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Niō
are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapāṇi, the oldest and most powerful of the Mahayana Buddhist pantheon. According to scriptures like the Pāli Canon as well as the ''Ambaṭṭha Sutta'', they travelled with Gautama Buddha to protect him. Within the generally pacifist tradition of Buddhism, stories of dharmapalas justified the use of physical force to protect cherished values and beliefs against evil. They are also seen as a manifestation of Mahasthamaprapta, the bodhisattva of power that flanks Amitābha in Pure Land Buddhism and as Vajrasattva in Tibetan Buddhism. Manifestations Symbolic meaning They are usually portrayed as a pair of figures that stand guarding temple entrance gates usually called '' Shānmén'' (山門) in China, in Japan and ''Geumgangmun'' () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niōmon
is the Japanese name of a Buddhist temple A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represen ... gate guarded by two wooden warriors called Niō (lit. Two Kings). The gate is called Heng Ha Er Jiang (哼哈二将) in China and Geumgangmun (금강문) in Korea. The two statues are inside the two posts of the gate itself, one at the left, one at the right. Structurally, it usually is either a ''rōmon'' or a ''nijūmon'' and can measure either 5x2 or 3x2 ''Ken (architecture), bays''. It can sometimes have just one story, as in the case of Asakusa's Kaminarimon. In a five-bay gate, the figures of the two Niō are usually enshrined in the two outer bays, but can be sometimes found also in the inner ones. The statue on the right is called and has his mouth open to utter the first letter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-un
''Om'' (or ''Aum'') (; sa, ॐ, ओम्, Ōṃ, translit-std=IAST) is a sacred sound, syllable, mantra, or an invocation in Hinduism. ''Om'' is the prime symbol of Hinduism.Krishna Sivaraman (2008), ''Hindu Spirituality Vedas Through Vedanta'', Motilal Banarsidass, , page 433 It is variously said to be the essence of the supreme Absolute, consciousness,James Lochtefeld (2002), "Om", ''The Illustrated Encyclopedia of Hinduism'', Vol. 2: N-Z, Rosen Publishing. , page 482Om . ''Merriam-Webster'' (2013), Pronounced: \ˈōm\ '' Ātman,'' '','' or the cosmic world.David Leeming (2005), '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unkei
Unkei ( ja, 運慶; – 1223) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. He specialized in statues of the Buddha and other important Buddhist figures. Unkei's early works are fairly traditional, similar in style to pieces by his father, Kōkei. However, the sculptures he produced for the Tōdai-ji in Nara show a flair for realism different from anything Japan had seen before. Today, Unkei is the best known of the Kei artists, and many art historians consider him its "most distinguished member".Varley 94. Career Many extant works are said to be his, but the first that can be attributed to him with any certainty is a Dainichi Nyorai at Enjō-ji in Nara (1176). Unkei was a devout Buddhist, and records from 1183 (Heian period end) show that he transcribed two copies of the ''Lotus Sutra'' with the aid of two calligrapher monks and a woman sponsor named Akomaro. In the works' colophon, Unkei gives the names of all involved in performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrapāṇi
(Sanskrit; Pali: Vajirapāṇi, meaning, "Vajra in ishand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power. Vajrapāni is also called Chana Dorji and Chador and extensively represented in Buddhist iconography as one of the earliest three protective deities or bodhisattvas surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjushri manifests all the Buddhas' wisdom, Avalokiteśvara manifests all the Buddhas' immense compassion, and Vajrapāni protects Buddha and manifests all the Buddhas' power as well as the power of all five tathāgatas (Buddhahood of the rank of Buddha). Vajrapāni is one of the earliest Dharmapalas of Mahayana Buddhism and also appears as a deity in the Pali Canon of the Theravada school. He is worshiped in the Shaolin Monastery, in Tibetan Buddhism and in Pure Land Buddhism (where he is known as Mahasthamaprapta an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tōdai-ji
is a Buddhist temple complex that was once one of the powerful Nanto Shichi Daiji, Seven Great Temples, located in the city of Nara, Nara, Nara, Japan. Though it was originally founded in the year 738 CE, Tōdai-ji was not opened until the year 752 CE. The temple has undergone several reconstructions since then, with the most significant reconstruction (that of the Great Buddha Hall) taking place in 1709. Its Great Buddha Hall (大仏殿 ''Daibutsuden'') houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese as ''Daibutsu'' (大仏). The temple also serves as the Japanese headquarters of the Kegon school of Buddhism. The temple is a listed UNESCO World Heritage Site as one of the "Historic Monuments of Ancient Nara", together with seven other sites including temples, shrines and places in the city of Nara. History Origins The beginning of building a temple where the Kinshōsen-Ji complex sits today can be dated to 728 CE, when Emperor Shōmu e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahimsa
Ahimsa (, IAST: ''ahiṃsā'', ) is the ancient Indian principle of nonviolence which applies to all living beings. It is a key virtue in most Indian religions: Jainism, Buddhism, and Hinduism.Bajpai, Shiva (2011). The History of India – From Ancient to Modern Times', Himalayan Academy Publications (Hawaii, USA), ; see pages 8, 98 Ahimsa is one of the cardinal virtues of Jainism, where it is the first of the Pancha Mahavrata. It is also the first of the five precepts of Buddhism. ''Ahimsa'' is a multidimensional concept,John Arapura in K. R. Sundararajan and Bithika Mukerji Ed. (1997), Hindu spirituality: Postclassical and modern, ; see Chapter 20, pages 392–417 inspired by the premise that all living beings have the spark of the divine spiritual energy; therefore, to hurt another being is to hurt oneself. ''Ahimsa'' is also related to the notion that all acts of violence has karmic consequences. While ancient scholars of Brahmanism already investigated and refined th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaya-Vijaya
In Hinduism, Jaya and Vijaya are the two ''Dvarapala, dvarapalakas'' (gatekeepers) of the abode of Vishnu, known as Vaikuntha (meaning ''place of eternal bliss''). Due to a curse by the four Kumaras, they were forced to undergo multiple births as mortals who would be subsequently killed by various avatars of Vishnu. They were incarnated as Hiranyakashipu and Hiranyaksha in the Satya Yuga, Ravana and Kumbhakarna in the Treta Yuga, and finally Shishupala and Dantavakra in the Dvapara Yuga. Origin According to the Brahmanda Purana, Jaya and Vijaya were the sons of Kali (demon), Kali, a demon, and Kali, in turn, was one of the sons of Varuna and his wife, Stuta (Sanskrit (स्तुत, meaning 'praise'). The brother of Kali (and uncle of Jaya and Vijaya) was Vaidya. Iconography Jaya is depicted as a four-armed demigod with the chakra in his upper left hand, a shankha in his upper right hand, a Gada (mace), mace in his lower left hand, and a sword in his lower right hand. Vijaya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanāgarī
Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental writing system), based on the ancient ''Brāhmī'' script, used in the northern Indian subcontinent. It was developed and in regular use by the 7th century CE. The Devanagari script, composed of 47 primary characters, including 14 vowels and 33 consonants, is the fourth most widely adopted writing system in the world, being used for over 120 languages.Devanagari (Nagari) , Script Features and Description, SIL International (2013), United States The |
Grapheme
In linguistics, a grapheme is the smallest functional unit of a writing system. The word ''grapheme'' is derived and the suffix ''-eme'' by analogy with ''phoneme'' and other names of emic units. The study of graphemes is called ''graphemics''. The concept of graphemes is abstract and similar to the notion in computing of a Character (computing), character. By comparison, a specific shape that represents any particular grapheme in a given typeface is called a glyph. Conceptualization There are two main opposing grapheme concepts. In the so-called ''referential conception'', graphemes are interpreted as the smallest units of writing that correspond with sounds (more accurately phonemes). In this concept, the ''sh'' in the written English word ''shake'' would be a grapheme because it represents the phoneme Voiceless postalveolar fricative, /ʃ/. This referential concept is linked to the ''dependency hypothesis'' that claims that writing merely depicts speech. By contrast, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanmen
The Shanmen (), also known as the Gate of Three Liberations, is the most important gate of a Chinese Chan Buddhist temple. Etymology The origins of the name "sanmen" are debated. One theory is that "''Shanmen''" takes its literal meaning of "Mountain Gate", because temples were traditionally built in forested mountain areas where Chan monks could seclude away from secular life. Another suggests that during various episodes of suppression of Buddhism in Chinese history, monks moved their monasteries deep into the mountains, and later built gates at the foot of the mountain to guide pilgrims to the temples. A further theory is that "Shanmen" is a corruption of "Sanmen", or "Three Gates", referring to the "three gateways" to liberations.() in the Dharma - the "Kongmen" (; emptiness liberation), "wuxiangmen" (; no-aspects liberation) and "wuyuanmen" (; desireless liberation). The latter view correlates with the traditional structure of Chan temples which included three gateways, sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Buddhism
Tibetan Buddhism (also referred to as Indo-Tibetan Buddhism, Lamaism, Lamaistic Buddhism, Himalayan Buddhism, and Northern Buddhism) is the form of Buddhism practiced in Tibet and Bhutan, where it is the dominant religion. It is also in majority regions surrounding the Himalayan areas of India (such as Ladakh, Sikkim, Arunachal Pradesh, and a minority in Himachal Pradesh and Uttarakhand), in much of Central Asia, in the southern Siberian regions such as Tuva, and in Mongolia. Tibetan Buddhism evolved as a form of Mahāyāna Buddhism stemming from the latest stages of Indian Buddhism (which also included many Vajrayāna elements). It thus preserves many Indian Buddhist tantric practices of the post-Gupta early medieval period (500 to 1200 CE), along with numerous native Tibetan developments. In the pre-modern era, Tibetan Buddhism spread outside of Tibet primarily due to the influence of the Mongol Yuan dynasty (1271–1368), founded by Kublai Khan, which had ruled China, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrasattva
Vajrasattva ( sa, वज्रसत्त्व, Tibetan: རྡོ་རྗེ་སེམས་དཔའ། ''Dorje Sempa'', short form is རྡོར་སེམས། ''Dorsem'', Монгол: Доржсэмбэ) is a bodhisattva in the Mahayana, Mantrayana/Vajrayana Buddhist traditions. In Chinese Buddhism and the Japanese Shingon tradition, Vajrasatva is the esoteric aspect of the bodhisattva Samantabhadra and is commonly associated with the student practitioner who through the master's teachings, attains an ever-enriching subtle and rarefied grounding in their esoteric practice. In Tibetan Buddhism Vajrasatva is associated with the sambhogakāya and purification practice. Vajrasatva appears principally in two Buddhists texts: the ''Mahavairocana Sutra'' and the ''Vajrasekhara Sutra''. In the Diamond Realm Mandala, Vajrasatva sits to the East near Akshobhya Buddha. In some esoteric lineages, Nagarjuna was said to have met Vajrasatva in an iron tower in South India, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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