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We Are I.E.
"We Are I.E." is a song by British breakbeat hardcore producer Lennie De Ice (real name Lenworth Green). It was first recorded in 1989, but not released until 1991 when it appeared on a four-track EP from Reel 2 Reel Productions, one of a number of labels (and associated artists) that originated from the record shop De Underground based in Forest Gate, East London. It is often credited as one of, if not the first, tracks to lay down the foundations for jungle music. The track contains several samples, the most prominent being the Amen break and the vocal "We are i.e." from the Algerian song "N'Sel Fik" by Chaba Fadela and Cheb Sahraoui, as well as the "let me hear you scream" vocal from "The Bugger Groove" by the Buggers, a backspin sound from Simon Harris's "Beats, Breaks & Scratches", the riff from 808 State's "Fire Cracker", and finally a Western-style gunshot sound. The track has had a number of remixes and revivals, with subsequent jungle remixes released in 1993 and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western (genre)
The Western is a genre Setting (narrative), set in the American frontier and commonly associated with Americana (culture), folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other Stock character, stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Edison's Black Maria, Black Maria studio in West Orange, New Jersey. These featured vet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard House
UK hard house or simply hard house is a style of electronic dance music that emerged in the early 1990s and is synonymous with its association to the Trade club and the associated DJs there that created the style. It often features a speedy tempo (around 150 BPM but hard house ranges from around 135 BPM to around 165 BPM), offbeat bass stabs, hoovers and horns. It usually contains a break in the middle of the track where no drums are present. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll. Origins Hard house has its immediate roots primarily in Belgian and German techno, American disco-sample based house music, handbag house and early trance. UK producer and label owner John Truelove was quoted as saying of hard house's origins: "I would say that tunes such as XVX's "Tremorra Del Terra" and Interactive's "Amok" (essentially the same tune) were absolutely defining moments. Early German tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distinctive Records
Distinctive Records (formerly Distinct'ive Records) is a UK based record label founded in 1995. The label has hundreds of releases from artists, most notably Hybrid, Way Out West, and Ils. History Distinctive Records was initially founded in 1995 and started out as a sublabel of Avex Recordings (UK). In 1998, Avex reorganized, closed two of its labels and only continued trading music recordings as Distinct'ive Records. In 1999, The company began categorizing its genres within the label, sometimes retitling itself "Distinct'ive Breaks", which was often mistaken to be a sublabel of Distinct'ive. The label gained popularity in 2000 at the launch of its own "Y3K" series. ''Y3K'' series * ''Y3K: Deep Progressive Breaks'' * ''Y3K: Soundtrack to the Future'' ''Y4K'' series * ''Y4K: Tayo/Further Still'' * ''Koma & Bones Present: Y4K'' * ''Freq Nasty Presents: Y4K: Next Level Breaks'' * ''Dub Pistols Present: Y4K'' * ''Tayo Presents: Y4K'' * ''ILS Presents: Y4K'' * ''Y4K: Past Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speed Garage
Speed garage (occasionally known as plus-8) is a genre of electronic dance music, associated with the UK garage scene, of which it is regarded as one of its subgenres. Characteristics Speed garage features sped-up NY garage 4-to-the-floor rhythms that are combined with breakbeats. Snares are placed as over the 2nd and the 4th kickdrum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The ...s, so in other places of the drum pattern. Speed garage tunes have warped, heavy basslines, influenced by Oldschool jungle, jungle and reggae. Sweeping Bass (music), bass is typical for speed garage. It is also typical for speed garage tunes to have a breakdown (music), breakdown. Speed garage tunes sometimes featured timestretched vocals. As it is heavily influenced by Jungle music, jungle, speed ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double 99
Double 99, also known as R.I.P. Productions and 10° Below, were a UK garage duo which consisted of members Timothy Andrew Liken (Tim Deluxe) and Omar Adimora. They are best known for their sole UK chart hit single " RipGroove", which reached No. 14 in its second release on the UK Singles Chart in 1997. Career Active since 1995, the duo recorded as R.I.P. Productions and 10° Below, releasing tracks and EPs on the Ice Cream label which they founded alongside Boogie Beat co-owner Andy Lysandrou (later of True Steppers). Under the name R.I.P., their 1997 EP ''Double 99'' first featured the track " RipGroove" with Double 99 later adopted as their alias for the single. Both Liken and Adimora later continued to release solo material and remained active as DJs, remixers and producers under the names Tim Deluxe and DJ Omar / Omar Chandla, respectively. Deluxe had a hit in 2002 with his second solo single, "It Just Won't Do", which reached the top 20 charts in five countries includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MixMag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. Origins The evolution of house music in the United Kingdom in the early to mid-1990s led to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
