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Hard House
UK hard house or simply hard house is a style of electronic dance music that emerged in the early 1990s and is synonymous with its association to the Trade club and the associated DJs there that created the style. It often features a speedy tempo (around 150 BPM but hard house ranges from around 135 BPM to around 165 BPM), offbeat bass stabs, hoovers and horns. It usually contains a break in the middle of the track where no drums are present. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll. Origins Hard house has its immediate roots primarily in Belgian and German techno, American disco-sample based house music, handbag house and early trance. UK producer and label owner John Truelove was quoted as saying of hard house's origins: "I would say that tunes such as XVX's "Tremorra Del Terra" and Interactive's "Amok" (essentially the same tune) were absolutely defining moments. Early German tran ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Trade (nightclub)
Trade was a culturally important gay nightclub at Turnmills, Clerkenwell Road, London started in 1990 by Laurence Malice. History Early years 1990–1995 Trade originated as an underground club night beneath Turnmills pub in Clerkenwell Road. Trade was the second nightclub Laurence had run at Turnmills; his first was Xanadu, which he co-hosted with the club promoter Robert Pereno. Laurence was a member of the electronic music duo Big Bang when he opened Trade. The history of Trade is inextricably linked with the evolution of Turnmills as a club venue. Xanadu opened in early-1990 and ran on Saturday evenings from 10.00 pm to 2.30 am. Iain, Laurence’s band partner in Big Bang, sold tickets on the door. Xanadu ran successfully for around 5-6 months. It was only after Turnmills owner John Newman decided to promote Saturday evenings himself that Laurence was offered the alternative timeslot from 3.00 am onwards on Sunday mornings, after John had secured an all-night license from I ...
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Jive Bunny And The Mastermixers
Jive Bunny and the Mastermixers were a British novelty pop music act from Rotherham, South Yorkshire, England. The face of the group was Jive Bunny, a cartoon rabbit who appeared in the videos, and also (as a human being in a costume) did promotional appearances for them. Doncaster DJ and producer Les Hemstock created the original "Swing the Mood" mix for the Music Factory owned Mastermix DJ service. It was then taken from there and developed as a single release by father and son team John and Andrew Pickles. The name Jive Bunny was devised by Andy Pickles. Ian Morgan a fellow DJ and co-producer also engineered and mixed some of the early releases along with Andy Pickles. Morgan was replaced in the early 1990s by DJ and producer Mark "The Hitman" Smith. Jive Bunny's three number ones during 1989 were " Swing the Mood", " That's What I Like" and " Let's Party". All three songs used sampling and synthesisers to combine pop music from the early rock 'n' roll era together into a ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Crush On You (The Jets Song)
"Crush on You" is the second single released in 1986 from the Jets' debut album '' The Jets''. The song reached number three on the ''Billboard'' Hot 100 and number five on the UK Singles Chart. Jerry Knight and Aaron Zigman co-wrote the hit single which put the Jets on the charts. Music video In the music video, filmed on December 26, 1985, the Jets play the song and dance to it. It was directed by Stephen Rivkin and produced by Darrell Brand. Unlike the album version, which is 4:30, the music video version is shortened to 3:41. In 2019, Brand uploaded an HD remaster of the music video to his personal YouTube channel as part of "a resume reel of ispast work." Track listings 7-inch single # "Crush on You" – 3:40 # "Right Before My Eyes" – 3:49 12-inch single # "Crush on You" (Extended Version) - 6:35 # "Crush on You" (Radio Edit) - 5:25 # "Crush on You" (Instrumental) - 6:35 Credits * Elizabeth Wolfgramm – vocals * Moana Wolfgramm – vocals, keyboards * Eugene Wolfgra ...
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The Jets (Minnesota Band)
The Jets are a Tongan-American family band from Minneapolis, Minnesota, composed of brothers and sisters LeRoy, Eddie, Eugene, Haini, Rudy, Kathi, Elizabeth, and Moana Wolfgramm, who perform pop, R&B, and dance music. They started performing as a family band in 1977. The group enjoyed worldwide success in 1985–1990, performing three world tours, and producing five top-10 hits on the US ''Billboard'' Hot 100. Background The original band consisted of the eight oldest children of Maikeli "Mike" and Vaké Wolfgramm, who were originally from Tonga. The family has 17 children: 15 by birth, and two, Eddie and Eugene, by adoption. The children attended Robbinsdale Cooper High School. The family are members of the Church of Jesus Christ of Latter-day Saints. The band initially called themselves Quasar after a now-defunct brand of television sets. They changed their name to the Jets, a name taken from the Elton John song "Bennie and the Jets" on the suggestion of manager Don Powe ...
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U Found Out
"U Found Out" is a 1996 song by British girl duo The Handbaggers. It features a sample from Depeche Mode's 1981 song " Just Can't Get Enough", and peaked at number 55 on the UK Singles Chart and number eight on the UK Dance Singles Chart. A music video was also produced to promote the single. Critical reception British magazine ''Music Week'' rated the song three out of five, noting that the riff from Depeche Mode's Just Can't Get Enough is adapted for a handbag house track "which has been doing the business in the clubs." Editor James Hamilton wrote, "Shola & Selina chanted nagging romp with its hottest mixes punctuated by the Depeche Mode 'Just Can't Get Enough' riff while all have elements from The Jets' ' Crush on You'." On the re-release of the single in 1997, the magazine gave it four out of five, complimenting its "clever" use of the sample. They also stated that "thanks to heavy media support", it "should soar into the sales chart." Track listing * 12", UK (1995) :A1. "U ...
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Tony De Vit
Antony de Vit ( ; 12 September 1957 – 2 July 1998)
- accessed May 2011
was an English DJ and music producer. He is considered one of the most influential of his generation. He was credited with helping to take the "" and fast "" sounds out of the London and Birmingham gay scene into mainstream clubs. His single "Burning Up" reached number 25 on the in March 1995, with "To the Limit" making number 44 in September 1995. During that year, he won
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Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ...
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Diva House
Diva house or handbag house is an anthemic subgenre of house music that became most popular in gay clubs during the second half of the 1990s. ''The Encyclopedia of Contemporary British Culture'' defines handbag house as having "prominent female vocals, breakdowns, and a proliferation of piano 'stabs'." Modern diva house compositions use synth stabs and four on the floor rhythms. Background The term "diva house" was in use as early as July 1992, when '' Billboard'' magazine described "What Are We Doin'" by Dee Dee Simone as "iron-lunged diva-house." It is known for booming unisex vocals, sometimes sampled from other recordings. Such samples come from soul, disco, gospel recordings and even show tunes performed by singers like Bette Midler, Judy Garland, Liza Minnelli, and other gay icons. This bombastic genre can include songs performed by dance specialists as well as club remixes of pop songs by singers such as Patti LaBelle, Aretha Franklin, Mariah Carey, and Whitney Houston. T ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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