17th-century French Art
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17th-century French Art
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period. Louis XIII style In the early part of the 17th century, late mannerist and early Baroque tendencies continued to flourish in the court of Marie de' Medici and Louis XIII. Art from this period shows influences from both the north of Europe (Dutch and Flemish schools) and from Roman painters of the Counter-Reformation. Artists in France frequently debated the merits between Peter Paul Rubens (the Flemish baroque, voluptuous lines and colors) and Nicolas Poussin (rational control, proportion, Roman classicism). There was also a strong Caravaggio school represented in the period by the candle-lit paintings of Georges de La Tour. The wretched and the poor were featured in an alm ...
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Nicolas Poussin - Et In Arcadia Ego (deuxième Version)
Nicolas or Nicolás may refer to: People Given name * Nicolas (given name) Mononym * Nicolas (footballer, born 1999), Brazilian footballer * Nicolas (footballer, born 2000), Brazilian footballer Surname Nicolas * Dafydd Nicolas (c.1705–1774), Welsh poet * Jean Nicolas (1913–1978), French international football player * Nicholas Harris Nicolas (1799–1848), English antiquary * Paul Nicolas (1899–1959), French international football player * Robert Nicolas (1595–1667), English politician Nicolás * Adolfo Nicolás (1936–2020), Superior General of the Society of Jesus * Eduardo Nicolás (born 1972), Spanish former professional tennis player Other uses * Nicolas (wine retailer), a French chain of wine retailers * ''Le Petit Nicolas'', a series of children's books by René Goscinny See also * San Nicolás (other) * Nicholas (other) * Nicola (other) * Nikola Nikola () is a given name which, like Nicholas, is a version of the Greek ''Nikolaos ...
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Propaganda
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in news and journalism, government, advertising, entertainment, education, and activism and is often associated with material which is prepared by governments as part of war efforts, political campaigns, health campaigns, revolutionaries, big businesses, ultra-religious organizations, the media, and certain individuals such as soapboxers. In the 20th century, the English term ''propaganda'' was often associated with a manipulative approach, but historically, propaganda has been a neutral descriptive term of any material that promotes certain opinions or ideologies. Equivalent non-English terms have also la ...
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André Félibien
André Félibien (May 161911 June 1695), ''sieur des Avaux et de Javercy'', was a French chronicler of the arts and official court historian to Louis XIV of France. Biography Félibien was born at Chartres. At the age of fourteen he went to Paris to continue his studies; and in May 1647 he was sent to Rome in the capacity of secretary in the embassy of the marquis de Fontenay-Mareuil. His residence at Rome he turned to good account by diligent study of its ancient monuments, by examination of the literary treasures of its libraries, and by cultivating the acquaintance of men eminent in literature and in art, with whom he was brought into contact through his translation of Francesco Cardinal Barberini's ''Life of Pius V''. Among his friends was Nicolas Poussin, whose counsels were of great value to him, and under whose guidance he even attempted to paint and whose biography Félibien wrote, which remains "the most persuasive guide to the work, as to the life" of Poussin, as the b ...
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Hierarchy Of Genres
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value. In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his ''Life of John Milton'': "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century. In music, settings of words were accorded a higher status than merely instrumental works, at least until the Baroque period, and opera retained a superior status for much longer. The status of works also varies with the number of players and singers involved, with t ...
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Artisan
An artisan (from french: artisan, it, artigiano) is a skilled craft worker who makes or creates material objects partly or entirely by hand. These objects may be functional or strictly decorative, for example furniture, decorative art, sculpture, clothing, food items, household items and tools and mechanisms such as the handmade clockwork movement of a watchmaker. Artisans practice a craft and may through experience and aptitude reach the expressive levels of an artist. History The adjective "artisanal" is often used in describing hand-processing in contrast to an industrial process, such as in the phrase ''artisanal mining''. Thus, "artisanal" is sometimes used in marketing and advertising as a buzz word to describe or imply some relation with the crafting of handmade food products, such as bread, beverages or cheese. Many of these have traditionally been handmade, rural or pastoral goods but are also now commonly made on a larger scale with automated mechani ...
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Jean-Baptiste Colbert
Jean-Baptiste Colbert (; 29 August 1619 – 6 September 1683) was a French statesman who served as First Minister of State from 1661 until his death in 1683 under the rule of King Louis XIV. His lasting impact on the organization of the country's politics and markets, known as Colbertism, a doctrine often characterized as a variant of mercantilism, earned him the nickname ''le Grand Colbert'' (; "the Great Colbert"). A native of Reims, he was appointed Intendant of Finances on 4 May 1661. Colbert took over as Controller-General of Finances, a newly elevated position, in the aftermath of the arrest of Nicolas Fouquet for embezzlement, an event that led to the abolishment of the office of Superintendent of Finances. He worked to develop the domestic economy by raising tariffs and encouraging major public works projects, as well as to ensure that the French East India Company had access to foreign markets, so that they could always obtain coffee, cotton, dyewoods, fur, pepper, ...
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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ...
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La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ...
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Nicolas Fouquet
Nicolas Fouquet, marquis de Belle-Île, vicomte de Melun et Vaux (27 January 1615 – 23 March 1680) was the Superintendent of Finances in France from 1653 until 1661 under King Louis XIV. He had a glittering career, and acquired enormous wealth. He fell out of favor, accused of peculation (maladministration of the state's funds) and ''lèse-majesté'' (actions harmful to the well-being of the monarch). The king had him imprisoned from 1661 until his death in 1680. Early life Nicolas Fouquet was born in Paris to an influential family of the ''noblesse de robe'' (members of the nobility under the Ancien Régime who had high positions in government, especially in law and finance). He was the second child of François IV Fouquet (who held numerous high positions in government) and of Marie de Maupeou (who came from a family of the ''noblesse de robe'' and who was famous for her piety and charitable works).:18–23, Contrary to the pretensions of the family, the Fouquets did not com ...
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Vaux-le-Vicomte
The Château de Vaux-le-Vicomte (English: Palace of Vaux-le-Vicomte) is a Baroque French château located in Maincy, near Melun, southeast of Paris in the Seine-et-Marne department of Île-de-France. Built between 1658 and 1661 for Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV, the château was an influential work of architecture in mid-17th-century Europe. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape architect André Le Nôtre and the painter-decorator Charles Le Brun worked together on a large-scale project for the first time. Their collaboration marked the beginning of the Louis XIV style combining architecture, interior design and landscape design. The garden's pronounced visual axis is an example of this style. History Once a small château between the royal residences of Vincennes and Fontainebleau, the estate of Vaux-le-Vicomte was purchased in 1641 by Nicolas Fouquet, an ambitious 26-y ...
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André Le Nôtre
André Le Nôtre (; 12 March 1613 – 15 September 1700), originally rendered as André Le Nostre, was a French landscape architect and the principal gardener of King Louis XIV of France. He was the landscape architect who designed the gardens of the Palace of Versailles; his work represents the height of the French formal garden style, or ''jardin à la française''. Prior to working on Versailles, Le Nôtre collaborated with Louis Le Vau and Charles Le Brun on the park at Vaux-le-Vicomte. His other works include the design of gardens and parks at Chantilly, Fontainebleau, Saint-Cloud and Saint-Germain. His contribution to planning was also significant: at the Tuileries he extended the westward vista, which later became the avenue of the Champs-Élysées and comprise the ''Axe historique''. Biography Early life André Le Nôtre was born in Paris, into a family of gardeners. Pierre Le Nôtre, who was in charge of the gardens of the Palais des Tuileries in 1572, may have ...
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