Devi Bhagavata Purana

The Devi Bhagavata Purana ( sa, देवी भागवतपुराणम्, '), also known as the Srimad Devi Bhagavatam, Srimad Bhagavatam, Bhagavata Purana or simply ''Devi Bhagavatam'', is one of the eighteen Mahapuranas of Hinduism. Composed in Sanskrit by Veda Vyasa. The text is considered as a major purana for Devi worshippers. It promotes ''bhakti'' (devotion) towards Mahadevi, integrating themes from the Shaktadvaitavada tradition (syncretism of Samkhya and Advaita Vedanta. literally, the path of nondualistic Shakti).

The purana consists of twelve cantos (sections) with 318 chapters. Along with ''Devi Mahatmya'', it is one of the most important works in Shaktism, a tradition within Hinduism that reveres Devi or Shakti (Goddess) as the primordial creator of the universe and the Brahman (ultimate truth and reality). It celebrates the divine feminine as the origin of all existence, the creator, the preserver and the destroyer of everything, as well as the one who empowers spiritual liberation. While all major Puranas of Hinduism mention and revere the Goddess, this text centers around her as the primary divinity. The underlying philosophy of this text is Advaita Vedanta-style monism combined with devotional worship of Shakti (feminine power).It is believed that this was spoken by Vyasa to King Janamejaya, the son of Parikshit.

Nomenclature

The title of the text, ''Srimad Devi Bhagavata'', is composed of two words, which together mean "devotees of the blessed Devi".

* 'Srimad' (or 'Srimat', Sanskrit श्रीमत्) means 'radiant', 'holy', 'splendid', or 'glorious', and is an honorific religious title.
**'Sri' (or 'Shri' or 'Shree', Sanskrit श्री) means 'Prosperity'. Goddess Lakshmi referred to as 'Sri'. Also Supreme goddess Tripura Sundari called as 'Sri mata'.
* 'Devi' (Sanskrit: देवी) is the Sanskrit word for 'goddess'; the masculine form is ''deva''. The terms ''Devi'' and ''Deva'' are Sanskrit terms found in Vedic literature of 2nd millennium BCE, wherein Devi is feminine and Deva is masculine. Monier Williams translates it as "heavenly, divine, terrestrial things of high excellence, exalted, shining ones".
* Bhagavata' (or 'Bhagavatam' or 'Bhagavat, Sanskrit भागवत) means "devotee of the blessed Devi." In devi Bhagavata purana God or Bhagavan connotation as the supreme goddess.
* ' Purana' (Sanskrit पराण) means 'ancient' or 'old' (or 'old traditional history'). It also means 'complete' and 'completing' in the sense that a Purana 'completes the Vedas'.
**'Maha' (Sanskrit महत) means 'great', 'large', or 'vast'.

History

The ''Srimad Devi Bhagavata Mahapurana'' has been variously dated. A few scholars suggest an early date, such as Ramachandran who suggested that the text was composed before the 6th-century CE. However, this early date has not found wide support, and most scholars to date it between the 9th and the 14th century. Rajendra Hazra suggests 11th or 12th century, while Lalye states that the text began taking form in the late centuries of the 1st millennium, was expanded over time, and its first complete version existed in the 11th century. Tracy Pintchman dates the text to between 1000 and 1200 CE.

The last ten chapters (31 to 40) of the seventh canto consist of 507 verses, a part which has often circulated as an independent handout just like the ''Bhagavad Gita'' of the ''Mahabharata'' circulates independently. The handout from Book 7 of this Purana is called ''Devi Gita''. This handout may have been composed with the original text, or it might be a later interpolation, states C Mackenzie Brown. He suggests that this portion of the text was probably composed by the 13th century and may be later but before the 16th century.

The ninth canto of the ''Srimad Devi Bhagavata Mahapurana'' contains many verses that reference ''Mlecchas'' (barbarians) and ''Yavanas'' (foreigners). These words may just refer to hill tribes, but the details contained in the description of ''Mlecchas'' within these verses, state some scholars such as Hazra, that the writer of these parts knew about Islam and its spread in India, leading scholars date these parts of the ninth book to 12th to 15th century compared to the older core of the ninth book.

The ''Devi Bhagavata Mahapurana'' is not the earliest Indian text that celebrates the divine feminine, the 6th-century ''Devi Mahatmya'' embedded in ''Markandeya Purana'' asserts the goddess to be supreme, and multiple archaeological evidence in different parts of India such as Mathura and Bengal suggests that the concept of divine feminine was in existence by about the 2nd-century CE. Both ''Devi Mahatmya'' and ''Devi Bhagavata Purana'' have been very influential texts of the Shakta tradition, asserting the supremacy of the female and making goddess a figure of devotional (bhakti) appeal.

This text – along with all Puranas, all Vedas and the ''Mahabharata'' – is attributed to sage Veda Vyasa in the Hindu tradition.

Characters

Avatars of Devi

This table shows the Notable incarnations of Devi mentioned in purana.

Notable devotees

This table shows the devotees of the Goddess according to the purana.

Content and Structure

The theosophy in the text, state Foulston and Abbott, is an encyclopedic mix of ancient history, metaphysics and bhakti. This history, states C Mackenzie Brown, is of the same type found in other Puranas, about the perpetual cycle of conflict between the good and the evil, the gods and the demons. These legends build upon and extend the ancient Hindu history, such as those found in the ''Mahabharata''. However, this Purana's legends refocus the legends around the divine feminine, integrate a devotional theme to goddesses, and the Devi is asserted in this text to be the eternal truth, the eternal source of all of universe, the eternal end of everything, the ''nirguna'' (without form) and the ''saguna'' (with form), the supreme unchanging reality (Purusha), the phenomenal changing reality (Prakriti), as well as the soul within each living being.

Stated authorship and purpose

From Swami Vijnanananda translation:

Puranic characteristics

As a Mahapurana

There are two Bhagavatas in Hindu puranic literature. One is Vishnu Bhagavata and other is Devi Bhagavata. There are some doubts between genuine of these two puranas, as an example in Uma Samhita of Shiva Purana Mentioned Srimad Devi Bhagavatam as fifth Mahapurana called Srimad Bhagavatam. Also in Devi Bhagavatam itself called Srimad Bhagavata Purana.

From J. L. Shastri'a translation:

As per Ashtadash Puran Darpan by Jwala Prasad, Devi Bhagavatam narrates prakriti aspect and its complied by Vyasa.

As mentioned in the Matsya Purana, the Bhagavata Purana is contain 18,000 slokas and begins with the Gayatri and glorifies the Sarasvata Kalpa. Vyasa mentions in Devi Bhagavatam that it was composed in Sarasvata Kalpa.

From Swami Vijnanananda translation:

Five characteristics

As a Sattvic Shakta Purana the Srimad Devi Bhagavatam has five characteristics.

From Swami Vijnanananda translation:

Sholaks / Verses

Srimad Devi Bhagavatam consists of 12 cantos with 318 chapters. Although the number of original Sanskrit shlokas is stated to be 18,000 by the Devi Bhagavata itself. The actual text, in different versions, is close.

Cantos

First Canto

Consisting of 20 chapters, The first book (''skandha'') like other major Puranas, states Rocher, presents the outline, the structure of contents, and describes how in the mythical Naimisha forest, the ''Devi-Bhagavata Purana'' was first recited among the sages. It also asserts that all of Reality was initially ''nirguna'' (without form, shape or attributes; in other words, there was nothingness except Truth). However, asserts the text, this ''nirguna'' Reality was a ''Bhagavati'' (woman), and she manifested herself as three ''Shaktis'' - Sattviki (truth, creative action), Rajasi (passion, aimless action) and Tamasi (delusion, destructive action). Its also include:

* Details about the Purana
* Devi Killing Madhu and Kaitabha
*Suta narrate the story of Hayagriva
*The penance of Vyasa, and boon granted by Lord Shiva
*The story of King Sudyumna being turned into a woman and her prayers to the Goddess and the Goddess granting her a place at Her Lotus Feet
* Birth of Shukadeva and visit to Mithila to meet King Janaka.

SDB 01.02.03 original Sanskrit:

Fifteen chapter in 1st canto Supreme Devi reveals her true identity to god Vishnu lying on a banyan leaf. its also mentioned that half stanza which revealed by supreme goddess is the seed of Bhagavata Purana.

Second Canto

Consisting of 12 chapters, This canto is short, and historical. It weaves in the characters well known in the Hindu epic ''Mahabharata'', states Rocher, and introduces in the key characters that appear in remaining books of the ''Devi-Bhagavata Purana''.Its also include:

* Birth of Krishna Dvaipayana
* Birth of Pandavas
* On the Kurukshetra War
* Death of Parikshit

Third Canto

Consisting of 30 chapters,This canto mentioned the Glory of Devi Bhuvaneshvari and her worship, At the Beginning of the universe Brahma, Vishnu and Shiva see Goddess reside in Manidvipa and praise her and also weaves in legends from the well known epic the Ramayana.

* Description about the secondary creation
* Trimurti going towards the heavens on the celestial car
* Fight between Yudhâjit and Vîrasena
* Details about Navaratri festival and Rama's performing the Navarâtra ceremony
SDB 03.03.52 original Sanskrit:

SDB 03.30.35 original Sanskrit:

Fourth Canto

Consisting of 25 chapters, this fourth canto presents more legends, including those of interaction between avatars of Hari, Krishna and Shiva, Kashyapa birth as Vasudeva, but also introduces tantric themes and presents yoga meditation.

* The questions put by Janamejaya regarding Krishna's incarnation
* Details about Nara and Narayana
* The fight between the Risis and Prahlada
* Description about several avatars of Vishnu
* Explain about Devi's Highest Supremacy
SDB 04.02.04:05 original Sanskrit:

Fifth Canto

Consisting of 35 chapters, The Canto mentioned glory devi (Devi Mahatmya), Fight between Goddess Durga and Mahishasura, Killing Sumbha and Nisumbha and other demons.

* Story of Mahishasura and the origin of goddess Mahalakshmi
* The conquest of the Heavens by Shumba - Nishumbha and Birth of Devi Kaushiki

Sixth Canto

Consisting of 31 chapters, The sixth book continue these legends, states Rocher, with half of the chapters focussed on the greatness of Goddess, how male gods are befuddled by problems, how they run to her for help, and how she solves them because she is enlightened knowledge. The text presents the feminine to whom all masculine deities are subordinate and dependent on. Its also include Indra killing of Vritra.

Seventh Canto

Consisting of 40 chapters, The seventh canto of the ''Srimad Devi-Bhagavatam'' shifts towards more philosophy, asserting its version of the essence of the Vedas. This book contains the philosophical text called ''Devi Gita'', or the "Song of the Goddess". The Goddess explains she is the Brahman that created the world, asserting the Advaita premise that spiritual liberation occurs when one fully comprehends the identity of one's soul and the Brahman. This knowledge, asserts the Goddess, comes from detaching self from the world and meditating on one's own soul.Chapter 28 of the seventh book contain the story of Durgamasur and his annihilation by goddess Sivaa (Parvati) in her form of Shakambhari.

= Festivals and culture

=
This canto, states Rocher, also includes sections on festivals related to Devi, pilgrimage information and ways to remember her. Her relationship with Shiva and the birth of Skanda is also briefly mentioned in the 7th book. The last ten chapters (31 to 40) of the canto 7 is the famous and philosophical ''Devi Gita'', which often circulates in the Hindu tradition as a separate text.

Eighth Canto

Consisting of 24 chapters, The eighth book of the ''Devi-Bhagavata Purana'' incorporates one of the five requirements of Puranic-genre of Hindu texts, that is a theory of the geography of the earth, planets and stars, the motion of sun and moon, as well as explanation of time and the Hindu calendar. Its include:

* In the beginning of creation Manu (Hinduism) praise Devi and Lord taking Varaha avatar
* Divisions of Bhu Mandala with Seven islands
* Various avatars of Vishnu worship in Jambudvīpa
* Description of the movement of the Moon and other planets.
* Narada worship and praises Lord Ananta
* Description about nether worlds and different hells

Ninth Canto

The largest canto is the 9th ''skandha'' Consisting of 50 chapters, which is very similar in structure and content of the ''Prakriti-kanda'' of the ''Brahmavaivarta Purana''. Both are goddesses-focused, and discuss her theology, but have one difference. The ''Prakriti-kanda'' of the ''Brahmavaivarta Purana'' also includes many verses which praise Vishnu using various names (incarnations), which re-appear in the 9th book of the ''Devi Bhagavata Purana'' with Vishnu names substituted with Devi names (incarnations). Its also Mentioned Krishna as the male form of goddess.

* Description of five forms of Devi Prakriti
* Manifestation of Shri Krishna and Description of First creation (Sarga)
* Birth of Brahma, Vishnu and Shiva
* Lakshmi, Saraswati and Ganga (goddess), mutually curse each other and descend them on Bharatavarsha.
* Description of the period of Kali Yuga.
* Story of Devi Tulsi
* Significance and attributes of Bhagavati Bhuvaneshvari
* Goddess Mahalakshmi manifests from ocean of Milk
* Description of mantras and songs of praise to Devi Radha and goddess Durga.

SDB 09.38.29:31 original Sanskrit:

Tenth Canto

Consisting of 13 chapters, This Canto of the ''Devi-Bhagavata Purana'' is one of the shortest, and integrates ''manavantaras'', another structural requirement for this text to be a major Purana, but wherein the Devi is worshiped in every cosmic time cycle, because she is the greatest, she kills the evil and she nurtures the good.Chapter 13 of the tenth book describes the glory of goddess Bhramri that how in the past she killed the demon Arunasura.

* The creation Swayambhu Manu and Description of other Manus.
* Narada describes the greatness of Vindhya who tries to stop the path of Sun God.

Eleventh Canto

Consisting of 24 chapters, This canto of the text discusses ''Sadachara'' (virtues) and Dharma to self as an individual, as belonging to a ''Grama'' (village, community) and to a ''Desha'' (country). The text praises Sruti and asserts it to be the authoritative source, adding that Smriti and Puranas are also sources for guidance. This section is notable for adding that Tantra is also a source of guidance, but only if it does not conflict with the Vedas. Verses in the 11th books also describe sources for Rudraksha as Japa beads, the value of Tripundra mark on the forehead, five styles of ''Sandhyas'' (reflection, meditation) and five types of Yajnas.

Twelfth Canto

The last and 12th canto of the ''Devi-Bhagavatam'' Consisting of 14 chapters, Its describes the Goddess as the mother of the Vedas, she as the ''Adya Shakti'' (primal, primordial power), and the essence of the Gayatri mantra. The verses map every syllable of the Gayatri mantra to 1008 names of reverence in the Hindu tradition. These names span a spectrum of historic sages, deities, musical meters, mudras and the glories of the goddesses. Also in Chapter 10 to Chapter 12 Describe the supreme abode of Devi called Manidvipa which is above Vaikuntha and Goloka.

SDB 12.10.03:04 original Sanskrit:

SDB 12.13.27:28 original Sanskrit

Devi Gita

''Main articles: Devi Gita''

The ''Devi Gita'', like the ''Bhagavad Gita'', is a condensed philosophical treatise. It presents the divine female as a powerful and compassionate creator, pervader and protector of the universe. She is, states Brown, presented in the opening chapter of the ''Devi Gita'' as the benign and beautiful world-mother, called ''Bhuvaneshvari'' (literally, ruler of the universe, and the word is feminine). Thereafter, theological and philosophical teachings become the focus of the text, covering chapters 2 to 10 of the ''Devi Gita'' (or, chapters 32 to 40 of this Purana's Book 7). Some of the verses of ''Devi Gita'' are almost identical to the Devi Upanishad.

{{Quote box
, quote = The soul and the Goddess

y sacred syllable हरीमtranscends,{{refn, group=note, हरीम is pronounced as hrīm, it is a tantric mantra beej, and it identifies a "Shakti".
the distinction of name and named,
beyond all dualities.
It is whole,
infinite being, consciousness and bliss.
One should meditate on that reality,
within the flaming light of consciousness.
Fixing the mind upon me,
as the Goddess transcending all space and time,
One quickly merges with me by realizing,
the oneness of the soul and Brahman.

, source = —''Devi Gita'', Transl: Lynn Foulston, Stuart Abbott
''Devibhagavata Purana'', Book 7{{Sfn, Lynn Foulston , Stuart Abbott, 2009, pp=74-75
, bgcolor=#FFE0BB
, align = right

The ''Devi Gita'' frequently explains Shakta ideas by quoting from the ''Bhagavad Gita''.{{Sfn, Cheever Mackenzie Brown, 1998, pp=1-3 The Devi is described by the text as a "universal, cosmic energy" resident within each individual, weaving in the terminology of Samkhya school of Hindu philosophy.{{Sfn, Cheever Mackenzie Brown, 1998, pp=1-3 It is suffused with Advaita Vedanta ideas, wherein nonduality is emphasized, all dualities are declared as incorrect, and interconnected oneness of all living being's soul with Brahman is held as the liberating knowledge.{{Sfn, Cheever Mackenzie Brown, 1998, pp=1-3, 12-17{{Sfn, Tracy Pintchman, 2015, pp=9, 34, 89-90, 131-138{{Sfn, Lynn Foulston, Stuart Abbott, 2009, pp=15-16 However, adds Tracy Pintchman, ''Devi Gita'' incorporates Tantric ideas giving the Devi a form and motherly character rather than the gender-neutral concept of Adi Shankara's Advaita Vedanta.{{Sfn, Tracy Pintchman, 2014, p=9-10

Supreme Goddess describes her gross form in Devi Gita as follows:

{{Blockquote, text=वरहमा विषणशच रदशच ¦
टशच ईशवरशच सदाशिवः ।
एत पञचमहापरताः पादमल मम सथिताः ॥, source={{Blockquote, text=Brahma, Vishnu, Rudhra, Ishvara and Sadashiva: these are the five great disembodied spirits, who are situated at the base of my feet., source=Devi Gita (Swami Satyānanda Saraswati), Chapter 12, Verse 10

The Bhakti theology of the ''Devi Gita'' part of this Purana may have been influenced by the ''Bhagavad Gita'', and with Vaishnava concepts of loving devotion to Krishna found in the ''Bhagavata Purana''. All these texts highlight different types of devotion in a Samkhya philosophy framework.{{Sfn, June McDaniel, 2004, pp=158-161{{Sfn, Cheever Mackenzie Brown, 1998, pp=23-25 ''Tamasic Bhakti'' is one, asserts the text, where the devotee prays because he is full of anger, seeks to harm others, induce pain or jealousy to others.{{Sfn, Cheever Mackenzie Brown, 1998, pp=23-25 ''Rajasic Bhakti'' is one where the devotee prays not to harm others, but to gain personal advantage, fame or wealth.{{Sfn, June McDaniel, 2004, pp=158-161 ''Sattvic Bhakti'' is the type where the devotee seeks neither advantage nor harm to others but prays to purify himself, renounce any sins and surrender to the ideas embodied as Goddess to liberate himself.

SDB 07.37.11:12 original Sanskrit:
{{Blockquote, अधना पराभकति त परोचयमाना निबोध म ।
मदगणशरवण नितय मम नापानकीरतनम ॥
कलयाणगणरतनानामाकराया मयि सथिरम ।
चतसो वरतन चव तलधारासम सदा ॥

SDB 07.37.13:14 original Sanskrit:
{{Blockquote, हतसत ततर को वापि न कदाचिदधबदपि ।
सामीपयसाषटिसायजयसालोकयाना न चषणा ॥
मतसवातोऽधिक किचिननव जानाति करहिचित ।
सवयसवकताभावातततर मोकष न वाछति ॥

''Disciples'' of Swami Vijnanananda translation:
{{Blockquote, text=Now hear attentively about the Para Bhakti that I am now describing to you. He who hears always My Glories and recites My Name and Whose mind dwells always, like the incessant flow of oil, in Me who is the receptacle of all auspicious qualities and Gunas., source=Canto 07, Chapter 37, Verse 11:12

{{Blockquote, text=But he has not the least trace of any desire to get the fruits of his Karma; yea he does not want Samipya, Sarsti, Sayujya, and Salokya and other
forms of liberations! He becomes filled with devotion for Me alone worships Me only; knows nothing higher than to serve Me and he does not want final liberation even., source=Canto 07, Chapter 37, Verse 13:14

Translations

There are several separate translations of Devi Gita.

* Devi Gita - The Song of The Goddess translated by C. Mackenzie Brown
* Devi Gita translated by swami Satyananda Saraswati
* Sri Devi Gita translated by Ramamurthy Natarajan

Philosophy

Vedic Literature

Devi Bhagavatam mentioned number of Vedic mantras connected with observance. In eleventh canto describes certain rites, also Devi is identified with Yajurveda and Rudra. In the ninth canto mentioned various phase powers of Devi. Dhyana stotras of Lakshmi and Svaha are adopted from Samaveda. Use of Rudrakshas mentioned in ninth canto is supported by the Sruti.

Upanishad

Devi Bhagavatam adopted some of passages in Upanishad. In seventh canto in purana Devi describe her own form these verses are identical with some verses of Devi Upanishad. Also in fourth canto some famous expressions of Taittiriya Upanishad are used to describe the nature of Devi. The four states of consciousness described in the Mandukya Upanishad, are mentioned in 30th chapter of sixth canto.

Samkhya

{{Main, Samkhya

Devi Bhagavatam belong to the Shaktadvaitavada tradition (syncretism of Samkhya and Advaita Vedanta. literally, the path of nondualistic Shakti). The duality of Prakriti and Purusha in Samkhya is not accepted by Devi Bhagavatam. In the text prakriti is identified with Parashakti. She is also called Mulaprakriti. The text maintains that the Gunas are of mixing nature and when they pair together they condition each other. This is an adaptation from the Samkhya theory.

Bhakti

''Main articles: Bhakti and Bhakti yoga''

The Devi Bhagavata Purana adds Para Bhakti (Sanskrit: दवी) in Devi Gita as the highest level of devotion, states McDaniel, where the devotee seeks neither boon nor liberation but weeps when he remembers her because he loves the Goddess, when he feels her presence everywhere and sees the Goddess in all living beings, he is intoxicated by her ideas and presence.{{Sfn, June McDaniel, 2004, pp=158-161{{Sfn, Cheever Mackenzie Brown, 1998, pp=23-25

''From'' Swami Vijnanananda translation:

{{Blockquote, text=Now hear attentively about the Para Bhakti that I am now describing to you. He who hears always My Glories and recites My Name and whose mind dwells always, like the incessant flow of oil, in Me who is the receptacle of all auspicious qualities and Gunas. But he has not the least trace of any desire to get the fruits of his Karma; yea he does not want Samipya, Sarshti, Sayujya, and Salokya and other forms of liberations! He becomes filled with devotion for Me alone, worships Me only; knows nothing higher than to serve Me and he does not want final liberation even. He does not like to forsake this idea of Sevya (to be served) and Sevaka (servant who serves). He always meditates on Me with a constant vigilance and actuated by a feeling of Supreme Devotion; he does not think himself separate from Me but rather thinks him self ‘that I am the Bhagavati.' Не considers all the Jivas as Myself and loves Me as he loves himself. He does not make any difference between the Jivas and myself as he finds the same with anybody as he has abandoned all ideas about separateness; he bows down, and worships the Chandalas and all the Jivas., source=Srimad Devi Bhagavatam Seventh Canto, Chapter 37, Verses 11:18

Reception

The verses and ideas in the ''Devi-Bhagavata Purana'', state Foulston and Abbott, are built on the foundation of the Upanishads wherein the nonduality and oneness of Brahman and Atman (soul) are synthesized.{{Sfn, Lynn Foulston , Stuart Abbott, 2009, pp=75-76{{Sfn, Rocher, 1986, p=170 The text makes references to the philosophy and metaphors used in the Advaita Vedanta tradition of Adi Shankara. However, those ideas are reformulated and centered around the Goddess in the ''Devi Bhagavata Purana'', states C Mackenzie Brown, as well as other scholars.{{Sfn, Lynn Foulston , Stuart Abbott, 2009, p=75{{Sfn, Cheever Mackenzie Brown, 1998, p=12-17 In ''Devi Bhagavata'' text, states Tracy Pintchman, the Devi is not only Brahman-Atman (soul, interconnected oneness), she is also the always-changing empirical reality (Maya).{{Sfn, Tracy Pintchman, 2014, p=29-30

SDB 01.18.41 original Sanskrit:

{{Blockquote, text=जीवो बरहम सदवाह नातर कारया विचारणा ।
भदबदधिसत ससार वरतमाना परवरतत ॥42 ॥{{Blockquote, text=Jiva is Brahman; I am that Brahman and nothing else; there is nothing to be discussed here. It is owing to the dualities that monism appears not clear and differences between Jiva and Brahman arise., source=Canto 01, Chapter 18, Verse 41

The Goddess, in ''Devi Bhagavata Purana'', is both the source of self-bondage through ''Avidya'' (ignorance) and the source of self-liberation through ''Vidya'' (knowledge), state Foulston and Abbott.{{Sfn, Lynn Foulston , Stuart Abbott, 2009, p=75 She is identical to the Vedic metaphysical reality concept of Brahman, the supreme power, the ruler of the universe, the hero, the hidden energy, the power, the bliss innate in everything, according to the text.{{Sfn, Lynn Foulston , Stuart Abbott, 2009, pp=75-76{{Sfn, Tracy Pintchman, 2015, pp=128, 131-138{{Sfn, David Kinsley, 1997, pp=131-134 The Devi, states Kinsley, is identified by this Purana to be all matter, mother earth, the cosmos, all of nature including the primordial.{{Sfn, David Kinsley, 1988, pp=179-180 The Goddess is presented, states Brown, as "the womb of the universe", who observes the actions of her children, nurtures them to discover and realize their true nature, forgive when they make mistakes, be fearsomely terrible to the wicked that threaten her children, and be friend of all souls.{{Sfn, C Mackenzie Brown, 1990, pp=129-130

Cynthia Humes compares the depiction of Goddess in the 6th-century Hindu text ''Devi Mahatmya'', with that in this later ''Devi-Bhagavata Purana'' text.{{Sfn, Alf Hiltebeitel, Kathleen M. Erndl, 2000, pp=139-140 (Cynthia Humes) Both revere the feminine, states Humes, but there are some important differences.{{Sfn, Alf Hiltebeitel, Kathleen M. Erndl, 2000, pp=139-140 (Cynthia Humes) Nowhere does the ''Devi Mahatmya'' state anything negative about women, and it is explicit in asserting that "all women are portions of the Goddess".{{Sfn, Alf Hiltebeitel, Kathleen M. Erndl, 2000, pp=139-142 (Cynthia Humes) By contrast, states Humes, the portrayal of women in ''Devi-Bhagavata Purana'' is more complex.{{Sfn, Alf Hiltebeitel, Kathleen M. Erndl, 2000, pp=139-142 (Cynthia Humes) It includes verses critical of the feminine, with the text stating that behavior of woman can be "reckless, foolish, cruel, deceitful" and the like. The ''Devi Bhagavata'' also praises women and describes their behavior can be "heroic, gentle, tenacious, strong" and the like.{{Sfn, Alf Hiltebeitel, Kathleen M. Erndl, 2000, pp=139-142 (Cynthia Humes)

The ''Devi-Bhagavata Purana'' is an important and historic Shakta Bhakti text, states June McDaniel.{{Sfn, June McDaniel, 2004, pp=158-161

Commentaries and translations

Commentaries

* Studies in Devi Bhagavata - P.G. Layle
*Srimad Devi Bhagavatam with the Tika of Nilakantha
*Discourses on the Devi Bhagavatam - Pt Vidur Prasad Dahal
*The Triumph of the Goddess : The Canonical Models and Theological Visions of the Devi-Bhagavata Purana

Translations

The Devi Bhagavata Purana has been translated into different languages.

Telugu

*Mulugu Papayaradhya, an 18th-century Telugu poet, is regarded as the first poet to translate the Devi Bhagavata Purana into Telugu. Tirupati Venkata Kavulu also translated this purana into Telugu language in 1896 entitled ''Devi Bhagavatamu''. They have divided the purana into 6 skandas and themselves published it in 1920.
*Sri Devi Bhagavatham by Acharya Bethavolu Ramabrahmam in 2005
*Sri Devi Bhagavatam translated by Smt. S Rukminamma

Kannada

* Edatore Chandrashekhara Sastry has translated the entire Devi Bhagavatam to Kannada with Sanskrit Text. This was published in 11 volumes at Mysore. (Jayachamarajendra Grantha Ratna Mala - 5)
*Sri Devi Bhagavata by Pavana Sutha

Malayalam

* Srimad Devi Bhagavatam translated by Varavoor Shamu Menon and Dr. N. P Unni
* Shrimad Devi Bhagavata published by Aarshasri Publications Co

Hindi

* Devi Bhagavatam published by Gita Press{{Cite book, last=Shukla, first=Harendra, title=શરીમદ દવી ભાગવત, publisher=Shree Harihar Pustakalay Surat, year=, isbn=9789385955785, pages=984
*Shri Mad Devi Bhagwat Mahapuran by Laxmi prakashan{{Cite book, last=Singh, first=Shivjeet, title=Srimad Devi Bhagawat Mahapurana, publisher=SHREE THAKUR PRASAD PUSTAK BHANDAR, year=2012, isbn=325422392541, pages=576
*Shrimad Devi Bhagavata Purana in Simple Hindi Language by Gita Press
*A Synopsis of Devi Bhagawat by Gita Press
*Srimad Devi Bhagawat Mahapurana by Shivjeet Singh

Gujarati

* શરીમદ દવી ભાગવત: Shrimad Devi Bhagavata Purana by Harendra Shukla

Bengali

* Devi Bhagavatam by Navabharat Publishers, Kolkata

Nepali

* Srimad Devi Bhagawat Mahapuran (Nepali) translated by Gaurishankar Vasistha (SRI DURGA SAHITYA BHANDAR, VARANASI)

Tamil

* Devi Bhagavatam - Karthikeyan by Giri Trading Agency private limited
* Sri Devi Bhagavatha 3 parts translated by Durgadoss S.K.Swami and Prema Pirasuram
* Shrimad Devi Bhagavata Purana in Tamil (Set of 2 Volumes) by Vidya Venkataraman
* Sri Devi Bhagavatham by Acharya Bethavolu Ramabrahmam - V.G.S Publishers

English

* Swami Vijnanananda translated the Devi Bhagavatam to English with Sanskrit Text.
* Ramesh Menon translated condensed English version of The Devi Bhagavatam in 2010
*Srimad Devibhagavata Puranam (Sanskrit Text with English Translation in Two Volumes) by Bahadur Sris Chandra

German

* Shrīmad Devī Bhāgavatam: Mutter Natur in Aktion by Michael Stibane{{Cite book, last=Stibane, first=Michael, title=Shrīmad Devī Bhāgavatam: Mutter Natur in Aktion, publisher=Alfa-Veda Verlag, year=2020, isbn=978-3945004456

Russian

* Девибхагавата-Пурана. В 6 томах (Devi Bhagavata Purana) - Клуб Касталия (Kastalia Club)

In Popular Culture

*Colors TV launched a mythological series named Jai Jag Janani Maa Durga in 2012 based on Devi-Bhagavata Purana.
*Colors TV launched a mythological series named Mahakali — Anth Hi Aarambh Hai in 2017 partially based on Devi-Bhagavata Purana
*Sony Entertainment Television launched a mythological series named Vighnaharata Ganesha in 2017 which also portrayed episodes from this text.
*Dangal TV launched a mythological series named Devi Adi Parashakti in 2020 which is also based on Devi-Bhagavata Purana.

See also

{{col div, colwidth=35em
*''Devi Mahatmya''
*''Markandeya Purana''
*''Shiva Purana''
*Mahadevi
{{colend

Notes

{{reflist, group=note

References

{{reflist, 30em

Bibliography

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External links

English Translation of the Devi Bhagavata by Swami Vijnanananda

''Devi Bhagavata Purana'' English translation
correct IAST transliteration and glossary

{{Puranas
{{Hindudharma

Puranas
Shaktism
Hindu philosophy
Sanskrit texts
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