|
Don Juan
Don Juan (), also known as Don Giovanni (Italian), is a legendary, fictional Spanish libertine who devotes his life to seducing women. Famous versions of the story include a 17th-century play, '' El burlador de Sevilla y convidado de piedra'' (''The Trickster of Seville and the Stone Guest'') by Tirso de Molina, a 1787 opera, ''Don Giovanni'', with music by Mozart and a libretto by Lorenzo da Ponte, and a satirical, epic poem, ''Don Juan'', by Lord Byron. By linguistic extension, from the name of the character, "Don Juan" has become a generic expression for a womanizer, and stemming from this, Don Juanism is a non-clinical psychiatric descriptor. Pronunciation In Spanish, is pronounced . The usual English pronunciation is , with two syllables and a silent " J", but today, as more English-speakers have notions of Spanish, the pronunciation is becoming more common. However, in Lord Byron's verse version the name rhymes with ''ruin'' and ''true one'', suggesting the name was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simmler Wilhelm Troszel
Simmler is a surname. Notable people with the surname include: * Josias Simmler (Josiah Simler, Simlerus; 1530–1576), Swiss theologian and classicist * Józef Simmler Józef Simmler (March 14, 1823, in Warsaw – March 1, 1868, in Warsaw) was a Polish painter known for his classical style and his Polish subjects. Biography Simmler came from a wealthy German Protestant family. It was this affluent upbringing t ... (1823–1868), Polish painter * Wilhelm Simmler (1840–1923), German painter and illustrator {{Surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusians
The Andalusians ( es, andaluces) are a European ethnic group, native to Andalusia, an autonomous community in southern Spain. Andalusia's statute of autonomy defines Andalusians as the Spanish citizens who reside in any of the municipalities of Andalusia, as well as those Spaniards who reside abroad and had their last Spanish residence in Andalusia, and their descendants. Since reform in 2007, the Andalusian statute of autonomy identifies the territory as a ''historic nationality'' in the preamble. The Spanish Language Academy recognizes Andalusian Spanish as a set of diverse dialects. History and culture In Antiquity, Andalusian people used to trade with Phoenicians and Sephardi Jews some thousand years before the Common Era, and they were called as Tarshish or Tartessos in the Old Testament and Greek texts. The genesis of modern Andalusian culture can be traced to the incorporation of the Moors territory to the Crown of Castile during the Middle Ages at the end of the Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Juan
''Dom Juan ou le Festin de pierre'' ("Don Juan or The Feast of the Stone tatue) is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell. Molière's comedy derives from the Spanish play '' The Trickster of Seville and the Stone Guest'' (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist. Molière's Dom Juan is a French man who admits to being an atheist and a free-thinker; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chastity
Chastity, also known as purity, is a virtue related to temperance. Someone who is ''chaste'' refrains either from sexual activity considered immoral or any sexual activity, according to their state of life. In some contexts, for example when making a vow of chastity, chastity means the same as celibacy. Etymology The words ''chaste'' and ''chastity'' stem from the Latin adjective ("cut off", "separated", "pure"). The words entered the English language around the middle of the 13th century. ''Chaste'' meant "virtuous", "pure from unlawful sexual intercourse") or (from the early 14th century on) as a noun, a virgin, while ''chastity'' meant "(sexual) purity". Thomas Aquinas links ''(chastity)'' to the Latin verb ("chastise, reprimand, correct"), with a reference to Aristotle's Nicomachean Ethics: "Chastity takes its name from the fact that reason 'chastises' concupiscence, which, like a child, needs curbing, as the Philosopher states". In Abrahamic religions For many Jews, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Golden Age
The Spanish Golden Age ( es, Siglo de Oro, links=no , "Golden Century") is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II (1556–1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. It is associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was one of the most powerful countries in the world. The start of the Golden Age can be placed in 1492, with the end of the ''Reconquista'', the voyages of Christopher Columbus to the New World, and the publication of Antonio de Nebrija's ''Grammar of the Castilian Language''. It ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danse Macabre
The ''Danse Macabre'' (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Background Historian Francis Rapp (1926–2020) writes that "''Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eternal Sin
In Christian hamartiology, eternal sin, the unforgivable sin, unpardonable sin, or ultimate sin is the sin which will not be forgiven by God. One eternal or unforgivable sin (blasphemy against the Holy Spirit), also known as the sin unto death, is specified in several passages of the Synoptic Gospels, including Mark 3:28–29, Matthew 12:31–32, and Luke 12:10, as well as other New Testament passages including Hebrews 6:4–6, Hebrews 10:26–31, and 1 John 5:16. The unforgivable sin is interpreted by Christian theologians in various ways, although they generally agree that one who has committed the sin is no longer able to repent, and so one who is fearful that they have committed it has not done so. New Testament passages Several passages in the New Testament are frequently interpreted as referring to the unforgivable sin: * Matthew 12:30-32: "Whoever is not with me is against me, and whoever does not gather with me scatters. Therefore I tell you, people will be forgiven for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Act Of Contrition
An Act of Contrition is a Christian prayer genre that expresses sorrow for sins. It may be used in a liturgical service or be used privately, especially in connection with an examination of conscience. Special formulae for acts of contrition are in use in the Anglican, Catholic, Lutheran, Methodist and Reformed Churches. The Catholic Church does not restrict the term ''act of contrition'' to any one formula. Its ''Handbook on Indulgences'' mentions examples of approved formulas for an act of contrition the ''Confiteor'', the Psalm '' De Profundis'', the Psalm '' Miserere'', the Gradual Psalms and the Penitential Psalms. Catholic Church The Act of Contrition is part of the Sacrament of Penance and is prayed by the penitent after the priest assigns a penance and before he gives the penitent absolution. It is also customarily said especially before one goes to bed at night. It is generally supposed that individuals might have recourse to an Act of Contrition when they find themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devil
A devil is the personification of evil as it is conceived in various cultures and religious traditions. It is seen as the objectification of a hostile and destructive force. Jeffrey Burton Russell states that the different conceptions of the devil can be summed up as 1) a principle of evil independent from God, 2) an aspect of God, 3) a created being turning evil (a ''fallen angel''), and 4) a symbol of human evil. Each tradition, culture, and religion with a devil in its mythos offers a different lens on manifestations of evil.Jeffrey Burton Russell, ''The Devil: Perceptions of Evil from Antiquity to Primitive Christianity'', Cornell University Press 1987 , pp. 41–75 The history of these perspectives intertwines with theology, mythology, psychiatry, art, and literature developing independently within each of the traditions. It occurs historically in many contexts and cultures, and is given many different names— Satan, Lucifer, Beelzebub, Mephistopheles, Iblis—and at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of American Folklore
The ''Journal of American Folklore'' is a peer-reviewed academic journal published by the American Folklore Society. Since 2003, this has been done on its behalf by the University of Illinois Press. The journal has been published since the society's founding in 1888. It publishes on a quarterly schedule and incorporates scholarly articles, essays, and notes relating to its field. It also includes reviews of books, exhibitions and events. Editors The following people have been editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing ... of the journal:''Journal of American Folklore'', Centennial Index, Vol. 101, No. 402, pp.20–49 References External links * Quarterly journals Publications established in 1888 English-language journals University of Illinois Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Téllez
Gabriel Téllez ( 24 March 1583 20 February 1648), better known as Tirso de Molina, was a Spanish Baroque dramatist, poet and Roman Catholic monk. He is primarily known for writing ''The Trickster of Seville and the Stone Guest'', the play from which the popular character of Don Juan originates. His work is also of particular significance due to the abundance of female protagonists, as well as the exploration of sexual issues. Life and career He was born in Madrid. He studied at Alcalá de Henares, joined the mendicant Order of the Blessed Virgin Mary of Mercy on 4 November 1600, and entered the Monastery of San Antolín at Guadalajara, Spain on 21 January 1601. He was ordained a priest by 1610. He had been writing plays for ten years when he was sent by his superiors on a mission to the West Indies in 1615; residing in Santo Domingo from 1616 to 1618 and returning to Europe in 1618, he resided at the Mercedarian monastery in Madrid, took part in the proceedings of the ''Academi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Molière")
.jpg "Click for more on -> Danse Macabre")
