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G. W. Pabst
Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. Early years Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad official. While growing up in Vienna, he studied drama at the Academy of Decorative Arts and initially began his career as a stage actor in Switzerland, Austria and Germany. In 1910, Pabst traveled to the United States, where he worked as an actor and director at the German Theater in New York City. In 1914, he decided to become a director, and he returned to recruit actors in Europe. Pabst was in France when World War I began, he was arrested and held as an enemy alien and interned in a prisoner-of-war camp near Brest. * * * While imprisoned, Pabst organised a theatre group at the camp and directed French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Threepenny Opera (1931 Film)
''The Threepenny Opera'' (german: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG ( Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, ''L'Opéra de quat'sous'', with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version went unproduced. The two existing versions were released on home video by The Criterion Collection. ''The Threepenny Opera'' differs in significant respects from the play and the internal timeline is somewhat vague. The whole of society is presented as corrupt in one form or another. Only some of the songs from the play are used, in a different order. Plot summary In 19th century Lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greta Garbo
Greta Garbo (born Greta Lovisa Gustafsson; 18 September 1905 – 15 April 1990) was a Swedish-American actress. Regarded as one of the greatest screen actresses, she was known for her melancholic, somber persona, her film portrayals of tragedy, tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the AFI's 100 Years...100 Stars, greatest female stars of classic Hollywood cinema. Garbo launched her career with a secondary role in the 1924 Swedish film ''The Saga of Gosta Berling, The Saga of Gösta Berling''. Her performance caught the attention of Louis B. Mayer, chief executive of Metro-Goldwyn-Mayer (MGM), who brought her to Hollywood in 1925. She stirred interest with her first American silent film, ''Torrent (1926 film), Torrent'' (1926). Garbo's performance in ''Flesh and the Devil'' (1927), her third movie, made her an international star. In 1928, Garbo starred in ''A Woman of Affairs,'' which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The White Hell Of Pitz Palu (1929 Film)
''The White Hell of Pitz Palu'' (german: Die weiße Hölle vom Piz Palü) is a 1929 German silent mountain film co-directed by Arnold Fanck and G. W. Pabst and starring Leni Riefenstahl, Gustav Diessl, Ernst Petersen, and World War I pilot Ernst Udet. Written by Fanck and Ladislaus Vajda, the film is about a man who loses his wife in an avalanche while climbing the Piz Palü mountain, and spends the next few years searching the mountain alone for her body. Four years later he meets a young couple who agree to accompany him on his next climb. ''The White Hell of Pitz Palu'' was filmed on location in the Bernina Range in Graubünden, Switzerland. Plot Dr. Johannes Krafft and his bride Maria are spending their honeymoon mountain climbing in the Bernina Alps in southeast Switzerland. While climbing the north face of Piz Palü in the strong föhn winds, the loving couple's guide Christian warns Krafft not to be cocky in this dangerous environment, but the doctor dismisses the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mountain Film
A mountain film is a film genre that focuses on mountaineering and especially the battle of human against nature. In addition to mere adventure, the protagonists who return from the mountain come back changed, usually gaining wisdom and enlightenment. ''Bergfilme'' Although the first mountain film, depicting the ascent of the Mont Blanc by the American climber Frank Ormiston-Smith, was released in 1903, the mountain film genre is most associated with the German ''Bergfilme'' (singular: ''Bergfilm'') released in the 1920s. Some critics describe the German mountain film as an indigenous national / cultural genre, comparable to the American western. The most important director of mountain films was Dr. Arnold Fanck. According to an essay by Doug Cummings in the DVD release of the landmark '' The Holy Mountain'' (1926), Fanck shot his first motion picture in 1913, and after serving in World War I, purchased a rare Ernemann slow-motion camera, taught himself to shoot on location ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Fanck
Arnold Fanck (6 March 1889 – 28 September 1974) was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as '' The Holy Mountain'' (1926), '' The White Hell of Pitz Palu'' (1929), '' Storm over Mont Blanc'' (1930), '' The White Ecstasy'' (1931), and '' S.O.S. Eisberg'' (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.Inkster 2012, p. 19. Biography Arnold Fanck was born on 6 March 1889 in Frankenthal, Germany. Together with Odo Deodatus Tauern, Bernhard Villinger and Rolf Bauer, Fanck established the company "Berg- und Sportfilm GmbH Freiburg" in Freiburg im Breisgau in 1920. Fanck, who held a PhD in geology, directed mountain films, sports films and ski films. He was assisted by Sepp Allgei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diary Of A Lost Girl
''Diary of a Lost Girl'' (german: Tagebuch einer Verlorenen) is a 1929 German silent film directed by G. W. Pabst and starring American silent star Louise Brooks. It is shot in black and white, and various versions of the film range from 79 minutes to 116 minutes in length. This was Brooks' second and last film with Pabst, and like their prior collaboration, ''Pandora's Box'', it is considered to be a classic by many film historians. It is based on the controversial and bestselling 1905 novel of the same name by Margarete Böhme. The novel had been previously adapted by Richard Oswald as ''Diary of a Lost Woman''. Plot Thymian Henning, the innocent, naive daughter of pharmacist Robert Henning, is puzzled when their housekeeper, Elisabeth, leaves suddenly on the day of Thymian's confirmation In Christian denominations that practice infant baptism, confirmation is seen as the sealing of the covenant created in baptism. Those being confirmed are known as confirmands. For adu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandora's Box (1929 Film)
Pandora's box is an artifact in Greek mythology connected with the myth of Pandora in Hesiod's c. 700 B.C. poem ''Works and Days''. Hesiod reported that curiosity led her to open a container left in the care of her husband, thus releasing physical and emotional curses upon mankind. Later depictions of the story have been varied, while some literary and artistic treatments have focused more on the contents than on Pandora herself. The container mentioned in the original account was actually a large storage jar, but the word was later mistranslated. In modern times an idiom has grown from the story meaning "Any source of great and unexpected troubles", or alternatively "A present which seems valuable but which in reality is a curse". In mythology According to Hesiod, when Prometheus stole fire from heaven, Zeus, the king of the gods, took vengeance by presenting Pandora to Prometheus' brother Epimetheus. Pandora opened a jar left in her care containing sickness, death and many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
