|
Ādityahṛdayam
''Ādityahṛudayam'' ( sa, आदित्यहृदयम्, ) is a Hindu devotional hymn dedicated to Āditya or Sūrya (the Sun God) found in the Yuddha Kānda (6.105) of Vālmīki's Rāmāyana. It was recited by the sage Agastya to Rāma in the battlefield before fighting with the Rakshasa king Rāvaṇa. In it, Agastya teaches Rāma the procedure of worshiping Āditya ( for strength ) to defeat the enemy. Etymology ''Āditya'' ( sa, आदित्य, ''lit.'' "son of Aditi") refers to the Sun. ''Hṛdayam'' ( sa, हृदयम्) is the Sanskrit word for '''heart. Structure The Ādityahṛdayam is made up of thirty '' śhloka''s which can be divided into six sections: Text See also * Gayatri Mantra The Gāyatrī Mantra, also known as the Sāvitri Mantra, is a highly revered mantra from the '' Rig Veda'' (Mandala 3.62.10), dedicated to the Vedic deity Savitr. is the name of the Goddess of the Vedic meter in which the verse is composed. It ... Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya Poster
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sūrya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aditi
Aditi (Sanskrit: अदिति, lit. 'boundless' or 'limitless' or 'innocence') is an important Vedic goddess in Hinduism. She is the personification of the sprawling infinite and vast cosmos. She is the goddess of motherhood, consciousness, unconsciousness, the past, the future, and fertility. She is the mother of the celestial deities known as the adityas, and is referred to as the mother of many deities. As celestial mother of numerous beings, the synthesis of all things, she is associated with space (''akasha'') and with mystic speech (''Vāc''). She may be seen as a feminine form of Brahma, and associated with the primal substance (''mulaprakriti'') in the Vedanta. She is mentioned more than 250 times in the ''Rigveda,'' the verses replete with her praise. Family Aditi is the daughter of Daksha and Asikni (Panchajani). The ''Puranas'', such as the ''Shiva Purana'' and the ''Bhagavata Purana'', suggest that Daksha married all of his daughters off to different people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Music
Hindu music is music created for or influenced by Hinduism. It includes Indian classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India. The most common Hindu bhajan in North India is " Om Jai Jagdish Hare." The names of Gods are religiously chanted, often including Vishnu and his incarnations, Shiva and the Goddess (Parvati, Shakti, Vaishnodevi). A very common scale in Hindu music is 1 2 3 4 5 6 7, which can be harmonized into a chord progression. ''Bhajan'' A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity's 1008 names. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayatri Mantra
The Gāyatrī Mantra, also known as the Sāvitri Mantra, is a highly revered mantra from the '' Rig Veda'' (Mandala 3.62.10), dedicated to the Vedic deity Savitr. is the name of the Goddess of the Vedic meter in which the verse is composed. Its recitation is traditionally preceded by ' and the formula ', known as the ', or "great (mystical) utterance". The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the ''Bhagavad Gita'', ''Harivamsa'', and ''Manusmṛti''. The mantra and its associated metric form was known by the Buddha. The mantra is an important part of the upanayana ceremony. Modern Hindu reform movements spread the practice of the mantra to everyone and its use is now very widespread. Text The main mantra appears in the hymn RV 3.62.10. During its recitation, the hymn is preceded by ' () and the formula ' (). This prefixing of the mantra is properly described in the Taittiriya Arany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient Brahmi script, ''Brāhmī'' script, used in the northern Indian subcontinent. It was developed and in regular use by the 7th century CE. The Devanagari script, composed of 47 primary characters, including 14 vowels and 33 consonants, is the fourth most widely List of writing systems by adoption, adopted writing system in the world, being used for over 120 languages.Devanagari (Nagari) , Script Features and Description, SIL International (2013), United States The orthography of this script reflects the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japa
''Japa'' ( sa, जप) is the meditative repetition of a mantra or a divine name. It is a practice found in Hinduism, Jainism, Sikhism, and Buddhism, with parallels found in other religions. ''Japa'' may be performed while sitting in a meditation posture, while performing other activities, or as part of formal worship in group settings. The mantra or name may be spoken softly, loud enough for the practitioner to hear it, or it may be recited silently within the practitioner's mind. Etymology The Sanskrit word ''japa'' is derived from the root ''jap-'', meaning "to utter in a low voice, repeat internally, mutter". It can be further defined as ''ja'' to destroy birth, death, and reincarnation and ''pa'' meaning to destroy ones sins. Monier-Williams states that the term appears in Vedic literature such as in the Aitareya Brahmana (Rigveda) and the Shatapatha Brahmana (Yajurveda). The term means muttering, whispering or murmuring passages from the scripture, or charms, or name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantra
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
śloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāvaṇa
Ravana (; , , ) is a rakshasa king of the island of Lanka, and the chief antagonist of the Hindu epic ''Ramayana'' and its adaptations. In the ''Ramayana'', Ravana is described to be the eldest son of sage Vishrava and rakshasi Kaikesi. He abducted Prince Rama's wife Sita and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Later, Rama, with the support of vanara King Sugriva and his army of vanaras, launched an invasion against Ravana in Lanka. Ravana was subsequently slain and Rama rescued his beloved wife Sita. Ravana is widely portrayed to be an evil character, though he also has many qualities that make him a learned scholar. He was well-versed in the six shastras and the four Vedas. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are seen associated with Shiva at some temples. He also appears in the Buddhist Mahayana text ''Laṅkāvatāra Sūtra'', in Buddhist Ramayanas and Jatakas, as well as in Jain Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Japa")
