Djamileh
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''Djamileh'' is an ''
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
'' in one act by
Georges Bizet Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', whi ...
to a
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by
Louis Gallet Louis Gallet (14 February 1835 in Valence, Drôme Valence (, ; oc, Valença ) is a commune in southeastern France, the prefecture of the Drôme department and within the Auvergne-Rhône-Alpes region. It is situated on the left bank of the ...
, based on an oriental tale, ''Namouna'', by Alfred de Musset.


Composition history

De Musset wrote ''Namouna'' in 1832, consisting of 147 verses in three 'chants' (only the last dozen or so deal with the tale of Namouna). In 1871 when Bizet was stalled on other projects for the stage,
Camille du Locle Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-director a ...
, director of the Opéra-Comique suggested to him a piece written some years earlier by Louis Gallet based on ''Namouna''. After some hesitation, Bizet composed the work during the late summer of 1871 but the premiere production was delayed due to trouble in finding suitable singers.Dean W. ''Bizet''. London, J M Dent & Sons, 1978.Programme for Djamileh. Opéra de Lyon, 2007. The original production formed part of a trio of new short works at the Opéra-Comique that spring: Paladilhe's ''Le Passant'' in April, then ''Djamileh'', and '' La princesse jaune'' (also an orientalist work) by Saint-Saëns in June. Bizet had wanted Galli-Marié (the first Carmen) or
Marguerite Priola Marguerite-Marie-Sophie Polliart or Poliart, generally known by her stage name Priola (1849–1876), was a French operatic soprano. She made her début on 6 April 1869 in Paris as The Messenger of Peace in the first French production of Wagner's ' ...
to create the title role - both were singing in the Paladilhe piece, but was obliged to take instead the inadequate Prelly. On 17 June, Bizet wrote to a friend that, despite the lack of success of his new piece, he at least felt that he had found his path as a composer.


Performance history

''Djamileh'' received its first performance on 22 May 1872 at the
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
,
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...
. Although du Locle had lavished great care on the costumes and sets, after ten performances in 1872 it was not revived in Paris until 27 October 1938. Outside France productions were mounted in
Stockholm Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people liv ...
(1889),
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(1890), and
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,
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ...
,
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and
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(1892). The opera has been neglected for most of its existence, despite the admiration it received from both
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
, who, after introducing it in
Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...
(21 October 1892),Gustav-mahler.es
conducted nineteen performances of it at the
Vienna State Opera The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August S ...
between 1898 (first performance there 22 January 1898) and 1903, and
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
, who viewed it as a source of inspiration for ''
Ariadne auf Naxos (''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's ...
''.
Jussi Björling Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequentl ...
sang Haroun in a 1933 revival of an earlier production at the
Royal Swedish Opera Royal Swedish Opera ( sv, Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the center of Sweden's capital Stockholm in the borough of Norrmalm, on the eastern side ...
, Stockholm. Productions were mounted in 2008 by DCA Theater in Chicago and, in 2010, by the Opera Theater of Pittsburgh, directed by Jonathan Eaton and starring Matt Morgan as Haroun, Daniel Teadt as Splendiano, and Christina Nassif in the title role.


Roles


Synopsis

:Setting: Haroun's palace, in Cairo At the end of day the
caliph A caliphate or khilāfah ( ar, خِلَافَة, ) is an institution or public office under the leadership of an Islamic steward with the title of caliph (; ar, خَلِيفَة , ), a person considered a political-religious successor to th ...
Haroun reclines and smokes in his palace, with his servant Splendiano; an off-stage chorus sing. The slave-girl Djamileh passes through the room unseen by Haroun, gazing tenderly at him.
Splendiano is looking over his master’s accounts when Haroun asks Splendiano where Djamileh is – and is told that she is near at hand, still in love. He remarks also that she will be disappointed as her month as lover to the sultan is nearly finished and she will be replaced. Haroun denies that he is in love with her and demands that she be sent away and a new girl brought. Splendiano confides that he is taken with Djamileh. Haroun’s heart is a desert: he loves no woman, only love itself. This gives hope to Splendiano that he will have Djamileh. Haroun asks for supper to be served. Djamileh enters, dejected, and tells him of a bad dream she had where she was drowning in the sea, looking for him to save her, but there was no one. Haroun, aware of some affection for her, reassures her, and supper is served. Haroun offers Djamileh a necklace. His friends arrive to spend the night playing dice. Before Djamileh can leave she is seen by the men who express their admiration; Djamileh is left hurt and confused, while Splendiano feels sure he will succeed in his conquest. He explains to Djamileh that she must leave and regain her freedom - and offers his love. She proposes that he present her to Haroun, disguised as the next slave-girl, and promises that if she fails to win Haroun’s heart that way she will give herself to Splendiano. Alone, she expresses her anxiety about her destiny and the fragility of love. To Haroun's irritation, Splendiano interrupts the gambling to say that the slave merchant has brought a new girl, who then dances an almah; Haroun remains indifferent and returns to the game. Splendiano asks the merchant to replace the dancer with Djamileh, while being certain that she will soon be his. Veiled, Djamileh enters in the dancer’s costume and, shy and nervous, makes to leave. Haroun, whose interest is now aroused, sends Splendiano to take his place at the games table. Djamileh cries, but Haroun consoles her. As moonlight illuminates the room, Haroun recognizes her and begins to realize that she loves him. He tries to resist his own feelings but eventually gives in. Splendiano has lost.


Music and orchestration

Despite the lack of drama or strong characterisation in the libretto, Bizet managed to overcome those weaknesses with strongly evocative music. The offstage chorus evoking sunset over the Nile, the changing moods of Haroun, and Splendiano's witty couplets (the latter more traditional opéra comique fare) are evidence of Bizet's growing musical powers. In his portrayal of Djamileh, his music looks forward to Ravel rather than back to Gounod; indeed much of Bizet's harmony baffled contemporary Parisian critics. At the Vienna production, the critic
Eduard Hanslick Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. H ...
was particularly taken with the exotic L'Almée, danse et choeur.Quoted in Programme for Djamileh. Opéra de Lyon, 2007. Orchestration
2 flutes (one doubling piccolo), 2 oboes (one doubling cor anglais), 2 clarinets, 2 bassoons, 4 horns, 2 cornets, 3 trombones, timpani, percussion, harp, strings. On stage: piano and tambourine, harp.


Recordings

* ''Bizet: Djamileh'' (
Lucia Popp Lucia Popp (born Lucia Poppová; 12 November 193916 November 1993) was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard S ...
,
Franco Bonisolli Franco Bonisolli (May 25, 1938 – October 30, 2003) was an Italian operatic tenor, particularly associated with the Italian repertory, notably as Manrico and Calaf. Life and career Bonisolli was born in Rovereto, Italy. He studied with Alfr ...
,
Jean-Philippe Lafont Jean-Philippe Lafont (born 11 February 1951) is a French baritone. He studied in his native city of Toulouse and later at the Opéra-Studio in Paris.O'Connor, Patrick He made his operatic debut as Papageno in ''The Magic Flute'' at the Salle Favar ...
; Conductor:
Lamberto Gardelli Lamberto Gardelli (8 November 191517 July 1998) was a Swedish conductor of Italian birth,Lamberto Gardelli. ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. particularly associated with the Italian opera repertory, e ...
- Munich Radio Orchestra) 1983. Label: Orfeo * ''Bizet: Djamileh'' (
Marie-Ange Todorovitch Marie-Ange Todorovitch is a contemporary French mezzo-soprano born in Montpellier. Roles * 2000: ''La Belle Hélène'': Oreste, at the Théâtre du Châtelet in Paris * 2000: ''The Tales of Hoffmann'': Giulietta, Grand Théâtre de Genève
, Jean-Luc Maurette,
François le Roux François Le Roux (born 30 October 1955) is a French baritone. Le Roux began vocal studies at 19 with François Loup, winning prizes in Barcelona and Rio de Janeiro. He was a member of the Lyon Opera Company from 1980 to 1985, before appearing in ...
; Conductor: Jacques Mercier - l'Orchestre National d'Île de France) 1988 Label: RCA


References

{{Authority control Operas by Georges Bizet French-language operas Opéras comiques One-act operas 1872 operas Opera world premieres at the Opéra-Comique Operas set in ancient Egypt Operas based on works by Alfred de Musset