Hausmusik

A house concert or home concert is a musical concert or performance art that is presented in someone's home or apartment, or a nearby small private space such as a barn, apartment rec room, lawn, or backyard."VIDEO: House concert in Royal Oak," '' Daily Tribune'', June 29, 2010. Found a
Oakland Daily Tribune website
Accessed July 20, 2010."Set Your Ass in the Grass 4th of July House Concert," ''Bozeman Daily Chronicle'', July 2, 2010. Found a
Bozeman Daily Chronicle
Accessed July 20, 2010.Jenny Williams, "Marian Call House Concert, or The Importance of Music in Our Lives,"
By June 27, 2010, ''Wired'' "Geekdad" (blog). Found a
Wired website
Accessed July 20, 2010.Ben Salmon, "Sisters musician plays show: Dennis McGregor plans solo house concert," ''The Bulletin'' (Bend, Oregon), June 25. 2010. Found a
The Bend Bulletin website
Accessed July 20, 2010."Scots playing in Merville" (Photo caption: "Findlay Napier and Gillian Frame will perform July 18 at a Merville house concert as well as offering guitar and fiddle workshops"), ''Comox Valley Record'' (Comox Valley, British Columbia), July 8, 2010. Found a
''Comox Valley Record'' website
Accessed July 20, 2010.William Demarest, "From Alaska to New City: Folk Singer Brings Haunting Tunes to 'The Borderline': Local folk music club hosts Kray Van Kirk for intimate concert." ''New City Patch'' (blog), July 15, 2010. Found a
New City Patch website
. Accessed July 20, 2010.
Accessed July 21, 2010.Jim Kavanagh, "Intimate shows bring down the house,'' CNN, June 10, 2010. Found a
CNN website
Accessed July 21, 2010.Andrew McGinn, "Freedom Farm Acoustic Concert season opens: The trend of 'house concerts' — it's exactly what it sounds like — has come to the area," ''Springfield News-Sun'', April 16, 2010. Three photos by Marshall Gorby; captions: (1) "Gary Haber stands in front of the century-old livestock barn he turned into a concert venue. (2) "John Batdorf, a Springfield native who went on to record for Atlantic as one-half of the early '70s duo Batdorf and Rodney, will return to the area to play an intimate house concert, part of a growing trend of live shows." (3) "Gary Haber, owner of Freedom Farm just outside of West Liberty, in his "concert hall," the loft of a century-old barn." Found a
''Springfield News-Sun'' website
Accessed July 21, 2010.

Logistics considerations of holding a concert in a contemporary home include audience capacity, collecting cash or donations, whether the proceeds will be split with the host, marketing and whether to publicize the venue, the equipment or sound system, to provide refreshments or to hold a potluck, whether to have one show or present a series, and the choice of musicians.

Common in the historical past, but now unusual in the age of large concert arenas, a house concert is almost invariably described as an "intimate" experience.John H. Baron, ''Intimate music: a history of the idea of chamber music'', p. 1. (Pendragon Press, 1998) . Found a
Google Books
Accessed July 21, 2010. A true house concert needs to be distinguished from a smaller musical ensemble, recital at a high school, or modern chamber music concert, which may sometimes be called a "house show" or "house concert".

Logistics

Audience capacity for a house concert is typically smaller than at a coffeehouse or club, but some concert spaces may accommodate 200 people; others can entertain two dozen or so.

Generally tickets are not sold in advance, but cash is collected at the show. Sometimes, the money collected goes straight to the performers, with no "profit motive" on the presenter's part. However, at other times, the '' purpose'' of the show is to collect money to pay for rent, or is paid by a donation. In fact, calling it a donation may prevent zoning issues that a host is operating a business such as a cabaret illegally or without a license.

Traditionally, there is little or no sound system, so performers may play and sing acoustically, or perform or act without a microphone. Since at least the 1970s, however, extension cords, mult boxes, and other equipment innovations have enabled such performers to hook into a sound system, either inside or outside a house. Nonetheless, the musicians "use just enough equipment to make for a complete experience without being too loud for the neighbors."

Refreshments, if any, are usually either a " pot luck" brought by the listeners, or provided by the hosts using a bit of the gate receipts. Sometimes, the performers get a meal and/or lodging with the presenters as part of their compensation.

Most house concerts are "one-shots", but others are presented as a series, for example, every two to eight weeks over a "season", of anywhere from six to twelve months."The Playlist: Quick Hits," ''Columbia Free Times'', July 13–19, 2010. Found a
''Columbia Free Times'' website
. Accessed July 20, 2010. Some lesser-known musicians may go on tour with gigs consisting primarily of house concerts. Even notable musical acts, such as Sirsy, may schedule "private party" gigs while on tour.Se
Sirsy tour page
Accessed July 21, 2010.

Promotion

House concerts are conducted "by invitation" (for practical reasons), social media such as Twitter or Facebook, or word of mouth, rather than as "public" concerts like a club or concert hall. However, in smaller towns and cities, the local media may help publicize such a concert. In an academic study on the cataloging of concert event ephemera, one of the only two flyers studied that did ''not'' have a publicized venue was for a house concert, the other being obscure.Michael J. Graves, "CONCERT EVENT METADATA: DESCRIBING CONCERTS EFFECTIVELY IN A DIGITAL ENVIRONMENT," A Master's paper submitted in partial fulfillment of the requirements for the degree of Master of Science in Library Science, and ''Approved''. (Chapel Hill, North Carolina April 2003). Found a
School of Information and Library Science of the University of North Carolina at Chapel Hill website
an
Google Scholar website
All accessed July 20, 2010.

Experience

Now unusual in the age of large concert arenas, a house concert is almost invariably described as an "intimate" experience.
. Accessed July 21, 2010. In "a small setting as a house concert, singerfills the air with her voice and musicianwith his guitar. You are surrounded by the music." It is "up close and personal." The Wyldwood Shows, in Austin, Texas, can accommodate 200 people in a "lush backyard setting for what amounts to a near festival-like atmosphere."

A house concert is also a unique experience in the United States of 2010; one blogger at ''Wired'' magazine wrote:

At house concerts, "you don't have worry about whether you'll have a good seat since the show is literally in the living room of the home ... at ... trailside Court, New City." This comes with a duty to recall "that this is a house concert, so behave accordingly and don't do anything you wouldn't do in your own house, OK?"

People host house concerts because they "want to share great music," or they may live in a town where "there are too few venues where people can go to experience great music in a close and friendly environment." One may also wish to host a home concert because it makes one happy, or "to give exposure to some incredible musicians whose talents heytruly believe in and wish to help promote." A retired musician may be a host as "one way of reconnecting with that part of themselves."

Once they go to a house concert, and discover its charms, it is a great experience for children, whether for smaller "kids", or "18-year-olds".Myra Flynn, "Flynn: Finding an Audience," (Interview), Vermont Public Radio, July 13, 2010. Found a
Vermont Public Radio website
Accessed July 20, 2010. It is not for everyone:

Folk music singer-songwriter Carrie Elkin says of house concerts:

In the Seoul, South Korea, "The House Concert" series, the audience sits directly on the wooden floor along with the musicians so they can feel the vibration of the instruments, providing an even more intimate and "goose-bump" inspiring connection to the music and the performers. "The House Concert" organizer explains:

History

House concerts are not new, yet have had a recent resurgence in the late 20th and early 21st centuries.

Precursors

Folk music, country music, and blues music have long histories of performances at people's homes and backyards. Most people's ''only'' experience of music was house concerts:

Early music was performed commonly as "house concerts"; even Mozart used the format. The lute, an instrument with a "treasure house of music", works best in very small concerts of early music: "The lute is not very loud, and so is not a candidate for Carnegie Hall. It is an intimate instrument, perfect for the player himself, or for a very few listeners. ... "

In the period of the Renaissance and Baroque, especially in the 16th century, all secular music was performed in a chamber of the nobleman's home, and thus called chamber music. Only in the 17th century did it come to mean either secular or religious music, and only in the time of Beethoven and later were halls built specifically for public concerts. Even into the 20th century, chamber music was performed in home concerts. Ralph Kirkpatrick recalled playing a clavichord at a house concert in Hamburg, Germany after 1929.

From the mid-19th century until the mid-20th century, many wealthy individuals had pipe organs installed in their homes. Prior to the advent of recorded music, the organ was the only instrument able to provide a real approximation of orchestral music under the control of one performer, with sufficient volume to entertain a group of people. In Great Britain and Europe, and especially in America, a wealthy person's home was not considered complete without a pipe organ. The AEolian Organ Company in particular catered almost exclusively to this clientele. Many house organs were of modest size, with two manuals and 10 to 20 stops; however, the homes of the richest had organs that rivaled a cathedral organ in size. While many home organs began to have automatic player mechanisms (operating in a manner similar to the player piano roll system) from the 1890s, the highest artistic standard was, of course, a live performer. Members of the upper-class families, such as the Vanderbilts, Carnegies, Mellons, and Schwab had house concerts regularly for their friends to hear a performance by a noted artist on their pipe organ. Dependent on the taste of the host, these house concerts generally included very little "legitimate" organ music, and consisted mainly of arrangements of popular tunes, operatic overtures, and transcriptions of orchestral works. Several prominent organists such as Archer Gibson worked almost exclusively playing house parties.

On December 6, 1897, Norwegian romantic composer Edvard Grieg and his wife Nina Grieg, a lyric soprano, performed some of his music at a private concert at Windsor Castle for Queen Victoria and her court; she later hosted Pablo Casals and the Carl Rosa company.

House concerts have been attested since at least the early 20th century in New York City. In the 1930s Harlem, people rented out "buffet flats" (an apartment room set aside for travellers or shows) for blues concerts or risque performances.George Chauncey, '' Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940'', pp. 250–253, Chapter 8, notes 71, 78 (New York: Basic Books, a division of HarperCollins, 1994). . Note 71 citing Charles Albertson, ''Interview with Ruby Smith'', as quoted by Eric Garber, "A Spectacle in Color: The Lesbian and Gay Subculture of Jazz Age Harlem", in ''Hidden from History: Reclaiming the Gay and Lesbian Past'' (ed. Martin Duberman, Martha Vicinus, and George Chauncey) (New York: New American Library, 1989), pp. 318–333. Note 78 citing Hazel V. Carby, "Policing the Black Women's Body in the Urban Context," in ''Critical Inquiry'' (1992) pp. 738–755. At a particularly "open house" of a sex show, Ruby Smith said, "People used to pay good just to go in there and see him do his act."(''sic.'') An obese African-American female impersonator did her drag show at a buffet flat at 101 W. 140th Street. The elite of Harlem "called on the police to close the brothels and buffet flats. ... " that were using such home concerts as covers for illicit sex.

In 1957, short story writer Walter Ballenger described a house concert for students in Chicago.

Hip hop music

DJ Kool Herc is credited with helping to start hip hop and rap music at a house concert at an apartment building in the South Bronx. The Bronx's evolution from a hot bed of Latin jazz to an incubator of Hip hop was the subject of an award-winning documentary, produced by City Lore and broadcast on PBS in 2006, "From Mambo to Hip Hop: A South Bronx Tale". Hip Hop first emerged in the South Bronx in the early 1970s. ''The New York Times'' has identified 1520 Sedgwick Avenue "an otherwise unremarkable high-rise just north of the Cross Bronx Expressway and hard along the Major Deegan Expressway" as a starting point, where DJ Kool Herc presided over parties in the community room.

On August 11, 1973, DJ Kool Herc was a Dee Jay and Emcee at a party in the :recreation room of 1520 Sedgwick Avenue in the Bronx adjacent to the Cross-Bronx Expressway.Tukufu Zuberi ("detective"), ''BIRTHPLACE OF HIP HOP'', History Detectives, Season 6, Episode 11, New York City, found a
PBS official website
Accessed February 24, 2009. It was not the actual "Birthplace of Hip Hop"—the genre developed slowly in several places in the 1970s—but was verified to be the place where ''one of'' the pivotal and formative events occurred. Specifically, DJ Kool Herc:

Punk rock

Basement shows are common within the North American punk rock scene. Robin Goodhue hosted and performed the first basement show in 1978.

House music

"House music" may, or may not, have anything to do with house concerts; there is considerable dispute whether the term used for that genre comes from a particular venue (the Warehouse, or House for short), a DJ who invented it at his mother's house concerts, or a club's own trademark style.

That term may have its origin from a Chicago nightclub called ''The Warehouse'' which existed from 1977 to 1982, and which was patronized primarily by gay black and Latino men. The disco music played by the club's resident DJ, Frankie Knuckles, said in the Channel 4 documentary ''Pump Up The Volume'', that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. Chip E. lent credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House".

Another South-Side Chicago DJ, Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home or house; in his case, it referred to his mother's soul and disco records, which he worked into his sets.

Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular DJs; those tracks were their "house" records (much like a restaurant might have a "house" salad dressing).

Recent uses

Recently, Larry Lyon's Americana Unplugged established a house concert-type venue in downtown Davis, Oklahoma featuring folk and Americana musicians from across the globe. House concerts are now held across the United States, especially California, Texas, Brooklyn, New York, and Boston, Massachusetts. There have been house concerts across America, in such places as Springfield, Ohio, Bozeman, Montana, outside Phoenix, Arizona, Vermont, Sisters, Oregon (near Bend, Oregon), New City, New York, and Covington, Georgia.

More recently, they have been reported in many places around the world, from Canada, to South Korea, India and Brazil.Neha Kumar and Tapan S. Parikh, "New media and folk music in rural India," ''Conference on Human Factors in Computing Systems: Proceedings of the 28th of the international conference extended abstracts on Human factors in computing systems table of contents'', Atlanta, Georgia, April 12–13, 2010, pp. 3529–3534, . Abstract found at
ACM Digital Library
Accessed July 20, 2010.

A house concert can be a useful step for curing a musician's "performance anxiety", also known as "stage fright":Charles D. Plummer, "Performance Enhancement for Brass Musicians Using Eye Movement Desensitization and Reprocessing," (EMDR), submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, 2007, p. 102. Found a
Ohio Link archives
Accessed July 20, 2010.

Bruce Watson, who has been called "an icon of the Australian folk scene", has performed extensively at house concerts throughout Australia and New Zealand.

See also

* Basement show
* Garage rock

References

Further reading

* H. Raynor, ''A Social History of Music'' (in two volumes)
* Eric David Mackerness, ''A Social History of English Music'' (Routledge, 2006) , Length 336 pages; a
Google Books

* Joseph A. Mussulman, ''Music in the cultured generation: a social history of music in America, 1870–1900'' (Northwestern University Press, 1971) , Length 298 pages; a
Internet Archive

* John H. Baron, ''Intimate music: a history of the idea of chamber music'' (Pendragon Press, 1998) Length 489 pages ; a
Google Books

External links

SofaConcerts
An international platform for house concerts and unconventional live gigs.

ConcertsInYourHome
Worldwide network of house concerts and touring artists.

Home Routes
A non-profit organization dedicated to creating logistical tour routes for folk artists across Canada

The European House Concert Hub
The European House Concert community.

HouseShowsZine
a comprehensive website/zine about various types and aspects of house concerts.


24-page PDF download.

Global House Concert Map
Interactive map of 500+ house concert hosts around the world.


– October 21, 2006 MP3 Newswire article details the advantages of the house concert experience

BBC Radio 4 feature on House Concerts
– BBC Radio 4 feature on House Concerts


describing the "feel and appeal" of house concerts

Acousticroof – the Canadian House Concert Network
A non-profit organization dedicated to providing a network for acoustic artists and home concert venue hosts to connect across Canada.


in the ''Star Tribune'', July 14, 2010

Fats Waller's famous song, ''This Joint Is Jump'in'', which illustrates his idea of a house concert in Harlem in his time

Review and Photographs of Melissa Greener playing at House Concert

home-artist.org
Find musicians and artists willing to perform in small private concerts in your home.

Undiscovered Music Network
Listing of upcoming house concert performances across the United States.

{{DEFAULTSORT:House Concert
Concerts
Folk music venues
Country music
Blues venues
House music