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The gigue (; ) or giga () is a lively baroque dance originating from the English
jig The jig ( ga, port, gd, port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts o ...
. It was imported into France in the mid-17th centuryBellingham, Jane
"gigue."
''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 2008
and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues.Louis Horst, ''Pre-Classic Dance Forms'', (Princeton, NJ: Princeton Book Company, 1987), 54–60. A gigue is usually in or in one of its
compound metre In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the perfo ...
derivatives, such as , , or , although there are some gigues written in other metres, as for example the gigue from
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
's first ''French Suite'' (BWV 812), which is written in and has a distinctive strutting "dotted" rhythm. Gigues often have a
contrapuntal In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
texture as well as often having accents on the third beats in the bar, making the gigue a lively folk dance. In early French theatre, it was customary to end a play's performance with a gigue, complete with music and dancing. A gigue, like other Baroque dances, consists of two sections.


Etymology

An early Italian dance called the ''giga'' probably derives its name from a small accompanying stringed instrument called the giga. Historians, such as Charles Read Baskerville, claim that use of the word in relation to dancing took place in England prior to such usage on the Continent. ''Giga'' probably has a separate etymology.


Cultural references

Jonathan Littell Jonathan Littell (born October 10, 1967) is a writer living in Barcelona. He grew up in France and the United States and is a citizen of both countries. After acquiring his bachelor's degree he worked for a humanitarian organisation for nine year ...
's novel '' The Kindly Ones'' is structured in different parts, each one of these named after a
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
dance, the last part being called ''Gigue''.


See also

*
Jig The jig ( ga, port, gd, port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts o ...
(folk dance) *
Loure The loure, also known as the gigue lourée or gigue lente (slow gigue), is a French Baroque dance, probably originating in Normandy and named after the sound of the instrument of the same name (a type of ''musette''). It is of slow or moderate te ...
(slow gigue)


References


Further reading

* Simone Voyer, ''La Gigue'', Québec: GID, 2003 {{Authority control Baroque dance European dances Baroque music Dance forms in classical music