Cultural History Of The Philippines

The culture of the Philippines is characterized by cultural diversity. Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, their cultures were all shaped by the geography and history of the region, and by centuries of interaction with neighboring cultures, and colonial powers. In more recent times, Filipino culture has also been influenced through its participation in the global community. "

History

Among the contemporary ethnic groups of the Philippine archipelago, the Negritos are generally considered the earliest settlers; today, although few in numbers, they preserve a very traditional way of life and culture. After those early settlers, the Austronesians arrived on the archipelago. The Austronesian culture is strongly evident in the ethnic majority and languages.

Before the arrival of European colonizers in the 1500s, the various ethnic groups of the Philippines were organized into various independent polities, which historians have come to call " barangays".The actual historical use of the term "barangay" and its applicability to polities throughout the archipelago has been questioned in recent scholarship. See Woods, 2017. These polities consisted of about thirty to a hundred households, and were ruled by leaders with titles. The largest of these, such as Butuan, Tondo and the Sultanate of Sulu were complex political formations based on the deltas of the archipelago's biggest river systems, with political and trade relationships with polities further upstream on one hand, and with the political and trading powers of Maritime Southeast Asia and East Asia such as the Sultanate of Brunei, the Majapahit empire, the Qing and Ming Dynasties of China, and even Japan. Indirect cultural exchange and some trade also took place with the Indian subcontinent and Arabia.

The advent of Spanish colonial rule in the islands marked the beginning of the Philippines as an entity, a collection of Southeast Asian countries united under Spanish Empire. The empire ruled, via the Viceroyalty of New Spain and later directly from Madrid (after 1821 Mexican independence), the islands between the 16th and 19th centuries (Batanes being one of the last places to be colonized in the mid-1800s), resulting in Christianity to spread and dominate throughout the archipelago and influenced the religion and beliefs of the natives. Then, the Philippines became a U.S. territory for almost 50 years. Influence from the United States is manifested in the wide use of the English language, media and in the modern culture and clothing of present-day Philippines.

Geography and ethnic groups

The Philippines' culture is shaped by its archipelagic geography, topography and physical location within Maritime Southeast Asia, all of which defined the cultural histories of the country's 175 Ethnolinguistic groups.

Influence of geography

The cultural diversity of Philippines is the result of the fact that it is an archipelagic state. It is the world's fifth largest island country and is one of the five original archipelagic states recognized under the United Nations Convention on the Law of the Sea (UNCLOS). It is made out of 7,641 islands with a total land area of , and an exclusive economic zone that covers of sea, covering an area from its shores. Settlement on the islands by its many ethnic groups and the cultural exchanges that shaped the cultural histories of those groups was enabled and defined by maritime and riverine transport - with travel by oceans and rivers serving as these cultures' main way of relating to each other, and long inland mountain ranges being the major physical hindrance to cultural linkages between various groups.

Ethnic groups of the Philippines

The Philippines is inhabited by more than 182 ethnolinguistic groups, many of which are classified as "Indigenous Peoples" under the country's Indigenous Peoples' Rights Act of 1997. Traditionally-Muslim peoples from the southernmost island group of Mindanao are usually categorized together as Moro peoples, whether they are classified as Indigenous peoples or not. About 142 are classified as non-Muslim Indigenous People groups, and about 19 ethnolinguistic groups are classified as neither indigenous nor moro. Various migrant groups have also had a significant presence throughout the country's history.

The Muslim-majority ethnic groups ethnolinguistic groups of Mindanao, Sulu, and Palawan are collectively referred to as the Moro people, a broad category which includes some indigenous people groups and some non-indigenous people groups.

About 142 of the Philippines' Indigenous People groups are not classified as moro peoples. Some of these people groups are commonly grouped together due to their strongly association with a shared geographic area, although these broad categorizations are not always welcomed by the ethnic groups themselves.National Statistics Office. “Statistics on Filipino Children.” Journal of Philippine Statistics, vol. 59, no. 4, 2008, p. 119. For example, the indigenous peoples of the Cordillera Mountain Range in northern Luzon are often referred to using the exonym "Igorot people," or more recently, as the Cordilleran peoples. Meanwhile, the non-Moro peoples of Mindanao are collectively referred to as the Lumad, a collective autonym conceived in 1986 as a way to distinguish them from their neighboring indigenous Moro neighbors.

About 86 to 87 percent of the Philippine population belong to the 19 ethnolinguistic groups are classified as neither indigenous nor moro. These groups are sometimes collectively referred to as "Lowland Christianized groups," to distinguish them from the other ethnolinguistic groups. The most populous of these groups, with populations exceeding a million individuals, are the Ilocano, the Pangasinense, the Kapampangan, the Tagalog, the Bicolano, the Visayans and Cebuanos, the Boholano, the Hiligaynon/Ilonggo, and the Waray. Many of these groups converted to Christianity, particularly both the native and migrant lowland-coastal groups, and adopted foreign elements of culture throughout the country's history.

Due to the history of the Philippines since the Spanish colonial era, there are also some historical migrant heritage groups such as the Chinese Filipinos and Spanish Filipinos, both of whom intermixed with the above lowland Austronesian-speaking ethnic groups, which produced Filipino Mestizos. These groups also comprise and contribute a considerable proportion of the country's population, especially its bourgeois, and economy and were integral to the establishment of the country, from the rise of Filipino nationalism by the '' Ilustrado'' intelligentsia to the Philippine Revolution. Other peoples of migrant and/or mixed descent include those such as, American Filipinos, Indian Filipinos,With a sample population of 105 Filipinos, the company of ''Applied Biosystems'', analysed the Y-DNA of average Filipinos and it is discovered that about 0.95% of the samples have the Y-DNA Haplotype "H1a", which is most common in South Asia and had spread to the Philippines via precolonial Indian missionaries who spread Hinduism.
/ref> Japanese Filipinos, and many more.

Indigenous peoples

The Indigenous peoples of the Philippines are groups of people that were only fully annexed to the borders of the Philippines later in history, especially during the post war modern era. They are not fully absorbed by centuries of Spanish and United States colonization of the Philippines, and in the process, have developed their cultures, customs and traditions distinct from the lowland Christianized people of the Filipino culture. They consist of full or partial Negritos tribes scattered throughout the archipelago, and a large number of Austronesian ethnic groups. They are the descendants of the original Austronesian inhabitants of the Philippines, that settled in the islands thousands of years ago. Some of these tribes, have partial populations who converted to Christianity and even integrated to the lowland Christian populations.

In the interest of clarity, the term ''indigenous'' as used in the Philippines refers to ethnolinguistic groups or subgroups that maintain partial isolation, or independence, throughout the Spanish and American colonial era. The term ''indigenous'' when applied to the Philippine population can be a deceptive misnomer, connoting alien migrant populations who have over time become the majority ethnolinguistic and cultural group in the land and thereby pushing indigens to the fringes of socio-cultural inclusion, such as in the Americas, Middle East, Australia, or New Zealand. Contrarily, the majority of people in the Philippines descend from the same Austronesian ancestral populations indigenous to the archipelago, regardless of cultural, religious, ethnolinguistic or tribal affiliations. (Ethnic groups in the Philippines). In the context of Philippine population, the term is used to refer to a group of people who have developed their culture away from the Christianized lowland culture of Filipinos whose population, though, overwhelmingly Austronesian, had partial mestizos, Insulares, Chinese and few other foreign populations, and is characterized by a hybrid of east and west culture.

In 1990, more than 100 highland peoples constituted approximately three percent of the Philippine population. Over the centuries, the isolated highland peoples have retained their Indigenous cultures. The folk arts of these groups were, in a sense, the last remnants of Indigenous traditions that flourished throughout the Philippines before the Islamic and Spanish contacts.

The highland peoples are a primitive ethnic group like other Filipinos, although they did not, as a group, have as much contact with the outside world. These peoples displayed a variety of native cultural expressions and artistic skills. They showed a high degree of creativity such as the production of bowls, baskets, clothing, weapons and spoons. These peoples ranged from various groups of Igorot people, a group that includes the Bontoc, Ibaloi, Ifugao, Isneg, Kalinga and Kankana-ey, who built the Rice Terraces thousands of years ago. They have also covered a wide spectrum in terms of their integration and acculturation with Christian Filipinos. Other Indigenous peoples include the Lumad peoples of the highlands of Mindanao. These groups have remained isolated from Western and Eastern influences.

Filipino psychology

A formal field interpreting Psychology as rooted on the experience, ideas, and cultural orientation of the Filipinos, called Filipino Psychology, was established in 1975.

Values

As a general description, the distinct value system of Filipinos is rooted primarily in personal alliance systems, especially those based in kinship, obligation, friendship, religion (particularly Christianity), and commercial relationships.''Social Values and Organization''
Philippines, Country Studies US. Online version of print book Ronald E. Dolan, ed. ''Philippines: A Country Study''. Washington: GPO for the Library of Congress, 1991.

Filipino values are, for the most part, centered around maintaining social harmony, motivated primarily by the desire to be accepted within a group. The main sanction against diverging from these values are the concepts of "''Hiya''", roughly translated as 'a sense of shame', and "''Amor propio''" or 'self-esteem'. Social approval, acceptance by a group, and belonging to a group are major concerns. Caring about what others will think, say or do, are strong influences on social behavior among Filipinos.Hallig, Jason V
''Communicating Holiness to the Filipinos: Challenges and Needs''
, The Path to a Filipino Theology of Holiness, pp. 2, 10.

Other elements of the Filipino value system are optimism about the future, pessimism about present situations and events, concern and care for other people, the existence of friendship and friendliness, the habit of being hospitable, religious nature, respectfulness to self and others, respect for the female members of society, the fear of God, and abhorrence of acts of cheating people financially and thievery. File dated April 8, 2000. In

Arts

Architecture

Before the arrival of European colonizers, Austronesian architecture was the common form of housing on the archipelago.

During the Spanish era, the new Christianized lowland culture collectively evolved a new style known as the Nipa hut (''Bahay Kubo''). It is characterized by use of simple materials such as bamboo and coconut as the main sources of wood. Cogon grass, Nipa palm leaves and coconut fronds are used as roof thatching. Most primitive homes are built on stilts due to frequent flooding during the rainy seasons. Regional variations include the use of thicker, and denser roof thatching in mountain areas, or longer stilts on coastal areas particularly if the structure is built over water. The architecture of other indigenous peoples may be characterized by an angular wooden roofs, bamboo in place of leafy thatching and ornate wooden carvings. The Bahay na bato architecture is a variant of Nipa Hut that emerged during the Spanish era.

Spanish architecture has left an imprint in the Philippines in the way many towns were designed around a central square or ''plaza mayor'', but many of the buildings bearing its influence were demolished during World War II. Some examples remain, mainly among the country's churches, government buildings, and universities. Four Philippine baroque churches are included in the list of UNESCO World Heritage Sites: the San Agustín Church in Manila, Paoay Church in Ilocos Norte, Nuestra Señora de la Asunción (Santa María) Church in Ilocos Sur, and Santo Tomás de Villanueva Church in Iloilo. Vigan in Ilocos Sur is also known for the many Hispanic-style houses and buildings preserved there. The introduction of Christianity brought European churches and architecture which subsequently became the center of most towns and cities in the nation. The Spaniards also introduced stones and rocks as housing and building materials and the Filipinos merged it with their existing architecture and forms a hybrid mix-architecture only exclusive to the Philippines. Filipino colonial architecture can still be seen in centuries-old buildings such as Filipino baroque churches, Bahay na bato; houses, schools, convents, government buildings around the nation. The best collection of Spanish colonial era architecture can be found in the walled city of Intramuros in Manila and in the historic town of Vigan. Colonial-era churches are also on the best examples and legacies of Spanish Baroque architecture called Earthquake Baroque which are only found in the Philippines. Historic provinces such as Ilocos Norte and Ilocos Sur, Pangasinan, Pampanga, Bulacan, Cavite, Laguna, Rizal, Batangas, Quezon, Iloilo, Negros, Cebu, Bohol and Zamboanga del Sur also boasts colonial-era buildings.

The American occupation in 1898 introduced a new breed of architectural structures in the Philippines. This led to the construction of government buildings and Art Deco theaters. During the American period, some semblance of city planning using the architectural designs and master plans by Daniel Burnham was done on the portions of the city of Manila. Part of the Burnham plan was the construction of government buildings that resembled Greek or Neoclassical architecture. In Iloilo, a lot of the colonial edifices constructed during the American occupation in the country can still be seen. Commercial buildings, houses and churches in that era are abundant in the city and especially in Calle Real.

The University of Santo Tomas Main Building in Manila is an example of Renaissance Revival architecture. The building was built in 1924 and was completed at 1927. The building, designed by Fr. Roque Ruaño, O.P., is the first earthquake-resistant building in the Philippines . Islamic and other Asian architecture can also be seen depicted on buildings such as mosques and temples. Pre-Hispanic housing is still common in rural areas. Contemporary-style housing subdivisions and suburban-gated communities are popular in urbanized places such as Metro Manila, Central Visayas, Central Luzon, Negros Island and other prosperous regions.

However, certain areas of the country like Batanes have slight differences as both Spanish and Filipino ways of architecture assimilated differently due to the climate. Limestones and coral were used as building materials.

There have been proposals to establish a policy where each municipality and city will have an ordinance mandating all constructions and reconstructions within such territory to be inclined with the municipality or city's architecture and landscaping styles to preserve and conserve the country's dying heritage sites, which have been demolished one at a time in a fast pace due to urbanization, culturally-irresponsible development, and lack of towns-cape architectural vision. Such policies are used by countries which have preserved their architectural marvels, and entire cities as a whole, for hundreds of years, such as Italy, France, Romania, Germany, and Spain. The proposal advocates for the usage and reinterpretations of indigenous, colonial, and modern architectural and landscaping styles that are prevalent or used to be prevalent in a given city or municipality. The proposal aims to foster a renaissance in Philippine landscaping and townscaping, especially in rural areas which can easily be transformed into new architectural heritage towns within a 50-year time frame. Unfortunately, many Philippine-based architecture and engineering experts lack the sense of preserving heritage townscapes, such as the case in Manila, where business proposals to construct structures that are not inclined with Manila's architectural styles have been continuously accepted and constructed by such experts, effectively destroying Manila's architectural townscape one building at a time. Only the city of Vigan has passed such an ordinance, which led to its declaration as a UNESCO World Heritage Site in 1999 and awarding of various recognition for the conservation and preservation of its unique architectural and landscaping styles. In 2016, bills proposing to establish a Department of Culture were filed in both chambers of Congress to help formulate policy on architecture.

File:JC Balingasag 52.JPG, Vega Ancestral House, Misamis Oriental
File:Calle Crisologo, Vigan City, Ilocos Sur.JPG, Vigan City in Ilocos Sur
File:Pic geo photos - ph=cavite=kawit=aguinaldo shrine - front view -philippines--2015-0611--ls- (1).JPG, Aguinaldo Shrine in Cavite
File:Loboc church - panoramio.jpg, Loboc Church in Bohol
File:Saint Augustine Church of Paoay, Ilocos Norte.jpg, Paoay Church in Ilocos Norte
File:The Philippine National Museum of Natural History.jpg, Museum Agrifina Circle

Traditional clothing

Baro evolved from its forerunner garment worn by the Tagalogs of Luzon Prior to the Spanish Era. When the Spaniards came and settled into the islands, the fashion changed drastically as the Spanish culture influenced the succeeding centuries of Philippine history. The Spanish dissolved the kingdoms and united the country, resulting in a mixture of cultures from different ethnic groups of the conquered archipelago and Spanish culture. A new type of clothing called Barong tagalog (for men) and Baro't saya (for women) began to emerged and would ultimately define the newly formed Filipino culture.

Throughout the 16th century up to the 18th century, women wore a more updated version of the Baro't saya, composed of a bodice – called a Camisa, often made in pineapple fiber or muslin – and a floor length skirt, while the '' Barong Tagalog of men'', was a collared and buttoned lace shirt or a suit. Aside from Barong, men also wore suits. Most Visayan lowland women wear ''Kimona'', a type of Baro't Saya blouse matching with a knee-length or floor-length skirt printed with the Patadyong pattern, hence getting the name ''Patadyong'' skirt. The dress is often accompanied with a handkerchief called ''tubao'' also printed with patadyong pattern and is often placed above the right shoulder. These traditions was brought by the Visayans to Mindanao where they also dominate the Christian lowland culture.

Salakot hat is a Filipino general term for a range of related traditional headgear used by virtually all ethnic groups of the Philippines and is a Filipino variation of the Asian conical hat of East and Southeast Asia. It is usually dome-shaped or cone-shaped, but various other styles also exist, including versions with dome-shaped, cone-shaped, or flat crowns with a flat or gently sloping brim. It can be made from various materials including bamboo, rattan, nito, bottle gourd, buri straw, nipa leaves, pandan leaves, carabao horn, and tortoiseshell. In addition to Salakot and western hats, Buntal hat, Buri hat and calasiao hat are another traditional hats worn by Filipinos. By the 19th century, due to the continuing influence of the Western culture, the rising economy, globalization, and exposure from the European fashion scene, the women's clothing began to have a change; by the 1850s, women's clothing was now full wide skirts that usually have long train rather than the simple floor length skirts, a bodice called ''camisa'' which means blouse in English and a '' pañuelo'', The attire is composed of four pieces, namely the camisa, the saya, the pañuelo (a scarf, also spelled panuelo) and the Tapis this would later be called Maria Clara. The men also continued to wear a more intricate version Barong Tagalog. Underneath the transparent Barong Tagalog is the ''Camisa de Chino'' a type of shirt, usually in white. When the Americans arrived baro't saya started to change again and became more modern in contrast to the conservative style. The women then wore the new version called, ''Traje de Mestiza'', the more modern version of the Maria Clara. By the 1920s, the style of the skirt still remained, influenced by the flapper dress; however, the wide sleeves had been flattened to butterfly sleeves and the big ''pañuelo'' reduced its size.

Men wore suit and coat worn in the West, mostly Americans hence the name it was called, the ''Americana'', It was more popularly white or light in color than western counterpart. By the 1930s, young adult women and children embraced the more American style, but the typical "Traje de Mestiza" was not fully gone. By 1940's onward baro't saya was still evolving. But people started wearing more updated modern clothing and fully turned away from baros as everyday clothing. Though it became a symbol of traditional culture to be preserved for traditional ceremonies and cultural occasions, from the modern more globalized culture of the post war era.

Cultures that are un-hispanized like the Negritos, Igorot, Lumad and Moro etc. was mostly only fully absorbed into the Filipino borders much later in history, especially during the post-war's modern and globalized culture when the hispanized lowland Filipinos are modernized. As a result, they were mostly unaffected by the traditional lowland Christian Filipino culture and clothing. What influenced them instead was the modern culture and fashions. Though traditional clothing are retained for traditional ceremonies and cultural occasions as well.

Pineapple fiber is used to create traditional Philippine garments.

Piña-Seda- Pineapple and Silk Cloths from the Philippines 2.jpg

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Piña-Seda- Pineapple and Silk Cloths from the Philippines 9.jpg
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Visual arts

Early pottery has been found in the form of mostly anthropomorphic earthenware jars dating from c. 5 BC to 225 AD. Early Philippine painting can be found in red slip (clay mixed with water) designs embellished on the ritual pottery of the Philippines such as the acclaimed Manunggul Jar. Evidence of Philippine pottery-making dated as early as 6000 BC has been found in Sanga-Sanga Cave, Sulu and Cagayan's Laurente Cave. It has been proven that by 5000 BC, the making of pottery was practiced throughout the archipelago. Early Austronesian peoples, especially in the Philippines, started making pottery before their Cambodian neighbors, and at about the same time as the Thais and Laotians as part of what appears to be a widespread Ice Age development of pottery technology.

Further evidence of painting is manifest in the tattoo tradition of early Filipinos, whom the Portuguese explorer referred to as ''Pintados'' or the 'Painted People' of the Visayas. Various designs referencing flora and fauna with heavenly bodies decorate their bodies in various colored pigmentation. Perhaps, some of the most elaborate painting done by early Filipinos that survive to the present day can be manifested among the arts and architecture of the Maranaos who are well known for the Nāga dragons and the Sarimanok carved and painted in the beautiful Panolong of their Torogan or King's House.

Filipinos began creating paintings in the European tradition during 17th-century Spanish period. The earliest of these paintings were Church frescoes, religious imagery from Biblical sources, as well as engravings, sculptures and lithographs featuring Christian icons and European nobility. Most of the paintings and sculptures between the 19th and 20th centuries produced a mixture of religious, political, and landscape art works, with qualities of sweetness, dark, and light.

The Itneg people are known for their intricate woven fabrics. The '' binakol'' is a blanket which features designs that incorporate optical illusions.Other parts of Highlands in the Cordillera Region or in local term " KaIgorotan" displays their art in tattoing, weaving bags like the "sangi" a traditional backpack and carving woods. Woven fabrics of the Ga'dang people usually have bright red tones. Their weaving can also be identified by beaded ornamentation. Other peoples such as the Ilongot make jewelry from pearl, red hornbill beaks, plants, and metals. Many Filipino painters were influenced by this and started using materials such as extract from onion, tomato, tuba, coffee, rust, molasses and other materials available anywhere as paint.
The Lumad peoples of Mindanao such as the ''B'laan'', Mandaya, Mansaka and T'boli are skilled in the art of dyeing abaca fiber. Abaca is a plant closely related to bananas, and its leaves are used to make fiber known as Manila hemp. The fiber is dyed by a method called ''ikat''. ''Ikat'' fiber are woven into cloth with geometric patterns depicting human, animal and plant themes.

''Kut-kut'', a technique combining ancient Oriental and European art process. Considered lost art and highly collectible art form. Very few known art pieces existed today. The technique was practiced by the indigenous people of Samar Island between early 1600 and late 1800 A.D. It is an exotic Philippine art form based on early century techniques: sgraffito, encaustic and layering. The merging of the ancient styles produces a unique artwork characterized by delicate swirling interwoven lines,

Islamic art in the Philippines have two main artistic styles. One is a curved-line woodcarving and multi-layered texture and an illusion of three-dimensional space.metalworking called '' okir'', similar to the Middle Eastern Islamic art. This style is associated with men. The other style is geometric tapestries, and is associated with women. The Tausug and Sama–Bajau exhibit their okir on elaborate markings with boat-like imagery. The Marananaos make similar carvings on housings called torogan. Weapons made by Muslim Filipinos such as the '' kampilan'' are skillfully carved.

Early modernist painters such as Haagen Hansen was associated with religious and secular paintings. The art of Lorenzo Miguelito and Alleya Espanol showed a trend for political statement. The first American national artist Jhurgen D. C. Pascua used post-modernism to produce paintings that illustrated Philippine culture, nature and harmony. While other artists such as Bea Querol used realities and abstract on his work. In the 1980s, Odd Arthur Hansen, popularly known as ''ama ng makabayan pintor'' or father of patriotic paint, gained recognition. He uses his own white hair to make his own paintbrushes and signs his painting using his own blood on the right side corner. He developed his own styles without professional training or guidance from professionals.

Dancing

Philippine folk dances include the Tinikling and Cariñosa. In the southern region of Mindanao, Singkil is a popular dance showcasing the story of a prince and princess in the forest. Bamboo poles are arranged in a tic-tac-toe pattern in which the dancers exploit every position of these clashing poles.

Music

The early music of the Philippines featured a mixture of Indigenous, Islamic and a variety of Asian sounds that flourished before the European and American colonization in the 16th and 20th centuries. Spanish settlers and Filipinos played a variety of musical instruments, including flutes, guitar, ukulele, violin, trumpets and drums. They performed songs and dances to celebrate festive occasions. By the 21st century, many of the folk songs and dances have remained intact throughout the Philippines. Some of the groups that perform these folk songs and dances are the Bayanihan, Filipinescas, Barangay-Barrio, Hariraya, the Karilagan Ensemble, and groups associated with the guilds of Manila, and Fort Santiago theatres. Many Filipino musicians have risen prominence such as the composer and conductor Antonio J. Molina, the composer Felipe P. de Leon, known for his nationalistic themes and the opera singer Jovita Fuentes.

Modern day Philippine music features several styles. Most music genres are contemporary such as Filipino rock, Filipino hip hop and other musical styles. Some are traditional such as Filipino folk music.

Literature

The Philippine literature is a diverse and rich group of works that has evolved throughout the centuries. It had started with traditional folktales and legends made by the ancient Filipinos before Spanish colonization. The main themes of Philippine literature focus on the country's pre-Hispanic cultural traditions and the socio-political histories of its colonial and contemporary traditions.
The literature of the Philippines illustrates the Prehistory and European colonial legacy of the Philippines, written in both Indigenous and Hispanic writing system. Most of the traditional literatures of the Philippines were written during the Spanish period, while being preserved orally prior to Spanish colonization. Philippine literature is written in Spanish, English, or any indigenous Philippine languages.

Some well known works of literature were created in the 17th to 19th centuries. The Ibong Adarna is a famous epic about a magical bird which was claimed to be written by José de la Cruz or "Huseng Sisiw". Francisco Balagtas is one of the country's prominent Filipino poets, he is named as one of the greatest Filipino literary laureates for his contributions in Philippine literature. His greatest work, the '' Florante at Laura'' is considered as his greatest work and one of the masterpieces of Philippine literature. Balagtas wrote the epic during his imprisonment. José Rizal, the national hero of the country, wrote the novels '' Noli Me Tángere'' (''Touch Me Not'') and '' El Filibusterismo'' (''The Filibustering'', also known as ''The Reign of Greed''). Nínay

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