Don Juan (ballet)
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''Don Juan ou Le Festin de Pierre'' (''Don Juan, or the Stone Guest's Banquet'') is a
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
with a libretto by
Ranieri de' Calzabigi Ranieri de' Calzabigi (; 23 December 1714 – July 1795) was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his "reform" operas. Born in Livorno, Calzabigi spent the 1750s in Paris ...
, music by
Christoph Willibald von Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he ga ...
, and choreography by
Gasparo Angiolini Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan. He is ...
. The ballet's first performance was in
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
, Austria on Saturday, 17 October 1761, at the
Theater am Kärntnertor or (Carinthian Gate Theatre) was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries. Its official title was (Imperial and Royal Court Theatre of Vienna). History The theatre was built in 1709 to designs by Ant ...
. Its innovation in the
history of ballet Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of 15th and 16th centuries. Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocra ...
, coming a year before Gluck's radical reform of ''
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
'' with his ''
Orfeo ed Euridice ' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', mea ...
'' (1762), was its coherent narrative element, though the series of conventional ''
divertissement ''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and ...
'' dances in the second act lies within the well-established ballet tradition of an ''
entr'acte (or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''inte ...
'' effecting a pause in the story-telling. The ballet follows the legend of
Don Juan Don Juan (), also known as Don Giovanni (Italian), is a legendary, fictional Spanish libertine who devotes his life to seducing women. Famous versions of the story include a 17th-century play, '' El burlador de Sevilla y convidado de piedra'' ...
and his descent into
Hell In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hell ...
after killing his ''inamorata's'' father in a duel.


Background

The ballet ''Don Juan'' was based on
Molière Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world ...
's '' Dom Juan ou le Festin de pierre'' of 1665.


References


Footnotes


Bibliography

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External links


Original edition of the libretto in Bayerischen Staatsbibliotek
{{DEFAULTSORT:Don Juan (Ballet) Ballets by Gasparo Angiolini Ballets by Ranieri de' Calzabigi Ballets by Christoph Willibald Gluck 1761 ballet premieres Works based on the Don Juan legend