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Loure
The loure, also known as the gigue lourée or gigue lente (slow gigue), is a French Baroque dance, probably originating in Normandy and named after the sound of the instrument of the same name (a type of ''musette''). It is of slow or moderate tempo, sometimes in simple triple meter but more often in compound duple meter. The weight is on the first beat, a characteristic emphasised by the preceding anacrusis, which begins the traditional loure. Another feature is the lilting dotted rhythm. In his ''Musicalisches Lexicon'' (Leipzig, 1732), Johann Gottfried Walther wrote that the loure "is slow and ceremonious; the first note of each half-measure is dotted which should be well observed". Examples of loures are found in the works of Lully (e.g., '' Alceste''), Rameau (e.g. Les Indes galantes) and of Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loure (bagpipe)
180px, Loure, collégiale Saint-Évroult de Mortain, 15e s. The loure is a type of bagpipe native to Normandy Normandy (; french: link=no, Normandie ; nrf, Normaundie, Nouormandie ; from Old French , plural of ''Normant'', originally from the word for "northman" in several Scandinavian languages) is a geographical and cultural region in Northwestern ..., popular in the 17th and 18th centuries but later extinct prior to its modern revival. There was also a larger version known as the haute loure. References {{reflist Bagpipes French musical instruments Norman musical instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Suites, BWV 812-817
The ''French Suites'', BWV 812–817, are six suite (music), suites which Johann Sebastian Bach wrote for the keyboard instrument, clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext edition, Urtext Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier. The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the ''English Suites, BWV 806–811, English Suites'' received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner." This claim, however, is inaccurate: like Bach's other suites, they follow a largely Italian convention. There is no surviving definitive manuscript of these suites, and ornamentation varies b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigue
The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 2008 and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues.Louis Horst, ''Pre-Classic Dance Forms'', (Princeton, NJ: Princeton Book Company, 1987), 54–60. A gigue is usually in or in one of its compound metre derivatives, such as , , or , although there are some gigues written in other metres, as for example the gigue from Johann Sebastian Bach's first ''French Suite'' (BWV 812), which is written in and has a distinctive strutting "dotted" rhythm. Gigues often have a contrapuntal texture as well as often having accents on the third beats in the bar, making the gigue a lively folk dance. In early French theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's ''The Dancing Master''. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society. The French Noble style The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Normandy
Normandy (; french: link=no, Normandie ; nrf, Normaundie, Nouormandie ; from Old French , plural of ''Normant'', originally from the word for "northman" in several Scandinavian languages) is a geographical and cultural region in Northwestern Europe, roughly coextensive with the historical Duchy of Normandy. Normandy comprises mainland Normandy (a part of France) and the Channel Islands (mostly the British Crown Dependencies). It covers . Its population is 3,499,280. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language. Large settlements include Rouen, Caen, Le Havre and Cherbourg. The cultural region of Normandy is roughly similar to the historical Duchy of Normandy, which includes small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: ''Îles Anglo-Normandes'') are also historically part of Normandy; they cover and comprise two bailiwicks: Guernsey and Jersey, which are B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musette De Cour
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows. The qualification "de cour" does not appear in the name for the instrument in original musical scores; title-pages usually refer to it simply as a ''musette'', allowing occasional confusion with the piccolo oboe, also known as the (oboe) musette. History First appearing in France, at the very end of the sixteenth century, the musette was refined over the next hundred years by a number of instrument-making families. The best-known contributions came from the Hotteterre family:chiefly Martin, responsible for the ''petit chalumeau'', and his son Jacques who published a complete ''Méthode'' Martin Hotteterre added a second chanter, the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anacrusis
In poetic and musical meter, and by analogy in publishing, an anacrusis (from , , literally: 'pushing up', plural ''anacruses'') is a brief introduction (distinct from a literary or musical introduction, foreword, or preface). It is a set of syllables or notes, or a single syllable or note, which precedes what is considered the first foot of a poetic line (or the first syllable of the first foot) in poetry and the first beat (or the first beat of the first measure) in music that is not its own phrase, section, or line and is not considered part of the line, phrase, or section which came before, if any. Poetry In poetry, a set of extrametrical syllables at the beginning of a verse is said to stand in anacrusis ( grc, ἀνάκρουσις "pushing up"). "An extrametrical prelude to the verse," or, "extrametrical unstressed syllables preceding the initial lift." The technique is seen in Old English poetry, and in lines of iambic pentameter, the technique applies a variation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Walther
Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Walther was born at Erfurt. Not only was his life almost exactly contemporaneous to that of Johann Sebastian Bach, he was the famous composer's cousin. Walther was most well known as the compiler of the ''Musicalisches Lexicon'' (Leipzig, 1732), an enormous dictionary of music and musicians. Not only was it the first dictionary of musical terms written in the German language, it was the first to contain both terms and biographical information about composers and performers up to the early 18th century. In all, the ''Musicalisches Lexicon'' defines more than 3,000 musical terms; Walther evidently drew on more than 250 separate sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is referenced more t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alceste (Lully)
''Alceste, ou Le triomphe d'Alcide'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Euripides' ''Alcestis''. It was first performed on 19 January 1674 at the Théâtre du Palais-Royal by the Paris Opera. The opera was presented in celebration of King Louis XIV's victory against Franche-Comté, and the prologue features nymphs longing for his return from battle. The opera itself concerns Alceste, princess of Iolcos and queen of Thessaly, who in the first act is abducted by Licomède (Lycomedes), king of Scyros, with the aid of his sister Thetis, a sea nymph; Aeolus, the god of the winds; and other supernatural forces. In the battle to rescue her, Alcide (Hercules) is triumphant, but Alceste's husband, Admète (Admetus), suffers a mortal wound. Apollo agrees to let Admète live if someone will die in his place. Alceste stabs herself to fulfill this requirement, but is rescued from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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