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Louis Gallet
Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet. Life and career By day Gallet supported himself by a minor post in the Administration of Assistance to the Poor and positions, first as treasurer then as general administrator, at the Beaujon hospital, Paris, and other hospitals (ref. Saint-Saëns). In 1871, Camille du Locle, the manager of the Paris Opéra-Comique, offered to produce a one-act work of Camille Saint-Saëns. He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece '' La princesse jaune''; it was notable as the first '' japonerie'' on the operatic stage, Japan having only very recentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Gallet
Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet. Life and career By day Gallet supported himself by a minor post in the Administration of Assistance to the Poor and positions, first as treasurer then as general administrator, at the Beaujon hospital, Paris, and other hospitals (ref. Saint-Saëns). In 1871, Camille du Locle, the manager of the Paris Opéra-Comique, offered to produce a one-act work of Camille Saint-Saëns. He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece '' La princesse jaune''; it was notable as the first '' japonerie'' on the operatic stage, Japan having only very recentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parnassien
Parnassianism (or Parnassism) was a French literary style that began during the positivist period of the 19th century, occurring after romanticism and prior to symbolism. The style was influenced by the author Théophile Gautier as well as by the philosophical ideas of Arthur Schopenhauer. Origins and name The name is derived from the original Parnassian poets' journal, ''Le Parnasse contemporain'', itself named after Mount Parnassus, home of the Muses of Greek mythology. The anthology was first issued in 1866 and again in 1869 and 1876, including poems by Charles Leconte de Lisle, Théodore de Banville, Sully Prudhomme, Stéphane Mallarmé, Paul Verlaine, François Coppée, Nina de Callias, and José María de Heredia. The Parnassians were influenced by Théophile Gautier and his doctrine of "art for art's sake". As a reaction to the less-disciplined types of romantic poetry and what they considered the excessive sentimentality and undue social and political activism of Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinq-Mars (Gounod)
, subtitled ', is an opera in four acts by Charles Gounod to a libretto by and Louis Gallet loosely adapted from Alfred de Vigny's historical novel. Performance history ''Cinq-Mars'' was initially performed at the Opéra-Comique on 5 April 1877. The work's reception was lukewarm: "If tadds nothing to the glory of Gounod, neither does it diminish it." The opera ran for 56 performances. Some critics seized on the straddling of the genres of grand opéra and opéra comique; a second edition (Léon Grus, n.d.) contains recitatives for the very few spoken scenes as well as an Act III cantabile for de Thou, written for the La Scala production. It was revived by Leipzig Opera in May 2017, conducted by David Reiland, in a production by Anthony Pilavachi, with Mathias Vidal in the title role. Roles Synopsis The plot faithfully follows the external events of the failed revolt of the French nobility against Richelieu's consolidation of power (), but adds a secret love affair betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi De Lahore
''Le roi de Lahore'' ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). ''Le roi de Lahore'' is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time. Performance history Within a year of the premiere the opera was performed, for instance, in Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879, and in 1906 it premiered in Monte Carlo. The US premiere took place in 1883 at the French Opera H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Gautier
Eugène Gautier (27 February 1822 in Vaugirard (then a suburb of Paris) – 1 April 1878 in Paris) was a French classical violinist and composer. He was a teacher of history of music at the Conservatoire de Paris The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue ... from 1872. Gautier is buried in the 1st division of the Père-Lachaise Cemetery. Sources * * 1822 births Musicians from Paris 1878 deaths 19th-century French male classical violinists Academic staff of the Conservatoire de Paris Burials at Père Lachaise Cemetery {{France-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Déluge (Saint-Saëns)
''Le Déluge'' (''The Flood''), Op. 45, is a French oratorio written by Camille Saint-Saëns in 1875 and scored for orchestra, chorus, and soloists. The libretto, a "poème biblique" by Louis Gallet, is based on the biblical story of Noah and the flood. It was premiered at the Théâtre du Châtelet on 5 March 1876, under the direction of Edouard Colonne. Stylistically, the work shows the influence of Berlioz and Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ... in its musical illustrations of the narrative and use of recurring motifs.Yves Gérard, tr. Roger Greaves (2000). "Le Déluge". In ''La Lyre et la Harpe – Le Déluge'' (pp. 30–31) D booklet Paris: BMG France. It also displays Saint-Saëns's strong predilection for counterpoint; there are three fugues in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ève (Massenet)
''Ève'' is an oratorio composed by Jules Massenet, with a French libretto by Louis Gallet. It was first performed at the Cirque d'été in Paris on 18 March 1875, two years after Massenet composed his more widely disseminated oratorio ''Marie-Magdeleine''. Ève (1875) shares a new interpretation of the biblical story of Adam and Eve. Set for orchestra, chorus, and three soloists, the oratorio contains typical textures of the Late-Romantic and Impressionist eras. Principal characters * Ève ( soprano) * Adam ( baritone) * Le Récitant (tenor) With principal parts for Adam and Eve, the chorus remains present throughout as agents for both good and evil or as the voice of nature Structure and story . ''Ève'' is a recounting of the story of Adam and Eve, and an interpretation of the biblical narration of Eve succumbing to evil's temptation to commit original sin, and the fallout that occurs thereafter. It can be considered as a three-part oratorio consisting of five smaller pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Diaz
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin". Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Blau
Édouard Blau (30 May 1836 – 7 January 1906) was a French dramatist and opera librettist. He was a cousin of Alfred Blau, another librettist of the same period.Smith C. Édouard Blau. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. Going to Paris at the age of 20 he worked at the Assistance Publique but from 1870 concentrated on theatrical writing. For his libretti he collaborated with Louis Gallet, Alfred Blau, Camille du Locle and Louis de Gramont. Operas to librettos by Édouard Blau *Georges Bizet **''La Coupe du roi de Thulé'' (1868–69) **''Don Rodrigue'' (1873) *Jacques Offenbach **''La Marocaine'' (1879) **''Belle Lurette'' (1880) *Benjamin Godard **''Dante'' (1880) *Jules Massenet **''Le Cid'' (1885) **''Werther'' (1892) *Édouard Lalo **''Le roi d'Ys ' (''The King of Ys'') is an opera in three acts and five tableaux by the French composer Édouard Lalo, to a libretto by Édouard Blau, based on the old Breton legend of the drowned c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Magdeleine
''Marie-Magdeleine'' is an oratorio (Drame Sacré) in three acts and four parts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Théâtre de l' Odéon in Paris on 11 April 1873, starring the famous contralto Pauline Viardot. The first staged performance took place in Nice on February 9, 1903. It was Massenet's first success and won him the praise of Tchaikovsky, Gounod and Bizet. The story concerns the last days of Jesus from the perspective of Mary Magdalene. The subject initially caused some controversy, as some believed that physical love was implied between Jesus and Mary Magdalene. From today's perspective those implications are difficult to detect. While it contains some beautiful music and has been revived for certain singers, notably Régine Crespin, the work has not endured and is rarely performed. Principal characters *Marie-Magdeleine (Méryem) – soprano *Marthe – mezzo-soprano *Jésus – tenor A tenor is a type of cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Djamileh
''Djamileh'' is an ''opéra comique'' in one act by Georges Bizet to a libretto by Louis Gallet, based on an oriental tale, ''Namouna'', by Alfred de Musset. Composition history De Musset wrote ''Namouna'' in 1832, consisting of 147 verses in three 'chants' (only the last dozen or so deal with the tale of Namouna). In 1871 when Bizet was stalled on other projects for the stage, Camille du Locle, director of the Opéra-Comique suggested to him a piece written some years earlier by Louis Gallet based on ''Namouna''. After some hesitation, Bizet composed the work during the late summer of 1871 but the premiere production was delayed due to trouble in finding suitable singers.Dean W. ''Bizet''. London, J M Dent & Sons, 1978.Programme for Djamileh. Opéra de Lyon, 2007. The original production formed part of a trio of new short works at the Opéra-Comique that spring: Paladilhe's ''Le Passant'' in April, then ''Djamileh'', and '' La princesse jaune'' (also an orientalist work) by Sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Guiraud
Ernest is a given name derived from Germanic word ''ernst'', meaning "serious". Notable people and fictional characters with the name include: People *Archduke Ernest of Austria (1553–1595), son of Maximilian II, Holy Roman Emperor * Ernest, Margrave of Austria (1027–1075) *Ernest, Duke of Bavaria (1373–1438) *Ernest, Duke of Opava (c. 1415–1464) *Ernest, Margrave of Baden-Durlach (1482–1553) *Ernest, Landgrave of Hesse-Rheinfels (1623–1693) *Ernest Augustus, Elector of Brunswick-Lüneburg (1629–1698) *Ernest, Count of Stolberg-Ilsenburg (1650–1710) *Ernest Augustus, King of Hanover (1771–1851), son of King George III of Great Britain *Ernest II, Duke of Saxe-Coburg and Gotha (1818–1893), sovereign duke of the Duchy of Saxe-Coburg and Gotha *Ernest Augustus, Crown Prince of Hanover (1845–1923) *Ernest, Landgrave of Hesse-Philippsthal (1846–1925) *Ernest Augustus, Prince of Hanover (1914–1987) *Prince Ernst August of Hanover (born 1954) * Prince Ernst A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
