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André Cluytens
André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. was a Belgian-born French conductor who was active in the concert hall, opera house and recording studio. His repertoire extended from Viennese classics through French composers to 20th century works. Although much of his career was spent in France, he was the first French conductor at Bayreuth in 1955; he also conducted '' The Ring'' and ''Parsifal'' at La Scala. Life and career Belgium Cluytens was born in Antwerp into a musical family: his paternal grandfather, father and uncles were all professional musicians. His mother was a soprano at the opera, and after she died in 1906 his father married another singer. He entered the Royal Conservatoire of Antwerp at the age of 9, graduating at 16 with first prizes in harmony and counterpoint, and piano.Sanders A. Liner notes to Andre Cluytens – A Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Cluytens 1965
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden. Cognate names Cognate names are: * : Andrei, |
Resurrection (opera)
''Resurrection'' is an opera by the English composer Peter Maxwell Davies. Davies conceived it in 1963 whilst at Princeton University. However, the composer did not complete the opera until over 20 years later. The work received its premiere on 18 September 1987 at the Staatstheater Darmstadt, Germany. Besides the protagonist, represented by a dummy, there are 23 roles requiring seven singers (mezzo-soprano, countertenor, bass, two tenors, two baritones) and four dancers. The orchestra contains single winds including trumpet and horn, and strings, as well as a backstage brass band. Davies also incorporates a rock band in the instrumentation, in his use of various musical styles. John Warnaby has discussed the relation of the opera to the writings of James Joyce and Thomas Mann. Synopsis The opera is in a prologue and one act. The story concerns a mute child who never speaks or sings during the work and how his family deals with him and tries to mould him. In the Prologue, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernani
''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in Venice to write an opera, but finding the right subject took some time, and the composer worked with the inexperienced Piave in shaping first one and then another drama by Hugo into an acceptable libretto. As musicologist Roger Parker notes, the composer "intervened on several important points, insisting for example that the role of Ernani be sung by a tenor (rather than by a contralto as had originally been planned).Parker, p. 71 ''Ernani'' was first performed on 9 March 1844 and it was "immensely popular, and was revived countless times during its early years". It became Verdi's most popular opera until it was superseded by ''Il trovatore'' after 1853. In 1904 it became the first opera to be recorded completely. Composition history Fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Capitole
The Théâtre du Capitole de Toulouse is an opera house within the main administration buildings, the Capitole, of the city of Toulouse in south-west France. It houses an opera company, ballet company and symphony orchestra, Orchestre national du Capitole de Toulouse. The first performance space, a ''salle du jeu de spectacle'', was created in the building in 1736 by Guillaume Cammas. Following a period of neglect, the current space was created during the rebuild of 1818. The theatre suffered fire damage in 1917 but was restored in 1923. The front of house areas were modernised in 1996. The current capacity is 1156 seats. Michel Plasson was responsible for the artistic direction of the company from 1973. He was followed by Jacques Doucet in 1981, by Nicolas Joel in 1991, and by Frédéric Chambert in 2009, after Joel's move to the Opéra national de Paris. Chambert's first season was marked by the use of alternate spaces while the theatre was renovated, and the thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angélique (opera)
''Angélique'' is a 1927 French opera by Jacques Ibert Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of classical music. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first ... to a libretto by "Nino", a pseudonym of Michel Veber, Ibert's brother-in-law.Michael Raeburn - 2007 ''The Chronicle of Opera'' 0500286671 p.185 "28 January Premiere of Angelique (Ibert/Nino) at the Theatre Beriza, Paris. The work ... By far the most popular 'new' opera of the period (it was translated into eighteen languages), the work presents the interaction of an intellectual composer, ...The work, based on the old legend of the man who puts his shrewish wife up for sale" A 1996 recording conducted by Yoram David was released on Fonit. References {{reflist Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwanda The Bagpiper
''Schwanda the Bagpiper'' ( cs, Švanda dudák), written in 1926, is an opera in two acts (five scenes), with music by Jaromír Weinberger to a Czech libretto by Miloš Kareš, based on the drama ''Strakonický dudák aneb Hody divých žen'' (''The Bagpiper of Strakonice'') by Josef Kajetán Tyl. Performance history Its first performance was in Prague at the Czech National Opera on 27 April 1927; and the first German production followed (in the translation by Max Brod as ''Schwanda der Dudelsackpfeifer''), at Breslau on 16 December 1928. After that success, German-language productions proliferated around the world, with over 2000 performances taking place during the next decade.Kushner, David Z., "Jaromir Weinberger (1896–1967): From Bohemia to America" (Autumn 1988). ''American Music'', 6 (3): pp. 293–313. Aside from those in Germany and Austria, these included: * Ljubljana, 5 October 1929 (in Slovenian translation) * Riga, 6 December 1930 (in Latvian translation) * Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Domino Noir
''Le domino noir'' (''The Black Domino'') is an ''opéra comique'' by the French composer Daniel Auber, first performed on 2 December 1837 by the Opéra-Comique at the Salle de la Bourse in Paris.Wild and Charlton (2005), p. 226. The libretto to the three-act piece is by Auber's usual collaborator, Eugène Scribe. It was one of Auber's most successful works, clocking up 1,207 performances by 1909. It received its UK premiere in 1838 and appeared in the USA the following year. Some of Auber's music has a Spanish flavour to reflect its setting. In 1869, Pyotr Ilyich Tchaikovsky provided recitatives to replace the spoken dialogue for a proposed production of ''Le domino noir'' by an Italian opera company visiting Russia. No performances are believed to have taken place, but four of Tchaikovsky's recitatives were included in Richard Bonynge's recording of the opera. Performance history There was a production of the opera by Pierre Jourdan at the Théâtre Imperial at Compièg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
