needed about one year to complete it. Diaghilev then asked the 28-year-old Stravinsky, who had provided satisfactory orchestrations for him for the previous season at short notice and agreed to compose a full score. At about 50 minutes in length, '' The Firebird'' was revised by Stravinsky for concert performance in 1911, 1919, and 1945.

''The Firebird'' premiered at the Opera de Paris on 25 June 1910 to widespread critical acclaim and Stravinsky became an overnight sensation. As his wife was expecting their third child, the Stravinskys spent the summer in La Baule in western France. In September, they moved to Clarens, Switzerland where their second son, Sviatoslav (Soulima), was born. The family would spend their summers in Russia and winters in Switzerland until 1914. Diaghilev commissioned Stravinsky to score a second ballet for the 1911 Paris season. The result was '' Petrushka'', based the Russian folk tale featuring the titular character, a puppet, who falls in love with another, a ballerina. Though it failed to capture the immediate reception that ''The Firebird'' had following its premiere at Théâtre du Châtelet in June 1911, the production continued Stravinsky's success.

It was Stravinsky's third ballet for Diaghilev, ''The Rite of Spring'', that caused a sensation among critics, fellow composers, and concertgoers. Based on an original idea offered to Stravinsky by Nicholas Roerich, the production features a series of primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim to the sun god Yarilo, and dances herself to death. Stravinsky's score contained many novel features for its time, including experiments in tonality, metre, rhythm, stress and dissonance. The radical nature of the music and choreography caused a near-riot at its premiere at the Théâtre des Champs-Élysées on 29 May 1913.

Shortly after the premiere, Stravinsky contracted typhoid from eating bad oysters and he was confined to a Paris nursing home. He left in July 1913 and returned to Ustilug. For the rest of the summer he focused on his first opera, ''The Nightingale'' (''Le Rossignol''), based on the same-titled story by Hans Christian Andersen, which he had started in 1908. On 15 January 1914, Stravinsky and Nosenko had their fourth child, Marie Milène (or Maria Milena). After her delivery, Nosenko was discovered to have tuberculosis and was confined to a sanatorium in Leysin in the Alps. Stravinsky took up residence nearby, where he completed ''The Nightingale''. The work premiered in Paris in May 1914, after the Moscow Free Theatre had commissioned the piece for 10,000 rubles but soon became bankrupt. Diaghilev agreed for the Ballets Russes to stage it. The opera had only lukewarm success with the public and the critics, apparently because its delicacy did not meet their expectations following the tumultuous ''Rite of Spring''. However, composers including Ravel, Bartók, and Reynaldo Hahn found much to admire in the score's craftsmanship, even alleging to detect the influence of Arnold Schoenberg.

In April 1914, Stravinsky and his family returned to Clarens. Following the outbreak of World War I later that year, he was ineligible for military service due to health reasons. Stravinsky managed a short visit to Ustilug to retrieve personal items just before national borders were closed. In June 1915, he and his family moved from Clarens to Morges, a town six miles from Lausanne on the shore of Lake Geneva. The family lived there (at three different addresses), until 1920. In December 1915, Stravinsky made his conducting debut at two concerts in aid of the Red Cross with ''The Firebird''. The war and subsequent Russian Revolution in 1917 made it impossible for Stravinsky to return to his homeland.

Stravinsky began to struggle financially in the late 1910s as Russia (and its successor, the USSR) did not adhere to the Berne Convention, thus creating problems for Stravinsky to collect royalties for the performances of his pieces for the Ballets Russes. He blamed Diaghilev for his financial troubles, accusing the impresario of failing to adhere to their contract. While composing his theatrical piece ''L'Histoire du soldat'' (''The Soldier's Tale''), Stravinsky approached Swiss philanthropist Werner Reinhart for financial assistance, who agreed to sponsor him and largely underwrite its first performance which took place in Lausanne in September 1918. In gratitude, Stravinsky dedicated the work to Reinhart and gave him the original manuscript. Reinhart supported Stravinsky further when he funded a series of concerts of his chamber music in 1919. In gratitude to his benefactor, Stravinsky also dedicated his ''Three Pieces for Clarinet'' to Reinhart, who was also an amateur clarinetist.

Following the premiere of '' Pulcinella'' by the Ballets Russes in Paris on 15 May 1920, Stravinsky returned to Switzerland.

Life in France, 1920–1939

In June 1920, Stravinsky and his family left Switzerland for France, first settling in Carantec, Brittany for the summer while they sought a permanent home in Paris. They soon heard from couturière Coco Chanel, who invited the family to live in her Paris mansion until they had found their own residence. The Stravinskys accepted and arrived in September. Chanel helped secure a guarantee for a revival production of ''The Rite of Spring'' by the Ballets Russes from December 1920 with an anonymous gift to Diaghilev that was claimed to be worth 300,000 francs.

In 1920, Stravinsky signed a contract with the French piano manufacturing company Pleyel. As part of the deal, Stravinsky transcribed most of his compositions for their player piano, the Pleyela. The company helped collect Stravinsky's mechanical royalties for his works and provided him with a monthly income. In 1921, he was given studio space at their Paris headquarters where he worked and entertained friends and acquaintances. The piano rolls were not recorded, but were instead marked up from a combination of manuscript fragments and handwritten notes by Jacques Larmanjat, musical director of Pleyel's roll department. During the 1920s, Stravinsky recorded Duo-Art piano rolls for the Aeolian Company in London and New York City, not all of which have survived.

Stravinsky met Vera de Bosset in Paris in February 1921, while she was married to the painter and stage designer Serge Sudeikin, and they began an affair that led to de Bosset leaving her husband.

In May 1921, Stravinsky and his family moved to Anglet

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