|
Œdipe (opera)
''Œdipe'' (Oedipe) is an opera in four acts by the Romanian composer George Enescu, set to a French libretto by Edmond Fleg. It is based on the mythological tale of Oedipus, as told by Sophocles in ''Oedipus the King''. Enescu had the idea to compose an Oedipus-inspired opera even before finding a libretto and began to sketch music for it in 1910. The first-draft libretto from Fleg arrived in 1913. Enescu completed the music in 1922 and the orchestration in 1931. The opera received its world premiere in Paris on 13 March 1936. The first Romanian production was conducted by Constantin Silvestri in Bucharest on 22 September 1958, using a Romanian translation of the libretto by . The first German production was in Berlin in 1996, in a production that subsequently traveled to the Vienna State Opera. The United States premiere was in 2005 at the University of Illinois at Urbana-Champaign. The first performance at the Salzburg Festival took place during the summer of 2019 with Christop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biography Enescu was born in Romania, in the village of Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian Land"), and is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myth
Myth is a folklore genre consisting of Narrative, narratives that play a fundamental role in a society, such as foundational tales or Origin myth, origin myths. Since "myth" is widely used to imply that a story is not Objectivity (philosophy), objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Pernet
André Pernet (6 January 1894 – 17 June 1966) was a French bass-baritone opera performer. After serving as a military officer in World War I, Pernet studied at the Paris Conservatory before making his operatic debut in Massenet's Hérodiade at Nice, in 1921. He sang at the Paris Opéra beginning in 1928. He also performed in Amsterdam, Brussels, London and Monte Carlo. He is perhaps best remembered today for his role as the father in the 1939 film version of Gustave Charpentier's ''Louise'', directed by Abel Gance and also featuring Grace Moore and Georges Thill. He was noted for singing the title parts in ''Mefistofele'', '' Boris Godunov'', '' Don Giovanni'' and ''Don Quichotte ''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie-héroïque'', like many dramatiz ...''. Among the operas in which he created roles d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sphinx
A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of a lion, and the wings of a bird. She is mythicized as treacherous and merciless, and will kill and eat those who cannot answer her riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. Unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx ( grc, ανδρόσφιγξ)). In addition, the Egyptian sphinx was viewed as benevolent but having a ferocious strength similar to the malevolent Greek version. Both were thought of as guardians and often flank the entrances to temples. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, initially very similar to the original Ancient Egyptian concept, was exported ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jocasta
In Greek mythology, Jocasta (), also rendered Iocaste ( grc, Ἰοκάστη ) and also known as Epicaste (; ), was a daughter of Menoeceus, a descendant of the Spartoi Echion, and queen consort of Thebes. She was the wife of first Laius, then of their son Oedipus, and both mother and grandmother of Antigone, Eteocles, Polynices and Ismene. She was also sister of Creon and mother-in-law of Haimon. Life After his abduction and rape of Chrysippus, Laius married Jocasta. Laius received an oracle from Delphi which told him that he must not have a child with his wife, or the child would kill him and marry her; in another version, recorded by Aeschylus, Laius is warned that he can only save the city if he dies childless. One night, Laius became drunk and fathered Oedipus with Jocasta. Jocasta handed the newborn infant over to Laius. Jocasta or Laius pierced and pinned the infant's ankles together. Laius instructed his chief shepherd, Menoetes (not to be confused with Menoetes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creon Of Thebes
Creon (; grc, Κρέων, Kreōn, ruler), is a figure in Greek mythology best known as the ruler of Thebes in the legend of Oedipus. Family Creon had four sons and three daughters with his wife, Eurydice (sometimes known as Henioche): Henioche, Pyrrha, Megareus (also called Menoeceus), Lycomedes and Haimon. Creon and his sister, Jocasta, were descendants of Cadmus and of the Spartoi. He is sometimes considered to be the same person who purified Amphitryon of the murder of his uncle Electryon and father of Megara, first wife of Heracles. Mythology First Regency After the death of King Laius of Thebes by the hands of his own son Oedipus, Creon sat on the vacant throne and became the ruler of the kingdom. During this regency, Amphitryon arrived with his fiancée Alcmena and her half-brother Licymnius from Mycenae, seeking exile and purification for the death of his prospective father-in-law King Electryon, whom he accidentally had killed. Creon purified him, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigone
In Greek mythology, Antigone ( ; Ancient Greek: Ἀντιγόνη) is the daughter of Oedipus and either his mother Jocasta or, in another variation of the myth, Euryganeia. She is a sister of Polynices, Eteocles, and Ismene.Roman, L., & Roman, M. (2010). The meaning of the name is, as in the case of the masculine equivalent Antigonus, "worthy of one's parents" or "in place of one's parents". She appears in the three 5th century BC tragic plays written by Sophocles, known as the three Theban plays, and she is the main protagonist of the eponymous tragedy ''Antigone''. In Sophocles The story of Antigone was addressed by the fifth-century BC Greek playwright Sophocles in his Theban plays: ''Oedipus Rex'' Antigone and her sister Ismene are seen at the end of '' Oedipus Rex'' as Oedipus laments the "shame" and "sorrow" he is leaving his daughters to. He then begs Creon to watch over them, but in his grief reaches to take them with him as he is led away. Creon prevents hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
