Winged Victories
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Winged Victories
In ancient Roman religion Victoria was the deified personification of victory. She first appears during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia. Thereafter she comes to symbolise Rome's eventual hegemony and right to rule. She is a deified abstraction, entitled to cult but unlike Nike, she has virtually no mythology of her own. History and iconography Victoria first appears during the first Punic War, as a translation or renaming of Nike, the Greek goddess of victory in peace or war. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet ''victor'' (conqueror) or ''invictus'' (unconquered). By the late republican and early imperial eras, Vic ...
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Palestra Grande Di Pompei, Affreschi Di Moregine, Terzo Triclinio, IV Stile, Epoca Neroniana, 07 Vittoria Con Tripode
The Palestra, often called the Cathedral of College Basketball, is a historic arena and the home gym of the Penn Quakers men's and women's basketball teams, volleyball teams, wrestling team, and Philadelphia Big 5 basketball. Located at 235 South 33rd St. in Philadelphia, Pennsylvania on the campus of the University of Pennsylvania, near Franklin Field in the University City, Philadelphia, Pennsylvania, University City section of Philadelphia, it opened on January 1, 1927. The Palestra has been called "the most important building in the history of college basketball" and "changed the entire history of the sport for which it was built." The arena originally seated about 10,000, but now seats 8,725 for basketball. The Palestra is famed for its close-to-the-court seating with the bleachers ending at the floor with no barrier to separate the fans from the game. At the time of its construction, the Palestra was one of the world's largest arenas. It was one of the first steel-and-concr ...
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Vacuna
Vacuna was an ancient Sabine goddess, identified by ancient Roman sources and later scholars with numerous other goddesses, including Ceres, Diana, Nike, Minerva, Bellona, Venus and Victoria. She was mainly worshipped at a sanctuary near Horace's villa (now in the commune of Licenza), in sacred woods at Reate, and at Rome. The protection she was asked to provide remains obscure. Pomponius Porphyrion calls her ''incerta specie'' (of an uncertain kind) in his commentaries on Horace. Renaissance authors and Leonhard Schmitz state that she was a divinity to whom the country people offered sacrifices when the labours of the field were over, that is, when they were at leisure, ''vacui''. The etymology of her name is linked to lack and privation, and Horace appears to call upon her in favour of a friend to whom one of his epistles is addressed. From this, it has been conjectured that she was prayed to in favour of absent people, family members or friends.G. Dumézil, ''La religion ro ...
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Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ...
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Constantine II (emperor)
Constantine II ( la, Flavius Claudius Constantinus; February 316 – 340) was Roman emperor from 337 to 340. Son of Constantine the Great and co-emperor alongside his brothers, his attempt to exert his perceived rights of primogeniture led to his death in a failed invasion of Italy in 340. Career The eldest son of Constantine the Great and Fausta, Constantine II was born in Arles in February 316 and raised as a Christian. Caesar On 1 March 317, he was made Caesar. In 323, at the age of seven, he took part in his father's campaign against the Sarmatians. At age ten, he became commander of Gaul, following the death of his half-brother Crispus. An inscription dating to 330 records the title of ''Alamannicus'', so it is probable that his generals won a victory over the Alamanni. His military career continued when Constantine I made him field commander during the 332 campaign against the Goths. Augustus Following the death of his father in 337, Constantine II initially beca ...
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Solidus (coin)
The ''solidus'' (Latin 'solid';  ''solidi'') or nomisma ( grc-gre, νόμισμα, ''nómisma'',  'coin') was a highly pure gold coin issued in the Late Roman Empire and Byzantine Empire. Constantine I, Constantine introduced the coin, and its weight of about 4.5 grams remained relatively constant for seven centuries. In the Byzantine Empire, the solidus or nomisma remained a highly pure gold coin until the 11th century, when several Byzantine Empire, Byzantine list of Byzantine emperors, emperors began to strike the coin with less and less gold. The nomisma was finally abolished by Alexius I in 1092, who replaced it with the hyperpyron, which also came to be known as a "bezant". The Byzantine solidus also inspired the originally slightly less pure Dinar (coin), dinar issued by the Muslim Caliphate. In Western Europe, the solidus was the main gold coin of commerce from late Roman times to Pepin the Short's Carolingian Renaissance#Carolingian currency, currency reform, wh ...
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Aktien-Gesellschaft Gladenbeck
Aktien-Gesellschaft Gladenbeck was a foundry located in Berlin, Germany, that operated from 1851 until 1926. During the 75-year period when the foundry was in operation it was one of the most important foundries in Germany and was known for producing high quality bronze castings. History The Aktien-Gesellschaft Gladenbeck foundry opened for business in 1851 in Berlin, Germany, under the leadership of its founder, Carl Gustav Hermann Gladenbeck. It was one of the most important foundries in Germany, known for high quality bronze castings. Some of the first bronze sculptures that emerged from the foundry were marked "Gladenbeck" with subsequent castings over the years being marked "Gladenbeck und Sohn", "Akt-Ges v.H. Gladenbeck", "Akt-Ges Gladenbeck Berlin" or "Aktien-Gesellschaft Gladenbeck". The foundry cast many of the best known bronze sculptures created by German artists in the mid-to-late 19th century and early 20th century. In addition to serving the usually modest cas ...
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Berlin Victory Column
The Victory Column (german: , from ''Sieg'' ‘victory’ + '' Säule'' ‘column’) is a monument in Berlin, Germany. Designed by Heinrich Strack after 1864 to commemorate the Prussian victory in the Second Schleswig War, by the time it was inaugurated on 2 September 1873, Prussia had also defeated Austria and its German allies in the Austro-Prussian War (1866) and France in the Franco-Prussian War (1870–71), giving the statue a new purpose. Different from the original plans, these later victories in the unification wars inspired the addition of the bronze sculpture of Victoria, the Roman goddess of victory, high, designed by Friedrich Drake. Berliners have given the statue the nickname ''Goldelse'', meaning something like "Golden Lizzy". The Victory Column is a major tourist attraction in the city of Berlin. Its viewing platform, for which a ticket is required, offers a view over Berlin. History, design, and influences Design The base consists of polished red Swed ...
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Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of Ti ...
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Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ...
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Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor ...
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Constantius II
Constantius II (Latin: ''Flavius Julius Constantius''; grc-gre, Κωνστάντιος; 7 August 317 – 3 November 361) was Roman emperor from 337 to 361. His reign saw constant warfare on the borders against the Sasanian Empire and Germanic peoples, while internally the Roman Empire went through repeated civil wars, court intrigues, and usurpations. His religious policies inflamed domestic conflicts that would continue after his death. Constantius was a son of Constantine the Great, who elevated him to the imperial rank of ''Caesar'' on 8 November 324 and after whose death Constantius became ''Augustus'' together with his brothers, Constantine II and Constans on 9 September 337. He promptly oversaw the massacre of his father-in-law, an uncle, and several cousins, consolidating his hold on power. The brothers divided the empire among themselves, with Constantius receiving Greece, Thrace, the Asian provinces, and Egypt in the east. For the following decade a costly and inco ...
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Curia Julia
The Curia Julia ( la, Curia Iulia, links=no, it, Curia Iulia, links=no) is the third named ''curia'', or senate house, in the ancient city of Rome. It was built in 44 BC, when Julius Caesar replaced Faustus Cornelius Sulla's reconstructed Curia Cornelia, which itself had replaced the Curia Hostilia. Caesar did so to redesign both spaces within the Comitium and the Roman Forum. The alterations within the Comitium reduced the prominence of the Senate and cleared the original space. The work, however, was interrupted by Caesar's assassination at the Curia of Pompey of the Theatre of Pompey, where the Senate had been meeting temporarily while the work was completed. The project was eventually finished by Caesar's successor, Augustus Caesar, in 29 BC. The Curia Julia is one of a handful of Roman structures that survive mostly intact. This is due to its conversion into the basilica of Sant'Adriano al Foro in the 7th century and several later restorations. However, the roof, the upper ...
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