Early life and education
Elisabeth Lutyens was born in London on 9 July 1906. She was one of the five children of Lady Emily Bulwer-Lytton (1874–1964), a member of the aristocratic Bulwer-Lytton family, and the prominent English architect SirFamily life
In 1933, Lutyens married baritone Ian Glennie; they had twin daughters, Rose and Tess, and a son, Sebastian. The marriage was not happy, however, and in 1938 she left Glennie. They divorced in 1940. She then became the partner of Edward Clark, a conductor and formerCareer
Works
In 1945,Writing
Her autobiography, ''A Goldfish Bowl'', describing life as a female musician in London, was published in 1972. She once said that she hated writing the book, and only did so to record her husband Edward Clark's earlier achievements.Death
Elisabeth Lutyens died in London in 1983, aged 76."Miss Elisabeth Lutyens", ''The Times'', 15 April 1983, p. 12Selected list of works
Chamber music
* String Quartet I, Op. 5, No. 1 (1937) – withdrawn * String Quartet II, Op. 5, No. 5 (1938) * String Trio, Op. 5, No. 6 (1939) * Chamber Concerto I, Op. 8, No. 1, for 9 instruments (1939–40) * String Quartet III, Op. 18 (1949) * Concertante for five players, Op. 22 (1950) * String Quartet VI, Op. 25 (1952) * ''Valediction'', for clarinet and piano, Op. 28 (1953–54) – dedicated to the memory ofVocal and choral
* ''Ô saisons, Ô châteaux!'' – cantata after Rimbaud, Op. 13 (1946) * ''Requiem for the Living'', for soli, chorus and orchestra, Op. 16 (1948) * Stevie Smith Songs, for voice and piano (1948–53) * Motet: ''Excerpta Tractatus-logico-philosophicus'', for unaccompanied chorus, Op. 27 (1951) – text bySolo instrumental
* 5 Intermezzi, for piano, Op. 9 (1941–42) * Suite for organ, Op. 17 (1948) * Sinfonia for organ, Op. 32 (1955) * ''Piano e Forte'', for piano, Op. 43 (1958) * Five Bagatelles, for piano, Op. 49 (1962) * ''The Dying of the Sun'', for guitar, Op. 73 (1969) * ''Plenum I'', for piano, Op. 87 (1972) * ''Temenos'', for organ, Op. 72 (1972) * ''Plenum IV'', for two organs, Op. 100 (1975) * Five Impromptus, for piano, Op. 116 (1977) * Seven Preludes, for piano, Op. 126 (1978) * ''The Great Seas'', for piano, Op. 132'' (1979) * ''La natura dell'Acqua'', for piano, Op. 154 (1981) * ''Echo of the Wind'', for solo viola, Op. 157 * ‘’Encore-Maybe’’, for piano, Op. 159Small orchestra
* Chamber Concerto II, for clarinet, tenor sax, piano and strings, Op. 8, No. 2 (1940) * Chamber Concerto III, for bassoon and small orchestra, Op. 8, No. 3 (1945) * Chamber Concerto IV, for horn and small orchestra, Op. 8, No. 4 (1946) * Chamber Concerto V, for string quartet and chamber orchestra, Op. 8, No. 5 (1946) * Chamber Concerto VI (1948) was withdrawn * Six Bagatelles, Op. 113, for six woodwind, four brass, percussion, harp, piano (doubling celeste) & five solo strings (1976)Orchestral
* Three Pieces, Op. 7 (1939) * Three Symphonic Preludes (1942) * Viola Concerto, Op. 15 (1947) * Music for Orchestra I, Op. 31 (1955) * Chorale for Orchestra: ''Hommage a Igor Stravinsky'', Op. 36 * ''Quincunx'', for orchestra with soprano and baritone soli in one movement, Op. 44 (1959–60) – text by SirOpera and music theatre
* ''Infidelio'' – seven scenes for soprano and tenor, Op. 29 (1954) * ''The Numbered'' – opera in a Prologue and four acts afterReferences
Sources
* David HuckvaleFurther reading
* Fockert, Annika (2104),External links