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Ionisation (Varèse)
''Ionisation'' (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed an entire movement for percussion alone in his Symphony No. 1 from 1927. In the journal ''Tempo'', percussionist Brian Holder writes, "The work presented the important notion that unpitched percussion (with piano and other pitched instruments coming in at the end) could stand alone as a serious form of concert music – a relatively unexplored concept at the time." The premiere was at Carnegie Chapter Hall, an annex to New York City's Carnegie Hall, on March 6, 1933, conducted by Nicolas Slonimsky, to whom the piece was later dedicated. One critic described the performance as "a sock in the jaw". Music ''Ionisation'' features the expansion and variation of rhythmic cells, and the title refers to the ionization of molecules. As the composer later d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgard Varèse
Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term " organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of " sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Russolo
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto ''The Art of Noises'' (1913). He is often regarded as one of the first noise music experimental composers with his performances of ''noise music concerts'' in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori. Biography Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, '' L'Arte dei Rumori (The Art of Noises)'', stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement. Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Creston
Paul Creston (born Giuseppe Guttoveggio; October 10, 1906 – August 24, 1985) was an Italian American composer of classical music. Biography Born in New York City to Sicilian immigrants, Creston was self-taught as a composer. His work tends to be fairly conservative in style, with a strong rhythmic element. His pieces include six symphonies; a number of concertos, including two for violin, one for marimba and orchestra (premiered by Ruth Stuber), one for one piano, one for two pianos, one for accordion and one for alto saxophone (the latter dedicated to Cecil Leeson); a fantasia for trombone and orchestra (composed for and premiered by Robert Marsteller). Also for alto saxophone he wrote a Rapsodie for Jean-Marie Londeix; a suite (1935) and a sonata (Op. 19, 1939), both dedicated to Cecil LeesonLiley, Thomas, "The Repertoire Heritage", in Ingham, Richard (1998). , pages 55, 57. Cambridge, UK: Cambridge University Press. . (the sonata was arranged by Marco Ciccone f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Salzedo
Carlos Salzedo (6 April 1885 – 17 August 1961) was a French harpist, pianist, composer and conductor. His compositions made the harp into a virtuoso instrument. He influenced many composers with his new ideas for the harp's sounds through his work with the International Composers' Guild. His many harp students performed in prominent orchestras. Salzedo started studying at the Paris Conservatory at age nine and won the ''premier prix'' in harp and piano when he was just 16. He started his solo recital career at age 18, and moved to the United States of America six years later, playing harp with the Metropolitan Opera House in New York City. He toured extensively with the Trio de Lutèce, where he played harp with Georges Barrère on flute and Paul Kéfer on cello. After being drafted into the French Army during World War I, Salzedo returned to the United States and continued touring with the trio. He developed a method of using gestures in his harp method, inspired by dancer Vas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Recordings
EMS Recordings was founded in 1949 by Jack Skurnick in New York City. The company won first prize at the Audio Fair of 1950 for the high quality and interest of its recordings. It issued the first recording of works of Edgard Varese. Skurnick's parents, Max and Anna Skurnick, owned a record store on 42nd street, named the Elaine Music Shop after the wife of a previous owner. Skurnick, a musicologist and amateur violinist, helped out there. When he started his record company, he named it after the store. He died in 1952. During his short lifetime, Skurnick produced three series for EMS, Pro Musica Antiqua, Forecasts in Music, and Survey of the Art Song. These were all released as long-playing records only. Discography Beethoven, Octet in E flat major, opus 103 and Rondino in E flat major, grove 146, Little Orchestra Society, Thomas Scherman, conductor (EMS 1) Joseph Hayden, Partita in F Major, EMS Chamber Orchestra, Edvard Fendler, conductor; Sonatas in D Major and A Flat Major, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Skurnick
Jack Skurnick (March 22, 1910 – September 6, 1952) was an American record producer and writer, known as the founder and director of EMS Recordings and as publisher and editor of the music review ''Just Records''. Career Skurnick worked in the "Elaine Music Shop" on West 44th Street near Madison Avenue in New York, a music store owned by his parents, Max and Anna Skurnick. Doris Day bought records there, and many classical musicians came in to make purchases and chat with Skurnick. One of these was Edgard Varèse. Another was Safford Cape, director of Pro Musica Antiqua. When Skurnick started his record company, EMS Recordings, he named it after the shop. He also convinced Cape and Varese to record with him. EMS was the first label to record Varese. In the magazine Skurnick sought to build respect for music as an art and to raise performance standards. In the EMS recordings, he put these principles into practice. His aim was to record a history of music, with special attention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound & Vision (magazine)
''Sound & Vision'' is an American magazine, purchased by AVTech Media Ltd. (UK) in March 2018, covering home theater, audio, video and multimedia consumer products. Before 2000, it had been published for most of its history as ''Stereo Review''. The magazine is headquartered in New York City. History and profile ''Stereo Review'' was an American magazine first published in 1958 by Ziff-Davis with the title ''HiFi and Music Review''. During the initial phase the magazine was headquartered in Chicago, Illinois. It was one of a handful of magazines then available for the individual interested in high fidelity. Throughout its life it published a blend of record and equipment reviews, articles on music and musicians, and articles on technical issues and advice. The name changed to ''HiFi Review'' in 1959. It became ''HiFi/Stereo Review'' in 1961 to reflect the growing use of stereophonic technology in recordings and broadcasts. In 1968 it became, simply, ''Stereo Review'', reflecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Georgia
, mottoeng = "To teach, to serve, and to inquire into the nature of things.""To serve" was later added to the motto without changing the seal; the Latin motto directly translates as "To teach and to inquire into the nature of things." , established = , endowment = $1.8 billion (2021)As of June 30, 2021. , type = Public flagship land-grant research university , parent = University System of Georgia , accreditation = SACS , academic_affiliation = , president = Jere W. Morehead , provost = S. Jack Hu , city = Athens , state=Georgia , country = United States , coordinates = , faculty = 3,119 , students = 40,118 (fall 2021) , undergrad = 30,166 (fall 2021) , postgrad = 9,952 (fall 2021) , free_label2 = Newspaper , free2 = '' The Red & Black'' , campus = Midsize city / College town , campus_size = (main campus) (total) , colors = , sports_nickname = Bulldogs , sporting_affiliations = NCAA Division I FBS – SEC , mascot = Uga X (live English Bulldo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Zappa
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experiments, Virtuoso, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed Rock music, rock, Pop music, pop, jazz, jazz fusion, orchestral and ''musique concrète'' works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the historical study of musical concepts and compositional techniques. The journal publishes research with important and broad applications in the analysis of music and the history of music theory as well as theoretical or metatheoretical work that engages and stimulates ongoing discourse in the field. While remaining true to its original formalist outlook, the journal also addresses the influences of philosophy, mathematics, computer science, cognitive sciences, and anthropology on music theory." The journal is currently edited by Richard Cohn. It has a long and distinguished history of past editors, including Allen Forte Allen, Allen's or Allens ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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