Guatimotzin
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''Guatimotzin'' is an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
in one act and nine scenes composed by Aniceto Ortega del Villar to a libretto in Spanish by José Tomás de Cuéllar. It premiered on 13 September 1871 at the Gran Teatro Nacional in
Mexico City Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital city, capital and primate city, largest city of Mexico, and the List of North American cities by population, most populous city in North Amer ...
. Described as an ''episodio musical'' (musical episode), its plot is based on the defense of Mexico by its last
Aztec The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl ...
emperor,
Cuauhtémoc Cuauhtémoc (, ), also known as Cuauhtemotzín, Guatimozín, or Guatémoc, was the Aztec ruler ('' tlatoani'') of Tenochtitlan from 1520 to 1521, making him the last Aztec Emperor. The name Cuauhtemōc means "one who has descended like an eagle ...
(also known as Guatimotzin). It was one of the earliest Mexican operas to use a native subject.


Background and performance history

A romanticised account of the heroic but doomed defense of Mexico by its last Aztec emperor,
Cuauhtémoc Cuauhtémoc (, ), also known as Cuauhtemotzín, Guatimozín, or Guatémoc, was the Aztec ruler ('' tlatoani'') of Tenochtitlan from 1520 to 1521, making him the last Aztec Emperor. The name Cuauhtemōc means "one who has descended like an eagle ...
, ''Guatimotzin'' was one of the earliest Mexican operas to use a native subject and to incorporate indigenous music into its score.Grout (2003) p. 561
Aniceto Ortega Aniceto de los Dolores Luis Gonzaga Ortega del Villar (17 April 1825 – 17 November 1875) was a Mexican physician, composer, and pianist. Although he had a distinguished career as a physician and surgeon, he is also remembered today for his 1871 ...
, who was also a prominent physician and surgeon, worked on the composition in his free time between patients and late at night. His references to native music can be seen especially in the dances "
Tlaxcaltec The Tlaxcalans, or Tlaxcaltecs, are a Nahua people who live in the Mexican state of Tlaxcala. Pre-Columbian history The Tlaxcaltecs were originally a conglomeration of three distinct ethnic groups who spoke Nahuatl, Otomi, and Pinome that compr ...
a" (which quotes a Mexican folk tune, "El perico") and "Tzotzopizahuac". According to Robert Stevenson, the latter resembles the third movement of
Beethoven's Seventh Symphony The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812, while improving his health in the Bohemian spa town of Teplitz. The work is dedicated to Count Moritz von Fries. A ...
rather more than it does indigenous music, but the score would later cause Ortega "to be hailed as a Mexican Glinka". The libretto in Spanish verse was written by José Tomás de Cuéllar, a well-known poet, playwright, and novelist and the editor of several Mexican periodicals, including ''La Linterna Magica'' and ''La Illustracion Potosina''. His fictional works often had a spiritual element and dealt with themes from native Mexican culture. When de Cuéllar became ill at one point, Ortega also worked on parts of the libretto.International Musicological Society (1993) p. 199 ''Guatimotzin'' premiered on 13 September 1871 at the Gran Teatro Nacional in Mexico City.Stevenson It was performed as a benefit for the conductor, Enrico Moderati, by members of
Ángela Peralta Ángela Peralta (6 July 1845, Mexico City – 30 August 1883, Mazatlán) (baptised María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was an operatic soprano of international fame and a leading figure in the operatic ...
's opera company with
Enrico Tamberlik Enrico Tamberlik (16 March 1820 – 13 March 1889) was an Italian tenor who sang to great acclaim at Europe and America's leading opera venues. He excelled in the heroic roles of the Italian and French repertories and was renowned for his po ...
in the title role. The sets and costumes were designed by Riccardo Fontana, based on drawings in the Mendoza Codex and advice from prominent historians. According to the art historian, Christopher Fulton, the opera's premiere was its sole performance. However, its staging may have influenced the depiction of Cuauhtémoc's torture and death in the bronze relief by Gabriel Guerra on the Cuauhtémoc Monument in Mexico City.


Principal roles

*Princess Malintzin ( soprano) created by
Ángela Peralta Ángela Peralta (6 July 1845, Mexico City – 30 August 1883, Mazatlán) (baptised María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was an operatic soprano of international fame and a leading figure in the operatic ...
*
Cuauhtémoc Cuauhtémoc (, ), also known as Cuauhtemotzín, Guatimozín, or Guatémoc, was the Aztec ruler ('' tlatoani'') of Tenochtitlan from 1520 to 1521, making him the last Aztec Emperor. The name Cuauhtemōc means "one who has descended like an eagle ...
(
tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
) created by
Enrico Tamberlik Enrico Tamberlik (16 March 1820 – 13 March 1889) was an Italian tenor who sang to great acclaim at Europe and America's leading opera venues. He excelled in the heroic roles of the Italian and French repertories and was renowned for his po ...
* Hernán Cortés ( bass) created by
Louis Gassier Louis Gassier (30 April 1820 – 18 December 1871) was a French operatic baritone. Biography Born in Saint-Maximin-la-Sainte-Baume (Var department), Gassier married the Spanish singer . He was hired with his wife in 1855 at Drury Lane in London ...
.The source for the premiere cast is Velázquez (1971) (). The French bass, Louis Nicolas François Gassier (born 30 April 1820 in
Saint-Maximin-la-Sainte-Baume Saint-Maximin-la-Sainte-Baume (; oc, Sant Maissemin de la Santa Bauma, links=https://www.google.fr/maps/@43.4574354,5.8556205,3a,51.6y,135.48h,69.75t/data=!3m6!1e1!3m4!1sYHiJO3wua5rplRFJ-jGpTQ!2e0!7i13312!8i6656) is a commune in the southeastern ...
, died 18 December 1872 in
Havana Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.
), was a member of Ángela Peralta's touring opera company. While in Mexico, he also sang Count Rodolfo in ''
La sonnambula ''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eu ...
'', Sir Tristan in ''
Martha Martha (Hebrew: מָרְתָא‎) is a biblical figure described in the Gospels of Luke and John. Together with her siblings Lazarus and Mary of Bethany, she is described as living in the village of Bethany near Jerusalem. She was witness ...
'', and Mephistopheles in ''
Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...
''.


Notes and references


Sources

*Bonaparte, Roland
''Le Mexique au début du 20e siècle''
C. Delagrave, 1904 *Cambas, Manuel Rivera,
México Pintoresco
', Vol. 1, La Reforma, 1880 *de Olavarría y Ferrari, Enrique, ''Reseña histórica del teatro en México'', Volume 3, La Europea, 1895 *Fulton, Christopher
"Cuauhtémoc regained"
''Estudios de Historia Moderna y Contemporánea de México'', No. 36, January–June 2008, pp. 5–47 *García Mora, Carlos and Krotz, Esteban, ''La Antropología en México: Panorama histórico'', Volume 9, Instituto Nacional de Antropología e Historia, 1988. *Grout, Donald Jay and Williams, Hermine Weigel
''A short history of opera''
Columbia University Press, 2003. *International Musicological Society, ''Report of the International Musicological Society Congress'', Vol. 1, Bärenreiter, 1993 *Price, Curtis Alexander ''et al''.
''Italian Opera in Late Eighteenth-century London: The King's Theatre, Haymarket, 1778-1791''
Oxford University Press, 1995. * *Velázquez, Guillermo Orta
''Breve historia de la música en México''
Librería de M. Porrúa, 1971 *Werner, Michael S.
''Concise encyclopedia of Mexico''
Taylor & Francis, 2001. {{authority control Operas Spanish-language operas 1871 operas One-act operas Operas set in Mexico Aztecs in fiction