German Expressionism
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German Expressionism () consisted of several related creative movements in Germany before the
First World War World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
that reached a peak in Berlin during the 1920s. These developments were part of a larger
Expressionist Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it rad ...
movement in north and central European culture in fields such as
architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ...
,
dance Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoir ...
,
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
,
sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
and
cinema Cinema may refer to: Film * Cinematography, the art of motion-picture photography * Film or movie, a series of still images that create the illusion of a moving image ** Film industry, the technological and commercial institutions of filmmaking ...
. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s.


History

The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Introduction'', Third Edition. McGraw Hill. 2010, p.87 International audiences and appreciation for German cinema began to grow as anti-German sentiment decreased following the end of World War I. By the time its 1916 ban on imports on foreign film was lifted, Germany had become a part of the international film industry. Among the first Expressionist films, '' The Student of Prague'' (1913), '' The Cabinet of Dr. Caligari'' (1920), ''
From Morn to Midnight ''From Morn to Midnight'' (german: Von morgens bis mitternachts) is a 1920 German silent expressionist film directed by Karlheinz Martin based on the 1912 play '' From Morning to Midnight'' by Georg Kaiser. It is one of the most radical films ...
'' (1920), '' The Golem: How He Came into the World'' (1920), '' Genuine'' (1920), ''
Destiny Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although often ...
'' (1921), ''
Nosferatu ''Nosferatu: A Symphony of Horror'' (German: ''Nosferatu – Eine Symphonie des Grauens'') is a 1922 silent German Expressionist horror film directed by F. W. Murnau and starring Max Schreck as Count Orlok, a vampire who preys on the wife ...
'' (1922), ''
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'' (1922), and '' Schatten'' (1923) were highly symbolic and stylized. European societies of the 1920s embraced an ethic of change and a willingness to look to the future by experimenting with bold, new ideas and artistic styles. The first Expressionist films, which lacked a generous budget, used set designs with wildly non-realistic, geometrically absurd angles, along with designs painted on walls and floors to represent lights, shadows, and objects. The plots and stories of the Expressionist films often dealt with madness,
insanity Insanity, madness, lunacy, and craziness are behaviors performed by certain abnormal mental or behavioral patterns. Insanity can be manifest as violations of societal norms, including a person or persons becoming a danger to themselves or t ...
,
betrayal Betrayal is the breaking or violation of a presumptive contract, trust, or confidence that produces moral and psychological conflict within a relationship amongst individuals, between organizations or between individuals and organizations. ...
and other "
intellectual An intellectual is a person who engages in critical thinking, research, and reflection about the reality of society, and who proposes solutions for the normative problems of society. Coming from the world of culture, either as a creator or a ...
" topics triggered by the experiences of World War I (as opposed to standard action-adventure and romantic films). Later films often categorized as part of the brief history of German Expressionism include ''
Metropolis A metropolis () is a large city or conurbation which is a significant economic, political, and cultural center for a country or region, and an important hub for regional or international connections, commerce, and communications. A big c ...
'' (1927) and '' M'' (1931), both directed by
Fritz Lang Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 6 ...
. This trend was a reaction against realism. Its practitioners used extreme distortions in expression to show an inner
emotion Emotions are mental states brought on by neurophysiological changes, variously associated with thoughts, feelings, behavioral responses, and a degree of pleasure or displeasure. There is currently no scientific consensus on a definition. ...
al reality rather than what was on the surface.Thompson, Kristin. Bordwell, David. ''Film History: An Introduction'', Third Edition. McGraw Hill. 2010, p.91 The extreme anti-realism of Expressionism was short-lived, fading away after only a few years. The themes of Expressionism were integrated into later films of the 1920s and 1930s, resulting in an artistic control over the placement of scenery, light, etc. to enhance the mood of a film. This dark, moody school of film making was brought to the United States when the
Nazis Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Na ...
gained power and many German film makers emigrated to Hollywood. Several German directors and cameramen flourished in Hollywood, producing a repertoire of films that had a profound effect. Nazi film theorist
Fritz Hippler Fritz Hippler (17 August 1909 – 22 May 2002) was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. He is best known as the director of the propaganda film '' Der Ewige Jude (The ...
was a supporter of expressionism. Two further films produced in Nazi Germany using the expressionist style were ''The Animal of Steel'' (''Das Stahltier'', 1935) by Willy Zielke and ''Michelangelo. The Life of a Titan'' (''Das Leben eines Titanen'', 1940) by Curt Oertel. Two genres that were especially influenced by Expressionism are
horror film Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apoca ...
and
film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ' ...
.
Carl Laemmle Carl Laemmle (; born Karl Lämmle; January 17, 1867 – September 24, 1939) was a film producer and the co-founder and, until 1934, owner of Universal Pictures. He produced or worked on over 400 films. Regarded as one of the most important o ...
and
Universal Studios Universal Pictures (legally Universal City Studios LLC, also known as Universal Studios, or simply Universal; common metonym: Uni, and formerly named Universal Film Manufacturing Company and Universal-International Pictures Inc.) is an Ameri ...
had produced
horror film Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apoca ...
s of the silent era, such as
Lon Chaney Leonidas Frank "Lon" Chaney (April 1, 1883 – August 26, 1930) was an American actor. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and affli ...
's ''
The Phantom of the Opera ''The Phantom of the Opera'' (french: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux. It was first published as a serial in from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierr ...
''. German film makers such as Karl Freund (the cinematographer for '' Dracula'' in 1931) set the style and mood of the Universal
monster movie A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under ...
s of the 1930s with their dark and artistically designed sets, providing a model for later generations of horror films. Directors such as
Fritz Lang Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 6 ...
,
Billy Wilder Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an Austrian-American filmmaker. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Holl ...
,
Otto Preminger Otto Ludwig Preminger ( , ; 5 December 1905 – 23 April 1986) was an Austrian-American theatre and film director, film producer, and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre. He first gai ...
,
Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featur ...
,
Orson Welles George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
,
Carol Reed Sir Carol Reed (30 December 1906 – 25 April 1976) was an English film director and producer, best known for ''Odd Man Out'' (1947), '' The Fallen Idol'' (1948), ''The Third Man'' (1949), and '' Oliver!'' (1968), for which he was awarded the ...
and
Michael Curtiz Michael Curtiz ( ; born Manó Kaminer; since 1905 Mihály Kertész; hu, Kertész Mihály; December 24, 1886 April 10, 1962) was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed cla ...
introduced the Expressionist style to crime dramas of the 1930s and 1940s, expanding Expressionism's influence on modern film making.


Influence and legacy

German silent cinema was arguably far ahead of Hollywood during the same period."Paul Merton Looks at Alfred Hitchcock", BBC Television 2009, Broadcast- 28th Feb 2009 Cinema outside Germany benefited both from the emigration of German film makers and from German expressionist developments in style and technique that were apparent on the screen. The new look and techniques impressed other contemporary film makers, artists and cinematographers, and they began to incorporate the new style into their work. In 1924,
Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featur ...
was sent by
Gainsborough Pictures Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, north London. Gainsborough Studios was active between 1924 and 1951. The com ...
to work as an assistant director and art director at the
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owned
Babelsberg Studios Babelsberg Film Studio (german: Filmstudio Babelsberg), located in Potsdam-Babelsberg outside Berlin, Germany, is the second oldest large-scale film studio in the world only preceded by the Danish Nordisk Film (est. 1906), producing films since ...
in
Potsdam Potsdam () is the capital and, with around 183,000 inhabitants, largest city of the German state of Brandenburg. It is part of the Berlin/Brandenburg Metropolitan Region. Potsdam sits on the River Havel, a tributary of the Elbe, downstream of B ...
near Berlin on the film ''
The Blackguard ''The Blackguard'' (german: Die Prinzessin und der Geiger) (1925) is a British-German drama film directed by Graham Cutts and starring Jane Novak, Walter Rilla, and Frank Stanmore. Plot Against the backdrop of the Russian Revolution, a violini ...
''. The immediate effect of the working environment in Germany can be seen in his expressionistic set designs for that film. Hitchcock later said he "acquired a strong German influence by working at the UFA studios". German Expressionism would continue to influence Hitchcock throughout his career. In his third film, '' The Lodger'', Hitchcock introduced expressionist set designs, lighting techniques, and trick camera work to the British public against the wishes of his studio. His visual experimentation included the use of an image of a man walking across a glass floor shot from below, a concept representing someone pacing upstairs.
Werner Herzog Werner Herzog (; born 5 September 1942) is a German film director, screenwriter, author, actor, and opera director, regarded as a pioneer of New German Cinema. His films often feature ambitious protagonists with impossible dreams, people with u ...
's 1979 film '' Nosferatu: Phantom der Nacht'' was a tribute to
F. W. Murnau Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe; December 28, 1888March 11, 1931) was a German film director, producer and screenwriter. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at th ...
's 1922 film. The film uses expressionist techniques of highly symbolic acting and symbolic events to tell its story. The 1998 film '' Dark City'' used stark contrast, rigid movements, and fantastic elements. Stylistic elements taken from German Expressionism are common today in films that need not reference contemporary realism, such as
science fiction films Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, interstellar ...
(for example,
Ridley Scott Sir Ridley Scott (born 30 November 1937) is a British film director and producer. Directing, among others, science fiction films, his work is known for its atmospheric and highly concentrated visual style. Scott has received many accolades thr ...
's 1982 film ''
Blade Runner ''Blade Runner'' is a 1982 science fiction film directed by Ridley Scott, and written by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick' ...
'', which was itself influenced by ''
Metropolis A metropolis () is a large city or conurbation which is a significant economic, political, and cultural center for a country or region, and an important hub for regional or international connections, commerce, and communications. A big c ...
'').
Woody Allen Heywood "Woody" Allen (born Allan Stewart Konigsberg; November 30, 1935) is an American film director, writer, actor, and comedian whose career spans more than six decades and multiple Academy Award-winning films. He began his career writing ...
's 1991 film ''
Shadows and Fog ''Shadows and Fog'' is a 1991 American black-and-white comedy film directed by Woody Allen and based on his one-act play ''Death'' (1975). It stars Allen, Mia Farrow, John Malkovich, Kathy Bates, David Ogden Stiers, Jodie Foster, Lily Tomlin, J ...
'' is an homage to German and Austrian Expressionist filmmakers
Fritz Lang Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 6 ...
,
Georg Wilhelm Pabst Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. ...
and
F. W. Murnau Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe; December 28, 1888March 11, 1931) was a German film director, producer and screenwriter. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at th ...
. The extreme angles of set decor and associated lighting were parodied by
Ken Hughes Ken or KEN may refer to: Entertainment * ''Ken'' (album), a 2017 album by Canadian indie rock band Destroyer. * ''Ken'' (film), 1964 Japanese film. * ''Ken'' (magazine), a large-format political magazine. * Ken Masters, a main character in t ...
in his Berlin spy school segment for the 1967 spoof version of '' Casino Royale.''


Set designs

Many critics see a direct tie between cinema and architecture of the time, stating that the sets and scene artwork of Expressionist films often reveal buildings of sharp angles, great heights, and crowded environments, such as the frequently shown Tower of Babel in Fritz Lang's ''
Metropolis A metropolis () is a large city or conurbation which is a significant economic, political, and cultural center for a country or region, and an important hub for regional or international connections, commerce, and communications. A big c ...
''. Strong elements of
monumentalism {{unreferenced, date=March 2020 Monumentalism defines the architectural tendencies that during the first half of the twentieth century had as their essential canon the inspiration and connection to classicism and neoclassicism. Critics divide thi ...
and
Modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
appear throughout the canon of German Expressionism. An excellent example of this is ''Metropolis'', as evidenced by the enormous power plant and glimpses of the massive yet pristine "upper" city. German Expressionist painters rejected the naturalistic depiction of objective reality, often portraying distorted figures, buildings, and landscapes in a disorienting manner that disregarded the conventions of perspective and proportion. This approach, combined with jagged, stylized shapes and harsh, unnatural colors, were used to convey subjective emotions. A number of artists and craftsmen working in the Berlin theater brought the Expressionist visual style to the design of stage sets. This, in turn, had an eventual influence on films dealing with fantasy and horror. The prime example is
Robert Wiene Robert Wiene (; 27 April 1873 – 17 July 1938) was a film director of the silent era of German cinema. He is particularly known for directing the German silent film ''The Cabinet of Dr. Caligari'' and a succession of other German Expressionism, ...
's dream-like film '' The Cabinet of Dr. Caligari'' (1920) which is universally recognized as an early classic of Expressionist cinema.
Hermann Warm Hermann Warm was a German art director for films. Born in 1889 (died 1976) in Berlin, Germany, Warm was an important figure in the expressionist movement of the 1920s. Warm entered the German film industry in 1912 after working on-stage for a w ...
, the film's art director, worked with painters and stage designers
Walter Reimann Walter Reimann (2 June 1887 – 8 November 1936) was a German painter and art director. He was an Expressionist and member of the group of artists associated with Zurich magazine, Der Sturm. He worked on the production design of a number of film ...
and
Walter Röhrig Walter Röhrig (13 April 1897 – 1945) was a German art director.Stephens p.163 Selected filmography * '' The Cabinet of Dr. Caligari'' (1920) * ''Masks'' (1920) * ''Parisian Women'' (1921) * '' Island of the Dead'' (1921) * ''Miss Julie'' (192 ...
to create fantastic, nightmarish sets with twisted structures and landscapes with sharp-pointed forms and oblique, curving lines. Some of these designs were constructions, others were painted directly onto canvases. German Expressionist films produced in the
Weimar Republic The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is al ...
immediately following the
First World War World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
not only encapsulate the sociopolitical contexts in which they were created, but also rework the intrinsically modern problems of self-reflexivity, spectacle and identity. According to
Siegfried Kracauer Siegfried Kracauer (; ; February 8, 1889 – November 26, 1966) was a German writer, journalist, sociologist, cultural critic, and film theorist. He has sometimes been associated with the Frankfurt School of critical theory. He is notable for a ...
and
Lotte Eisner Lotte H. Eisner (5 March 1896, Berlin – 25 November 1983, Paris) was a German-French writer, film critic, archivist and curator. Eisner worked initially as a film critic in Berlin, then in Paris where in 1936 she met Henri Langlois with whom she ...
, German Expressionist cinema operates as a kind of collective consciousness and a symptomatic manifestation of what they polemically claim to be inherent cultural tendencies of the German nation. Expressionism has also been described as focusing on the “power of spectacles”Telotte, J.P. “German Expressionism: A Cinematic/ Cultural Problem” in Traditions in World Cinema. (ed. Badley, et al.), 2006, p.21 and offering audiences “a kind of
metonymic Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name ...
image of their own situation”. This film movement paralleled Expressionist painting and theater in rejecting realism. The creators in the Weimar Period sought to convey inner, subjective experience through external, objective means. Their films were characterized by highly stylized sets and acting; they used a new visual style which embodied high contrast and simple editing. The films were shot in studios where they could employ deliberately exaggerated and dramatic lighting and camera angles to emphasize some particular affect – fear, horror, pain. Aspects of Expressionist techniques were later adapted by such directors as
Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featur ...
and
Orson Welles George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
and were incorporated into many American gangster and horror films. Some of the major filmmakers of this time were
F. W. Murnau Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe; December 28, 1888March 11, 1931) was a German film director, producer and screenwriter. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at th ...
, Erich Pommer, and
Fritz Lang Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 6 ...
. The movement ended after the currency stabilized, making it cheaper to buy movies abroad. The UFA financially collapsed and German studios began to deal with Italian studios which led to their influence in style of horror and films noirs. The American influence on the film industry would also lead some film makers to continue their career in the US. The UFA's last film was '' Der blaue Engel'' (1930), considered a masterpiece of German Expressionism.


Interpretation

The two most comprehensive studies of German Expressionist film are
Lotte Eisner Lotte H. Eisner (5 March 1896, Berlin – 25 November 1983, Paris) was a German-French writer, film critic, archivist and curator. Eisner worked initially as a film critic in Berlin, then in Paris where in 1936 she met Henri Langlois with whom she ...
's ''The Haunted Screen'' and Siegfried Kracauer's ''
From Caligari to Hitler ''From Caligari to Hitler: A Psychological History of the German Film'' is a book by film critic and writer Siegfried Kracauer, published in 1947. Background This work of film theory is one of the first major studies of German film between Wo ...
''. Kracauer examines German cinema from the Silent/Golden Era to support the (controversial) conclusion that German films made prior to
Hitler Adolf Hitler (; 20 April 188930 April 1945) was an Austrian-born German politician who was dictator of Germany from 1933 until his death in 1945. He rose to power as the leader of the Nazi Party, becoming the chancellor in 1933 and then ...
's takeover and the rise of the
Third Reich Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...
all hint at the inevitability of Nazi Germany. For Eisner, similarly, German Expressionist cinema is a visual manifestation of Romantic ideals turned to dark and proto-totalitarian ends. More recent German Expressionist scholars examine historical elements influencing German Expressionism, such as the Weimar economy,
UFA Ufa ( ba, Өфө , Öfö; russian: Уфа́, r=Ufá, p=ʊˈfa) is the largest city and capital city, capital of Bashkortostan, Russia. The city lies at the confluence of the Belaya River (Kama), Belaya and Ufa River, Ufa rivers, in the centre-n ...
, Erich Pommer, Nordisk, and Hollywood.


See also

For additional examples of films made in the German Expressionist style, see: * Austrian director
G. W. Pabst Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. ...
's 1930 film '' Westfront 1918'' * Polish-made 1937 Yiddish-language ''
The Dybbuk ''The Dybbuk'', or ''Between Two Worlds'' (russian: Меж двух миров ибук}, trans. ''Mezh dvukh mirov ibuk'; yi, צווישן צוויי וועלטן - דער דִבּוּק, ''Tsvishn Tsvey Veltn – der Dibuk'') is a play by ...
'' * American thriller '' The Night of the Hunter'', made in 1955 For more on German Expressionism's most singularly important producer and director, see
Leopold Jessner Leopold Jessner (3 March 1878 – 13 December 1945) was a noted producer and director of German Expressionist theater and cinema. His first film, '' Hintertreppe'' (1921), is considered a major turning point which paved the way for the later ...
(1878–1945). For more on the period's most important production company and distributor, see ''
Universum Film AG UFA GmbH, shortened to UFA (), is a film and television production company that unites all production activities of the media conglomerate Bertelsmann in Germany. Its name derives from Universum-Film Aktiengesellschaft (normally abbreviated as ...
'', popularly known as ''UFA''.


References


External links


''Tim Burton: A German Expressionism Influence''

GreenCine primer on German Expressionism



German Expressionist Cinema at Indian Auteur

German Expressionist Films
at the
Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...

German Expressionism collection
at the
University of Maryland Libraries The University of Maryland Libraries is the largest university library in the Washington, D.C. - Baltimore area. The university's library system includes eight libraries: six are located on the College Park campus, while the Severn Library, an of ...
{{Horror film
Expressionism Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it rad ...
Film theory German culture Movements in cinema Weimar culture 1930s in film 1920s in film 1910s in film