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Albert Herring
''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Crozier, was based on Guy de Maupassant's novella '' Le Rosier de Madame Husson'', with the action transposed to an English setting. Composition history After having composed and staged ''The Rape of Lucretia'', Britten decided he should attempt a comedy, preferably set in England.Nigel Douglas. "Some personal memories of Benjamin Britten, the English Opera Group and ''Albert Herring''". Booklet note to Nimbus NI 5824/6 (2008). Crozier suggested adapting the Maupassant short story ''Le rosier de Madame Husson'' and transplanting it to the Suffolk landscape already familiar to Britten from his home in Snape. Britten composed ''Albert Herring'' at his home, The Old Mill at Snape, in the winter of 1946 and the spring of 1947. He scored the oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Opera
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ''The Rape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Ritchie (soprano)
Margaret Ritchie (1903 – 1969) was an English soprano who sang opera, oratorio and song. She created a number of operatic roles. In 1946 she was the first Lucia in ''The Rape of Lucretia'' by Benjamin Britten, and in 1947 she was the first Miss Wordsworth in the same composer's ''Albert Herring''. She was one of four singers, together with Elisabeth Schwarzkopf, Oda Slobodskaya and Tatiana Makushina, to record a selection of Nikolai Medtner's songs accompanied by the composer: theirs was the premier recording of the ''Sonata-Vocalise'' Op. 41 No. 1, which is introduced by a setting of the poem "Geweihter Platz" by Goethe. Her discography includes, in addition to the two Britten operas mentioned above, Elmira in George Frideric Handel's ''Sosarme'' conducted by Anthony Lewis (1954) and Galatea in Handel's '' Acis and Galatea'' conducted by Walter Goehr (1951). She recorded two solo recitals, both accompanied by George Malcolm on piano/harpsichord: one on the Nixa label incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Cross
Joan Cross (7 September 1900 – 12 December 1993) was an English soprano, closely associated with the operas of Benjamin Britten. She also sang in the Italian and German operatic repertoires. She later became a musical administrator, taking on the direction of the Sadler's Wells Opera Company. Career Cross was born in London. She attended St Paul's Girls' School, where her music teacher was the composer Gustav Holst, and studied singing at the Trinity College of Music. In 1923, she joined the chorus of the Vic-Wells opera company at the Old Vic, later taking on a wide range of solo soprano roles for the Sadler's Wells company and a few at the Royal Opera House, Covent Garden. Her Covent Garden performances included Mimi in ''La Bohème'' and Desdemona (to Lauritz Melchior's Otello) in 1934. During this period she also became a noted Marschallin, Sieglinde and Brünnhilde, Elisabeth, Elsa, Madame Butterfly, Aida, Donna Anna and Tatiana. Cross undertook the direction of Sad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vancouver Opera
Vancouver Opera is the second largest performing arts organization in British Columbia and the largest opera company in western Canada. Its mainstage performances occur in the Queen Elizabeth Theatre, other venues in Vancouver and occasionally elsewhere in British Columbia. Vancouver Opera has one of only two professional opera orchestras in Canada (the other being Toronto’s Canadian Opera Company). After many regular seasons with four mainstage productions a year, the company saw its first festival season in 2017. Vancouver Opera also runs a school touring and education program, and various community events. History Vancouver Opera was founded in 1958 by William Morton and presented its first production in 1960. From its inception until 1974, and for two seasons from 1982 to 1984, the company was headed by Artistic Director Irving Guttman. The company has presented five world premières: The Architect (McIntyre and Cone), Naomi's Road (Luengen and Hodges), Jack Pine (Hille), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles Opera
The Los Angeles Opera is an American opera company in Los Angeles, California. It is the fourth-largest opera company in the United States. The company's home base is the Dorothy Chandler Pavilion, part of the Los Angeles Music Center. Leadership Spanish tenor and conductor Plácido Domingo was general director of Los Angeles Opera from 2003 to 2019. Domingo sang 27 different roles with the company. He has also conducted 16 different operas and numerous concerts with the company. Domingo resigned in October 2019 following numerous accusations of sexual misconduct. Los Angeles Opera subsequently hired the law firm of Gibson Dunn, under the leadership of former United States Attorney and Superior Court Judge Debra Wong Yang, to conduct an independent investigation of the accusations. After interviewing 44 individuals, Gibson Dunn found that Domingo neither engaged in sexual quid pro quo nor any professional retaliation against women who rebuffed his advances. They also concluded t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Fe Opera
Santa Fe Opera (SFO) is an American opera company, located north of Santa Fe, New Mexico. After creating the ''Opera Association of New Mexico'' in 1956, its founding director, John Crosby (conductor), John Crosby, oversaw the building of the first opera house on a newly acquired former guest ranch of . The company has presented operas each summer festival season since July 1957, and is internationally known for introducing new operas as well as for its productions of the List of important operas, standard operatic repertoire. Since its inception, Santa Fe Opera has staged 43 American premieres and 15 world premieres, as of 2017. General history John Crosby, who was a New York-based conductor, founded the company in 1956, initially with the financial support of his parents, who helped in the acquisition of the land and the building of the first opera house. One goal was to give American singers the opportunity to learn and perform new roles while having ample time for rehearsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish National Opera
The Finnish National Opera and Ballet ( fi, Suomen Kansallisooppera ja -baletti; sv, Finlands Nationalopera och -balett) is a Finnish opera company and ballet company based in Helsinki. It is headquartered in the Opera House on the coast of the Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300–500 seats. History Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being ''The Barber of Seville'' in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom's opera company had given 450 performances of a total of 26 operas, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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