Gré Brouwenstijn
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Gré Brouwenstijn (born Gerda Demphina: 26 August 1915 in
Den Helder Den Helder () is a municipality and a city in the Netherlands, in the province of North Holland. Den Helder occupies the northernmost point of the North Holland peninsula. It is home to the country's main naval base. From here the Royal TESO fe ...
– 14 December 1999 in
Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population ...
) was a Dutch
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
singer whose stage career spanned from the early 1940s to the mid-1970s.Rosenthal H. Gré Brouwenstijn. In: ''New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997.


Career

She studied voice at the Amsterdam Muzieklyceum, with Jaap Stroomenbergh, Boris Pelsky and Ruth Horna. She made her operatic début in 1940 as the First Lady in ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
''. Brouwenstijn then became a member of the Hilversum Radio Choir, later performing as a soloist in operatic broadcasts. In 1946, she joined the
Netherlands Opera The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a m ...
, where she made her debut as Giulietta in '' Les contes d'Hoffmann''. In 1949, Brouwenstijn made her debut at the
Holland Festival The Holland Festival () is the oldest and largest performing arts festival in the Netherlands. It takes place every June in Amsterdam. It comprises theatre, music, opera and modern dance. In recent years, multimedia, visual arts, film and archite ...
as Leonora in '' Il Trovatore'', the beginning of a long association. In subsequent years, she sang Reiza (''Oberon''), Jenůfa, Amelia, Donna Anna, Desdemona, the Countess, Tatyana, Leonora (''La forza del destino''), Senta, Iphigénie (''Iphigénie en Tauride''), and Leonore (''Fidelio'') at the Festival. Brouwenstijn was above all associated with the role of Leonore in Beethoven's ''
Fidelio ''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with ...
''. Considered one of the finest Leonores of her time, she performed the role to great acclaim at the Vienna State Opera, the
Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...
, Stuttgart, Berlin, Amsterdam, Buenos Aires, London, and Glyndebourne. In 1951, Brouwenstijn made her debut at the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ...
,
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
as Aida (in English), conducted by Sir John Barbirolli. Her Berlin debut in 1954 caused "something of a sensation"; the critic praised her " phrasing in Italian opera". In 1955, under Rafael Kubelík, she sang Desdemona. In 1958, she sang Elisabetta in a famous production of ''
Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'' designed by Luchino Visconti and conducted by
Carlo Maria Giulini Carlo Maria Giulini (; 9 May 1914 – 14 June 2005) was an Italian conductor. From the age of five, when he began to play the violin, Giulini's musical education was expanded when he began to study at Italy's foremost conservatory, the Conserva ...
. In 1958 she sang Leonore at the
Teatro Colón The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acousti ...
in a production of ''Fidelio'' conducted by
Thomas Beecham Sir Thomas Beecham, 2nd Baronet, Order of the Companions of Honour, CH (29 April 18798 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic Orchestra, London Philharmonic and the Roya ...
. From 1954 to 1956, she appeared at
Bayreuth Bayreuth (, ; bar, Bareid) is a town in northern Bavaria, Germany, on the Red Main river in a valley between the Franconian Jura and the Fichtelgebirge Mountains. The town's roots date back to 1194. In the 21st century, it is the capital of U ...
, as Elisabeth, Freia, Sieglinde, Gutrune and Eva. Two Wagnerian roles she performed elsewhere, Senta and Elsa, she never performed there, however, due to a breach in 1957 with the Wagner family. Brouwenstijn's roles at La Monnaie in Brussels were Chrysothemis in ''Elektra'', the Marschallin in '' Der Rosenkavalier'', Elisabeth in ''Tannhäuser'' and Sieglinde in ''Die Walküre''. At the Paris Opera she appeared as Leonore in ''Fidelio'' in 1955 and Elisabeth in ''Don Carlos'' in 1960. In 1959, she made her
American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, pe ...
debut as Jenůfa at the Lyric Opera of Chicago. She made her farewell appearance singing Leonore, with the Netherlands Opera in 1971. Brouwenstijn was married twice; from 1948 to 1953 to tenor Jan van Mantgem, and from 1954 until her death to former tennis player and TV doctor
Hans van Swol Albertus Christiaan "Hans" van Swol (; 22 August 1914 – 20 May 2010) was a Dutch tennis player. He was five-fold Dutch singles champion (1938, 1940, 1941, 1948 and 1949). He reached the fourth round at Wimbledon on five occasions (1946, 1948â ...
. Gré Brouwenstijn died in 1999 at age 84 in Amsterdam and was buried at Zorgvlied cemetery.


Recording

Of published opera recordings, many are taken from live performances; her studio recordings include ''Un ballo in maschera'' (excerpts), ''Der Freischütz'' (excerpts), ''Tiefland'' and ''Die Walküre'',List of recordings.
/ref> beside Beethoven’s 9th Symphony with the Berlin Philharmonic Orchestra under
André Cluytens André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. was a Belgian-born French conductor who was active in the con ...
. Tove in '' Gurre-Lieder'' is preserved as part of an Edinburgh performance in 1961 under Leopold Stokowski.


Quote

Dutch music critic Paul Korenhof wrote of Brouwenstijn: :Her gifts were even more evident in seemingly passive roles such as Verdi’s two Leonoras (''Il Trovatore'' and ''La Forza del destino'') and Desdemona. When Gré Brouwenstijn sang these roles, she was more than a soprano who sang her arias beautifully but was otherwise little more than a decorative element in the drama being presented by the tenor and baritone. As a contemporary of Callas, Olivero, Rysanek, Varnay and Mödl and influenced by many great conductors and directors of the fifties, she realized that beautiful singing alone did not make an opera, but that the singing must emanate from the character being portrayed.


References


External links


Profile and discography
{{DEFAULTSORT:Brouwenstijn, Gre 1915 births 1999 deaths Dutch operatic sopranos People from Den Helder 20th-century Dutch women opera singers