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Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells,
carillon A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniou ...
, or a
bell tower A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell tower ...
; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015
Oxfordmusiconline.com
/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing of the bells. They can also be bowed at the bottom of the tube to produce a very loud, very high-pitched overtone. The tubes used provide a purer tone than solid cylindrical chimes, such as those on a mark tree. Chimes are often found in orchestral and concert band repertoire. It rarely plays melody, instead being used most often as a color to add to the ensemble sound. It does have solos occasionally, often depicting church bells. In tubular bells, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch". The perceived "strike pitch" is thus an octave below the fourth mode (i.e., the missing "1" in the above series).


Classical music

Tubular bells first appeared between 1860 and 1870 in Paris. The Englishman John Harrington patented tubular bells made of bronze. Arthur Sullivan may have been the first composer to score for tubular bells in the orchestra, in 1886. In the early 20th century tubular bells were also incorporated into theater organs to produce effects. Tubular bells as a substitute for church bells were first used by Giuseppe Verdi in his operas Il trovatore (1853) and Un ballo in maschera (1859) and by Giacomo Puccini in Tosca (1900). Passages in classical music: *
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
– '' Rigoletto'' (1851) *Giuseppe Verdi – '' Il trovatore'' (1853) *Giuseppe Verdi – '' Un ballo in maschera'' (1859) * Modest Mussorgsky – ''
Boris Godunov Borís Fyodorovich Godunóv (; russian: Борис Фёдорович Годунов; 1552 ) ruled the Tsardom of Russia as ''de facto'' regent from c. 1585 to 1598 and then as the first non-Rurikid tsar from 1598 to 1605. After the end of his ...
'' (1869, 1872, 1874) * Pyotr Ilyich Tchaikovsky – ''
1812 Overture ''The Year 1812, Solemn Overture'', Op. 49, popularly known as the ''1812 Overture'', is a concert overture in E major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon ...
'' (1880) * Pietro Mascagni – '' Cavalleria rusticana'' (1890) * Ruggero Leoncavallo – ''The Bajazzo'' (1892) *
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
Symphony No. 2 (1895) * Giacomo Puccini – '' Tosca'' (1900) *
Alexander Scriabin Alexander Nikolayevich Scriabin (; russian: Александр Николаевич Скрябин ; – ) was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed ...
– '' Le Poème de l'extase'' (1908) * Anton Webern – Six Pieces for large orchestra (1909–10, revised 1928) *
Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...
– '' Ibéria'' (1910) * Gustav Holst – ''
The Planets ''The Planets'', Op. 32, is a seven- movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is name ...
'' (1914–16) *Giacomo Puccini – '' Turandot'' (1926) *
Edgard Varèse Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined ...
– '' Ionisation'' (1931) *
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
– ''
Die schweigsame Frau ''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since '' Elektra'' and ''Der ...
'' (1935) * Paul Hindemith – ''
Symphonic Metamorphosis of Themes by Carl Maria von Weber ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' is an orchestral work written by German composer Paul Hindemith in America in 1943. History The idea of composing a work based on Carl Maria von Weber's music was first put to Hinde ...
'' (1944) * Benjamin Britten – '' Albert Herring'' (1945) * Aaron CoplandSymphony No. 3 (1946) *
Olivier Messiaen Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically ...
– '' Turangalîla-symphonie'' (1946–48) * Carl Orff – '' Antigonae'' (1949) *
Dmitri Shostakovich Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throug ...
Symphony No. 11 (1957) *Olivier Messiaen – ''
Chronochromie ''Chronochromie'' (Time-Colour) is an orchestral work by French composer Olivier Messiaen, completed in 1960. It consists of seven movements: The sixth movement consists of 18 string instruments playing different birdsong. The first performance ...
'' (1959–60) *
Arvo Pärt Arvo Pärt (; born 11 September 1935) is an Estonian composer of contemporary classical music. Since the late 1970s, Pärt has worked in a minimalist style that employs tintinnabuli, a compositional technique he invented. Pärt's music is in pa ...
- ''
Cantus in Memoriam Benjamin Britten ''Cantus in Memoriam Benjamin Britten'' () is a short canon in A minor, written in 1977 by the Estonian composer Arvo Pärt, for string orchestra and bell. The work is an early example of Pärt's tintinnabuli style, which he based on his reac ...
'' (1977) *David Stanhope - Folksongs for Band, Suite no. 3 (1991, revised 2016) * Daron Hagen– '' Shining Brow'' (1993)


In popular music

Multi-instrumentalist Mike Oldfield named his first album '' Tubular Bells'', best known for providing the musical theme to '' The Exorcist'' film (1973). At the beginning of his solo symphony recording project in 1972, Oldfield discovered a set of tubular bells at
The Manor Studio The Manor Studio (a.k.a. The Manor) was a recording studio in the manor house at the village of Shipton-on-Cherwell in Oxfordshire, England, north of the city of Oxford. Overview The Manor and its outbuildings are Listed building#England and ...
in
Oxfordshire Oxfordshire is a ceremonial and non-metropolitan county in the north west of South East England. It is a mainly rural county, with its largest settlement being the city of Oxford. The county is a centre of research and development, primarily ...
, England, and asked new owner
Richard Branson Sir Richard Charles Nicholas Branson (born 18 July 1950) is a British billionaire, entrepreneur, and business magnate. In the 1970s he founded the Virgin Group, which today controls more than 400 companies in various fields. Branson expressed ...
for permission to use them. The chimes were played by Oldfield on parts of the album, and they supplied the album name. Branson's company Virgin Records benefitted tremendously as Oldfield's album sold millions of copies; this also contributed to Branson's personal wealth and industry leverage.


Other uses

Tubular bells can be used as church bells, such as at St. Alban's Anglican Church in Copenhagen, Denmark. These were donated by Charles, Prince of Wales. Tubular bells are also used in
longcase clock A grandfather clock (also a longcase clock, tall-case clock, grandfather's clock, or floor clock) is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower or waist of the case. Clocks of this style are common ...
s, particularly because they produce a louder sound than gongs and regular chime-rods and therefore could be heard more easily.


See also

*
Bell plate A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an intern ...
*
Tubaphone A tubaphone is a type of metallophone constructed from a series of metal tubes arranged in a keyboard configuration. The tubes are similar in length to that of a xylophone, and sound vaguely like a glockenspiel. References External links * ...
* Wind chime


References


External links


Information about tubular bells
– Vienna Symphonic Library {{Authority control Bells (percussion) Keyboard percussion instruments Pitched percussion instruments Metal percussion instruments Orchestral percussion Tube percussion idiophones