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Alan Rawsthorne
Alan Rawsthorne (2 May 1905 – 24 July 1971) was a British composer. He was born in Haslingden, Lancashire, and is buried in Thaxted churchyard in Essex. Early years Alan Rawsthorne was born in Deardengate House, Haslingden, Lancashire, to Hubert Rawsthorne (1868–1943), a well-off medical doctor, and his wife, Janet Bridge (1877/8–1927). Despite what appears to have been a happy and affectionate family life with his parents and elder sister, Barbara (the only sibling), in beautiful Lancashire countryside, as a boy Rawsthorne suffered from fragile health.) Although he did at various times attend schools in Southport, much of Rawsthorne's early education came through private tutoring at home. Despite his childhood aptitude for music and literature, Rawsthorne's parents tried to steer him away from his dreams of becoming a professional musician. As a result, he unsuccessfully tried to take on degree courses at Liverpool University, first in dentistry and then architecture. Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraband For Dead Lovers
''Saraband for Dead Lovers'' (released in the United States as ''Saraband'') is a 1948 British historical drama film directed by Basil Dearden and starring Stewart Granger and Joan Greenwood. It is based on the 1935 novel by Helen Simpson. Set in seventeenth-century Hanover, it depicts the doomed romance between Philip Christoph von Königsmarck and Sophia Dorothea of Celle, the wife of the Elector of Hanover. The saraband mentioned in the title is a type of Spanish dance. Jim Morahan, William Kellner and Michael Relph were nominated for the Academy Award for Best Art Direction - Set Decoration, Color. It was the first Ealing Studios film shot in colour. Plot summary In 1682, Sophie Dorothea (Joan Greenwood) has an arranged marriage at age sixteen to Prince George Louis of Hanover and both parties are very unhappy with this political tryst. She seeks solace from dashing Count Philip Konigsmark (Stewart Granger) when her husband Prince George Louis (Peter Bull), later to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncle Silas (film)
''Uncle Silas'' (US: ''The Inheritance'') is a 1947 British drama film directed by Charles Frank and starring Jean Simmons, Katina Paxinou and Derrick De Marney. It is an adaptation of the 1864 novel ''Uncle Silas'' in which an heiress is pursued by her uncle, who craves her money following her father's death. The film was shot at Denham Studios with sets by the art director Ralph Brinton. The costumes were designed by Elizabeth Haffenden. Plot Caroline Ruthyn is the teenage niece of her elderly uncle Silas, a sickly and at one time unbalanced rake who becomes her guardian on the death of her father. The fact that Silas is broke and greedy and young Caroline is the heir to her father's vast fortune is reason enough for Caroline to be wary, but her fears increase when she meets Silas's brutal son, her cousin, and when she discovers that her fearsome former governess, Madame de la Rougierre, is working with her uncle... Cast * Jean Simmons as Caroline Ruthyn * Katina Paxinou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School For Secrets
''School for Secrets'' (also known as ''Secret Flight'') is a 1946 British black-and-white film written and directed by Peter Ustinov and starring Ralph Richardson. In leading supporting roles were David Tomlinson, Raymond Huntley, Finlay Currie, Richard Attenborough, John Laurie and Michael Hordern. Based on a 1942 RAF training film for would-be 'boffins' and developed with the full cooperation of the Air Ministry, the film celebrates the discovery of radar, its discoverers and the enabling culture. Produced by Two Cities Films, it was shot at Denham Studios with sets designed by the art director Carmen Dillon. Plot ''School for Secrets'' tells the story of the "boffins" - research scientists - who discovered and developed radar and helped avoid the German invasion of Britain in 1940. Five scientists, led by Professor Heatherville (Ralph Richardson), are brought together to work in secrecy and under pressure to develop the device. Their dedication disrupts their family lives as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Captive Heart
''The Captive Heart'' is a 1946 British war drama, directed by Basil Dearden and starring Michael Redgrave. It is about a Czechoslovak Army officer who is captured in the Fall of France and spends five years as a prisoner of war, during which time he forms a long-distance relationship with the widow of a British Army officer. The film was entered into the 1946 Cannes Film Festival. The film is partly based on the true story of a Czechoslovak officer in the RAF Volunteer Reserve, Josef Bryks MBE, and his relationship with a British WAAF, Gertrude Dellar, who was the widow of an RAF pilot. Plot In the summer of 1940, Captain Karel Hašek of the Czechoslovak Army escapes from Dachau concentration camp and assumes the identity of a dead British officer, Captain Geoffrey Mitchell. When he is caught, he joins thousands of British prisoners of war, captured during the Battle of France, on a march to a prison camp in western Germany. He is suspected of being a spy by his fellow s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cruel Sea (1953 Film)
''The Cruel Sea'' is a 1953 British war film starring Jack Hawkins, Donald Sinden, Denholm Elliott, Stanley Baker, Liam Redmond, Virginia McKenna and Moira Lister. Made by Ealing Studios seven years after the end of the Second World War, it was directed by Charles Frend and produced by Leslie Norman. The film portrays the conditions in which the Battle of the Atlantic was fought between the Royal Navy and Germany's U-boats, seen from the viewpoint of the British naval officers and seamen who served in convoy escorts. It is based on the best-selling 1951 novel of the same name by former naval officer Nicholas Monsarrat, though the screenplay by Eric Ambler omits some of the novel's grimmest moments. Plot A voice-over by Lieutenant-Commander George Ericson (Jack Hawkins), a British Merchant Navy officer in the Royal Naval Reserve, declares: This is a story of the Battle of the Atlantic, the story of an ocean, two ships, and a handful of men. The men are the heroes; the heroine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Film
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, AntonÃn Dvořák, LeoÅ¡ Janà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Concerto
A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments. These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Many post-W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
