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Zouk
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Zouk
Brazilian Zouk is a partner dance which began in Brazil during the early 1990s. Brazilian Zouk evolved from the partner dance known as the Lambada. As the Lambada music genre went out of fashion, Lambada dancers turned to Caribbean Zouk (from the francophone, Caribbean Islands) as their music of choice. It was this transition that birthed the dance known as Brazilian Zouk. The term "Brazilian Zouk" was adopted in order to distinguish the dance style from the musical genre "Caribbean Zouk". Nowadays the term "Zouk" is commonly used to refer to the "Brazilian Zouk" dance style. The most characteristic feature of Brazilian Zouk is the follower's upper body movements which are led out of axis by intricate leading and following techniques. Other features include body isolations, tilted turns and more recently counter-balance techniques. Brazilian Zouk is a dance with well defined basic steps and rhythmic patterns. The representation of these steps and rhythmic patterns varies depending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kassav'
Kassav' is a French Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jacob Desvarieux, Jocelyne Béroard, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur, and Georges Décimus (who left to form Volt Face and returned). Kassav' have issued over 20 albums, with a further 12 solo albums by band members. The music of Kassav' is an extension of cadence-lypso or compas bands, such as Grammacks, Exile One, Les Aiglons and Experience 7 of the 1970s. History Kassav' was formed in 1979 by Pierre-Edouard Décimus (former musicians from the Les Vikings de Guadeloupe) and Paris studio musician Jacob Desvarieux. Together and under the influence of well-known Dominican, Haitian and Guadeloupean kadans or compas bands like Experience 7, Grammacks, Exile One, Les Aiglons, Tabou Combo, Les Freres Dejean, etc., they decided to make Guadeloupean carnival music recording it in a more fully orchestrated yet modern and polished style. The na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zouk
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwo Ka
Gwo ka is a French creole term for big drum. Alongside ''Gwotanbou'', simply ''Ka'' or ''Banboula'' (archaic), it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine (''tanbou d'bas'') played in kadri music, or even simply to drum (''tanbou'') in general. The Gwo Ka musical practice emerged in the seventeenth century, during the transatlantic slave trade Seven simple drum patterns form the basis of gwo ka music, on which the drummers build rhythmic improvisations. Different sizes of drums provide the foundation and its flourishes. The largest, the boula, plays the central rhythm while the smaller ''maké'' (or markeur) embellishes upon it, inter-playing with dancers, audience, or singer. Gwo ka singing is usually guttural, nasal, and rough, though it can also be bright and smooth, and is accompanied by upliftin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwo Ka
Gwo ka is a French creole term for big drum. Alongside ''Gwotanbou'', simply ''Ka'' or ''Banboula'' (archaic), it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine (''tanbou d'bas'') played in kadri music, or even simply to drum (''tanbou'') in general. The Gwo Ka musical practice emerged in the seventeenth century, during the transatlantic slave trade Seven simple drum patterns form the basis of gwo ka music, on which the drummers build rhythmic improvisations. Different sizes of drums provide the foundation and its flourishes. The largest, the boula, plays the central rhythm while the smaller ''maké'' (or markeur) embellishes upon it, inter-playing with dancers, audience, or singer. Gwo ka singing is usually guttural, nasal, and rough, though it can also be bright and smooth, and is accompanied by upliftin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence-lypso
Cadence-lypso is a fusion of cadence rampa from Haiti and calypso from Trinidad and Tobago that has also spread to other English speaking countries of the Caribbean. Originated in the 1970s by the Dominican band Exile One on the island of Guadeloupe, it spread and became popular in the dance clubs around the Creole world and Africa as well as the French Antilles. Genres: Caribbean and Latin America. Gordon Henderson is the leader and founder of Exile One, and the one who coined the term ''cadence-lypso''. Performing the Caribbean Experience. History Dominican contemporary music, that is the music played by the dance bands from the 1950s, has played a very important role in Dominica national life. Dominica musical landscape has seen many changes in the intervening period from 1950. In the forties and fifties, there were bands such as the Casimir Brothers of Roseau. The Swinging Stars emerged at the end of the fifties. Their music was a dance-oriented version of many kinds of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martinique
Martinique ( , ; gcf, label=Martinican Creole, Matinik or ; Kalinago: or ) is an island and an overseas department/region and single territorial collectivity of France. An integral part of the French Republic, Martinique is located in the Lesser Antilles of the West Indies in the eastern Caribbean Sea. It has a land area of and a population of 364,508 inhabitants as of January 2019.Populations légales 2019: 972 Martinique INSEE One of the , it is directly north of Saint Lucia, northwest of |
Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common to ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biguine
Biguine ( , ; gcf, label=Antillean Creole, bigin) is a rhythm-centric style of music that originated from Saint Pierre, Martinique in the 19th century. It fuses Bèlè and 19th-century French ballroom dance steps with African rhythms. History Two main types of French antillean biguine can be identified based on the instrumentation in contemporary musical practice, called the ''drum biguine'' and the ''orchestrated biguine''. Each of these refers to characteristics of a specific origin. The drum biguine, or ''bidgin bèlè'' in Creole, comes from a series of bèlè dances performed since early colonial times by the slaves who inhabited the great sugar plantations. Musically, the bidgin bèlè can be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks (tibwa); the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence Rampa
Cadence rampa ( ht, kadans ranpa, ), or simply kadans, is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. Genres: Caribbean and Latin America. Cadence and compas are two names for the same Haitian modern meringue. Ethnology Cadence rampa literally means ''rampart rhythm''. History Webert Sicot left Nemours Jean-Baptiste's compas band and called his music cadence to differentiate it from compas especially when he took it abroad, and so the rivalry between Sicot and Nemours created these names. Sicot created a new rhythm, ''cadence rampa'', to counter compas, but it was only in a spirit of competition. The rhythm of cadence rampa was identical to compas except for the addition of the second drum that sounded on every fourth beat. In the 1930s several biguine artists from Martinique and Guadeloupe moved to France, where they achieved great popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence Rampa
Cadence rampa ( ht, kadans ranpa, ), or simply kadans, is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. Genres: Caribbean and Latin America. Cadence and compas are two names for the same Haitian modern meringue. Ethnology Cadence rampa literally means ''rampart rhythm''. History Webert Sicot left Nemours Jean-Baptiste's compas band and called his music cadence to differentiate it from compas especially when he took it abroad, and so the rivalry between Sicot and Nemours created these names. Sicot created a new rhythm, ''cadence rampa'', to counter compas, but it was only in a spirit of competition. The rhythm of cadence rampa was identical to compas except for the addition of the second drum that sounded on every fourth beat. In the 1930s several biguine artists from Martinique and Guadeloupe moved to France, where they achieved great popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guadeloupe
Guadeloupe (; ; gcf, label=Antillean Creole, Gwadloup, ) is an archipelago and overseas department and region of France in the Caribbean. It consists of six inhabited islands—Basse-Terre, Grande-Terre, Marie-Galante, La Désirade, and the two inhabited Îles des Saintes—as well as many uninhabited islands and outcroppings. It is south of Antigua and Barbuda and Montserrat, north of the Commonwealth of Dominica. The region's capital city is Basse-Terre, located on the southern west coast of Basse-Terre Island; however, the most populous city is Les Abymes and the main centre of business is neighbouring Pointe-à-Pitre, both located on Grande-Terre Island. It had a population of 384,239 in 2019.Populations légales 2019: 971 Guadeloupe INSEE Like the other overseas departments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |