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Viola Concerto (Walton)
The Viola Concerto by William Walton was written in 1929 and first performed at the Queen's Hall, London on 3 October of that year by Paul Hindemith as soloist and the composer conducting. It had been written with the violist Lionel Tertis in mind, and he took the work up after initially rejecting it. The concerto established Walton as a substantial figure in British music and has been recorded by leading violists internationally. Walton revised the instrumentation of the concerto in 1961, lightening the orchestral textures. Background and first performances In 1929 William Walton was regarded as an avant-garde composer, best known for '' Façade'' (1923), which had been a ''succès de scandale'' at its premiere.Kennedy, pp. 31 and 33; "Poetry Through a Megaphone", ''The Daily Express'', 13 June 1923, p. 7; "Futuristic Music and Poetry", ''The Manchester Guardian'', 13 June 1923, p. 3; and "The World of Music", ''The Illustrated London News'', 23 June 1923, p. 1122 His exuberant a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata '' Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and ''Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variations On A Theme By Hindemith
William Walton's ''Variations on a Theme by Hindemith'' is an orchestral piece in eleven continuous sections, first performed in 1963. It is a tribute to Walton's friend and fellow composer Paul Hindemith. Background and first performances William Walton's friendship with Paul Hindemith dated from 1923 when the two had met at the Salzburg Festival. In 1929 Hindemith did Walton a great service when he played the solo part in the premiere of the latter's Viola Concerto, stepping in at short notice to replace the intended soloist, Lionel Tertis, who had declined to play the piece. From the mid-1950s Walton contemplated a work to salute his friend, and a suitable opportunity arose in 1962, with a commission from the Royal Philharmonic Society in London for an orchestral work to celebrate its 150th anniversary on 8 March 1963. Walton chose to write a set of variations on a theme from Hindemith's 1940 Cello Concerto, and dedicated the work to the Hindemiths – Paul and his wife, Gertru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christabel, Lady Aberconway
Henry Duncan McLaren, 2nd Baron Aberconway, (16 April 1879 – 23 May 1953) was a British politician, horticulturalist and industrialist. He was the son of Charles McLaren, 1st Baron Aberconway and Laura Pochin. Education Born in Richmond upon Thames, he was educated at Eton and obtained a Master of Arts from Balliol College, Oxford. In 1903 he became a barrister of Lincoln's Inn. Career In 1906 he was elected Member of Parliament (MP) for West Staffordshire as a Liberal, and was Private Under-Secretary to the President of the Board of Trade, David Lloyd George, until 1908. In 1910, he stood for his father's old seat of Bosworth and replaced him. He left politics in 1922, and succeeded his father to the Barony in 1934. McLaren was an industrialist, and chaired companies from both sides of the family, including John Brown & Company and the Tredegar Iron and Coal Company. In 1915 he was the founding chairman of the Design and Industries Association. Around the end of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Riddle
Frederick Craig Riddle OBE (20 April 19125 February 1995) was a British violist. He was considered to be in the line from Lionel Tertis and William Primrose, through to the violists of today such as Lawrence Power. Early life and career Frederick Riddle was born in Liverpool in 1912. He studied at the Royal College of Music (RCM) in London from 1928 to 1933. He had a solo career while playing with the London Symphony Orchestra from 1933 to 1938. In 1938, was appointed principal viola with the London Philharmonic Orchestra. He was a professor of the RCM from 1948 onwards. In 1953, he succeeded Harry Danks as principal violist of the Royal Philharmonic Orchestra. Riddle was distinguished as a chamber music player and a concerto soloist. He made the first recording of William Walton's Viola Concerto, on 6 December 1937, with the composer conducting. He was recommended for this recording by Lionel Tertis. He made some revisions to the concerto, with Walton's approval. Although Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Sargent
Sir Harold Malcolm Watts Sargent (29 April 1895 – 3 October 1967) was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s. As chief conductor of London's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
