Declamatio
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Declamation (from the Latin: ''declamatio'') is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed.


History

In Ancient Rome, declamation was a genre of ancient
rhetoric Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate parti ...
and a mainstay of the Roman higher education system. It was separated into two component subgenres, the '' controversia'', speeches of defense or prosecution in fictitious court cases, and the '' suasoria'', in which the speaker advised a historical or legendary figure as to a course of action. Roman declamations survive in four corpora: the compilations of
Seneca the Elder Lucius Annaeus Seneca the Elder (; c. 54 BC – c. 39 AD), also known as Seneca the Rhetorician, was a Roman writer, born of a wealthy equestrian family of Corduba, Hispania. He wrote a collection of reminiscences about the Roman schools of rheto ...
and
Calpurnius Flaccus Calpurnius Flaccus was a rhetorician who lived in the reign of Hadrian, and whose fifty-one declamations frequently accompany those of Quintilian. They were first published by Pierre Pithou in Paris in 1580. Pliny the Younger writes to Flaccus ...
, as well as two sets of ''controversiae'', the ''Major Declamations'' and ''Minor Declamations'' spuriously attributed to
Quintilian Marcus Fabius Quintilianus (; 35 – 100 AD) was a Roman educator and rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing. In English translation, he is usually referred to as Quintilia ...
. Declamation had its origin in the form of preliminary exercises for Greek students of rhetoric: works from the Greek declamatory tradition survive in works such as the collections of
Sopater Sopater Orr, James, M. A., D. D. General EditorSopater ''International Standard Bible Encyclopedia''. 1915. Retrieved December 9, 2005. ( el, Σώπατρος, ''Sṓpatros'') was the son of Pyrhus,Choricius of Gaza. Of the remaining Roman declamations the vast majority are ''controversiae''; only one book of ''suasoriae'' survive, that being in Seneca the Elder's collection. The ''controversiae'' as they currently exist normally consist of several elements: an imaginary law, a theme which introduced a tricky legal situation, and an argument which records a successful or model speech on the topic. It was normal for students to employ illustrative ''exempla'' from Roman history and legend (such as were collected in the work of Valerius Maximus) to support their case. Important points were often summed up via pithy epigrammatic statements (''sententiae''). Common themes include ties of fidelity between fathers and sons, heroes and tyrants in the archaic city, and conflicts between rich and poor men. As a critical part of rhetorical education, declamation's influence was widespread in Roman elite culture. In addition to its didactic role, it is also attested as a performative genre: public declamations were visited by such figures as Pliny the Elder,
Asinius Pollio Gaius Asinius Pollio (75 BC – AD 4) was a Roman soldier, politician, orator, poet, playwright, literary critic, and historian, whose lost contemporary history provided much of the material used by the historians Appian and Plutarch. Poll ...
, Maecenas, and the emperor Augustus. The poet Ovid is recorded by Seneca the Elder as being a star declaimer, and the works of the satirists
Martial Marcus Valerius Martialis (known in English as Martial ; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet from Hispania (modern Spain) best known for his twelve books of ''Epigrams'', published in Rome between AD 86 and ...
and Juvenal, as well as the historian Tacitus, reveal a substantial declamatory influence. Later examples of declamation can be seen in the work of the sixth century AD bishop and author Ennodius.


Classic revival

In the eighteenth century, a classical revival of the art of public speaking, often referred to as The Elocution Movement occurred in Britain. While elocution focused on the voice—articulation, diction, and pronunciation—declamation focused on delivery. Rather than a narrow focus on
rhetoric Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate parti ...
, or persuasion, practitioners involved in the movement focused on improving speech and gesture to convey the full sentiment of the message. Traditionally, practitioners of declamation served in the clergy, legislature or law, but by the nineteenth century, the practice had extended to theatrical and reformist venues. Initially, the aim was to improve the standard of oral communication, as high rates of illiteracy made it imperative for churches, courts and parliaments, to rely on the spoken word. Through modification of inflection and phrasing, along with appropriate gestures, speakers were taught to convey the meaning and persuade the audience, rather than deliver monotonous litanies. In 1841, Italian scientist Luca de Samuele Cagnazzi introduced the tonograph, a device invented by him and capable of measuring the inflections and tones of human voice. It was meant to be employed inside declamation schools and it provided a way to record some characteristics of human voice, in order to provide the posterity with enough information on how declamation was carried out at that time. In the eighteenth century, the '' Académie des inscriptions et belles-lettres'' of Paris had unsuccessfully tried to distinguish between smaller fractions of the
diatonic Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical sty ...
and harmonic scales. His perpetual secretary
Charles Pinot Duclos Charles Pinot (or Pineau) Duclos (12 February 1704 – 26 March 1772) was a French author and contributor to the ''Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers''. Biography Duclos was born at Dinan in Brittany ...
wrote that Jean-Baptiste Dubos had proposed to hire a team of experts in the field of music, in order to carry out that task, but they didn't succeed (since no device was used and humans cannot distinguish between smaller fractions of scales without a proper device). tonografia-1841, pp. 34-37. By the mid-nineteenth century, reformers were using the "art of declamation" to publicly address vice and provide moral guidance. In the Americas, missionary-run schools focused on teaching former slaves the art of public speaking to enable them to elevate others of their race as teachers and ministers. Using drama as a tool to teach, reformers hoped to standardize the spoken word, while creating a sense of national pride. Studies and presentation of declamation flourished in Latin America and particularly in the African-American and Afro-Caribbean communities through the first third of the twentieth century. Practitioners attempted to interpret their orations to convey the emotions and feeling behind the writer's words to the audience, rather than simply recite them. In the twentieth century, among black practitioners, topical focus often was on the irony of their lives in a post-slavery world, recognizing that they had gained freedom but were limited by racial discrimination. Presentation involved use of African rhythms from dance and music, and local dialect, as a form of social protest.


See also

*
Seneca the Elder Lucius Annaeus Seneca the Elder (; c. 54 BC – c. 39 AD), also known as Seneca the Rhetorician, was a Roman writer, born of a wealthy equestrian family of Corduba, Hispania. He wrote a collection of reminiscences about the Roman schools of rheto ...
*
Calpurnius Flaccus Calpurnius Flaccus was a rhetorician who lived in the reign of Hadrian, and whose fifty-one declamations frequently accompany those of Quintilian. They were first published by Pierre Pithou in Paris in 1580. Pliny the Younger writes to Flaccus ...
*
Quintilian Marcus Fabius Quintilianus (; 35 – 100 AD) was a Roman educator and rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing. In English translation, he is usually referred to as Quintilia ...


References


Citations


Bibliography

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, date=2 June 2006 , archive-url=https://web.archive.org/web/20171204024012/http://www.abc.com.py/articulos/la-poesia-negra-907460.html , archive-date=4 December 2017 , location=Asunción, Paraguay , language=es , trans-title=Black poetry


Further reading

* Amato, Eugenio, Francesco Citti, and Bart Huelsenbeck, eds. 2015. ''Law and Ethics in Greek and Roman Declamation.'' Berlin: DeGruyter. * Bernstein, N. 2009. "Adoptees and Exposed Children in Roman Declamation: Commodification, Luxury, and the Threat of Violence." ''Classical Philology'' 104.3: 331-353. * Bernstein, Neil W. 2013. ''Ethics, Identity, and Community in Later Roman Declamation.'' Oxford: Oxford Univ. Press. * Bloomer, W. Martin. 2011. ''The School of Rome: Latin Studies and the Origins of Liberal Education.'' Berkeley: Univ. of California Press. * Braund, Susanna Morton. 1997. "Declamation and Contestation in Satire." In ''Roman Eloquence: Rhetoric in Society and Literature.'' Edited by W. J. Dominik, 147–165. New York: Routledge. * Dominik, William J., and Jon Hall. 2010. ''A Companion to Roman Rhetoric.'' Malden, MA: Wiley-Blackwell. * Frier, Bruce W. 1994. "Why did the Jurists Change Roman Law? Bees and Lawyers Revisited." ''Index'' 22: 135–149. * Gunderson, Erik. 2003. ''Declamation, Paternity, and Roman Identity: Authority and the Rhetorical Self.'' Cambridge, UK: Cambridge Univ. Press. * Imber, Margaret A. 2001. "Practised Speech: Oral and Written Conventions in Roman Declamation." In ''Speaking Volumes: Morality and Literacy in the Greek and Roman World.'' Edited by Janet Watson, 199-216. Leiden: Brill. * Kaster, Robert A. 2001. "Controlling Reason: Declamation in Rhetorical Education." In ''Education in Greek and Roman Antiquity.'' Edited by Yun Lee Too, 317-337. Leiden: Brill. * Kennedy, George A. 1994. ''A New History of Classical Rhetoric.'' Princeton, NJ: Princeton Univ. Press. * Porter, Stanley E. 1997. ''Handbook of Classical Rhetoric In the Hellenistic Period, 330 B.C.- A.D. 400.'' Leiden: Brill. * Russell, D. A. 1983. ''Greek Declamation.'' Cambridge: Cambridge University Press. * Walker, Jeffrey. 2011. ''The Genuine Teachers of this Art: Rhetorical Education in Antiquity.'' Columbia: Univ. of South Carolina Press. * Winterbottom, Michael. 1983. "Schoolroom and Courtroom." In ''Rhetoric Revalued: Papers from the International Society for the History of Rhetoric.'' Edited by Brian Vickers, 59-70. Binghamton, N.Y.: Center for Medieval and Early Renaissance Studies. Rhetoric