''Om'' (or ''Aum'') (; sa, ॐ, ओम्, Ōṃ, translit-std=IAST) is a sacred sound, syllable, mantra, or an invocation in Hinduism. ''Om'' is the prime symbol of Hinduism.Krishna Sivaraman (2008), ''Hindu Spirituality Vedas Through Vedanta'', Motilal Banarsidass, , page 433 It is variously said to be the essence of the supreme Absolute, consciousness,James Lochtefeld (2002), "Om", ''The Illustrated Encyclopedia of Hinduism'', Vol. 2: N-Z, Rosen Publishing. , page 482Om
. ''Merriam-Webster'' (2013), Pronounced: \ˈōm\ '' Ātman,'' '' Brahman,'' or the cosmic world.David Leeming (2005), ''The Oxford Companion to World Mythology'', Oxford University Press, , page 54Hajime Nakamura, ''A History of Early Vedānta Philosophy'', Part 2, Motilal Banarsidass, , page 318Annette Wilke and Oliver Moebus (2011), ''Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism'', De Gruyter, , pages 435–456 In Indic traditions, ''Om'' serves as a sonic representation of the divine, a standard of Vedic authority and a central aspect of soteriological doctrines and practices. The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other

Hindu text Hindu texts are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. A few of these texts are shared across these traditions and they are broadly considered Hindu scriptures. These ...

s. ''Om'' emerged in the Vedic corpus and is said to be an encapsulated form of ''Samavedic'' chants or songs. It is a sacred spiritual incantation made before and during the recitation of spiritual texts, during '' puja'' and private prayers, in ceremonies of rites of passage ('' sanskara'') such as weddings, and during meditative and spiritual activities such as Pranava yoga.David White (2011), ''Yoga in Practice'', Princeton University Press, , pp. 104–111Alexander Studholme (2012), ''The Origins of Om Manipadme Hum: A Study of the Karandavyuha Sutra'', State University of New York Press, , pages 1–4 It is part of the iconography found in ancient and medieval era manuscripts, temples, monasteries, and spiritual retreats in Hinduism, Buddhism, Jainism, and Sikhism. As a syllable, it is often chanted either independently or before a spiritual recitation and during meditation in Hinduism, Buddhism, and Jainism. Jan Gonda (1963), ''The Indian Mantra'', Oriens, Vol. 16, pp. 244–297

Julius Lipner Julius Lipner (born 11 August 1946), who is of Indo-Czech origin, is Professor of Hinduism and the Comparative Study of Religion at the University of Cambridge. Early life Lipner was born and brought up in India, for the most part in West Bengal. ...

(2010), ''Hindus: Their Religious Beliefs and Practices'', Routledge, , pp. 66–67 The syllable ''Om'' is also referred to as Onkara (Omkara) and Pranava among many other names.

Common names and synonyms

The syllable ''Om'' is referred to by many names, including: * ' (); literally, "fore-sound", referring to ''Om'' as the primeval sound. * ' () or ' (); literally, "''Om''-maker", denoting the first source of the sound ''Om'' and connoting the act of creation. ** ' (); literally, "one ''Om''-maker", and an epithet of God in Sikhism. (see

below Below may refer to: *Earth *Ground (disambiguation) *Soil *Floor *Bottom (disambiguation) Bottom may refer to: Anatomy and sex * Bottom (BDSM), the partner in a BDSM who takes the passive, receiving, or obedient role, to that of the top or ...

). * ' (); meaning "song, chant", a word found in

Samaveda The Samaveda (, from ' "song" and ' "knowledge"), is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. A ...

and ''bhasya'' (commentaries) based on it, which is also used as a name of the syllable. * ' (); literally, "imperishable, immutable", and also "letter of the alphabet" or "syllable". ** '; literally, "one letter of the alphabet", referring to its representation as a single ligature. (see

)

Origin and spiritual significance

The etymological origins of ''ōm''/''āum'' have long been discussed and disputed, with even the Upanishads having proposed multiple Sanskrit etymologies for ''āum'', including: from "''ām''" (; "yes"), from "''ávam''" (; "that, thus, yes"), and from the Sanskrit roots "''āv-''" (; "to urge") or "''āp-''" (; "to attain"). In 1889, Maurice Blumfield proposed an origin from a Proto-Indo-European introductory particle "''*au''" with a function similar to the Sanskrit particle "atha" (). However, contemporary Indologist Asko Parpola proposes a borrowing from Dravidian "''*ām''" meaning "'it is so', 'let it be so', 'yes'", a contraction of "''*ākum''", cognate with modern

Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia ** Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nati ...

"''ām''" () meaning "yes". Regardless of its original meaning, the syllable ''Om'' evolves to mean many abstract ideas even in the earliest Upanishads. Max Müller and other scholars state that these philosophical texts recommend ''Om'' as a "tool for meditation", explain various meanings that the syllable may be in the mind of one meditating, ranging from "artificial and senseless" to "highest concepts such as the cause of the Universe, essence of life, Brahman,

Atman Atman or Ātman may refer to: Film * ''Ātman'' (1975 film), a Japanese experimental short film directed by Toshio Matsumoto * ''Atman'' (1997 film), a documentary film directed by Pirjo Honkasalo People * Pavel Atman (born 1987), Russian hand ...

, and Self-knowledge".Paul Deussen, ''Sixty Upanishads of the Veda'', Volume 1, Motilal Banarsidass, , pages 67-85, 227, 284, 308, 318, 361-366, 468, 600-601, 667, 772 The syllable ''Om'' is first mentioned in the Upanishads, the mystical texts associated with the Vedanta philosophy. It has variously been associated with concepts of "cosmic sound" or "mystical syllable" or "affirmation to something divine", or as symbolism for abstract spiritual concepts in the Upanishads. In the Aranyaka and the

Brahmana The Brahmanas (; Sanskrit: , ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within ea ...

layers of Vedic texts, the syllable is so widespread and linked to knowledge, that it stands for the "whole of Veda". The symbolic foundations of ''Om'' are repeatedly discussed in the oldest layers of the early Upanishads. The Aitareya Brahmana of Rig Veda, in section 5.32, for example suggests that the three phonetic components of ''Om'' (''a'' + ''u'' + ''m'') correspond to the three stages of cosmic creation, and when it is read or said, it celebrates the creative powers of the universe. The Brahmana layer of Vedic texts equate ''Om'' with ''bhur-bhuvah-svah'', the latter symbolising "the whole Veda". They offer various shades of meaning to ''Om'', such as it being "the universe beyond the sun", or that which is "mysterious and inexhaustible", or "the infinite language, the infinite knowledge", or "essence of breath, life, everything that exists", or that "with which one is liberated". The

, the poetical Veda, orthographically maps ''Om'' to the audible, the musical truths in its numerous variations (''Oum'', ''Aum'', ''Ovā Ovā Ovā Um'', etc.) and then attempts to extract musical meters from it.

Pronunciation

When occurring within spoken

Classical Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ...

, the syllable is subject to the normal rules of sandhi in Sanskrit grammar, with the additional peculiarity that the initial ''o'' of "''Om''" is the

guṇa ( sa, गुण) is a concept in Hinduism, Jainism and Sikhism, which can be translated as "quality, peculiarity, attribute, property".vowel grade of ''u'', not the vṛddhi grade, and is therefore pronounced as a monophthong with a

long vowel In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, f ...

(), ie. ''ōm'' not ''aum''. Furthermore, the final ''m'' is often assimilated into the preceding vowel as nasalisation (). As a result, ''Om'' is regularly pronounced in the context of Sanskrit. However, this ''o'' reflects the older Vedic Sanskrit

diphthong A diphthong ( ; , ), also known as a gliding vowel, is a combination of two adjacent vowel sounds within the same syllable. Technically, a diphthong is a vowel with two different targets: that is, the tongue (and/or other parts of the speech o ...

''au'', which at that stage in the language's history had not yet monophthongised to ''o''. This being so, the syllable ''Om'' is often archaically considered as consisting of three phonemes: "a-u-m". Accordingly, some denominations maintain the archaic diphthong ''au'' viewing it to be more authentic and closer to the language of the Vedas. In the context of the Vedas, particularly the Vedic

s, the vowel is often '' pluta'' ("three times as long"), indicating a length of three

morae A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic'') ...

(), that is, the time it takes to say three

light syllable In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable ...

s. Additionally, a diphthong becomes with the prolongation of its first vowel. When ''e'' and ''o'' undergo they typically revert to the original diphthongs with the initial ''a'' prolonged, realised as an overlong

open back unrounded vowel The open back unrounded vowel, or low back unrounded vowel, is a type of vowel sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is A. The l ...

(''ā̄um'' or ''a3um'' ). This extended duration is emphasised by denominations who regard it as more authentically Vedic, such as

Arya Samaj Arya Samaj ( hi, आर्य समाज, lit=Noble Society, ) is a monotheistic Indian Hindu reform movement that promotes values and practices based on the belief in the infallible authority of the Vedas. The samaj was founded by the sanny ...

. However, ''Om'' is also attested in the Upanishads without ''pluta'', and many languages related to or influenced by Classical Sanskrit, such as

Hindustani Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, whose two official norms are Hindi and Urdu * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and ...

, share its pronunciation of ''Om'' ( or ).

Written representations

South Asia

Nagari or Devanagari representations are found epigraphically on sculpture dating from Medieval India and on ancient coins in regional scripts throughout South Asia. ''Om'' is represented in Devanagari as , composed of four elements: the vowel letter (), the vowel diacritic (), the consonant letter (), and the '' virama'' stroke which indicates the absence of an implied final vowel. The syllable is sometimes written , notably by

, where (i.e., the digit "3") explicitly indicates '' pluta'' ("three times as long"; see above) which is otherwise only implied. For this same reason ''Om'' may also be written in languages such as Hindi, with the () being used to indicate prolonging the vowel sound. (However, this differs from the usage of the in Sanskrit, where it would instead indicate the prodelision of the initial vowel.) ''Om'' may also be written , with an reflecting the pronunciation of in languages such as Hindi. In languages such as Urdu and Sindhi ''Om'' may be written in

Arabic script The Arabic script is the writing system used for Arabic and several other languages of Asia and Africa. It is the second-most widely used writing system in the world by number of countries using it or a script directly derived from it, and the ...

, although speakers of these languages may also use Devanagari representations. The commonly seen representation of the syllable ''Om,'' , is a

cursive Cursive (also known as script, among other names) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionalit ...

ligature in Devanagari, combining () with () and the

chandrabindu Chandrabindu (IAST: , in Sanskrit) is a diacritic sign with the form of a dot inside the lower half of a circle. It is used in the Devanagari (ँ), Bengali-Assamese (), Gujarati (ઁ), Odia (ଁ), Telugu (ఁ), Javanese ( ꦀ) and other scr ...

(

ँ Chandrabindu ( IAST: , in Sanskrit) is a diacritic sign with the form of a dot inside the lower half of a circle. It is used in the Devanagari (ँ), Bengali-Assamese (), Gujarati (ઁ), Odia (ଁ), Telugu (ఁ), Javanese ( ꦀ) and other s ...

,). In Unicode, the symbol is encoded at and at as a "generic symbol independent of Devanagari font". In some South Asian writing systems, the ''Om'' symbol has been simplified further. In Bengali and Assamese ''Om'' is written simply as without an additional curl. In languages such as

Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the w ...

differences in pronunciation compared to Sanskrit have made the addition of a curl for redundant. Although the spelling is simpler, the pronunciation remains . Similarly, in

Odia Odia, also spelled Oriya or Odiya, may refer to: * Odia people in Odisha, India * Odia language, an Indian language, belonging to the Indo-Aryan branch of the Indo-European language family * Odia alphabet, a writing system used for the Odia languag ...

''Om'' is written as without an additional diacritic. In

, ''Om'' is written as , a ligature of (''ō'') and (''m''), while in Kannada,

Telugu Telugu may refer to: * Telugu language, a major Dravidian language of India *Telugu people, an ethno-linguistic group of India * Telugu script, used to write the Telugu language ** Telugu (Unicode block), a block of Telugu characters in Unicode S ...

, and Malayalam, ''Om'' is written simply as the letter for ''ō'' followed by (, , and , respectively). There have been proposals that the ''Om'' syllable may already have had written representations in Brahmi script, dating to before the Common Era. A proposal by Deb (1921) held that the ''

swastika The swastika (卐 or 卍) is an ancient religious and cultural symbol, predominantly in various Eurasian, as well as some African and American cultures, now also widely recognized for its appropriation by the Nazi Party and by neo-Nazis. It ...

'' is a

monogram A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos. A series o ...

matic representation of the syllable ''Om'', wherein two Brahmi /o/ characters () were superposed crosswise and the 'm' was represented by dot. A commentary in '' Nature'' (1922) considers this theory questionable and unproven.

A. B. Walawalkar A. B. Walawalkar (27 December 1897 – 23 December 1970) was an Indian railway engineer, epigraphist, and historian. He is regarded as the founder of Konkan Railway. Born on 27 December 1897, he was from the village of Walawal in Kudal Taluka o ...

(1951) proposed that ''Om'' was represented using the Brahmi symbols for "A", "U", and "M" (), and that this may have influenced the unusual

epigraphic Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the wr ...

al features of the symbol for ''Om''.

Parker Parker may refer to: Persons * Parker (given name) * Parker (surname) Places Place names in the United States *Parker, Arizona *Parker, Colorado * Parker, Florida * Parker, Idaho * Parker, Kansas * Parker, Missouri * Parker, North Carolina *Park ...

(1909) wrote that an "Aum monogram", distinct from the swastika, is found among Tamil-Brahmi inscriptions in Sri Lanka, including Anuradhapura era coins, dated from the 1st to 4th centuries CE, which are embossed with ''Om'' along with other symbols.

East and Southeast Asia

The ''Om'' symbol, with

al variations, is also found in many Southeast Asian countries. In Southeast Asia, the ''Om'' symbol is widely conflated with that of the

unalome Yantra tattooing or Sak Yant ( th, สักยันต์ ) is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fo ...

; originally a representation of the Buddha's

urna In Buddhist art and culture, the Urna (more correctly ūrṇā or ūrṇākośa (Pāli uṇṇa), and known as in Chinese) is a spiral or circular dot placed on the forehead of Buddhist images as an auspicious mark. It symbolizes a third eye, w ...

curl and later a symbol of the path to nirvana, it is a popular yantra in Southest Asia, particularly in Cambodia and Thailand. It frequently appears in ''sak yant'' religious tattoos, and has been a part of various flags and official emblems such as in the Thong Chom Klao of King Rama IV () and the present-day

royal arms of Cambodia The royal arms of Cambodia is the symbol of the Cambodian monarchy. They have existed in some form close to the one depicted since the establishment of the independent Kingdom of Cambodia in 1953. It is the symbol on the royal standard of ...

. The Khmer adopted the symbol since the 1st century during the

Kingdom of Funan Funan (; km, ហ៊្វូណន, ; vi, Phù Nam, Chữ Hán: ) was the name given by Chinese cartographers, geographers and writers to an ancient Indianized state—or, rather a loose network of states ''(Mandala)''—located in mainla ...

, where it is also seen on artefacts from Angkor Borei, once the capital of Funan. The symbol is seen on numerous Khmer statues from Chenla to Khmer Empire periods and still in used until the present day. In Chinese characters, ''Om'' is typically transliterated as either 唵 () or 嗡 ().

Representation in various scripts

Northern Brahmic

Southern Brahmic

East Asian

Other

Hinduism

In Hinduism, ''Om'' is one of the most important spiritual sounds. The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other

s, and is often chanted either independently or before a mantra, as a sacred spiritual incantation made before and during the recitation of spiritual texts, during puja and private prayers, in ceremonies of rites of passages ( sanskara) such as weddings, and during meditative and spiritual activities such as yoga. It is the most sacred syllable symbol and mantra of Brahman, which is the ultimate reality, consciousness or

(Self within). It is called the '' Shabda Brahman'' (Brahman as sound) and believed to be the primordial sound (''Pranava'') of the universe.

Vedas

''Om'' came to be used as a standard utterance at the beginning of mantras, chants or citations taken from the Vedas. For example, the Gayatri mantra, which consists of a verse from the Rigveda Samhita ( RV 3.62.10), is prefixed not just by ''Om'' but by ''Om'' followed by the formula ''bhūr bhuvaḥ svaḥ''. Monier Monier-Williams (1893), ''Indian Wisdom'', Luzac & Co., London, page 17 Such recitations continue to be in use in Hinduism, with many major incantations and ceremonial functions beginning and ending with ''Om''.

Brahmanas

= Aitareya Brahmana

= The Aitareya Brahmana (7.18.13) explains ''Om'' as "an acknowledgment, melodic confirmation, something that gives momentum and energy to a hymn".

Upanishads

= Chandogya Upanishad

= The

Chandogya Upanishad The ''Chandogya Upanishad'' (Sanskrit: , IAST: ''Chāndogyopaniṣad'') is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda of Hinduism.Patrick Olivelle (2014), ''The Early Upanishads'', Oxford University Press; , pp. 166-16 ...

is one of the oldest Upanishads of Hinduism. It opens with the recommendation that "let a man meditate on Om".

Max Muller Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1 ...

Chandogya Upanishad
''The Upanishads'', Part I, Oxford University Press, pages 1-3 with footnotes It calls the syllable ''Om'' as ''udgitha'' (; song, chant), and asserts that the significance of the syllable is thus: the essence of all beings is earth, the essence of earth is water, the essence of water are the plants, the essence of plants is man, the essence of man is speech, the essence of speech is the Rigveda, the essence of the Rigveda is the Samaveda, and the essence of Samaveda is the ''udgitha'' (song, ''Om''). () is speech, states the text, and () is breath; they are pairs, and because they have love for each other, speech and breath find themselves together and mate to produce a song. The highest song is ''Om'', asserts section 1.1 of Chandogya Upanishad. It is the symbol of awe, of reverence, of threefold knowledge because ''Adhvaryu'' invokes it, the ''Hotr'' recites it, and ''Udgatr'' sings it.Paul Deussen, ''Sixty Upanishads of the Veda'', Volume 1, Motilal Banarsidass, , pages 68-70Patrick Olivelle (2014), ''The Early Upanishads'', Oxford University Press, , page 171-185 The second volume of the first chapter continues its discussion of syllable ''Om'', explaining its use as a struggle between ''

Devas Devas may refer to: * Devas Club, a club in south London * Anthony Devas (1911–1958), British portrait painter * Charles Stanton Devas (1848–1906), political economist * Jocelyn Devas (died 1886), founder of the Devas Club * Devas (band), ...

'' (gods) and ''

Asuras Asuras (Sanskrit: असुर) are a class of beings in Indic religions. They are described as power-seeking clans related to the more benevolent Devas (also known as Suras) in Hinduism. In its Buddhist context, the word is sometimes translated ...

'' (demons).Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 70-71 with footnotes Max Muller states that this struggle between gods and demons is considered allegorical by ancient Indian scholars, as good and evil inclinations within man, respectively.

Chandogya Upanishad
''The Upanishads'', Part I, Oxford University Press, pages 4-6 with footnotes The legend in section 1.2 of Chandogya Upanishad states that gods took the ''Udgitha'' (song of ''Om'') unto themselves, thinking, "with this ''song'' we shall overcome the demons".Robert Hume
Chandogya Upanishad
''The Thirteen Principal Upanishads'', Oxford University Press, pages 178-180 The syllable ''Om'' is thus implied as that which inspires the good inclinations within each person. Chandogya Upanishad's exposition of syllable ''Om'' in its opening chapter combines etymological speculations, symbolism, metric structure and philosophical themes. In the second chapter of the Chandogya Upanishad, the meaning and significance of ''Om'' evolves into a philosophical discourse, such as in section 2.10 where ''Om'' is linked to the Highest Self, and section 2.23 where the text asserts ''Om'' is the essence of three forms of knowledge, ''Om'' is Brahman and "Om is all this bserved world.

= Katha Upanishad

= The Katha Upanishad is the legendary story of a little boy, Nachiketa, the son of sage , who meets Yama, the Vedic deity of death. Their conversation evolves to a discussion of the nature of man, knowledge,

(Self) and moksha (liberation).Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 269-273 In section 1.2, Katha Upanishad characterises knowledge () as the pursuit of the good, and ignorance () as the pursuit of the pleasant.Max Muller (1962), Katha Upanishad, in The Upanishads – Part II, Dover Publications, , page 8 It teaches that the essence of the Veda is to make man liberated and free, look past what has happened and what has not happened, free from the past and the future, beyond good and evil, and one word for this essence is the word ''Om''.Paul Deussen, ''Sixty Upanishads of the Veda'', Volume 1, Motilal Banarsidass, , pages 284-286

= Maitri Upanishad

A Pahari painting of an OM containing deities, c

The

Maitrayaniya Upanishad The ''Maitrayaniya Upanishad'' ( sa, मैत्रायणीय उपनिषद्, ) is an ancient Sanskrit text that is embedded inside the Yajurveda.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages ...

in sixth ''Prapathakas'' (lesson) discusses the meaning and significance of ''Om''. The text asserts that ''Om'' represents Brahman-Atman. The three roots of the syllable, states the Maitri Upanishad, are ''A'' + ''U'' + ''M''. The sound is the body of Self, and it repeatedly manifests in three: * as gender-endowed body – feminine, masculine, neuter; * as light-endowed body – Agni, Vayu, and Aditya; * as deity-endowed body – Brahma, Rudra, and Vishnu; * as mouth-endowed body – ''garhapatya'', ''dakshinagni'', and ''ahavaniya''; * as knowledge-endowed body –

Rig Rig may refer to: Objects and structures * Rig (fishing), an arrangement of items used for fishing * Drilling rig, a structure housing equipment used to drill or extract oil from underground * Rig (stage lighting) * rig, a horse-drawn carriage ...

, Saman, and Yajur; * as world-endowed body – , , and ; * as time-endowed body – past, present, and future; * as heat-endowed body – breath, fire, and Sun; * as growth-endowed body – food, water, and Moon; * as thought-endowed body –

intellect In the study of the human mind, intellect refers to, describes, and identifies the ability of the human mind to reach correct conclusions about what is true and what is false in reality; and how to solve problems. Derived from the Ancient Gree ...

mind The mind is the set of faculties responsible for all mental phenomena. Often the term is also identified with the phenomena themselves. These faculties include thought, imagination, memory, will, and sensation. They are responsible for various m ...

, and psyche.Maitri Upanishad – Sanskrit Text with English Translation
EB Cowell (Translator), Cambridge University, ''Bibliotheca Indica'', page 258-260 Brahman exists in two forms – the material form, and the immaterial formless. The material form is changing, unreal. The immaterial formless isn't changing, real. The immortal formless is truth, the truth is the Brahman, the Brahman is the light, the light is the Sun which is the syllable ''Om'' as the Self. The world is ''Om'', its light is Sun, and the Sun is also the light of the syllable ''Om'', asserts the Upanishad. Meditating on ''Om'', is acknowledging and meditating on the Brahman-Atman (Self).

= Mundaka Upanishad

A Yantra with Tamil Om symbol in center, at a Mariamman Temple

The

Mundaka Upanishad The Mundaka Upanishad ( sa, मुण्डक-उपनिषद्, ) is an ancient Sanskrit Vedic text, embedded inside Atharva Veda. It is a Mukhya (primary) Upanishad, and is listed as number 5 in the Muktika canon of 108 Upanishads of Hin ...

in the second ''Mundakam'' (part), suggests the means to knowing the Atman and the Brahman are meditation, self-reflection, and introspection and that they can be aided by the symbol ''Om''. Adi Shankara, in his review of the Mundaka Upanishad, states ''Om'' as a symbolism for

(Self).

= Mandukya Upanishad

= The Mandukya Upanishad opens by declaring, "''Om''!, this syllable is this whole world". Thereafter, it presents various explanations and theories on what it means and signifies. This discussion is built on a structure of "four fourths" or "fourfold", derived from ''A'' + ''U'' + ''M'' + "silence" (or without an element).Paul Deussen, ''Sixty Upanishads of the Veda'', Volume 2, Motilal Banarsidass, , pages 605-637 * ''Om'' as all states of Time. *: In verse 1, the Upanishad states that time is threefold: the past, the present and the future, that these three are ''Om''. The four fourth of time is that which transcends time, that too is ''Om'' expressed. * ''Om'' as all states of Ātman . *: In verse 2, states the Upanishad, everything is Brahman, but Brahman is Atman (the Self), and that the Atman is fourfold. Johnston summarizes these four states of Self, respectively, as seeking the physical, seeking inner thought, seeking the causes and spiritual consciousness, and the fourth state is realizing oneness with the Self, the Eternal.Charles Johnston
The Measures of the Eternal – Mandukya Upanishad
Theosophical Quarterly, October, 1923, pages 158-162 * ''Om'' as all states of Consciousness. *: In verses 3 to 6, the Mandukya Upanishad enumerates four states of consciousness: wakeful, dream, deep sleep, and the state of ''ekatma'' (being one with Self, the oneness of Self). These four are ''A'' + ''U'' + ''M'' + "without an element" respectively. * ''Om'' as all of Knowledge. *: In verses 9 to 12, the Mandukya Upanishad enumerates fourfold etymological roots of the syllable ''Om''. It states that the first element of ''Om'' is ''A'', which is from ''Apti'' (obtaining, reaching) or from ''Adimatva'' (being first). The second element is ''U'', which is from ''Utkarsa'' (exaltation) or from ''Ubhayatva'' (intermediateness). The third element is ''M'', from ''Miti'' (erecting, constructing) or from ''Mi Minati, or apīti'' (annihilation). The fourth is without an element, without development, beyond the expanse of universe. In this way, states the Upanishad, the syllable Om is indeed the Atman (the self).

= Shvetashvatara Upanishad

= The

Shvetashvatara Upanishad The ''Shvetashvatara Upanishad'' ( sa, श्वेताश्वतरोपनिषद् or or , IAST: ' or ') is an ancient Sanskrit text embedded in the Yajurveda. It is listed as number 14 in the Muktika canon of 108 Upanishads. The Upa ...

, in verses 1.14 to 1.16, suggests meditating with the help of syllable ''Om'', where one's perishable body is like one fuel-stick and the syllable ''Om'' is the second fuel-stick, which with discipline and diligent rubbing of the sticks unleashes the concealed fire of thought and awareness within. Such knowledge, asserts the Upanishad, is the goal of Upanishads.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 308 The text asserts that ''Om'' is a tool of meditation empowering one to know the God within oneself, to realize one's Atman (Self). Ganesha-aum

= Ganapati Upanishad

= The

Ganapati Upanishad Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu d ...

asserts that Ganesha is same as Brahma, Vishnu, Shiva, all deities, the universe, and ''Om''.

Ramayana

In Valmiki's Ramayana, Rama is identified with ''Om'', with Brahma saying to Rama:

Bhagavad Gita

The

Bhagavad Gita The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (c ...

, in the Epic Mahabharata, mentions the meaning and significance of ''Om'' in several verses. According to Jeaneane Fowler, verse 9.17 of the Bhagavad Gita synthesizes the competing dualistic and monist streams of thought in Hinduism, by using "''Om'' which is the symbol for the indescribable, impersonal Brahman". The significance of the sacred syllable in the Hindu traditions, is similarly highlighted in other verses of the ''Gita'', such as verse 17.24 where the importance of ''Om'' during prayers, charity and meditative practices is explained as follows:

Puranas

The medieval era texts of Hinduism, such as the

Puranas Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends an ...

adopt and expand the concept of ''Om'' in their own ways, and to their own theistic sects.

Vaishnava traditions

The Vaishnava '' Garuda Purana'' equates the recitation of ''Om'' with obeisance to Vishnu. According to the '' Vayu Purana'', ''Om'' is the representation of the Hindu Trimurti, and represents the union of the three gods, viz. ''A'' for Brahma, ''U'' for Vishnu and ''M'' for Shiva. The ''

Bhagavata Purana The ''Bhagavata Purana'' ( sa, भागवतपुराण; ), also known as the ''Srimad Bhagavatam'', ''Srimad Bhagavata Mahapurana'' or simply ''Bhagavata'', is one of Hinduism's eighteen great Puranas (''Mahapuranas''). Composed in Sa ...

'' (9.14.46-48) identifies the ''Pranava'' as the root of all Vedic mantras, and describes the combined letters of ''a-u-m'' as an invocation of seminal birth,

initiation Initiation is a rite of passage marking entrance or acceptance into a group or society. It could also be a formal admission to adulthood in a community or one of its formal components. In an extended sense, it can also signify a transformation ...

, and the performance of sacrifice (

yajña Yajna ( sa, यज्ञ, yajña, translit-std=IAST, sacrifice, devotion, worship, offering) refers in Hinduism to any ritual done in front of a sacred fire, often with mantras.SG Nigal (1986), Axiological Approach to the Vedas, Northern Book ...

Shaiva traditions

In Shaiva traditions, the '' Shiva Purana'' highlights the relation between deity Shiva and the ''Pranava'' or ''Om''. Shiva is declared to be ''Om'', and that ''Om'' is Shiva.

Shakta traditions

In the

thealogy Thealogy views divine matters with feminine perspectives including but not only feminism. Valerie Saiving, Isaac Bonewits (1976) and Naomi Goldenberg (1979) introduced the concept as a neologism (new word) in feminist terms. Its use then widen ...

Shakta Shaktism ( sa, शाक्त, , ) is one of several major Hindu denominations, wherein the metaphysical reality is considered metaphorically a woman and Shakti (Mahadevi) is regarded as the supreme godhead. It includes many goddesses, all ...

traditions, ''Om'' connotes the female divine energy, Adi Parashakti, represented in the Tridevi: ''A'' for the creative energy (the Shakti of Brahma), Mahasaraswati, ''U'' for the preservative energy (the Shakti of Vishnu), Mahalakshmi, and ''M'' for the destructive energy (the Shakti of Shiva), Mahakali. The 12th book of the '' Devi-Bhagavata Purana'' describes the

Goddess A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of s ...

as the mother of the Vedas, the ''Adya Shakti'' (primal energy, primordial power), and the essence of the Gayatri mantra.

Other texts

Yoga Sutra

The aphoristic verse 1.27 of Pantanjali's ''

Yogasutra The ''Yoga Sutras of Patañjali'' is a collection of Sanskrit sutras (aphorisms) on the theory and practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar). The ''Y ...

'' links ''Om'' to Yoga practice, as follows: Johnston states this verse highlights the importance of ''Om'' in the meditative practice of yoga, where it symbolises the three worlds in the Self; the three times – past, present, and future eternity; the three divine powers – creation, preservation, and transformation in one Being; and three essences in one Spirit – immortality, omniscience, and joy. It is, asserts Johnston, a symbol for the perfected Spiritual Man.

Chaitanya Charitamrita

In Krishnava traditions, Krishna is revered as Svayam Bhagavan, the Supreme Lord himself, and ''Om'' is interpreted in light of this. According to the '' Chaitanya Charitamrita'', ''Om'' is the sound representation of the Supreme Lord. ''A'' is said to represent Bhagavan Krishna (Vishnu), ''U'' represents

Srimati Shrimati or Shreemati ( sa, श्रीमती, translit=Śrīmatī), abbreviated Smt., is a widely accepted Indian honorific (akin to Ms. in English) used when referring to an adult woman in some Indian languages, including Bengali, Hindi, ...

Radharani Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also de ...

( Mahalakshmi), and ''M'' represents jiva, the Self of the devotee.

Jainism

In Jainism, ''Om'' is considered a condensed form of reference to the

Pañca-Parameṣṭhi The (Sanskrit: पञ्च परमेष्ठी for "five supreme beings") in Jainism are a fivefold hierarchy of religious authorities worthy of veneration. Overview The five supreme beings are: #'' Arihant'': The awakened souls wh ...

by their initials ''A+A+A+U+M'' ('). The Dravyasamgraha quotes a Prakrit line: By extension, the Om symbol is also used in Jainism to represent the first five lines of the Namokar mantra, the most important part of the daily prayer in the Jain religion, which honours the ''Pañca-Parameṣṭhi''. These five lines are (in English): "(1.) veneration to the Arhats, (2.) veneration to the perfect ones, (3.) veneration to the masters, (4.) veneration to the teachers, (5.) veneration to all the monks in the world".

Buddhism

''Om'' is often used in some later schools of Buddhism, for example Tibetan Buddhism, which was influenced by Indian Hinduism and Tantra. In

East Asian Buddhism East Asian Buddhism or East Asian Mahayana is a collective term for the schools of Mahāyāna Buddhism that developed across East Asia which follow the Chinese Buddhist canon. These include the various forms of Chinese, Japanese, Korean, and Vi ...

, ''Om'' is often transliterated as the Chinese character ( pinyin ') or ( pinyin ').

Tibetan Buddhism and Vajrayana

In Tibetan Buddhism, ''Om'' is often placed at the beginning of mantras and dharanis. Probably the most well known mantra is "

Om mani padme hum ' ( sa, ॐ मणि पद्मे हूँ, ) is the six-syllabled Sanskrit mantra particularly associated with the four-armed Shadakshari form of Avalokiteshvara, the bodhisattva of compassion. It first appeared in the Mahayana ''Kāraṇ ...

", the six syllable mantra of the Bodhisattva of compassion, Avalokiteśvara. This mantra is particularly associated with the four-armed form of Avalokiteśvara. Moreover, as a seed syllable (''

Bīja In Hinduism and Buddhism, the Sanskrit term Bīja () ( Jp. 種子 shuji) (Chinese 种子 zhǒng zǐ), literally seed, is used as a metaphor for the origin or cause of things and cognate with bindu. Buddhist theory of karmic seeds Various schools ...

mantra''), ''Om'' is considered sacred and holy in Esoteric Buddhism. Some scholars interpret the first word of the mantra to be , with a meaning similar to Hinduism – the totality of sound, existence, and consciousness. has been described by the

14th Dalai Lama The 14th Dalai Lama (spiritual name Jetsun Jamphel Ngawang Lobsang Yeshe Tenzin Gyatso, known as Tenzin Gyatso (Tibetan: བསྟན་འཛིན་རྒྱ་མཚོ་, Wylie: ''bsTan-'dzin rgya-mtsho''); né Lhamo Thondup), known as ...

as "composed of three pure letters, A, U, and M. These symbolize the impure body, speech, and mind of everyday unenlightened life of a practitioner; they also symbolize the pure exalted body, speech and mind of an enlightened Buddha". According to Simpkins, ''Om'' is a part of many mantras in Tibetan Buddhism and is a symbolism for wholeness, perfection, and the infinite.

Japanese Buddhism

''A-un''

The term is the transliteration in Japanese of the two syllables "''a''" and "", written in Devanagari as . In Japanese, it is often

conflated Conflation is the merging of two or more sets of information, texts, ideas, opinions, etc., into one, often in error. Conflation is often misunderstood. It originally meant to fuse or blend, but has since come to mean the same as equate, treati ...

with the syllable ''Om''. The original Sanskrit term is composed of two letters, the first () and the last () letters of the Devanagari abugida, with diacritics (including anusvara) on the latter indicating the "-" of "". Together, they symbolically represent the beginning and the end of all things. In Japanese '' Mikkyō'' Buddhism, the letters represent the beginning and the end of the universe. This is comparable to

Alpha and Omega Alpha (Α or α) and omega (Ω or ω) are the first and last letters of the Greek alphabet, and a title of Christ and God in the Book of Revelation. This pair of letters is used as a Christian symbol, and is often combined with the Cross, Chi-rh ...

, the first and last letters of the Greek alphabet, similarly adopted by Christianity to symbolise Christ as the beginning and end of all. The term ''a-un'' is used figuratively in some Japanese expressions as or , indicating an inherently harmonious relationship or nonverbal communication.

''Niō'' guardian kings and ''komainu'' lion-dogs

The term is also used in Buddhist architecture and Shinto to describe the paired statues common in Japanese religious settings, most notably the Niō () and the '' komainu'' (). One (usually on the right) has an open mouth regarded by Buddhists as symbolically speaking the "A" syllable; the other (usually on the left) has a closed mouth, symbolically speaking the "Un" syllable. The two together are regarded as saying "''A-un''". The general name for statues with an open mouth is , that for those with a closed mouth . Niō statues in Japan, and their equivalent in East Asia, appear in pairs in front of Buddhist temple gates and

stupa A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumamb ...

s, in the form of two fierce looking guardian kings ('' Vajrapani''). Komainu, also called lion-dogs, found in Japan, Korea and China, also occur in pairs before Buddhist temples and public spaces, and again, one has an open mouth (''Agyō''), the other closed (''Ungyō'').

Sikhism

''Ik Onkar'' ( pa, ਇੱਕ ਓਅੰਕਾਰ; iconically represented as ) are the first words of the

Mul Mantar The Mūl Mantar ( pa, ਮੂਲ ਮੰਤਰ, ) is the opening verse of the Sikh scripture, the ''Guru Granth Sahib''. It consists of thirteen words in the Punjabi language, written in Gurmukhi script, and are the most widely known among the Si ...

, which is the opening verse of the Guru Granth Sahib, the Sikh scripture. Combining the numeral one ("''Ik''") and "''Onkar''", ''Ik Onkar'' literally means "one ''Om ''";Mahinder Gulati (2008), Comparative Religious And Philosophies : Anthropomorphlsm And Divinity, Atlantic, , pages 284-285 these words are a statement that there is "one God", understood to refer to the "absolute

monotheistic Monotheism is the belief that there is only one deity, an all-supreme being that is universally referred to as God. Cross, F.L.; Livingstone, E.A., eds. (1974). "Monotheism". The Oxford Dictionary of the Christian Church (2 ed.). Oxford: Oxford ...

unity of God" and implying "singularity in spite of the seeming multiplicity of existence". According to Pashaura Singh, ''Onkar'' is used frequently as invocation in Sikh scripture; it is the foundational word ('' shabad''), the seed of Sikh scripture, and the basis of the "whole creation of time and space". ''Ik Onkar'' is a significant name of God in the Guru Granth Sahib and Gurbani, states Kohli, and occurs as "''Aum''" in the Upanishads and where it is understood as the abstract representation of three worlds ('' Trailokya'') of

creation Creation may refer to: Religion *''Creatio ex nihilo'', the concept that matter was created by God out of nothing * Creation myth, a religious story of the origin of the world and how people first came to inhabit it * Creationism, the belief tha ...

. According to Wazir Singh, ''Onkar'' is a "variation of ''Om'' (''Aum'') of the ancient Indian scriptures (with a change in its orthography), implying the unifying ''seed-force'' that evolves as the universe". However, in Sikhism, ''Onkar'' is interpreted differently than in other Indian religions; ''Onkar'' refers directly to the creator of ultimate reality and consciousness, and not to the creation. Guru Nanak wrote a poem entitled ''Onkar'' in which, states Doniger, he "attributed the origin and sense of speech to the Divinity, who is thus the Om-maker".

Thelema

For both symbolic and

numerological Numerology (also known as arithmancy) is the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. It is also the study of the numerical value, via an alphanumeric system, of the letters in ...

reasons, Aleister Crowley adapted ''aum'' into a Thelemic magical formula, ''AUMGN'', adding a silent 'g' (as in the word ' gnosis') and a nasal 'n' to the ''m'' to form the compound letter 'MGN'; the 'g' makes explicit the silence previously only implied by the terminal 'm' while the 'n' indicates nasal vocalisation connoting the breath of life and together they connote knowledge and generation. Together these letters, ''MGN'', have a numerological value of 93, a number with

polysemic Polysemy ( or ; ) is the capacity for a sign (e.g. a symbol, a morpheme, a word, or a phrase) to have multiple related meanings. For example, a word can have several word senses. Polysemy is distinct from ''monosemy'', where a word has a single ...

significance in Thelema. ''Om'' appears in this extended form throughout Crowley's magical and philosophical writings, notably appearing in the ''

Gnostic Mass A Gnostic Mass is a liturgical Mass administered by a Gnostic church. Several such churches exist, each with its own version of the Mass. Some of these are: * Ecclesia Gnostica celebrates a traditional Gnostic Mass called the Gnostic Holy Euchari ...

''. Crowley discusses its symbolism briefly in section F of ''

Liber Samekh The Libri of Aleister Crowley is a list of texts mostly written or adapted by Aleister Crowley. Some are attributed to other authors. The list was intended for students of Crowley's magical order, the A∴A∴. Classes The publications of t ...

'' and in detail in chapter 7 of '' Magick (Book 4)''.

Modern reception

The Brahmic script ''Om''-ligature has become widely recognized in Western counterculture since the 1960s, mostly in its standard Devanagari form (), but the Tibetan alphabet ''Om'' () has also gained limited currency in popular culture.

In meditation

Meditating and chanting of ''Om'' can be done by first concentrating on a picture of ''Om'' and then effortlessly mentally chanting the mantra. Meditating and mental chanting have been said to improve the physiological state of the person by increasing alertness and sensory sensitivity.

Notes

References

Bibliography

* * * * * * * * * {{sister bar, auto=yes, wikt=ॐ Brahmic graphemes Hindu philosophical concepts Buddhist symbols Hindu symbols Jain symbols Sikh symbols Buddhist mantras Hindu mantras Jain mantras Thelema Om mantras

Common names and synonyms

Origin and spiritual significance

Pronunciation

Written representations

South Asia

East and Southeast Asia

Representation in various scripts

Northern Brahmic

Southern Brahmic

East Asian

Other

Hinduism

Vedas

Brahmanas

= Aitareya Brahmana

Upanishads

= Chandogya Upanishad

= Katha Upanishad

= Maitri Upanishad

= Mundaka Upanishad

= Mandukya Upanishad

= Shvetashvatara Upanishad

= Ganapati Upanishad

Ramayana

Bhagavad Gita

Puranas

Vaishnava traditions

Shaiva traditions

Shakta traditions

Other texts

Yoga Sutra

Chaitanya Charitamrita

Jainism

Buddhism

Tibetan Buddhism and Vajrayana

Japanese Buddhism

''A-un''

''Niō'' guardian kings and ''komainu'' lion-dogs

Sikhism

Thelema

Modern reception

In meditation

See also

Notes

References

Bibliography