Ellen Pau
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Ellen Pau is an artist, curator and researcher based in
Hong Kong Hong Kong ( (US) or (UK); , ), officially the Hong Kong Special Administrative Region of the People's Republic of China ( abbr. Hong Kong SAR or HKSAR), is a city and special administrative region of China on the eastern Pearl River Delt ...
. She is also co-founder o
Videotage
and founding artistic director of the Microwave International New Media Arts Festival. The artist's first retrospective exhibition in Hong Kong was organized by Para Site in 2018. The exhibition included major video installations ranging from the 1980s to the present.


Early life

Pau graduated from Diagnostic Radiography in 1985 at
Hong Kong Polytechnic University The Hong Kong Polytechnic University (PolyU) is a public research university located in Hung Hom, Hong Kong near Hung Hom station. The University is one of the eight government-funded degree-granting tertiary institutions in Hong Kong. Founded ...
and has worked as a professional radiographer and mammographer in Queen Mary Hospital. Ellen Pau was born to a family of medical doctors. Growing up, she was immersed in an intellectual environment enriched by her father's intensive scientific knowledge. When she was nine-years old , Pau received a Kodak 135 film camera from her father and became interested in photographic techniques and the world of imagery. During her undergraduate study, she worked as a stage actor, music editor, and concert organizer while at Polytechnic. She also joined
experimental theatre Experimental theatre (also known as avant-garde theatre), inspired largely by Richard Wagner, Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu Roi, Ubu plays as a rejection of bot ...
company
Zuni Icosahedron Zuni Icosahedron is a Hong Kong-based international experimental theatre company. Founded in 1982, Zuni is one of the nine major professional performing arts groups subsidised by the HKSAR government and has produced more than 190 original produc ...
where she became more familiar with contemporary art. A mostly self-taught artist, she gained a master's degree in Visual Culture at Chinese University of Hong Kong in 2008. Pau's interest in art and technology perhaps could be traced back to her visit to the
Expo '70 The or Expo 70 was a world's fair held in Suita, Osaka Prefecture, Japan between March 15 and September 13, 1970. Its theme was "Progress and Harmony for Mankind." In Japanese, Expo '70 is often referred to as . It was the first world's fair ...
when she was eight-year-old. The Expo '70 has been massively promoted in Asia, including Hong Kong. With her family, Pau had spent a few days at the Expo and went through most of the pavilions. One of them with people doing weird things and with a lot of screens leaves a great impression on her. She later found out that what she saw was th
Pepsi-Cola Pavilion Project
(1968-1972) by renowned American experimental group, Experiments in Art and Technology (E.A.T.).


Work

Inspired by 1960s filmmakers and artists such as
Jean-Luc Godard Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as Fran ...
and Martha Rosler, Pau created her first
super-8 Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The film is nominally 8 mm wide, the same as older formatted 8& ...
film ''Glove'' in 1984. In the early 1990s, Pau began to create video installations, such as ''Alice Doesn’t Live Here Anymore'' in collaboration with Chan Pik Yu and Jesse Dai and ''Recycling Cinema'' (''1998), a video that captures blurred images of moving vehicles on a Hong Kong highway,'' was exhibited at the Hong Kong Pavilion in the
49th Venice Biennale The 49th Venice Biennale, held in 2001, was an exhibition of international contemporary art, with 65 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Prizewinners of the 49th Biennale included: Richard Serra a ...
in 2001, and in ''Art and China after 1989: Theater of the World'' at the Guggenheim Museum (2017). Pau is active as a curator and organizer in the art world. A vocal supporter of the independent arts scene, she has advocated for increasing funding and exhibition opportunities for artists in non-traditional. In 1986, together with Wong Chi-fai, May Fung, and Comyn Mo, she founde
Videotage
Hong Kong's oldest video and
media art New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D prin ...
space. In 1996, she founded Microwave International New Media Arts Festival, an annual event that includes exhibitions, conferences, seminars, school tours and workshops. Pau has also independently curated exhibitions including ''Digit@logue'' (2008) at the Hong Kong Museum of Art. From 2013 to 2019, Pau was appointed by the Hong Kong Arts Development Council (HKADC) as a representative of the arts sector in Film Arts. Later in 2014, she was further appointed to the interim acquisition committee of M+ in West Kowloon Cultural District to advise on collection development. Works by Pau can be found in these collections
VMAC, Videotage
an
Video Bureau


Videography


Publications

# Elaine W. NG(伍穎瑜): dye-a-di-a-logue with Ellen Pau. Monographs in Contemporary Art Books. 2004. . # SING Song-yong(孫松榮), 'Delayed Plasticity: A Preliminary Investigation of the Political Criticism of Sinophone Single-Channel Video Art in the 1980s,' ''Journal of Taipei Fine Arts Museum'', 34 (Nov 2017), 65–90. (in Chinese) # Linda Lai (2015), 'Video Art in Hong Kong: Organologic Sketches for a Dispersive History', in ''Hong Kong Visual Arts Yearbook 2014,'' Hong Kong: Department of Fine Arts, The Chinese University of Hong Kong, 15–5

# Alice Jim, ‘Screen Structures: Overview of Media Art Development in Hong Kong.’ ''Hong Kong Visual Arts Yearbook 2003 (1)'', Hong Kong: Department of Fine Arts, The Chinese University of Hong Kong, 2004, 150–5

# Ellen Pau, "Development of Hong Kong Video Art." VTEXT, June 1997, p. 54 -57.


References

{{DEFAULTSORT:Pau, Ellen 1961 births Hong Kong artists Hong Kong women artists Living people