Yōon
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Yōon
The , also written as ''yōon'', is a feature of the Japanese language in which a mora is formed with an added sound, i.e., palatalized, or (more rarely in the modern language) with an added sound, i.e. labialized. ''Yōon'' are represented in hiragana using a kana ending in ''i'', such as き (''ki''), plus a smaller version of one of the three ''y'' kana, ''ya'', ''yu'' or ''yo''. For example, ''kyō'', "today" (今日), is written きょう [], using a small version of the ''yo'' kana, よ. Contrast this with ''kiyō'', "skillful" (器用), which is written きよう [], with a full-sized ''yo'' kana. In historical kana orthography, ''yōon'' were not distinguished with the smaller kana, and had to be determined by context. In earlier stages of Japanese, and in certain dialects, ''yōon'' can also be formed with the kana ''wa'', ''wi'', ''we'', and ''wo''; for example, くゎ/クヮ ''kwa'', くゐ/クヰ ''kwi'', くゑ/クヱ ''kwe'', くを/クヲ ''kwo''. Although o ...
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Historical Kana Orthography
The , or , refers to the in general use until orthographic reforms after World War II; the current orthography was adopted by Cabinet order in 1946. By that point the historical orthography was no longer in accord with Japanese pronunciation. It differs from modern usage ('' Gendai kana-zukai'') in the number of characters and the way those characters are used. There was considerable opposition to the official adoption of the current orthography, on the grounds that the historical orthography conveys meanings better, and some writers continued to use it for many years after. The historical orthography is found in almost all Japanese dictionaries, such as ''Kōjien.'' In the current edition of the ''Kōjien,'' if the historical orthography is different from the modern spelling, the old spelling is printed in tiny ''katakana'' between the modern ''kana'' and ''kanji'' transcriptions of the word. Ellipses are used to save space when the historical and modern spellings are ident ...
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Dakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a syllable should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with the kana for syllables starting with ''h'' to indicate that they should instead be pronounced with . History The ''kun'yomi'' pronunciation of the character is ''nigori''; hence the ''daku-ten'' may also be called the ''nigori-ten''. This character, meaning ''muddy'' or ''turbid'', stems from historical Chinese phonology, where consonants were traditionally classified as ''clear'' ( "voiceless"), ''lesser-clear'' ( " aspirated") and ''muddy'' ( "voiced"). (See: Middle Chinese § Initials) ''Dakuten'' were used sporadically since the start of written Japanese; their use tended to become more common as time went on. The modern practice of using dakuten in all cases of voicing in all writing only came ...
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Handakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a syllable should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with the kana for syllables starting with ''h'' to indicate that they should instead be pronounced with . History The ''kun'yomi'' pronunciation of the character is ''nigori''; hence the ''daku-ten'' may also be called the ''nigori-ten''. This character, meaning ''muddy'' or ''turbid'', stems from historical Chinese phonology, where consonants were traditionally classified as ''clear'' ( "voiceless"), ''lesser-clear'' ( " aspirated") and ''muddy'' ( "voiced"). (See: Middle Chinese § Initials) ''Dakuten'' were used sporadically since the start of written Japanese; their use tended to become more common as time went on. The modern practice of using dakuten in all cases of voicing in all writing only came ...
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Dakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a syllable should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with the kana for syllables starting with ''h'' to indicate that they should instead be pronounced with . History The ''kun'yomi'' pronunciation of the character is ''nigori''; hence the ''daku-ten'' may also be called the ''nigori-ten''. This character, meaning ''muddy'' or ''turbid'', stems from historical Chinese phonology, where consonants were traditionally classified as ''clear'' ( "voiceless"), ''lesser-clear'' ( " aspirated") and ''muddy'' ( "voiced"). (See: Middle Chinese § Initials) ''Dakuten'' were used sporadically since the start of written Japanese; their use tended to become more common as time went on. The modern practice of using dakuten in all cases of voicing in all writing only came ...
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Handakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a syllable should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with the kana for syllables starting with ''h'' to indicate that they should instead be pronounced with . History The ''kun'yomi'' pronunciation of the character is ''nigori''; hence the ''daku-ten'' may also be called the ''nigori-ten''. This character, meaning ''muddy'' or ''turbid'', stems from historical Chinese phonology, where consonants were traditionally classified as ''clear'' ( "voiceless"), ''lesser-clear'' ( " aspirated") and ''muddy'' ( "voiced"). (See: Middle Chinese § Initials) ''Dakuten'' were used sporadically since the start of written Japanese; their use tended to become more common as time went on. The modern practice of using dakuten in all cases of voicing in all writing only came ...
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Kana
The term may refer to a number of syllabaries used to write Japanese phonological units, morae. Such syllabaries include (1) the original kana, or , which were Chinese characters (kanji) used phonetically to transcribe Japanese, the most prominent magana system being ; the two descendants of man'yōgana, (2) , and (3) . There are also , which are historical variants of the now-standard hiragana. In current usage, 'kana' can simply mean ''hiragana'' and ''katakana''. Katakana, with a few additions, are also used to write Ainu. A number of systems exist to write the Ryūkyūan languages, in particular Okinawan, in hiragana. Taiwanese kana were used in Taiwanese Hokkien as glosses (ruby text or ''furigana'') for Chinese characters in Taiwan when it was under Japanese rule. Each kana character (syllabogram) corresponds to one sound or whole syllable in the Japanese language, unlike kanji regular script, which corresponds to a meaning (logogram). Apart from the five vowels, ...
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Japanese Language
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ...
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Palatalization (phonetics)
In phonetics, palatalization (, also ) or palatization is a way of pronouncing a consonant in which part of the tongue is moved close to the hard palate. Consonants pronounced this way are said to be palatalized and are transcribed in the International Phonetic Alphabet by affixing the letter ⟨ʲ⟩ to the base consonant. Palatalization cannot minimally distinguish words in most dialects of English, but it may do so in languages such as Russian, Mandarin, and Irish. Types In technical terms, palatalization refers to the secondary articulation of consonants by which the body of the tongue is raised toward the hard palate and the alveolar ridge during the articulation of the consonant. Such consonants are phonetically palatalized. "Pure" palatalization is a modification to the articulation of a consonant, where the middle of the tongue is raised, and nothing else. It may produce a laminal articulation of otherwise apical consonants such as and . Phonetically palatalized consona ...
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Japanese Braille
Japanese Braille is the braille script of the Japanese language. It is based on the original braille script, though the connection is tenuous. In Japanese it is known as , literally "dot characters". It transcribes Japanese more or less as it would be written in the ''hiragana'' or ''katakana'' syllabaries, without any provision for writing ''kanji''. Japanese Braille is a vowel-based abugida. That is, the glyphs are syllabic, but unlike kana they contain separate symbols for consonant and vowel, and the vowel takes primacy. The vowels are written in the upper left corner (points 1, 2, 4) and may be used alone. The consonants are written in the lower right corner (points 3, 5, 6) and cannot occur alone. However, the semivowel ''y'' is indicated by point 4, one of the vowel points, and the vowel combination is dropped to the bottom of the block. When this point is written in isolation, it indicates that the following syllable has a medial ''y'', as in ''mya''. Syllables beginnin ...
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Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ...
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Labialization
Labialization is a secondary articulatory feature of sounds in some languages. Labialized sounds involve the lips while the remainder of the oral cavity produces another sound. The term is normally restricted to consonants. When vowels involve the lips, they are called rounded. The most common labialized consonants are labialized velars. Most other labialized sounds also have simultaneous velarization, and the process may then be more precisely called labio-velarization. In phonology, labialization may also refer to a type of assimilation process. Occurrence Labialization is the most widespread secondary articulation in the world's languages. It is phonemically contrastive in Northwest Caucasian (e.g. Adyghe), Athabaskan, and Salishan language families, among others. This contrast is reconstructed also for Proto-Indo-European, the common ancestor of the Indo-European languages; and it survives in Latin and some Romance languages. It is also found in the Cushitic and E ...
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Hiragana
is a Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' literally means "flowing" or "simple" kana ("simple" originally as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora in the Japanese language is represented by one character (or one digraph) in each system. This may be either a vowel such as ''"a"'' (hiragana あ); a consonant followed by a vowel such as ''"ka"'' (か); or ''"n"'' (ん), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French, Portuguese or Polish. Because the characters of the kana do not represent single consonants (except in the case of ん "n"), the kana are referred to as syllabic symbols and not alphabetic letters. Hiragana is used to write ''okurigana'' (kana suffixes following a kanji ...
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