The Harvard Art Museums are part of
Harvard University
Harvard University is a Private university, private Ivy League research university in Cambridge, Massachusetts, United States. Founded in 1636 and named for its first benefactor, the History of the Puritans in North America, Puritan clergyma ...
and comprise three museums:
the Fogg Museum (established in 1895),
the Busch-Reisinger Museum (established in 1903),
and the Arthur M. Sackler Museum (established in 1985),
and four research centers: the
Archaeological Exploration of Sardis (founded in 1958), the Center for the Technical Study of Modern Art (founded in 2002), the Harvard Art Museums Archives, and the
Straus Center for Conservation and Technical Studies (founded in 1928). The three museums that constitute the Harvard Art Museums were initially integrated into a single institution under the name Harvard University Art Museums in 1983.
The word "University" was dropped from the institutional name in 2008.
The collections include approximately 250,000 objects in all media,
ranging in date from antiquity to the present and originating in Europe, North America, North Africa, the Middle East, South Asia, East Asia, and Southeast Asia. The main building contains of space for public exhibitions, classrooms, conservation and research labs, and other related functions. Approximately of space are dedicated to exhibitions.
Renovation and expansions

In 2008, the Harvard Art Museums' historic building at 32 Quincy Street, Cambridge, was closed for a major renovation and expansion project. During the beginning phases of this project, the Arthur M. Sackler Museum at 485 Broadway, Cambridge, displayed selected works from the collections of the Fogg, Busch-Reisinger, and Sackler museums from September 13, 2008, through June 1, 2013.
The renovated building at 32 Quincy Street united the three museums in a single facility designed by architect
Renzo Piano
Renzo Piano (; born 14 September 1937) is an Italian architect. His notable works include the Centre Georges Pompidou in Paris (with Richard Rogers, 1977), The Shard in London (2012), Kansai International Airport in Osaka (1994), the Whitney ...
, which increased gallery space by 40% and added a glass,
truncated pyramid
In geometry, a pyramid is a polyhedron formed by connecting a polygonal base and a point, called the apex. Each base edge and apex form a triangle, called a lateral face. A pyramid is a conic solid with a polygonal base. Many types of pyramids ca ...
al roof. In a street-level view of the front facade, the glass roof and other expansions are mostly hidden, largely preserving the original appearance of the building. The renovation was supervised by
LeMessurier Consultants and Silman Associates.
The renovation added six levels of galleries, classrooms, lecture halls, and new study areas providing access to parts of the 250,000-piece collection of the museums. The new building was opened in November 2014.
Directors
*
Charles Herbert Moore: 1896–1909
*
Edward W. Forbes: 1909–1944
*John Coolidge: 1948–1968
*
Agnes Mongan: 1968–1971
*
Daniel Robbins: 1972–1974
*
Seymour Slive
Seymour Slive (September 15, 1920 – June 14, 2014) was an American art historian, who served as director of the Harvard Art Museums from 1975 to 1984. Slive was a scholar of Dutch art, specifically of the artists Rembrandt, Frans Hals, and J ...
: 1975–1984
*
Edgar Peters Bowron: 1985–1990
*
James Cuno: 1991–2002
*
Thomas W. Lentz: 2003–2015
*
Martha Tedeschi
Martha P. Tedeschi (born April 1, 1958) is an American art historian and curator. Tedeschi currently serves as the Elizabeth and John Moors Cabot Director of the Harvard Art Museums. She is a scholar of nineteenth-century Visual art of the United ...
: 2016–2024
*Sarah Ganz Blythe: 2024–present
Fogg Museum

The Fogg Museum, opened to the public in 1896, is the oldest and largest component of the Harvard Art Museums.
History
The museum was originally housed in an
Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked t ...
-style building designed by
Richard Morris Hunt
Richard Morris Hunt (October 31, 1827 – July 31, 1895) was an American architect of the nineteenth century and an eminent figure in the history of architecture of the United States. He helped shape New York City with his designs for the 1902 ...
. According to
Donald Preziosi
Donald Anthony Preziosi (born January 12, 1941) is an American art historian. He is Emeritus Professor of Art History at the University of California, Los Angeles. In August 2007, he was appointed the MacGeorge Fellow at the University of Melbourn ...
, the museum was not initially established as a gallery for the display of original works of art, but was founded as an institution for the
teaching and study of visual arts, and the original building contained classrooms equipped with
magic lantern
The magic lantern, also known by its Latin name , is an early type of image projector that uses pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lens (optics), lenses, and a light source. ...
s, a library, an archive of slides and photographs of art works, and exhibition space for reproductions of works of art. In 1925, the building was replaced by a
Georgian Revival
Georgian architecture is the name given in most English-speaking countries to the set of architectural styles current between 1714 and 1830. It is named after the first four British monarchs of the House of Hanover, George I, George II, Ge ...
-style structure on Quincy Street, designed by
Coolidge, Shepley, Bulfinch, and Abbott. (The original Hunt Hall remained, underutilized until it was demolished in 1974 to make way for new freshman dormitories.)
Collection
The Fogg Museum is renowned for its holdings of Western paintings, sculpture, decorative arts, photographs, prints, and drawings from the
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...
to the present. Particular strengths include
Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked t ...
, British
Pre-Raphaelite
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, ...
, and
French art of the 19th century, as well as 19th- and 20th-century American paintings and drawings.
The museum's
Maurice Wertheim Collection is a notable group of
Impressionist
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
and
Post-Impressionist works that contains many famous masterpieces, including paintings and sculptures by
Paul Cézanne
Paul Cézanne ( , , ; ; ; 19 January 1839 – 22 October 1906) was a French Post-Impressionism, Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century a ...
,
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings.
Degas also produced bronze sculptures, prints, and drawings. Degas is e ...
,
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), R ...
,
Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual arts, visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, ...
,
Pablo Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, Ceramic art, ceramicist, and Scenic ...
, and
Vincent van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2,100 artworks ...
. Central to the Fogg's holdings is the
Grenville L. Winthrop Collection, with more than 4,000 works of art. Bequeathed to Harvard in 1943, the collection continues to play a pivotal role in shaping the legacy of the Harvard Art Museums, serving as a foundation for teaching, research, and professional training programs. It includes important 19th-century paintings, sculpture, and drawings by
William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the Romantic poetry, poetry and visual art of the Roma ...
,
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August 183317 June 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter.
Burne-Jones worked with William Morris as a founding part ...
,
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in ...
,
Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the July Revolution, Revolution of 1830 ...
,
Winslow Homer,
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( ; ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic ...
,
Alfred Barye,
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; ; 25 February 1841 – 3 December 1919) was a French people, French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, fe ...
,
Auguste Rodin
François Auguste René Rodin (; ; 12 November 184017 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a u ...
,
John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era, Edwardian-era luxury. He created roughly 900 oil ...
,
Henri de Toulouse-Lautrec
Count, ''Comte'' Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (), was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colour ...
, and
James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral a ...
.
The art museum has Late Medieval Italian paintings by the
Master of Offida, Master of Camerino,
Bernardo Daddi,
Simone Martini,
Luca di Tomme,
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between and 1345. Together with his younger brother Ambrogio Lorenzetti, Ambrogio, he introduced Realism (arts), naturalism into Sienese School, Sienese art. In the ...
,
Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – after 9 August 1348) was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted ''The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Ro ...
, Master of Orcanesque Misercordia, Master of Saints Cosmas and Damiançand Bartolomeo Bulgarini.
Flemish Renaissance paintings — Master of Catholic Kings,
Jan Provoost, Master of Holy Blood,
Aelbert Bouts, and Master of Saint Ursula.
Italian Renaissance period paintings —
Fra Angelico
Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent" ...
,
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 1 ...
,
Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio (also spelt as Ghirlandajo), was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-c ...
,
Gherardo Starnina
Gherardo Starnina (c. 1360–1413) was an Italian painter from Florence in the Quattrocento era.
According to the biographer Giorgio Vasari, Starnina initially trained with Antonio Veneziano (painter), Antonio Veneziano, then with Agnolo Gaddi. ...
,
Cosme Tura,
Giovanni di Paolo, and
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpie ...
.
French Baroque period paintings —
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythologic ...
,
Jacques Stella,
Nicolas Regnier, and
Philippe de Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Duchy of Brabant, Brabant-born French people, French Baroque era painter, a major exponent of the French art, French school. He was a founding member of the Académie royale de pein ...
.
Dutch Master paintings —
Rembrandt
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in ...
,
Emanuel de Witte,
Jan Steen
Jan Havickszoon Steen ( – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour.
Life
...
,
Willem Van de Velde,
Jacob van Ruisdael
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achie ...
,
Salomon van Ruysdael,
Jan van der Heyden, and
Dirck Hals.
American paintings —
Gilbert Stuart
Gilbert Stuart ( Stewart; December 3, 1755 – July 9, 1828) was an American painter born in the Colony of Rhode Island and Providence Plantations, Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-k ...
,
Charles Willson Peale
Charles Willson Peale (April 15, 1741 – February 22, 1827) was an American painter, military officer, scientist, and naturalist.
In 1775, inspired by the American Revolution, Peale moved from his native Maryland to Philadelphia, where he set ...
,
Robert Feke,
Sanford Gifford,
James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral a ...
,
John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era, Edwardian-era luxury. He created roughly 900 oil ...
,
Thomas Eakins
Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was an American Realism (visual arts), realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artist ...
,
Man Ray
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American naturalized French visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealism, Surrealist movements, ...
,
Ben Shahn,
Jacob Lawrence
Jacob Armstead Lawrence (September 7, 1917 – June 9, 2000) was an American painter known for his portrayal of African-American historical subjects and contemporary life. Lawrence referred to his style as "dynamic cubism", an art form populariz ...
,
Lewis Rubenstein,
Robert Sloan,
Phillip Guston,
Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "Drip painting, drip technique" of pouring or splashing liquid household ...
,
Kerry James Marshall, and
Clyfford Still
Clyfford Still (November 30, 1904 – June 23, 1980) was an American Painting, painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediat ...
.
In the fall of 2021, the Harvard Art Museums launched the "ReFrame" initiative, with the goal of promoting greater representation and presenting more perspectives within their exhibits. The initiative aims to bring unseen artwork out of storage and re-contextualize existing exhibits, to tell the stories of marginalized individuals in each curation.
Gallery
Busch–Reisinger Museum
Founded in 1903 as the Germanic Museum, the Busch–Reisinger Museum was renamed in 1920 when it was moved to
Adolphus Busch Hall, named after
the brewer and philanthropist
Adolphus Busch
Adolphus Busch (10 July 1839 – 10 October 1913) was the German-born co-founder of Anheuser-Busch with his father-in-law, Eberhard Anheuser. He introduced numerous innovations, building the success of the company in the late 19th and early 2 ...
, former president of the
Anheuser-Busch company. The museum’s name also commemorates Busch’s son-in-law Hugo Reisinger, a German-born American art collector and merchant.
The Busch-Reisinger is the only museum in North America dedicated to the study of art from the German-speaking countries of Central and Northern Europe in all media and in all periods.
William James
William James (January 11, 1842 – August 26, 1910) was an American philosopher and psychologist. The first educator to offer a psychology course in the United States, he is considered to be one of the leading thinkers of the late 19th c ...
spoke at its dedication. Its holdings include significant works of Austrian
Secession
Secession is the formal withdrawal of a group from a Polity, political entity. The process begins once a group proclaims an act of secession (such as a declaration of independence). A secession attempt might be violent or peaceful, but the goal i ...
art,
German expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radi ...
, and 1920s abstraction. The museum holds one of the first and largest collections of artifacts related to the
Bauhaus
The Staatliches Bauhaus (), commonly known as the , was a German art school operational from 1919 to 1933 that combined Decorative arts, crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., ...
design school (1919–1933), which fostered many developments in modernist design.
Other strengths include late medieval sculpture and 18th-century art. The museum also holds noteworthy postwar and contemporary art from German-speaking Europe, including works by
Georg Baselitz
Georg Baselitz (born 23 January 1938) is a German Painting, painter, Sculpture, sculptor and Graphic arts, graphic artist. In the 1960s he became well known for his Figurative art, figurative, expressive paintings. In 1969 he began painting his ...
,
Anselm Kiefer
Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan h ...
,
Gerhard Richter
Gerhard Richter (; born 9 February 1932) is a German visual artist. Richter has produced Abstract art, abstract as well as photorealistic paintings, photographs and Glass art, glass pieces. He is widely regarded as one of the most important con ...
, and one of the world's most comprehensive collections of works by
Joseph Beuys
Joseph Heinrich Beuys ( ; ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and Aesthetics, art theorist whose work reflected concepts of humanism and sociology. With Heinrich Böll, , Caroline Tisdall, Rober ...
.
The Busch–Reisinger Art Museum has oil paintings by artists
Lovis Corinth
Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secessio ...
,
Max Liebermann
Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important ...
,
Gustav Klimt
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and a founding member of the Vienna Secession movement. His work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sket ...
,
Edvard Munch
Edvard Munch ( ; ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work ''The Scream'' has become one of Western art's most acclaimed images.
His childhood was overshadowed by illness, bereavement and the dread of inher ...
,
Paula Modersohn-Becker,
Max Ernst
Max Ernst (; 2 April 1891 – 1 April 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic trai ...
,
Ernst Ludwig Kirchner
Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German Expressionism, expressionist Painting, painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expr ...
,
Franz Marc
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaking, printmaker, one of the key figures of German Expressionism. He was a founding member of ''Der Blaue Reiter'' (The Blue Rider), a journal whose ...
,
Karl Schmidt-Rottluff,
Emil Nolde,
Erich Heckel
Erich Heckel (31 July 1883 – 27 January 1970) was a German people, German Painting, painter and printmaker, and a founding member of the group ''Die Brücke'' ("The Bridge") which existed 1905–1913. His work was part of the art competition ...
,
Heinrich Hoerle,
Georg Baselitz
Georg Baselitz (born 23 January 1938) is a German Painting, painter, Sculpture, sculptor and Graphic arts, graphic artist. In the 1960s he became well known for his Figurative art, figurative, expressive paintings. In 1969 he began painting his ...
,
László Moholy-Nagy
László Moholy-Nagy (; ; born László Weisz; July 20, 1895 – November 24, 1946) was a Kingdom of Hungary, Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by Constructivism (art), con ...
, and
Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, drawing, draftsman, printmaker, sculpture, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the m ...
. It has sculpture by
Alfred Barye,
Käthe Kollwitz
Käthe Kollwitz ( born Schmidt; 8 July 186722 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including ''The Weavers'' and ''The Peasa ...
,
George Minne
George (Georges) Minne (born ''Georgius Joannes Leonardus Minne''; 30 August 1866 – 18 February 1941) was a Belgians, Belgian artist and sculptor famous for his idealized depictions of man's inner spiritual conflicts, including the "Kneeling ...
, and
Ernst Barlach
Ernst Heinrich Barlach (2 January 1870 – 24 October 1938) was a German Expressionism, expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in th ...
.
From 1921 to 1991, the Busch–Reisinger was located in
Adolphus Busch Hall at 29 Kirkland Street. The Hall continues to house the Busch–Reisinger's founding collection of medieval
plaster casts and an exhibition on the history of the Busch–Reisinger Museum; it also hosts concerts on its
Flentrop pipe organ. In 1991, the Busch–Reisinger moved to the new Werner Otto Hall, designed by
Gwathmey Siegel & Associates, at 32 Quincy Street.
In 2018, Busch–Reisinger featured the exhibition ''Inventur–Art in Germany, 1943–55'', which was named after a 1945 poem by
Günter Eich. In 2019, ''The Bauhaus and Harvard'' celebrated the centennial of the founding of the influential design school in Germany. Following its closure by the Nazis in 1933, a number of its former students and faculty made their way to Harvard, where they continued and expanded their work.
Curators
*
Kuno Francke, 1903–1930
*
Charles L. Kuhn, 1930–1968
* Peter Nisbet
* Lynette Roth
Arthur M. Sackler Museum
The Arthur M. Sackler Museum opened in 1985, and was located at 485 Broadway, directly across the street from the original Fogg Museum building. The Sackler building, designed by British architect
James Stirling, was named for its major donor
Arthur M. Sackler, who was a psychiatrist, entrepreneur, and philanthropist.
Upon its opening in 1984, the building also housed new offices for the History of Art and Architecture faculty, as well as the Digital Images and Slides Collection of the Fine Arts Library. The Sackler building continues to house the History of Art and Architecture Department and the Media Slide Library.
Naming controversy
Since at least 2018, critics and protestors have called for Harvard to remove the "Sackler" family name from the building and the museum, citing its connection to the aggressive marketing of the addictive drug
OxyContin. Defenders have pointed out that Arthur M. Sackler died in 1987, before the development of the opioid problems of the 21st century.
This argument is rebutted by activists, who charge that Arthur Sackler promoted
Valium and set up an unethical system of marketing drugs that continued after his death.
On April 20, 2023, at least 50 protesters associated with the advocacy group
P.A.I.N. staged a "
die-in" in the atrium of the Harvard Art Museum, promoting continuing efforts to dename Sackler facilities at Harvard.
A Harvard spokesman confirmed that Harvard has been "considering" a proposal to remove the Sackler name since October 2022.
Collection
The museum collection holds important collections of Asian art, most notably, archaic Chinese jades (the widest collection outside of China)
and Japanese
surimono, as well as outstanding Chinese bronzes, ceremonial weapons, Buddhist cave-temple sculptures, ceramics from China and Korea, Japanese works on paper, and lacquer boxes.
The ancient Mediterranean and Byzantine collections comprise significant works in all media from Greece, Rome, Egypt, and the Near East. Strengths include Greek vases, small bronzes, and coins from throughout the ancient Mediterranean world. The museum also holds works on paper from Islamic lands and India, including paintings, drawings, calligraphy, and manuscript illustrations, with particular strength in
Rajput
Rājpūt (, from Sanskrit ''rājaputra'' meaning "son of a king"), also called Thākur (), is a large multi-component cluster of castes, kin bodies, and local groups, sharing social status and ideology of genealogical descent originating fro ...
art, as well as important Islamic ceramics from the 8th through to the 19th century.
Architecture
The Sackler building, which was originally designed as an extension to the Fogg Museum, elicited worldwide attention from the time of Harvard's commission of Stirling to design the building, following a selection process that evaluated more than 70 architects.
The university mounted an exhibition of the architects' preliminary design drawings in 1981 (''James Stirling's Design to Expand the Fogg Museum''), and issued a portfolio of Stirling's drawings to the press.
After its completion in 1984, the building received widespread press coverage, with general acknowledgment of its significance as a Stirling design and a Harvard undertaking.
Stirling employed an inventive design in an effort to let the museum peacefully co-exist with neighboring buildings in an area that he termed "an architectural zoo".
[ Harvard published a 50-page book on the Sackler, with extensive color photos by Timothy Hursley, an interview with Stirling by Michael Dennis, a tribute to Arthur M. Sackler, and essays by Slive, Coolidge, and Rosenfield.
In spite of international critical acclaim upon its opening, there have been outspoken critics of the building; Martin Peretz even proposed its demolition (though his case was undermined by mis-attributing the building to another British architect, ]Norman Foster
Norman Robert Foster, Baron Foster of Thames Bank (born 1 June 1935) is an English architect. Closely associated with the development of high-tech architecture, Lord Foster is recognised as a key figure in British modernist architecture. Hi ...
).
The Sackler building was originally intended to include a wide by long "connector" or bridge to the second floor of the original Fogg Museum building located on the other side of Broadway, a major Cambridge thoroughfare. The massive addition was planned to house two galleries, a lounge, and a completely-enclosed connection between the buildings, accessible to visitors and museum staff. The suspended structure was to include a large oculus window high above the middle of the street, at the level of the large square opening still visible on the front of the Sackler building.
The connector was postponed and never built, because of strong opposition from the Mid-Cambridge Neighborhood Association and local politicians. Eventually, an extensive renovation and expansion of the original Fogg Museum building would render the unbuilt connector proposal moot. In front of the entrance to the Sackler building, two monolithic reinforced concrete pillars still stand, which were originally intended to support the connector structure.
In 2013, the future use of the Sackler building was uncertain, as its collection had been relocated to the Renzo Piano expansion of the Fogg building.
In January 2019, after undergoing an 18-month renovation, the Sackler building was re-opened as an educational and research facility containing no significant public exhibition spaces. The building continues to house a sizable lecture hall at its basement level, which is primarily used for educational purposes. From its original opening in 1984, the building has encompassed the university's department of the History of Art and Architecture.
See also
*
* List of university museums in the United States
References
Further reading
* Review of the renovation
External links
Harvard Art Museums
Harvard Art Museums
within Google Arts & Culture
Google Arts & Culture (formerly Google Art Project) is an online platform of high-resolution images and videos of artworks and cultural artifacts from partner cultural organizations throughout the world, operated by Google.
It utilizes high-re ...
Archaeological Exploration of Sardis
Center for the Technical Study of Modern Art
Harvard Art Museums Archives
The Straus Center for Conservation and Technical Studies
Harvard listing of Sackler building, including bibliography
AAQ Museum Architecture Portfolio, including multiple photos
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Harvard University museums
Art museums and galleries in Massachusetts
Museums in Cambridge, Massachusetts
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Asian art museums in the United States
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Harvard Square
Harvard University buildings
University museums in Massachusetts
Landmarks in Cambridge, Massachusetts
National Register of Historic Places in Cambridge, Massachusetts
University and college buildings on the National Register of Historic Places in Massachusetts
Art museums and galleries established in 1896
1896 establishments in Massachusetts
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Richard Morris Hunt buildings
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Sackler family