Bauhaus University, Weimar

The Bauhaus-Universität Weimar is a university located in Weimar, Germany, and specializes in the artistic and technical fields. Established in 1860 as the Great Ducal Saxon Art School, it gained collegiate status on 3 June 1910. In 1919 the school was renamed Bauhaus by its new director Walter Gropius and it received its present name in 1996. There are more than 4000 students enrolled, with the percentage of international students above the national average at around 27%.
In 2010 the Bauhaus-Universität Weimar commemorated its 150th anniversary as an art school and college in Weimar.

In 2019 the university celebrated the centenary of the founding of the Bauhaus, together with partners all over the world.

Academic tradition in Weimar

Weimar boasts a long tradition of art education and instruction in the areas of fine art, handicrafts, music and architecture.
In 1776 the Weimar Princely Free Zeichenschule was established, but gradually lost significance after the Grand Ducal Saxon Art School was founded in 1860. The Free Zeichenschule was discontinued in 1930.
In 1829 the architect Clemens Wenzeslaus Coudray established the Free School of Trades (which later became the Grand Ducal Saxon Architectural Trade School, or State School of Architecture), which operated in the evenings and Sundays and supplemented the courses at the Free Zeichenschule. In 1926, the school was incorporated into the Gotha School of Architecture.

The Orchestra School, which opened in 1872, eventually became the College of Music Franz Liszt in Weimar.

History of the university

Art School and School of Arts and Crafts

The history of the Bauhaus-Universität Weimar goes back to 1860 when Grand Duke Carl Alexander (Saxe-Weimar-Eisenach) founded the Grand Ducal Saxon Art School. Although it became a public institution in 1902, its ties with the ducal house remained strong for years. Students were instructed in a variety of artistic subjects, including landscape, historical, portrait and animal painting, and sculpting. In 1905 the Art School merged with the Weimar Sculpture School, which, although integrated into the educational system in a "cooperative relationship between high and applied art", was independently managed. The school was raised to college status in 1910 and was renamed the ''Grand Ducal Saxon College of Fine Arts''. The development of the Bauhaus-Universität Weimar was also strongly influenced by the Grand Ducal Saxon School of Arts and Crafts which trained artisans in the handicrafts between 1907 and 1915. Both schools issued certificates of participation and conferred diplomas.

The names of renowned artists, instructors and students can be found in the historical documents and records of both schools.

Directors of the Art School

*1860 Stanislaus von Kalckreuth, painter
*1876 Theodor Hagen, painter
*1882 Albert Brendel, painter
*1885 Emil von Schlitz, sculptor
*1902 Hans Olde, painter
*1910 Fritz Mackensen, painter
*''1916 Provisional administration''
*''1919 Incorporation into the State Bauhaus''

Directors of the Sculpture School

*1905 Adolf Brütt, sculptor
*1910 Gottlieb Elster, sculptor
*1913
*1919 Incorporation into the State Bauhaus

Directors of the School of Arts and Crafts

*1907–1915 Henry van de Velde, architect and designer
*''Discussed successor candidate'' Walter Gropius

Staatliches Bauhaus

In 1919 Walter Gropius merged the College of Fine Arts and the School of Arts and Crafts into the Staatliches Bauhaus in Weimar. It was the making of a new type of art school, a pioneer of modernity, the legacy of which continues to influence the Bauhaus-University Weimar today. In 1923 Gropius summarized his vision with the radical formula "Art and Technology – A New Unity." His "concept of collaboration with the industry" was strongly opposed, not least of all because he was "determined from the very start to beat down any resistance toward this new kind of architecturally related art."

The increasing equalization of professors and workshop instructors and unbridgeable differences made it impossible "for art to develop freely, without purpose and with no connection to architecture at the Bauhaus." As a result, the State College of Fine Arts was founded in 1921, an institution at which academically traditional masters could work and teach, such as Richard Engelmann, Max Thedy, Walther Klemm, Alexander Olbricht and ( instructor). The Bauhaus only remained in Weimar until spring 1925 when it was forced to relocate to Dessau for political reasons. There the Bauhaus began a new, important chapter as a college of art and design.

UNESCO designated the joint World Heritage Site titled the Bauhaus and its Sites in Weimar, Dessau and Bernau in December 1996. The Bauhaus sites in Weimar that are part of the World Heritage Site are the main building (formerly the ''Grand Ducal Saxon School of Fine Art'') and the Van de Velde building (formerly the ''Grand Ducal Saxon School of Arts and Crafts'') on the Bauhaus University campus, and the Haus am Horn.

Director

* 1919–1925 Walter Gropius, architect

College of Trades and Architecture

The ''State College of Trades and Architecture'', or College of Architecture for short, succeeded the Bauhaus in 1926, which, since the ''State School of Architecture'' had moved to Gotha, offered its own regular postgraduate courses in Architecture in the form both Van de Velde and Gropius had long envisioned. Although the College of Architecture continued to adhere to the idea of the Bauhaus, it offered a much more practical orientation. This corresponded to the "concept of a construction-based, productive working community," which represented one of the founding principles of this successor institution. The experimental and innovative focus of the Bauhaus fell somewhat to the wayside. In 1929 there were 88 students enrolled at the College of Architecture. After completing their education, graduates received a diploma in the Construction department and the title "Journeyman" or "Master" in their area of handicraft.

Paul Schultze-Naumburg rejected all phenomena of industrial, urban society. He strived to establish a new architectural style that exuded ''"Gemütlichkeit"'', or coziness. In his opinion, it was necessary to preserve the German styles typical of the region, so that people could find identification and orientation in times of rapid social and cultural upheaval. Graduates of the Architecture course received the title "Diplom-Architekt" (certified architect), while artists received a simple certificate and craftspeople received the title "Journeyman" or "Master".

The well-known artists and instructors of this period include: Hermann Giesler, Hans Seytter (e.g., Stiftskirche, Stuttgart), Walther Klemm, Alexander Olbricht and .

Director

* 1930–1939 Paul Schultze-Naumburg, architect and art theorist

College of Architecture and Fine Arts

The institution officially attained college-level status in 1942. By this time, the ''School of Trades'' had been removed from the college, which now called itself the ''College of Architecture and Fine Arts''. After World War II, the Soviet Military Administration of Thuringia oversaw the restructuring of the college to reflect antifascist-democratic principles. Under the aegis of the architect Hermann Henselmann, appointed director in 1946, the college focused its efforts to rebuild the country and pick up where the Bauhaus left off. Some even suggested changing the name of the college to "The Bauhaus – College of Architecture and Handicraft and Engineering Design."

Directors

* 1940 ''Provisional administrator'' Rudolf Rogler
* 1942 Gerhard Offenberg (1897−1987), architect (e.g., reconstruction planning in Nordhausen)
* 1946 Hermann Henselmann, architect
* 1950 ''Provisional administrator'' Friedrich August Finger (1885−1961), civil engineer and building materials engineer (e.g., construction supervisor of the Baghdad Railway)

College of Architecture and Civil Engineering

After the GDR was established and the East German university system was restructured, the college itself underwent major changes in 1951. The "Fine Arts" department, which had previously been chaired by the sculptor Siegfried Tschierschky, was dissolved. The new ''College of Architecture'' was placed under the control of the "Ministry of Reconstruction" with the objective to develop academic and research programs for a new technical college of civil engineering.

In 1954 the college received a rectorial constitution with two new faculties: "Civil Engineering" and "Building Materials Science and Technology". Otto Englberger, an architect, professor of "Residential and Community Building," and provisional director of the college since 1951, was appointed the first vice-chancellor of the new ''College of Architecture and Civil Engineering Weimar'' (HAB). In the following decades, the college became one of the leading academic institutions in the field of civil engineering, respected throughout East and West Germany alike.

Because the college was so integrated in the political system of the GDR, the direction of its instruction and research activities was largely dictated by the government for the purpose of carrying out the latest civil engineering tasks. The third higher education reform of 1968/69 modernized and reorganized the structure of the college based on business administration principles. The faculties were replaced by "sections", and the college was expanded to include the section of "Computer Technology and Data Processing." In 1976 research and reception of the Bauhaus was revived at the HAB Weimar. It represented the first step of an ongoing positive re-evaluation of the legacy of the college. Thanks to these research efforts, the college established relations with other institutions, including several in West Germany.

Ever since 1951, students in all disciplines were required by East German law to pass a basic study program in Marxist–Leninist philosophy. Later, academic staff, lecturers and professors were also required to complete training on a regular basis. The Institute for Marxism–Leninism, which offered these courses at the HAB, was closed in 1990.

The well-known artists and instructors of this period include: Walther Klemm and Anita Bach (born 1927, first female professor of architecture in the GDR).

Vice-chancellors

* 1954 Otto Englberger (1905−1977), architect (e.g., tenement buildings at Buchenwaldplatz Weimar and the Franzberg School in Sondershausen)
* 1957 Gustav Batereau (1908−1974), steel construction engineer and structural engineer (e.g., large coking plant in Lauchhammer)
* 1963 Horst Matzke, physicist and mathematician
* 1968 Armin Petzold, civil engineer
* 1970 Karl-Albert Fuchs, civil engineer (vice-president of the German Civil Engineering Academy in Berlin)
* 1983 Hans Glißmeyer (1936−2008), civil engineer
* 1989 Hans Ulrich Mönnig (born 1943), civil engineer
* 1992 Gerd Zimmermann (born 1946), architect and architectural theorist

Bauhaus-Universität Weimar

The political upheaval