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Tristubh
''Trishtubh'' ( sa, त्रिष्टुभ्, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses. The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break, followed by either three or two short syllables. The final four syllables form a trochaic cadence. For example RV 2.3.1: :' :' :' :' :"Agni is set upon the earth well kindled :he standeth in the presence of all beings. :Wise, ancient, God, the Priest and Purifier :let Agni serve the Gods for he is worthy." :(trans. Griffith; the translator attempts to imitate the meter in English) This is to be read metrically as follows, with marking the caesura and separating the cadence: : : : : The Avesta has a parallel stanza of 4x11 syllables with a caesura after the fourth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Metre
Vedic metre refers to the metre (poetry), poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent ones syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :- 8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :- 12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :- 16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :- 20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). (Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Meter
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent ones syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :- 8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :- 12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :- 16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :- 20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). (Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). Fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Alphabet Of Sanskrit Transliteration
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pada (foot)
''Pāda'' is the Sanskrit term for "foot" (cognate to English ''foot'', Latin ''pes'', Greek ''pous''), with derived meanings "step, stride; footprint, trace; vestige, mark". The term has a wide range of applications, including any one of four parts (as it were one foot of a quadruped), or any sub-division more generally, e.g. a chapter of a book (originally a section of a book divided in four parts). In Sanskrit metre, ''pāda'' is the term for a metrical foot. As a measure of length, a ''pada'' amounts to 12 or 15 fingers' breadth, or 1/2 or 1/3 or 3/7 of a Prakrama. In Sanskrit grammar, a ''pada'' is any inflected word (noun or verb). In Buddhism, ''pāda'' is the term for a Buddha footprint. Gautama Buddha’s footprints symbolized his presence, and his image and iconography developed several centuries after he had died. There are also several landmarks venerated as "footprints" (''pāda'', also ''pādamudrā'') of Hindu deities. For example, ''Si Pada'' on Adam's Peak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala 2
The second Mandala of the Rigveda has 43 hymns, mainly to Agni and Indra chiefly attributed to the Rishi '' ''. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). Witzel (1995) on the basis of internal evidence suggested that the second Mandala contains the oldest hymns of the Rigveda.Michael Witzel, Rgvedic history: poets, chieftains and politics, in: Language, Material Culture and Ethnicity. The Indo-Aryans of Ancient South Asia, ed. G. Erdosy, Berlin/New York (de Gruyter) 1995, 307-352; Witzel, "Westward Ho" List of incipits The dedication as given by Griffith is in square brackets 2.1 (192) [ Agni Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu ....] . 2.2 (193) [Agni.] 2.3 (194) [ Apris.] ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the '' Vendidad'' and the '' Visperad''. The ''Visperad'' extensions consist mainly of add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuṣṭubh
( sa, अनुष्टुभ्, ) is a meter and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences. By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syllables. In Vedic texts Arnold distinguishes three varieties of anuṣṭubh in the Vedic corpus: an early free form, with very few restrictions except a general iambic (u – u x) tendency in the cadence (vṛtta) of each of the four ''pāda''s; e.g. : , , – – – – , u – u – , : , ‖ – – – – , u – u – ‖ : , , – – – u , u – u u , : , ‖ – – – – , u – u – ‖ Next came a mildly trochaic development in the opening of each ''pāda''; and finally the development of the "epic anuṣṭubh" (mostly in the Atharvaveda) prefiguring the classical śloka form. Although in these hymns the iambic cadence of the first verse is still the most frequent (25%) of al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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