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Henry Van De Velde
Henry Clemens van de Velde (; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium.'''' He worked in Paris with Samuel Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century. Early life Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the famous Royal Academy of Fine Arts, Antwerp. He then went on to study with the painter Carolus-Duran in Paris. As a young painter he was strongly influenced by Paul Signac and Georges Seurat and soon adopted a neo-impressionist style, and pointillism. In 1889 he became a member of the Brussels-based artist group "Les XX". After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Perscheid
Nicola Perscheid (3 December 1864 – 12 May 1930) was a German photographer. He is primarily known for his artistic portrait photography. He developed the "Perscheid lens", a soft focus lens for large format portrait photography. Life and career Perscheid was born as Nikolaus Perscheid in near Koblenz, German Confederation, where he also went to school. At the age of 15, he began an apprenticeship as a photographer. Subsequently, Perscheid earned his living as an itinerant photographer; he worked, amongst other places, in Saarbrücken, Trier, and Colmar, but also in Nice, Vienna, or Budapest. In Klagenfurt in Austria he finally found a permanent position and on 1 March 1887, he became a member of the Photographic Society of Vienna (''Wiener Photographische Gesellschaft''). In 1889, he moved to Dresden, where he initially worked in the studio of Wilhelm Höffert (1832–1901), a well-known studio in Germany at that time, before opening his own studio in Görlitz on 6 June 1891 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugendstil
''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal '' Jugend'', founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. Its major centers of activity were Munich and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, and the Belgian architect and decorator Henry van de Velde. In its earlier years, the style was influenced by Modern Style (British Art Nouveau style). It was also influenced by Japanese prints. Later, under the Secessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red House, Bexleyheath
Red House is a significant Arts and Crafts building located in Bexleyheath, south-east London, England. Co-designed in 1859 by the architect Philip Webb and the designer William Morris, it was created to serve as a family home for Morris. Construction was completed in 1860. Following an education at the University of Oxford, Morris decided to construct a rural house for himself and his new wife, Jane Morris, within a commuting distance of central London. Purchasing a plot of land in what at the time was the village of Upton in Kent, he employed his friend Webb to help him design and construct the house, financing the project with money inherited from his wealthy family. Morris was deeply influenced by Medievalism and Medieval-inspired Neo-Gothic styles are reflected throughout the building's design. It was constructed using Morris' ethos of craftsmanship and artisan skills and is an early example of what came to be known as the Arts and Crafts movement. A number of Morris' frie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Meunier
Constantin Meunier (12 April 1831 – 4 April 1905) was a Belgian painter and sculptor. He made an important contribution to the development of modern art by elevating the image of the industrial worker, docker and miner to an icon of modernity. His work is a reflection of the industrial, social and political developments of his day and represents a compassionate and committed view of man and the world. Early life and education Constantin Meunier was born in the traditionally working-class area of Etterbeek in Brussels. His family was poor and suffered from the negative economic impact caused by the Belgian Revolution which had taken place the year before Meunier's birth. Meunier's father committed suicide when he was just four years old.Constantin Meu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théo Van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century. Biography Early years Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Théo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there in total a year and a half. Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his ''Self-portrait with pipe'' (1880), painted in somber colours in the Belgian realistic tradition of the times. His ''Child in an open spot of the for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les XX
''Les XX'' ( French; "''Les Vingt''"; ; ) was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective). ''Les XX'' was in some ways a successor to another group, L'Essor. The rejection of Ensor's '' The Oyster Eater'' in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of ''Les XX''. In 1893, the society of ''Les XX'' was transformed into "''La Libre Esthétique''". History ''Les XX'' was founded on 28 October 1883 in Brussels and held annual s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionism, Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillism, Pointillist and Divisionism, Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-impressionist movement. Some argue that Neo-Impressionism became the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
