Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a

music genre A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are some ...

of the very early 1990s that spawned from the UK

rave A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance mus ...

scene. It combines

four-on-the-floor Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)." ...

rhythms with

breakbeat Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK g ...

s usually

sampled Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of so ...

from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns,

hoover Hoover may refer to: Music * Hoover (band), an American post-hardcore band * Hooverphonic, a Belgian band originally named Hoover * Hoover (singer), Willis Hoover, a country and western performer active in 1960s and '70s * "Hoover" (song), a 2016 ...

, and other noises originating from new beat, sounds from

acid house Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesiz ...

and

bleep techno Bleep techno (or simply bleep) is a regional subgenre of techno which developed in the late 1980s in Northern England, specifically Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influence from American techno ...

, and often upbeat house piano riffs and vocals.

History

Early 1990s: origins

The

scene expanded rapidly in the very early

1990s File:1990s decade montage.png, From top left, clockwise: The Hubble Space Telescope orbits the Earth after it was launched in 1990; American F-16s and F-15s fly over burning oil fields in Operation Desert Storm, also known as the 1991 Gulf War; ...

, both at

clubs Club may refer to: Arts, entertainment, and media * ''Club'' (magazine) * Club, a ''Yie Ar Kung-Fu'' character * Clubs (suit), a suit of playing cards * Club music * "Club", by Kelsea Ballerini from the album '' kelsea'' Brands and enterprises ...

up and down the country including Labrynth,

Shelley's Laserdome Shelley's Laserdome was a night club in Longton, Stoke-on-Trent, Staffordshire, England. It was at the heart of the house and rave scene in the early 1990s, helping to launch the career of DJ Sasha and featuring regular appearances from Carl C ...

, The Eclipse, and

Sanctuary Music Arena The Sanctuary Music Arena was a 22,000 sq ft, 3,500 capacity music venue in Denbigh North, Milton Keynes in the UK, and most well known for its connection to the rave scene. Origins Originally intended for industrial use, the unit was built ...

, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by

free party A free party is a party "free" from the restrictions of the legal club scene, similar to the free festival movement. It typically involves a sound system playing electronic dance music from late at night until the time when the organisers d ...

sound systems In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the ...

such as

Spiral Tribe Spiral Tribe is an arts collective and free party sound system formed in 1990. It organised free parties, festivals and raves in the UK and later Europe in the 1990s. Spiral Tribe was involved in the Castlemorton Common Festival and members ...

. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – from new beat and

Belgian techno Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. It flourished in Belgium and influence ...

that had for a short period been prominent in the UK

scene, to house and

, and furthermore drawing on hip hop and reggae culture.

Mid-1990s: fragmentation

By late 1992, breakbeat hardcore started to fragment into a number of subsequent genres:

darkcore Darkcore (also referred to as darkside hardcore) is a genre of electronic dance music, considered to be a subgenre of breakbeat hardcore, which came out from the UK rave scene of the early 1990s; this genre in particular emerged from late 1992 ...

(piano rolls giving way to dark-themed samples and stabs), hardcore jungle (where reggae basslines and samples became prominent), and

happy hardcore Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or " hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. ...

(retaining piano rolls and more uplifting vocals).

2000s: revival

In the 2000s, the style experienced a revival as part of the nu-rave scene. Hardcore breaks is a style of breakbeat hardcore that appeared in early-to-mid 2000s as part of growing

nu-rave New rave (also typeset as nu-rave, nu rave or neu rave) is a genre of music described by '' The Guardian'' as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a Brit ...

scene. The style is inspired by the sound and characteristics of old school breakbeat, while being fused with modern production techniques that distinguish the genre from the classic hardcore breakbeat sound. The music is composed of looped, edited and processed breakbeat samples, intense bassline sounds, melodic piano lines, staccato synthesizer riffs, and various vocal samples (mostly taken from old house records). The speed of this genre typically fell between the range of 145–155 bpm, while the speed may variate on live sets. Originally being produced by a small group of artists with the vision of carrying on where oldskool hardcore left off before the

jungle A jungle is land covered with dense forest and tangled vegetation, usually in tropical climates. Application of the term has varied greatly during the past recent century. Etymology The word ''jungle'' originates from the Sanskrit word ''jaṅ ...

and

split using new production techniques and technology, its appeal has now expanded to include artists from the original breakbeat hardcore scene creating new productions. By the late 2000s, hardcore breaks tend to be produced and played at a bit faster tempos, often between 160–180 bpm. Therefore, it is often played at

UK hardcore Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or " hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. ...

, freeform hardcore and drum and bass events.

Notable releases

Notable releases include: * " A Trip to Trumpton" –

Urban Hype Urban Hype were an English breakbeat hardcore duo. The duo was formed in 1988, consisting of Bob Dibden (Robert John Dibden) and Mark Lewis (Mark Louis Chitty). They are best known for their toytown techno single, " A Trip to Trumpton", wh ...

(Faze 2, 1992) * "Baptised by Dub" –

The Criminal Minds The Criminal Minds are a British hip hop group first formed in Milton Keynes, UK in 1985, who would later have success with breakbeat hardcore music during the peak of the early-mid 1990s UK rave scene. History The Criminal Minds were first for ...

(White House, 1992) * "Be Free" / "Breakage #4" -

Noise Factory was a Japanese video game developer and publisher based out of Osaka, it was one of the developer companies of SNK, established by former Atlus staff members who previously worked on ''Princess Crown'' for Sega Saturn. Its more known games were ...

(Ibiza, 1992) * "

Charly ''Charly'' (marketed and stylized as ''CHAЯLY'') is a 1968 American drama film directed and produced by Ralph Nelson and written by Stirling Silliphant. It is based on ''Flowers for Algernon'', a science-fiction short story (1958) and subseque ...

" / "

Everybody in the Place "Everybody in the Place" is the second official single released by the British electronic dance band the Prodigy from their debut album, ''Experience'' (1992). It was released on 23 December 1991 through XL Recordings in the UK. The single ...

" – The Prodigy ( XL Recordings, 1992) * "Close Your Eyes" / "

Trip II the Moon "Trip II the Moon" also known as "Trip II the Moon (Part 1)" is a 1992 single by breakbeat hardcore musician Acen Razvi. It went on to become his signature song and only British top 40 single, reaching No. 38 on UK Singles Chart on 8 August 1992. ...

" –

Acen Acen Razvi is an English breakbeat hardcore/techno music producer. Acen was known for tracks such as "Close Your Eyes", "Window in the Sky" and "Trip II the Moon" (the latter two both 1992). He worked for the Production House Records stable, wh ...

(

Production House Records Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a stati ...

, 1992) * "Cookin Up Yah Brain" – 4hero (

Reinforced Records Reinforced Records is a British breakbeat hardcore, jungle, and drum and bass record label, first founded in 1989 by 4hero and based in Dollis Hill, London. Reinforced is one of the groundbreaking record labels of the genre.Reynolds, S. (1998) ...

, 1992) * "Dancehall Dangerous" - Hackney Hardcore (Strictly Underground, 1992) * "DJ's Take Control" / "

On a Ragga Tip "On a Ragga Tip" is a song by British breakbeat hardcore group SL2, released as a single in 1992. The song contains samples of Jah Screechy's "Walk and Skank" and Kid 'n Play's "Gittin' Funky (UK Remix)". The song was a success, peaking at 2 ...

" – SL2 (XL Recordings, 1992) * "Far Out" – Sonz of a Loop Da Loop Era (

Suburban Base Suburban Base Records is a British breakbeat hardcore, rave and jungle/drum and bass record label. It is based in Romford, Havering, England. It was established by Danny Donnelly and operated in the UK from 1990 to 1997 and in the United States ...

, 1991) * "Frequency" / "Infiltrate 202" –

Altern-8 Altern 8 is a British electronic music act, comprising Mark Archer and Chris Peat, until Peat left the group in 1994. Best known in the early 1990s, their trademark was electronic rave music with a heavy bass line. Notable Altern 8 tracks inc ...

(

Network Records Network Records (formed out of Kool Kat Records) was an independent record label founded in Birmingham, England, in 1988 by Neil Rushton and Dave Barker. It was instrumental in first introducing Detroit techno to a British audience, through it ...

, 1991) * "Help Me" – Sly T & Ollie J (Blackmarket, 1992) * "Homicide" / "Exorcist" / "Frequency" – Shades of Rhythm ( ZTT Records, 1991) * "Hurt You So" – Jonny L (Yoyo, 1992) * " I Feel Love" – Messiah (Kickin Records, 1992) * "

Let Me Be Your Fantasy "Let Me Be Your Fantasy" is a song by British musical group Baby D. It was written and produced by band member Floyd Dyce and the vocals were sung by Dorothy Fearon (also known as Dorothy "Dee" Galdes and Dee Galdes-Fearon). It was originally re ...

" – Baby D (Production House, 1992) * "Loves Got to Be Free" -

(XL Recordings/Ibiza, 1992) * "Music Takes You" -

Blame Blame is the act of censuring, holding responsible, or making negative statements about an individual or group that their actions or inaction are socially or morally irresponsible, the opposite of praise. When someone is morally responsible for ...

(

Moving Shadow Moving Shadow is an English breakbeat hardcore, jungle and drum and bass record label which was founded in 1990 by Rob Playford. History The label began in 1990, operating from Playford's Stevenage home. Playford had become a focal point for ...

, 1991) * "NHS (Disco Remix)" –

Doc Scott Scott McIlroy (born 1971, Coventry, England), better known as Doc Scott or Nasty Habits, is a British drum and bass DJ and producer. Biography He originally started to DJ at clubs and raves such as Amnesia House and The Eclipse in 1989/1990, ...

(Absolute 2, 1992) * "

Sesame's Treet "Sesame's Treet" is a 1992 single by the English rave group Smart E's. Although it was a remix of " Can You Tell Me How to Get to Sesame Street?", the song's title was a pun on "Sesame Street". The song reached 2 on the UK Singles Chart in Jul ...

" –

Smart E's Luna-C (born Christopher Howell, 1 May 1973) is a British DJ and record producer, known for his work in breakbeat hardcore music. He was a member of the group Smart E's in 1992, who scored a 2 hit on the UK Singles Chart with " Sesame's ...

(Suburban Base/Atlantic, 1992) * "Some Justice" – Urban Shakedown (Urban Shakedown, 1992) * "Spliffhead" / "Hooligan 69" – Ragga Twins (SUAD Records, 1991) * "Summers Magic" –

Mark Summers Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound e ...

(4th & Broadway, 1990) * " Sweet Harmony" – Liquid (XL Recordings, 1992) * "Teach Me to Fly" - DJ Trace & LTJ Bukem (Out of Orbit, 1992) * " The Bouncer" –

Kicks Like a Mule Kicks Like a Mule is a British electronic music duo consisting of Richard Russell and Nick Halkes. Their first single, " The Bouncer", peaked at No. 7 in the UK Singles Chart when it was released in 1992. Although both Halkes and Russell worked ...

(Tribal Base, 1992) * "The Green Man" / "

Raving I'm Raving "Walking in Memphis" is a song composed and originally recorded by American singer-songwriter Marc Cohn, for whom it remains his signature song. It received a Song of the Year nomination at the 34th Grammy Awards in 1992, the same year that the ...

" – Shut Up and Dance (SUAD Records, 1992) * "The Wickedest Sound" –

Rebel MC Michael Alec Anthony West (born 27 August 1964 in Islington, London, England), better known as Rebel MC and Congo Natty, is a British jungle producer and toaster. He has also gone by aliases including Conquering Lion, Blackstar, Tribe of Issac ...

(Desire, 1991) * "Waremouse" / " Bombscare" –

2 Bad Mice Formed in 1991, 2 Bad Mice are an English breakbeat hardcore group, composed of Sean O'Keeffe, Simon Colebrooke, and Paul Rhodes. Rob Playford was originally the third member and the owner of the Moving Shadow record label. In the 1990s, the g ...

(Moving Shadow, 1992) * "

We Are I.E. "We Are I.E." is a song by British breakbeat hardcore producer Lennie De Ice (real name Lenworth Green). It was first recorded in 1989, but not released until 1991 when it appeared on a four-track EP from Reel 2 Reel Productions, one of a number ...

" – Lennie De Ice (Reel 2 Reel, 1991)

History

Early 1990s: origins

Mid-1990s: fragmentation

2000s: revival

Notable releases

See also

References

Further reading